Rijn, Rembrandt vanBiblio.com
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1866432Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1866431Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1866429Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2718590Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2718592Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2718589Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2825734Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2825733Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2825732Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2825735Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2718591Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 17th century 1650. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
934London. National Gallery London. 1988. 4to. 160pp. In paper wraps. Primarily addresses the painting techniques of Rembrandt van Rijn. Good condition. Hendrick Goltzius and the Classical Tradition Fisher Gallery University of Southern California March 11-April 25 1992. Harcourt Glenn editor. Fisher Gallery. Bookseller: Erik Hanson Books and Ephemera San Diego CA U.S.A. Bookseller Rating: Quantity Available: 1 Price: US$ 49.50 Convert Currency Shipping: FREE Within U.S.A. Destination Rates & Speeds Book Description: University of Southern California. Fisher Gallery. 1992. Soft cover. Book Condition: Near Fine. 80 pages. unknown
200656656Yale Univ Pr. New. 2006. Paperback. 1857093569 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in English. 256 pp. With 250 ills. 201 col. . 27 x 22 cm. -- with a bonus offer-- . Yale Univ Pr paperback
934London. National Gallery London. 1988. 4to. 160pp. In paper wraps. Primarily addresses the painting techniques of Rembrandt van Rijn. Good condition. Hendrick Goltzius and the Classical Tradition Fisher Gallery University of Southern California March 11-April 25 1992. Harcourt Glenn editor. Fisher Gallery. Bookseller: Erik Hanson Books and Ephemera San Diego CA U.S.A. Bookseller Rating: Quantity Available: 1 Price: US$ 49.50 Convert Currency Shipping: FREE Within U.S.A. Destination Rates & Speeds Book Description: University of Southern California. Fisher Gallery. 1992. Soft cover. Book Condition: Near Fine. 80 pages. unknown books
1905296407London: Adam & Charles Black 1905. Hard Cover. Very Good binding. Quarto in the publisher’s tan cloth with a design printed in brown on the upper board and spine Note: a variant binding; Inman states the design is printed in brown and orange; 50 pages 2 pages ads; all edges rough cut Inman calls for top edge gilt; with 16 full page illustrations including frontispiece captioned on the verso of the tissue guards; there is very scattered foxing; no ownership or other marks in the book.~~ Inman 101. Very Good binding. Adam & Charles Black unknown
Mm 145x220 Collana "Saggi" - Presentazione di Enrico Castelnuovo. Volume rilegato in tela nera, sovraccoperta originale, XVIII-416 pagine, numerose le illustrazioni in nero e a colori.. Esemplare in condizioni pari al nuovo. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
72Société d'édition artistique, Paris, s.d., vers 1900. In-8, demi-chagrin, dos à 5 nerfs orné de fleurons, titre en lettres dorées, 357 pp. Titien et les princes de son temps ; Van Dyck en France ; Rembrandt van Ryn (1606-1669) ; Jean de La Fontaine et les artistes de son temps ; Théophile Gautier, critique d'art (1811-1872) ; l'esprit français et les beaux-arts ...
1956ABE-836776901810 PAGES-EN UNE "NOUS DEUX MON OMBRE" PAR LOUISE DE VILMORIN-LETTRE A UN JEUNE RASTIGNAC, PAR MICHEL DEON-VENISE: JOURNAL DU FESTIVAL, PAR FRANCOIS TRUFFAUT-HEMINGWAY CONFIE LES CONTENTEMENTS D'UNE MATURITE GLORIEUSE, PHOTO-GUIDE NOIR DES VACANCES (IV) PIERRE BENOIT: JE N'APPRECIE QUE LES VACANCES DE LA LEGALITE-L'ANNEE MOZART A SALZBOURG LE DON JUAN DU BICENTENAIRE, PHOTO CESARE SIEPI-PORTRAIT D'UN ARTISTE: ZAO WOU KI, PAR ALAIN JOUFFROY-L'ART AFRICAIN DANS LES VENTES PUBLIQUES, 1P PAR R. WILHELEM, 5 PHOTOS-LA VIE ARTISTIQUE A LONDRES, MILLET GRAND DESSINATEUR, REMBRANDT ET SES SUCCESSEURS
1957ABE-177335181767816 PAGES-42,5 CM X 60 CM-JEAN COCTEAU MON MAITRE PICASSO-JEAN-LOUIS BARRAULT: J'AI CHOISI LA VIE DANGEREUSE-QUE SERA LE FESTIVAL DE CANNES 57-CINEMA: GEANT, STUPIDE ET SOLENNEL-RICHARD STRAUSS A L'HONNEUR, PHOTO LE CHEVALIER A LA ROSE-JAMES HOGG SATANISTE PURITAIN, PHOTO-JOSEPH CONRAD CREATEUR DU ROMAN D'AVENTURE EST-IL UN ECRIVAIN FRANCAIS?, 3 PHOTOS-LES VISAGES DE MONTHERLANT A TRAVERS SES CARNETS-LE "MYSTERE BUFFET": UNE TETE DE VEAU, PHOTO-A L'HOTEL DROUOT PICASSO RESTE L'ILLUSTRATEUR DE LIVRES LE PLUS CHER, DESSIN-AU MUSEE CANTINI DE MARSEILLE 90 TABLEAUX ET DESSINS DE VAN GOGH, 3 PHOTOS-ADIEU A BRANCUSI, PAR PAUL MORAND-(PG326)
2006640259Petersberg: Imhof. 2006. 192 Seiten. 30,5x24cm. Zustand: Sehr Gut, ungelesen; Der erste Buch hat eine sehr kleine Druckstelle im unteren Rand des Hinterdeckels; Ppbd.
20061049415Petersberg : Imhof, 2006. 192 S. Mit zahlr. auch farb. Abb. Fadengehefteter Originalpappband.
2006047455Petersberg., Michael Imhof Verlag., 2006. Herausgegeben vom Herzog Anton Ulrich-Museum - Kunstmuseum des Landes Niedersachsen. Ausstellungskatalog. 192 Seiten mit zahlreichen Abbildungen im Text. Sehr guter Zustand. 4°. OPappband
185733895Philadelphia: Rembrandt Peale 1857. 1st Edition. 1st Edition. Signed by Author. Peale Rembrandt. Uncommon Autograph Letter Signed November 6th 1857. 8vo. 1 page. To "<br /> H. P. Beck Esq. Dear Sir. / Learning that you are now at home Mrs. Peale in returning the pictures you were so kind to lend her / expresses her sincere thanks for the favor. And I must add that I am sure you will be pleased with the success of her copy. / Respectfully yours / Rembrandt Peale". <br /> <br /> Rembrandt Peale 1778 1860 was an American artist and museum keeper the second son of Charles Wilson Peale A prolific portrait painter he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. <br /> <br /> One of his most famous works Patriae Pater 1824 is a portrait of George Washington designed to project the dignity and gravitas of Washington's character. This portrait known for its idealized and almost monumental quality became one of the most recognized images of Washington and was widely reproduced. He put the original painting on display in the U.S. Capitol in Philadelphia during the winter of 1823-24. In late February 1824. Rembrandt Peale unknown
925Peale is best known for his presidential portraits of George Washington and Thomas Jefferson. In this Autograph Letter Signed 8vo n.p. May 15 1857 Peale is likely writing to John Durand 1822-1908 painter and son of artist Asher B. Durand. John Durand co-founded a cultural and art periodical called "The Crayon" published from Jan 3 1855 to July 1861. Peale writes "After you left me this morning it occurred to me that possibly in your next number you would give a few words on the Exhibition here - In this case you might say that it contained nothing from my pencil & that I preferred to send a portrait my last work in my 80th Year to the New York Academy. which I have done - That of a Young Man." Nicely signed "Rembrandt Peale." The painting's title refers to his "Portrait of a Young Man." Peale had settled in Philadelphia by the time he wrote this letter and that city is likely the place to which he refers regarding the Exhibition. Earlier in the year of our letter 1857 Peale made prints that he called "Monochrome of Washington." <br /> <br /> When he lectured at the New York Historical Society on June 16 he displayed Washington portraits including a Monochrome decorated with cord and tassel. see journals at Penn State Univ. on line Peale painted his first portrait at the age of 17 of President George Washington in 1795. Over the course of his long and prolific career as portrait painter Peale would paint over 70 pictures of Washington portraits of President Thomas Jefferson as well as Chief Justice John Marshall. In addition to painting the Founding Fathers Peale created many portraits including the one referenced in our letter. Letters of Peale mentioning one of his works are particularly uncommon. Matted with bust length albumen print of the artist attached to a mat possibly not the original mat. Corners of the print are somewhat damaged image is somewhat faded. The portrait print of the artist matches the tone of Peale's letter and creates a handsome pairing. unknown
925Peale is likely writing to John Durand 1822-1908 painter and son of artist Asher B. Durand. John Durand co-founded a cultural and art periodical called "The Crayon" published from Jan 3 1855 to July 1861. Peale writes "After you left me this morning it occurred to me that possibly in your next number you would give a few words on the Exhibition here - In this case you might say that it contained nothing from my pencil & that I preferred to send a portrait my last work in my 80th Year to the New York Academy. which I have done - That of a Young Man." Nicely signed "Rembrandt Peale." The painting's title refers to his "Portrait of a Young Man." Peale had settled in Philadelphia by the time he wrote this letter and that city is likely the place to which he refers regarding the Exhibition. Earlier in the year of our letter 1857 Peale made prints that he called "Monochrome of Washington." <br/><br/>When he lectured at the New York Historical Society on June 16 he displayed Washington portraits including a Monochrome decorated with cord and tassel. see journals at Penn State Univ. on line Peale painted his first portrait at the age of 17 of President George Washington in 1795. Over the course of his long and prolific career as portrait painter Peale would paint over 70 pictures of Washington portraits of President Thomas Jefferson as well as Chief Justice John Marshall. In addition to painting the Founding Fathers Peale created many portraits including the one referenced in our letter. Letters of Peale mentioning one of his works are particularly uncommon. Matted with bust length albumen print of the artist attached to a mat possibly not the original mat. Corners of the print are somewhat damaged image is somewhat faded. The portrait print of the artist matches the tone of Peale's letter and creates a handsome pairing. unknown books
