7 428 résultats
195615720Monte-Carlo Editions Du Cap 1956 In-8 235 pp, Collection les Fermiers Généraux, illustrations en noir hors-texte, 16 dessins inédits de l'auteur. Exemplaire numéroté, tirage limité. Cartonnage genre suédine rose, titre doré estampé sur les plats et dos légèrement passé.
16032Paris, à l'enseigne du Pot Cassé, 1946, 1 br., couverture illustrée, papier cristal de protection. in-8 de XXXVI-184-(2) pp., illustré de dessins de Callot et Rembrandt, exemplaire numéroté, un des 400 sur papier du Marais, témoins conservés ;
195725666Le club français du livre 1957 235 pages in-8. 1957. Reliure illustrée. 235 pages. Ex. n° 10026 - Avec des illustrations en noir
1965S31634, Estienne 1965 71pp.avec ills., jaq.
1997199Fondation Custodia 26 x 19,5 Paris 1997 XXIX-294 p. Jacquette illustrée et reliure de pleine toile, 100 reproductions de dessins. Ce catalogue, en français, accompagne l'exposition " Rembrandt et son école, Dessins de la Collection Frits Lugt ", à l'Institut Néerlandais, Paris du 2 octobre 1997 au 30 novembre 1997 et ensuite Teylers Museum, Haarlem du 14 décembre 1997 au 15 février 1998, sous le titre de "Rembrandt en zijn school, Tekeningen uit de Collectie Frits Lugt." Coordination générale : Mària van Berge-Gerbaud et Hans Buijs. Table des matières : Préface ( M. van Berge-Gerbaud, Peter Schatborn ) / Catalogue / Biographies / Filigranes / Registres avec index des artistes, index des précédents collectionneurs.Petite déchirure en bas de la jaquette. Etat neuf.(B22) Livre
1997199Fondation Custodia 26 x 19,5 Paris 1997 XXIX-294 p. Jacquette illustrée et reliure de pleine toile, 100 reproductions de dessins. Ce catalogue, en français, accompagne l'exposition " Rembrandt et son école, Dessins de la Collection Frits Lugt ", à l'Institut Néerlandais, Paris du 2 octobre 1997 au 30 novembre 1997 et ensuite Teylers Museum, Haarlem du 14 décembre 1997 au 15 février 1998, sous le titre de "Rembrandt en zijn school, Tekeningen uit de Collectie Frits Lugt." Coordination générale : Mària van Berge-Gerbaud et Hans Buijs. Table des matières : Préface ( M. van Berge-Gerbaud, Peter Schatborn ) / Catalogue / Biographies / Filigranes / Registres avec index des artistes, index des précédents collectionneurs.Petite déchirure en bas de la jaquette. Etat neuf.(B22) Livre
197180448Paris Grasset 1971 1 vol. broché in-12, broché, couverture à rabats, non coupé, 202 pp. Edition originale. Un des 34 exemplaires numérotés sur vélin pur fil, seul tirage en grand papier. En parfait état.
197180448Paris Grasset 1971 1 vol. broché in-12, broché, couverture à rabats, non coupé, 202 pp. Edition originale. Un des 34 exemplaires numérotés sur vélin pur fil, seul tirage en grand papier. En parfait état.
P., Fondation Custodia, 1997. Petit in-4 relié toile avec jaquette, 294 pp. petits frattements à la jaquette.
200048506Stanford University Press, 2000. 624 Seiten : Ill. ; Sprache: Englisch broschiert
pp. 128 con 63 belle ill. in b/n Bel catalogo della mostra tenutasi alla Chiesa della Santissima Trinità a Trinità d'Agultu (Sassari), dal 25 luglio al 30 settembre 1998. Testi di Chiara Visconti (Rembrandt: luminismo e creatività di un artista) e di Orietta Berlanda L'opera incisoria di Rembrandt). Testi in italiano, inglese e tedesco e un'interessante selezione di incisioni dell'artista olandese.
65715Seven etchings of lions after Rembrandt of a set of eight making up part F of the series 'Recueil de lionsÂ’.The frontispiece of the series of lions shows a lion resting on the ground carrying the title of the series: ‘RECEUÃL de LIONS Dessinés dÂ’apres nature par REMBRANDT et B. Picart qui les a gravés en 1728.Â’ At the bottom inscribed: ‘B. Picart ad Vivum del et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘1.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 78 x 120 mm; traces of previous mounting on the verso.A lion standing. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘2.Â’ Etching on paper with small margins; platemark: 69 x 113 mm total: 79 x 122 mm; traces of previous mounting on the verso.A lion lying on its side. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘3.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 77 x 122 mm; traces of glue and previous mounting on the verso.A lion resting on the ground. At the bottom inscribed: ‘B. Picart ad Vivum del. et sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘4.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 80 x 122 mm; traces previous mounting on the verso.A chained lion resting on the ground. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘5.Â’ Etching on paper with small margins; platemark: 71 x 107 mm total: 82 x 119 mm; light foxing traces of previous mounting on the verso.A lion sitting on the ground seen from the back. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘7.Â’ Etching on paper with small margins; platemark: 70 x 113 mm total: 79 x 122 mm; traces of previous mounting on the verso.A lion lying down feeding from a bowl seen from the back. At the bottom inscribed: ‘Rembrand del. B. Picart sculp.Â’ Lettered at the bottom left: ‘F.Â’ Numbered at the bottom right: ‘8.Â’ Etching on paper with small margins; platemark: 70 x 114 mm total: 80 x 124 mm; light stain in the middle-left light foxing traces of previous mounting on the verso. Literature: Les peintres français du XVIIIe siècle : histoire des vies et catalogue Louis Dimier dl. 1 p. 393 cat.nr. 903-946. unknown
19761030München, Südwest Verlag, 1976. 4°, 512; 574 Seiten. mit zahlreichen Abbildungen. Orig.Leinen mit OSU im Orig.Schuber.
71pp.avec ills., jaq.
IN 8° ( cm.27 X 19,5 ), c.22 + 630 ILLUSTRAZIONI IN SEPPIA + pp.31 DI BIBLIOGRAFIA.<BR>COPERTINA EDITORIALE IN TUTTA TELA RIGIDA CON TITOLO SOVRAIMPRESSO MARRONE<BR>RIPORTATO ANCHE AL DORSO. REMBRANDT HARMENSZOON ( LEIDA 1606 - AMSTERDAM 1669 ), PITTORE E INCISORE OLANDESE, UNO DEI PIU' GRANDI PITTORI DELLA STORIA DELL'ARTE. IL SUO PERIODO DI ATTIVITA' COINCIDE CON QUELLO CHE GLI STORICI DEFINISCONO L'ETA' DELL'ORO OLANDESE. TESTO IN LINGUA TEDESCA. PRIMA EDIZIONE.<BR>DEDICA AUTOGRAFA ALLA PRIMA CARTA BIANCA, OTTIMA CONSERVAZIONE.ID 2188
8572, Zwolle, Waanders, 1991., Originele uitgeversomslag geillustreerd in kleur, 24,5x29cm, 288pp, geillustreerd in kleur en z/w, ISBN 9066302992.
55533Zwolle, Waanders 1991, 1991 Gebonden, in stevig hardcover foedraal, originele uitgeversomslag geillustreerd in kleur, 24,5x29cm, 288pp + 396pp, geillustreerd in kleur en z/w, ISBN 9789066303010.
2217London, Yale University Press, 1990. 4vo / in-4 carré, illustrated softcover / brochage illustré, 288pp. Numerous drawings and etchings by Rembrandt / Nombreuses planches des plus beaux dessins et eaux-fortes de Rembrantd. English text / Texte en anglais. Bel album, en très bon état / Beautiful album in very good condition.
201094424Museum Publications. New. 2010. Paperback. 0892369795 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 304 pages; 202 color and 3 b/w illustrations. Description: "Rembrandt was the most famous painter of the Dutch Golden Age and the opportunity to work in his studio attracted young artists for nearly four decades until the artist's death in 1669. This catalogue explores the workings of Rembrandt's studio in the form of drawings made by the master himself and fifteen of his pupils. Rembrandt and his students would often depict the same subject matter as an exercise and make drawings of the same nude models. Organized chronologically Drawings by Rembrandt and His Pupils: Telling the Difference is a groundbreaking study that presents more than forty works by Rembrandt and related works by his pupils. It explores the scholarship of recent decades that has brought new and more systematic criteria to bear on determining the authenticity of Rembrandt drawings and defines the styles of his pupils and followers with ever-greater precision." -- with a bonus offer-- . Museum Publications paperback
201094423Museum Publications. New. 2010. Hardcover. 0892369787 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 304 pages; 202 color and 3 b/w illustrations. Description: "Rembrandt was the most famous painter of the Dutch Golden Age and the opportunity to work in his studio attracted young artists for nearly four decades until the artist's death in 1669. This catalogue explores the workings of Rembrandt's studio in the form of drawings made by the master himself and fifteen of his pupils. Rembrandt and his students would often depict the same subject matter as an exercise and make drawings of the same nude models. Organized chronologically Drawings by Rembrandt and His Pupils: Telling the Difference is a groundbreaking study that presents more than forty works by Rembrandt and related works by his pupils. It explores the scholarship of recent decades that has brought new and more systematic criteria to bear on determining the authenticity of Rembrandt drawings and defines the styles of his pupils and followers with ever-greater precision. " -- with a bonus offer-- . Museum Publications hardcover
200639404Ostfildern : Hatje Cantz, 2006. Buchhandelsausg. 238 S. : zahlr. Ill. ; 28 cm Pp.
200648171Ostfildern : Hatje Cantz, 2006. Buchhandelsausg. 238 S. : zahlr. Ill. ; 28 cm Pp.
20062130936Ostfildern: Hatje Cantz 2006. 238 Seiten. Durchgehend mit zahlreichen Abbildungen. Gr. 8° (22,5-25 cm). Illustrierter Orig.-Pappband. [Hardcover / fest gebunden].
200636160Ostfildern : Hatje Cantz, 2006. 238 S., Ill. Pp.
2006640200Köln ; Berlin: [DuMont-Literatur-und-Kunst-Verl.]. 2006. 168 Seiten. 27x23,5cm. Zustand: Sehr Gut, ungelesen; Ppbd.
