Rafael Maria LiernBiblio.com
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1396589422.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1391512979.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1021394211.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019607785.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0557238145.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1998102840Centre. New. 1998. Hardcover. 0300076304 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- xiv 300 pp. 190 ills. appendices notes bibliog. 8vo. Description: "Product Description A highly important figure in the late eighteenth-century British art world John Raphael Smith was the most robust and prolific printmaker of his time. Smith not only produced nearly 400 prints -- about 130 of his own design and the others by such noted British artists as Joshua Reynolds George Romney and Joseph Wright of Derby -- he was also appointed "Mezzotinto Engraver" to the Prince of Wales and became an impresario of the print-publishing trade. This book is the first full-length study for nearly a hundred years of Smith's remarkable career in printmaking. Ellen D'Oench investigates how Smith conducted his engraving and publishing business and what his prints drawings and paintings reveal about the culture and morality of the society that viewed them. She includes a chronological catalogue raisonne with newly discovered works an inventory of his firm's publications and a catalogue of prints reproduced from his own original work. Along with full biographical information on Smith and his activities as an artist and publisher D'Oench pays close attention to the contemporary art market its operation and the placement of Smith's products within it. She details Smith's fascination with female genre subjects and his use of printed images to both exploit and critique his culture's manners and morals. Historians of paintings and prints social and cultural historians and scholars of women's history will all find in this book an array of delightful illustrations and interesting material." -- with a bonus offer-- . Centre hardcover
3640828046.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3828826539.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
8423341925.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189974817Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 23.50 x 34.50 cm une feuille Rare original lithograph executed by Raphaël Collin for L'Estampe Moderne series number 22 published in February 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the verso some foxing. Lithograph inspired by the poem Partenza by Francis Vièlé-Griffin. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was published in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft at once is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie"". The poster originally popular and plastered on the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189974816Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 23.50 x 34.50 cm une feuille et une serpente Rare original colour lithograph executed by Raphaël Collin for L'Estampe Moderne series number 22 published in February 1899. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe issue on verso; engraving preceded by a tissue guard captioned with the artist's name title and a poem. Lithograph inspired by the poem Partenza by Francis Vièlé-Griffin reproduced on the tissue guard of the print. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colours also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
384170509X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3639869206.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0750334649.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
652720-nnew. unknown
652720like new. unknown
3668758921.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1018329579.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
Börje MagnussonNot in perfect condition. unknown
20162-8499807135Editorial Graó 2016. Paperback. New. 218 pages. Spanish language. 9.25x7.09x0.63 inches. Editorial Graó paperback
3841771416.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9788491105985New. unknown
2001Q-0658015052McGraw-Hill Education 2001-08-21. Paperback. New. In shrink wrap. Looks like an interesting title! McGraw-Hill Education paperback
1635685443.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
147838Used. For more details please contact me unknown
