Follower of Rembrandt van RijnBiblio.com
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139671Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1630. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
139669Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1630. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
119454Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
119456Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1650. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
119457Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
119455Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 17th century c. 1650. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
Milano, 1906, 8vo stralcio con copertina posticcia muta, pp. 685/690 con 11 illustrazioni. - !! ATTENZIONE !!: Con il termine estratto (o stralcio) intendiamo riferirci ad un fascicolo contenente un articolo di rivista, sia che esso sia stato stampato a parte utilizzando la stessa composizione sia che provenga direttamente da una rivista. Le pagine sono indicate come "da/a", ad esempio: 229/231 significa che il testo è composto da tre pagine. Quando la rivista di provenienza non viene indicata é perchè ci è sconosciuta. - !! ATTENTION !!: : NOT A BOOK : “estratto” or “stralcio” means simply a few pages, original nonetheless, printed in a magazine. Pages are indicated as in "from” “to", for example: 229/231 means the text comprises three pages (229, 230 and 231). If the magazine that contained the pages is not mentioned, it is because it is unknown to us.
200311101ABo. Ort, Druck: Künzel Druck, 2003. 11 x 15 cm, unpaginiert, ca. 56 Seiten, broschiert (geheftet). leichte Gebrauchsspuren, sehr gut erhalten.
F000515 aerial photo's of Rotterdam city center in 1946 and before 1940: Hofplein met omgeving voor 1940 Coolsingel met omgeving 1946 Rotterdam overzicht voor 1940 Bijenkorf met omgeving 1946 Coolsingel met omgeving voor 1940 Bezuidenhoutkwartier 1946 Oostplein 1946 Witte huis met omgeving 1946 Witte huis met omgeving voor 1940. 15 Photograph measurement: 90 x 140 mm. In good condition. unknown
1103Réunion des musées nationaux, Paris, 1970. In-8, broché sous couverture illustrée en couleurs, 278 pp. Avant-propos, par Michel Laclotte - La peinture hollandaise dans les collections françaises, par Jacques Vergnet-Ruiz - Catalogue [241 n°].
197079434Editeurs Francais Reunis Malicorne sur Sarthe, 72, Pays de la Loire, France 1970 Book condition, Etat : Bon broché, sous couverture imprimée à rabats éditeur blanche, illustrée du regard de Rembrandt petit In-4 oblong 1 vol. - 137 pages
AJ12519TATTENTION EDITION CARTONNER COUVERTURE POUVANT DIFFERER ICI COUVERTURE RIGIDE ROUGE Lire Rembrandt , Fouchet Max-Pol (Editeurs français réunis, CARTONNER, 1970
2049Editions de la R. M. N., collection "les dossiers du département des peintures", 35, Paris, 1988. In-8 de format carré, broché sous couverture illustrée en couleur, 119 pp. Introduction - I. Dou et la manière fine leydoise [Gerard Dou. - Salomon Koninck. - Pieter Potter. - Dirck van Santvoort] - II. Elèves de Rembrandt dans sa grande période baroque d'Amsterdam [Ferdinand Bol. - Gerbrand van den Eeckhout. - ...
1988222721988 Paris, éditions de la Réunion des Musées Nationaux,1988, 20x 21 cm, 119 pp, reliure d'éditeur,
17624Paris, Flammarion, 1971. 24 x 31, 144 pp., 64 planches en couleurs, ca 530 illustrations en N/B, cartonnage d'édition + jaquette , très bon état.
3140Emile Lévy, Editeur, Librairie centrale des Beaux-Arts, Paris, 1908. In-8, broché, xv-150 pp. Introduction - Bibliographie - Eaux-fortes : 1. Portraits de Rembrandt. - 2. Ancien Testament. - 3. Nouveau Testament. - 4. Sujets pieux. - 5. a) sujets allégoriques et mythologiques. - b) Animaux, combats et chasses. - 6. Genre, gueux et ...
PR121285Young man in a velvet cap Petrus Sylvius; half-length turned to left eyes to front; second state with some outlining and shading removed.Signed bo: F. V. fecit / RH 1620.Scarce 1st state impression.NL Bedelaar en bedelares in gesprek. Gemaakt door Francis Vivares 1709-1780 naar Rembrandt 1606-1669. Etching on paper mounted on another sheet of paper with a slip of paper with handwritten notes on the maker; total: 89 x 63 mm; state I/2; in very good condition except for the visible traces of glue on the top corners mounting; New Hollstein 49 copy a before numbering. Traces of previous mounting on verso. unknown
br. Ciò che fa di Edgardo Franzosini uno scrittore diverso da qualsiasi altro è la sua capacità di raccontarci storie vere di personaggi, generalmente poco noti, che sembrano inventati per quanto sono fuori del comune. In questo libro Franzosini ci regala un'altra delle sue ipnotiche "vite immaginarie" percorrendo, con quella visionarietà e quella levità che lo contraddistinguono, la breve, singolare esistenza dello scultore Rembrandt Bugatti (fratello di Ettore, il fondatore della casa automobilistica, il quale sceglierà proprio il suo Elefantino danzante per il tappo della lussuosissima Bugatti Royale), divenuto celebre negli anni Dieci del Novecento per i suoi bronzi raffiguranti animali, di preferenza non domestici: tigri, giaguari, pantere, elefanti, leoni... Con gli animali Bugatti ha sempre vissuto in una sorta di struggente empatia, passando ore e ore davanti alle gabbie del Jardin des Plantes, a Parigi, o negli splendidi edifici orientaleggianti dello zoo di Anversa, a guardarli vivere, muoversi, mangiare, soffrire - identificandosi totalmente con loro. Al punto da subire un autentico shock allorché, di fronte alla minaccia dei bombardamenti tedeschi, le autorità del Belgio decisero di sterminare tutte le bestie dello zoo. "Non sono in molti" ha scritto Giuseppe Pontiggia a proposito di Franzosini "a scrivere libri che hanno questa leggerezza e questo humour discreto".
2019120634Freedberg, David and Wendy Monkhouse: Visions of the Self: Rembrandt and Now. Exhibition: London, Gagosian Gallery, 2019. Hardback. Published on the occasion of the eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition placed Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others.
2019120634Freedberg, David and Wendy Monkhouse: Visions of the Self: Rembrandt and Now. Exhibition: London, Gagosian Gallery, 2019. Hardback. Published on the occasion of the eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition placed Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others.
Freedberg, David and Wendy Monkhouse: Visions of the Self: Rembrandt and Now. Exhibition: London, Gagosian Gallery, 2019. Hardback. Published on the occasion of the eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition placed Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others. Published on the occasion of the eponymous exhibition at Gagosian, Grosvenor Hill, London. Organized in partnership with English Heritage, the exhibition placed Rembrandt’s masterpiece Self-Portrait with Two Circles (c. 1665) in dialogue with self-portraits by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as leading contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Jenny Saville, Cindy Sherman, and Rudolf Stingel, among others.
192591896Amsterdam, 1923 / 1925. Bd. 1 und 3, zus. 2 Bde. Mit 130 mint. Abbildungen auf Tafeln. 22 S., 1 Bl.; Kl.-4to. HLwd.
59-0749London early 19th cent. Engraving by W. French after a self-portrait by Rembrandt Van Ryn. Image size: 295 x 216 mm. Sheet size: 323 x 241 mm. Trimmed outside plate marks. Wove paper. Ink stain to left of image. London, early 19th cent. unknown
2514Galerie Georges Petit, Paris, les 27 et 28 mai 1928. Petit in-4, broché, 134 pp. Introduction, par Frits Lugt - Catalogue [115 n°] : Maîtres des XVe et XVIe siècles - Maîtres du XVIIe siècle - Maîtres des XVIIIe et XIXe siècles.
2907Editions de la Réunion des musées nationaux, Paris, 1969. In-8, broché sous couverture illustrée en noir, 63 pp. - pl. Préface, par Maurice Sérullaz - Introduction, par Frits Lugt et M. Sérullaz - Catalogue [127 n°] : Portraits de Rembrandt et de sa famille. - Portraits et têtes d'études. - Etudes de nus. - Sujets de genre et compositions, animaux. ...
