7 428 résultats
1918V32118Leipzig (Insel Verlag) 1918 (= 21.- 35. Tsd.). 8°, Originalhalbleinen (Hardcover) 101 S. + 96 Bildtafeln 2
201446367New Haven, London : Yale University Press, 2014. 307 Seiten ; Ill. ; Sprache: Englisch Pp.
2222Paris, Laurens, 1904 Broche, sous jacquette originale d'editeur, 15.6x21.5 cm., 127 pp, 24 reproductions de tableaux hors texte en n/b.
198996709Scala Publications, London & Rijskmuseum, Amsterdam, 1989. 27,5 cm ; kart.
199166736Stuttgart: Parkland, 1991. 128 S., zahlr. Ill. OPp., gebundene Ausgabe.
198989575ABLondon, Scala Books / Amsterdam, Rijksmuseum 1989. 4°. 128 S. mit 60 Farbtafeln, farb. illustr. OKt. (Kaschierfolie an einer Ecke etw. gelöst). Sonst tadellos. DEA. farb. illustr. OKt. (Kaschierfolie an einer Ecke etw. gelöst). Sonst tadellos. DEA.
415pp., with ills. in colour and in bl/w, 28cm., softcover, text in English, very good, weight: 1.9kg., [Catalogue of the exhibition held at 'Museum het Rembrandthuis Amsterdam' & 'Staatliche Museen Kassel', 2001-2002], S108141
2001S108141Wolfratshausen, Minerva 2001 415pp., with ills. in colour and in bl/w, 28cm., softcover, text in English, very good, weight: 1.9kg., [Catalogue of the exhibition held at 'Museum het Rembrandthuis Amsterdam' & 'Staatliche Museen Kassel', 2001-2002], S108141
10-0284Paris: Basan late 18th cent. Etching from one of the Basan editions on laid paper. 22 x 30 cm. Light foxing chiefly evident in the margins. Paris: Basan, late 18th cent. unknown
19389198Muscatine IA: Black Cat Press Prairie Press 1938. Original Wrappers. Very Good binding. 16mo. 8 pp. French fold. Limited edition. As issued sewn in pictorial wrappers. Wrappers are a trifle chipped and soiled; contents clean. Uncommon despite a fairly large limitation. A charming keepsake. Black Cat Press | Prairie Press unknown
1780180325101780. No binding. Near fine. van Rijn Rembrandt. Single etching printed to recto only plate margins: about 4.5" by 3.5" A late 18th-century restrike likely by Claude-Henri Watelet 1718-1786 of Dutch master Rembrandt van Rijn's 1606-1669 etching "Abraham Caressing Isaac Benjamin". While producing a body of work that continues to be treasured 400 years after his lifetime Rembrandt experienced a great deal of loss in his personal life losing three children in infancy and his beloved wife Saskia after the birth of their fourth child - the only one to survive to adulthood. The look of quiet sadness in this etching on the face of Abraham perhaps echoes some of that loss experienced by Rembrandt while the face of the child shows only joy at being so closely held by his father.<br /> <br /> Rembrandt's work varies greatly an aspect that sets him apart from many of his contemporaries. His work included biblical scenes such as that seen in this work but was not limited in that respect. He worked in portraits including what were considered remarkably sincere self-portraits landscapes nudes animals still-life and mythological scenes in a variety of mediums. He was producing during an important period in the Netherlands a wealthy cultural high-point known as the Dutch Golden Age. The innovations of this period with a strong contribution from Rembrandt himself paved the way for many of the important movements that followed. <br /> <br /> Rembrandt produced etchings for almost his entire career until he was forced for economic reasons to sell his press. His etchings more so than his paintings were responsible for much of his success during his lifetime. During his lifetime Rembrandt made hundreds of impressions from nearly 300 plates and about 80 plates still exist today. As a result the plates were used to make impressions for centuries after Rembrandt's death; what is remarkable about this particular example is that the margins are relatively complete whereas most Rembrandt etchings are found with margins trimmed often right up to the plate mark. Dating and authenticating plates is often a complicated process; this impression has been appraised and dated by a professional with a copy of the appraisal summary available upon request. <br /> <br /> __CONDITION: This is a near fine example bright and clean slight age-toning/soiling to outer margins which can be professionally cleaned small contemporaneous pencil annotation to lower margin the impression is rich and clear; near fine overall. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard shipping charge does not always cover costs; please inquire for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. unknown
1016972555.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
85382London National Gallery Publ. 1999. 4° 272 S. zahlr. oft farb. Abb. Brosch. 5 Bl. etw. knittrig sonst tadellos. Erschienen zur Ausstellung London und Den Haag. 010 London, National Gallery Publ., 1999 unknown
ING9788417173418Museo Nacional Thyssen-Bornemisza. New. Special order direct from the distributor Museo Nacional Thyssen-Bornemisza unknown
1016257449.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1015823696.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2007Embry 192050Dover Publications 2007. First edition first printing. Fine in fine dust jacket in mylar cover. Full page color reproductions. Dover Publications, 2007. First edition, first printing. unknown books
1975138437Zurich: August Laube 1975. First edition. Softcover. Includes 20 black and white illustrations. A close to near fine copy in stapled wrappers with a sticker shadow to the front cover. Uncommon. August Laube unknown books
110733Stuttgart: Deutsche Verlags-Anstalt. hardcover. very good. VAN RIJN Rembrandt. Mit einer biographischen einleitung von Adolf Rosenberg. Text in German. Frontispiece and 643 plates in duo-tone. Thick 8vo gilt-stamped red cloth. Stuttgart und Leipzig: Deutsche Verlags-Anstalt ca. 1908. Covers rubbed and general edgewear especially at spine. Very good copies.<br/><br/> Klassiker der Kunst in Gesamtausgaben.<br/><br/> Deutsche Verlags-Anstalt unknown books
In-8° pp. 40 con ill. su 8 tav. f.t. Bross. edit. Timbro all'interno.
19364317Berlin: Schützen-Verlag GmbH, 1936. 37.-46. tausend 351 Seiten , 24 cm, Leinen
128pp. + uitvouwbare plaat met zw/w ills. & 2pp. Stellingen, 24cm., gebroch., Doctoraal proefschrift (Rijksuniversiteit te Utrecht), stempeltje op achterzijde titelblad, tekst helder, S110425
in-12 etroit, 160 pp., broche, couv. Exemplaire du tirage courant de l'édition originale. [NV-6][P-42]
ill. La presente pubblicazione è dedicata a Rembrandt Harmenszoon van Rijn che nacque a Leida nel 1606. Iniziò a dipingere nelle botteghe di pittori famosi all'epoca. Trasse la sua prima ispirazione dalla pittura italiana, soprattutto caravaggesca; in seguito maturò uno stile proprio e una tendenza alle complesse scene d'insieme, oltre a una spiccata predilezione per il ritratto. A partire dagli anni Trenta il suo successo fu straordinario: declinò solo molto più tardi.
200185681Wolfratshausen, Edition Minerva, 2001. 413 S. 4° Quart, Softcover/Paperback