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196648728Couverture rigide. Reliure toile de l'éditeur, dos passé. Non paginé. Sous emboîtage.
199877003Freiburg im Breisgau ; Basel ; Wien : Herder 1998. 7. Aufl. 171 S. : Ill. ; 25 cm Pappe 0
200721509Freiburg, Basel, Wien, Herder, (2007). Gr.-8vo. Mit 1 Farbtaf. 171 S. OPp. m. goldgeprägt. Rückentitel sowie Orig.-Schutzumschlag.
17710379821771. 1st Edition 1st Printing. No Binding. Fine. Original Engraving. 24.8 X 15.5 Including Very Large Margins. Pl. No. 22 De L'oeuvre" In Tiny Letters At Top Of Image. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. <br/> <br/> unknown
2940Rembrandthuis, Amsterdam, 1977. In-8, plaquette agrafée sous couverture illustrée en noir, 16 pp. Introduction - La vie de Rembrandt - Histoire de la maison de Rembrandt - Technique de l'eau-forte - Salle dite Sydelcaemer - Salle du fond dite Agtercaemer - Entre-sol - Atelier ou Schildercaemer -
199519141Amsterdam, Rembrandthaus, (1995). 164 S. mit zahlr. teils ganzseit. Textabb. Gr.-8°. OKart. (kl. Gebrssprn).
195763350Sous étui cartonné gris. Sous jaquette d'éditeur illustrée en couleurs. Cartonnage d'éditeur crème bradel. Petites piqures sur les contre-plats. Bel état du contenu orné de reproductions in- et hors-texte en couleurs des ?uvres de REMBRANDT.
pp. XIV, 136 ill. Accurato catal. di 73 tavole del grande incisore.
ill., ril. Nel secolo d'oro dell'arte olandese la pittura di Rembrandt van Rijn (Leida 1606 - Amsterdam 1669) spicca per la sua assoluta singolarità. Rispetto ai canoni della pittura barocca - spettacolare, celebrativa - ma anche rispetto alle tendenze in voga in Olanda: perfezione ottica della rappresentazione, scene di genere, nature morte. La sua pittura è materica e vibrante, la sua capacità nell'uso drammatico del chiaroscuro altissima, i suoi soggetti spaziano dal ritratto alle scene sacre, ai miti antichi.
ill., br. Un dossier dedicato a Rembrandt e Amsterdam. In sommario: "Amsterdam e la questione religiosa", "Iconografie particolari", "Pittura morale", "I rapporti col mondo ebraico" e "I volti di Amsterdam: ritratti e autoritratti". Come tutte le monografie della collana "Dossier d'art", una pubblicazione agile, con riproduzioni a colori, completa di un quadro cronologico e di una bibliografia.
1334041717.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992Q-0810928132Harry N. Abrams 1992-10-30. Paperback. New. New. In shrink wrap. Looks like an interesting title! Harry N. Abrams paperback
198278497Luxembourg: Hasso Ebeling Verlag, 1982. 28 cm ; Pp.
ART4197MBraun & Cie, Editeurs d’Art. Mulhouse-Dornach, 1930. Dessins et peintures des maîtres anciens. Première série. Cinquième volume. Choix de cinquante dessins de Rembrandt Van Rijn.
1963165356New York: The MacMillan Company 1963. First American Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. The MacMillan Company hardcover
925Peale is likely writing to John Durand 1822-1908 painter and son of artist Asher B. Durand. John Durand co-founded a cultural and art periodical called "The Crayon" published from Jan 3 1855 to July 1861. Peale writes "After you left me this morning it occurred to me that possibly in your next number you would give a few words on the Exhibition here - In this case you might say that it contained nothing from my pencil & that I preferred to send a portrait my last work in my 80th Year to the New York Academy. which I have done - That of a Young Man." Nicely signed "Rembrandt Peale." The painting's title refers to his "Portrait of a Young Man." Peale had settled in Philadelphia by the time he wrote this letter and that city is likely the place to which he refers regarding the Exhibition. Earlier in the year of our letter 1857 Peale made prints that he called "Monochrome of Washington." <br/><br/>When he lectured at the New York Historical Society on June 16 he displayed Washington portraits including a Monochrome decorated with cord and tassel. see journals at Penn State Univ. on line Peale painted his first portrait at the age of 17 of President George Washington in 1795. Over the course of his long and prolific career as portrait painter Peale would paint over 70 pictures of Washington portraits of President Thomas Jefferson as well as Chief Justice John Marshall. In addition to painting the Founding Fathers Peale created many portraits including the one referenced in our letter. Letters of Peale mentioning one of his works are particularly uncommon. Matted with bust length albumen print of the artist attached to a mat possibly not the original mat. Corners of the print are somewhat damaged image is somewhat faded. The portrait print of the artist matches the tone of Peale's letter and creates a handsome pairing. unknown books
1845W8604APhiladelphia: Edward C. Biddle 1845. Joints split hinges starting. Some penciling on preliminaries. Water damage on top half of most pages in the book. Bottom edge has former owner's name in ink. 41 plates of graphics and calligraphy. Original black leather gilt and marbled boards with loss of leather on spine and on tips. Marble paper with piece missing at top of upper cover and on edges. Of interest to students of Peale and of art. . First Edition. Quarter Leather. Poor/No Jacket. Illus. by Author. 12mo - over 6¾" - 7¾" tall. Trade. Edward C. Biddle Hardcover books
1843251136Philadelphia: Biddle 1843. hardcover. very good-. 40 plates plus text illustrations. xviii 132pp. 12mo rebound in modern red cloth; heavily foxed and with a damp stain in the upper margin of the last half of the book. Philadelphia: Biddle 1843. A very good - copy.<br/><br/> Biddle unknown books
1838163047Philadelphia PA: J. Wetham 1838. Third edition Improved. Hardcover. Reading copy. Spine gone covers loose ffep loose moderate foxing throughout. Would benefit from rebinding or a clam-shell box. Gilt embossed covers in sewn binding. 95 pp. followed by 5 pp. notices reviews and 1 pp. Prospectus for Peale's next Progressive Drawing Book. Appx. 42 line drawings and caligraphy examples line engraving frontis piece and 9 lithographed full-page plates of script handwriting samples. The title-page of this rare manual has a small paper with "Third Edition - Improved" glued over-top of what must say "Second Edition." A rare example of an early edition of this popular manual which has sections on Drawing and Writing. Light to moderate dampstaining to bottom right page edges. J. Wetham hardcover books
183951427Philadelphia: Henry Perkins; Boston: Perkins & Marvin 1839. First edition 12mo pp. 263 1; original brown cloth gilt-lettered spine light wear and cracks at spine ends and the text with mild foxing and dampstaining; all else very good. This copy inscribed to "D. L. Brainard from the author July 59." OCLC notes "Rembrandt Peale painted over 600 works of art throughout his lifetime. He painted many prominent individuals in American history including George Washington Thomas Jefferson and John C. Calhoun." <br/><br/> Henry Perkins; Boston: Perkins & Marvin hardcover books
1859WRCAM45229New York: Colton 1859. Chromolithographic print: 20 x 30 inches. Receipt: 3 x 7 1/2 inches. Minor toning and soiling small tear at bottom edge. Very good. Large print of Rembrandt Peale's famous painting "The Court of Death" lithographed by Sarony Major & Knapp. Rembrandt Peale was the most accomplished son of the great American portrait painter Charles Willson Peale. The painting "The Court of Death" was the most ambitious of his works full 24 by 13 feet in size. Completed in 1820 it was displayed for a number of years at the Baltimore Peale Museum and then toured to other cities up through the time of the Civil War. <br> <br> By 1859 the painting had been sold to Gardiner Quincy Colton who published it in the present format and sold the prints for the low price of $1. Noted scholar Peter C. Marzio wrote: "Peale himself normally haughty and querulous provided a model of understated endorsement of the lithograph writing shortly before his death to Tristram Coffin on July 3 1860 'The drawing is correct and the Colouring considering the difficulty of the process & its cheapness gives a good general idea of the painting.'" Marzio further adds that this lithograph is among his favorites due to its importance in Peale's brilliant career not only as an artist but as a popularizer of art noting: "The painting is historically important as a very popular touring picture." <br> <br> This example is accompanied by a printed and illustrated receipt for the purchase of one print. The receipt "entitles the holder to an ownership of One Share in the original Painting valued at $25000; which will be disposed of as soon as 100000 Engravings are taken in such manner as they the associated owners shall determine." The receipt has a portrait of Peale on one end and of George Washington on the other. In a contemporary prospectus for the print the publisher touts the obvious truth that more profit could be made by selling 100000 prints at the low price of $1 than could be achieved by selling 5000 prints at $5. In addition to increasing his profit margins Colton clearly hoped to sell more prints based on the idea of buying into a share of the painting. <br> <br> A pair of items illustrating the distinct link between art and commerce. Peter C. Marzio DEMOCRATIC ART pp.51 216. GOLDSMITH 23085 ref. Last COLOR EXPLOSION pp.132-33. Colton unknown books
185733895Philadelphia: Rembrandt Peale 1857. 1st Edition. 1st Edition. Signed by Author. Peale Rembrandt. Uncommon Autograph Letter Signed November 6th 1857. 8vo. 1 page. To "<br /> H. P. Beck Esq. Dear Sir. / Learning that you are now at home Mrs. Peale in returning the pictures you were so kind to lend her / expresses her sincere thanks for the favor. And I must add that I am sure you will be pleased with the success of her copy. / Respectfully yours / Rembrandt Peale". <br /> <br /> Rembrandt Peale 1778 1860 was an American artist and museum keeper the second son of Charles Wilson Peale A prolific portrait painter he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. <br /> <br /> One of his most famous works Patriae Pater 1824 is a portrait of George Washington designed to project the dignity and gravitas of Washington's character. This portrait known for its idealized and almost monumental quality became one of the most recognized images of Washington and was widely reproduced. He put the original painting on display in the U.S. Capitol in Philadelphia during the winter of 1823-24. In late February 1824. Rembrandt Peale unknown
925Peale is best known for his presidential portraits of George Washington and Thomas Jefferson. In this Autograph Letter Signed 8vo n.p. May 15 1857 Peale is likely writing to John Durand 1822-1908 painter and son of artist Asher B. Durand. John Durand co-founded a cultural and art periodical called "The Crayon" published from Jan 3 1855 to July 1861. Peale writes "After you left me this morning it occurred to me that possibly in your next number you would give a few words on the Exhibition here - In this case you might say that it contained nothing from my pencil & that I preferred to send a portrait my last work in my 80th Year to the New York Academy. which I have done - That of a Young Man." Nicely signed "Rembrandt Peale." The painting's title refers to his "Portrait of a Young Man." Peale had settled in Philadelphia by the time he wrote this letter and that city is likely the place to which he refers regarding the Exhibition. Earlier in the year of our letter 1857 Peale made prints that he called "Monochrome of Washington." <br /> <br /> When he lectured at the New York Historical Society on June 16 he displayed Washington portraits including a Monochrome decorated with cord and tassel. see journals at Penn State Univ. on line Peale painted his first portrait at the age of 17 of President George Washington in 1795. Over the course of his long and prolific career as portrait painter Peale would paint over 70 pictures of Washington portraits of President Thomas Jefferson as well as Chief Justice John Marshall. In addition to painting the Founding Fathers Peale created many portraits including the one referenced in our letter. Letters of Peale mentioning one of his works are particularly uncommon. Matted with bust length albumen print of the artist attached to a mat possibly not the original mat. Corners of the print are somewhat damaged image is somewhat faded. The portrait print of the artist matches the tone of Peale's letter and creates a handsome pairing. unknown
1020184582.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1843251136Philadelphia: Biddle 1843. hardcover. very good-. 40 plates plus text illustrations. xviii 132pp. 12mo rebound in modern red cloth; heavily foxed and with a damp stain in the upper margin of the last half of the book. Philadelphia: Biddle 1843. A very good - copy.<br/> <br/> Biddle unknown
