Lanfranco, Giovanni (after Raphael).Biblio.com
31 résultats
160715549Italy:: Giovanni Orlandi 1607. First edition. Rare. Print: 7.25 x 5.25 inches. Single leaf. Excellent impression some minor soiling trimmed just outside borders corners cut away smudge at lower right in print signed and numbered at lower right Ô46Õ. Corners adhered to later paper. Suitable for framing. David in chariot returning to Jerusalem after Syria in the midst of a triumphal procession including trophy bearers and prisoners -cited Fine Arts Museums of San Francisco. From a complete set of 50 paintings of the Raphael Bible etched by Sisto Badalocchio and Giovanni Lanfranco after RaphaelÕs frescoes in the loggias of the Vatican. Lanfranco 1582-1647 ranks alongside Pietro da Cortona 1596-1669 and Guercino 1591-1666 as one of the leading Old Masters of High Baroque painting in Rome. A master of visual illusion his architectural and easel work had a very strong influence on painting in Naples inspiring many Baroque artists. BM: L 4.44. Bartsch XVIII. 348.24 [Giovanni Orlandi,] unknown
168031781680 Gravure de : Diverses figures hiéroglyphiques peintes par Raphael d'Urbin dans une des salles du Vatican à Rome - c'est la planche 9, Commerce : une cariatide portant un sac sur son dos et levant sa main droite ; d'après la figure dessinée par Raphaël pour la strophe d'Eliodoro ; sur fond blanc. Eau-forte et gravure. British Museum Ref : 1854,1111.137 légers plis et une touche d'assombrissement, mais un très bon exemple de cette gravure. 430 x 215 mm
168031781680. Engraving from: Diverses figures hiéroglyphiques peintes par Raphael d'Urbin dans une des salles du Vatican à Rome - this is Plate 9 Commerce: a caryatid carrying a bag on her back and raising her right hand; after the figure designed by Raphael for the stanza d'Eliodoro; on white ground. Etching and engraving. British Museum Ref: 18541111.137 light creasing and a touch of darkening but a very good example of this engraving. 430 x 215 mm 17 x 8½ inches. Gravure de : Diverses figures hiéroglyphiques peintes par Raphael d'Urbin dans une des salles du Vatican à Rome - c'est la planche 9 Commerce : une cariatide portant un sac sur son dos et levant sa main droite ; d'après la figure dessinée par Raphaël pour la strophe d'Eliodoro ; sur fond blanc. Eau-forte et gravure. British Museum Ref : 18541111.137 légers plis et une touche d'assombrissement mais un très bon exemple de cette gravure. 430 x 215 mm unknown
1658LV2725A Paris: chez Adrien Menier a la Porte Saint-Victor 1658. 1658. 4to. 24 cm. 8 45 3 pp. 72 double-sided plates. Dedication signed: Du Fresne. With a special added engraved title page preceding the plates with the title: Briefve Histoire de l'Institution de toutes les Religions avec leurs habits granez par Odard Fialetti . . . 1658. Each plate has engraved descriptive text on facing page printed on verso of preceding plate. Contemporary red turkey morocco gilt-stamping and spine; neat restoration to spine corner bumped. Stamp on title and rear: Le Mrs. Marquis de Courtanvaux Le Tellier Marquis de Courtanvaux Francois-Cesar 1718-1781. CHOICE COPY IN A BEAUTIFUL CONTEMPORARY BINDING. Rare. First printing of an important book showing 72 standard costumes worn for 72 religious orders mostly Italian orders seventeenth century. There is a section devoted to the east and one plate to an order in India. Odoardo Fialetti whose real name was Edouard Viallet provided the remarkable engravings. The dedicatory epistle is addressed to Pierre de La Porte first valet de chambre of Louis XIV. / Trichet du Fresne described as erudite he took his education at the College de Guyenne Paris. While working for the brother of Louis XIII Gaston d'Orleans 1608-60 he acquired works of art on buying excursions. He began his career as a bookseller before becoming corrector at the newly established Imprimerie du Roi in 1640. In 1651 he published Leonardo da Vinci's treatise on painting Trattato della pittura which had circulated in manuscript form. His Trattato contained an early biography of Leonardo and Alberti and contained a list of books at the end forming the first annotated bibliography of art literature Dictionary of Art Historians. After the death of Naude he was appointed librarian of Queen Christina of Sweden. His own library comprised about 10000 volumes. Colbert acquired his manuscripts from his widow Francoise Duvivier for the Royal Library for 27700 livres. The printed books were bought by Nicolas Fouquet after whose disgrace and imprisonment they were confiscated and incorporated into the Royal Library in 1665. When in 1651 the Swedish Queen abdicated and emigrated to Italy Trichet followed her to Rome. REFERENCES: Blechet p.59; Pollard & Ehrman Table XXV; Taylor p. 265ff. See: Smith Paul J. "COGNITION IN EMBLEMATIC FABLE BOOKS: AEGIDIUS SADELER'S THEATRUM MORUM 1608 AND ITS RECEPTION IN FRANCE 1659–1743" Within: Cognition and the Book: Typologies of Formal Organisation of Knowledge in the Printed Book of the Early Modern Period; Series: Intersections Volume: 4. 2005. chez Adrien Menier, a la Porte Saint-Victor, 1658. unknown
166230315DBO.O. und Neuburg a. d. Donau, o.V. und Strasser, 1662 und 1665. 8°. (6) Bl., 155 (recte 157) S. Mit gestochenem Kupfertitel; (8) Bl., 300 S. Pappband des 18. Jahrhunderts mit schwarz geprägtem Supralibros des Klosters Lambach.
166230315BBO.O. und Neuburg a.d. Donau, o.V. und Strasser, 1662 und 1665. 8°. 6 n.n. Bl., 155 (recte 157) S. Mit gestochenem Kupfertitel; 8 n.n. Bl. 300 S. Pappband des 18. Jahrhunderts mit schwarz geprägtem Supralibros des Klosters Lambach.
