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1868403958London Cambridge : Bell and Daldy ; Deighton Bell 1868. 2nd edition. Hardcover. Good copy in the original gilt-blocked and period decorated cloth over bevelled boards. Boards dust-toned. Spine bands and panel edges slightly bumped and rubbed as with age. Internally bright and clean. Remains quite well-preserved overall. Physical description; 191 pp. 30 unnumbered leaves of plates : photographs ; 28 cm. List of photographs: 0. Rembrandt with a drawn sabre Frontispiece. 1. The Angel appearing to the Shepherds. 2. Jesus Christ driving the money-changers out of the temple. 3. The Resurrection of Lazarus. 4. Christ healing the Sick. 5. The good Samaritan. 6. Ecce Homo. 7. The descent from the Cross. 8. The death of the Virgin. 9. Saint Jerome unfinished. 10. Haman and Mordecai. 11. Doctor Faustus. 12. The Rat Killer. 13. View of Omval near Amsterdam. 14. A view of Amsterdam. 15. The Three Trees. 16. A large landscape with a mill sail seen above a cottage. 17. Cornelius Anslo. 18. Clement de Jonge. 19. Young Haaring. 20. John Lutma. 21. Ephraim Bonus Le Juif à la rampe. 22. Uytenbogaert a Dutch Minister. 23. John Cornelius Sylvius. 24. Uytenbogaert the 'Banker'. 25. Van Coppenol the 'Writing-Master'. 26. The Burgomaster Six. 27. Portrait of Rembrandt drawing. 28. The great Jewish Bride. 29. Rembrandt's Mother. Subjects; Rembrandt Harmenszoon van Rijn 1606-1669 ; Catalogs. Art collections. British Museum. Etching Private collections England. London Cambridge : Bell and Daldy ; Deighton, Bell hardcover
1859WRCAM45229New York: Colton 1859. Chromolithographic print: 20 x 30 inches. Receipt: 3 x 7 1/2 inches. Minor toning and soiling small tear at bottom edge. Very good. Large print of Rembrandt Peale's famous painting "The Court of Death" lithographed by Sarony Major & Knapp. Rembrandt Peale was the most accomplished son of the great American portrait painter Charles Willson Peale. The painting "The Court of Death" was the most ambitious of his works full 24 by 13 feet in size. Completed in 1820 it was displayed for a number of years at the Baltimore Peale Museum and then toured to other cities up through the time of the Civil War. <br> <br> By 1859 the painting had been sold to Gardiner Quincy Colton who published it in the present format and sold the prints for the low price of $1. Noted scholar Peter C. Marzio wrote: "Peale himself normally haughty and querulous provided a model of understated endorsement of the lithograph writing shortly before his death to Tristram Coffin on July 3 1860 'The drawing is correct and the Colouring considering the difficulty of the process & its cheapness gives a good general idea of the painting.'" Marzio further adds that this lithograph is among his favorites due to its importance in Peale's brilliant career not only as an artist but as a popularizer of art noting: "The painting is historically important as a very popular touring picture." <br> <br> This example is accompanied by a printed and illustrated receipt for the purchase of one print. The receipt "entitles the holder to an ownership of One Share in the original Painting valued at $25000; which will be disposed of as soon as 100000 Engravings are taken in such manner as they the associated owners shall determine." The receipt has a portrait of Peale on one end and of George Washington on the other. In a contemporary prospectus for the print the publisher touts the obvious truth that more profit could be made by selling 100000 prints at the low price of $1 than could be achieved by selling 5000 prints at $5. In addition to increasing his profit margins Colton clearly hoped to sell more prints based on the idea of buying into a share of the painting. <br> <br> A pair of items illustrating the distinct link between art and commerce. Peter C. Marzio DEMOCRATIC ART pp.51 216. GOLDSMITH 23085 ref. Last COLOR EXPLOSION pp.132-33. Colton unknown books
1866H22930London: James S. Virtue 1866. Hardcover. Very Good. Large quarto 13.5 x 10 inches publisher's olive cloth gilt very good light wear and soil stamp from an old art gallery in New Brighton PA and short ink notation to flyleaf contents very good with 35 engraved plates and numerous other illustrations. Some foxing to plates. Large heavy book will require extra postage. James S. Virtue hardcover
1890P2629Paris and London: Francois Buffa et fils; Obach & Co. 1890. Very Good. Image Size : 640x830 mm 25.20x32.68 Inches Platemark Size : Paper Size : 750x890 mm 29.53x35.04 Inches Coloring: Black & White Medium: Etching Categories: Medical; Francois Buffa et fils; Obach & Co. unknown
181523646Amsterdam 1815. In this etching Rembrandt has depicted his wife Saskia surrounded by six other subjects of different ages including his mother. The etching is reminiscent of a sketchbook page in which the artist practices different facial expressions and the fall of drapery on his subjects. Saskia receives the most detailed study with very fine lines used to draw her curls and a thin headdress. Each figure looks out in a different direction. <br /> <br /> There are approximately 125-225 known impressions of this work many posthumous. Nowell-Usticke B365. This impression is pre-1815 signed by the french printseller Naudet in 1801. This impression predates the 1815 restrike.<br /> <br /> Signed on the verso by the early Parisian print seller Naudet - "Chez Naudet Md au Louvre 1801". The "Md" is an abbreviation for 'Marchand" merchant. See Maberley Joseph "The Print Collector: An Introduction to the Knowledge Necessary for Forming." 1880 p.84 and Fagan Louis "Collectors' Marks" 1883 p. 73. There are several prints held in the Fitzwilliam Museum Cambridge with Naudet inscriptions one being "Two boys blowing bubbles. Bartsch 365; Hollstein White and Boon 365. 5 x 6 1/16". Usticke's second state of 2 with the horizontal scratches between the head of Saskia and the turbaned head in profile upper left. With slight loss on three corners and a small closed tear. Signed in the plate "Rembrandt f 1636" in the bottom left the "f" somewhat faint. unknown
18747950Béraldi 242.Très belle épreuve. en feuille Paris Gazette des Beaux-Arts, Salmon 1874 19,2 x 14,8. Marges 28,5 x 20,2 cm.
18948747Leipzig, Seemann, 1894. VIII, 81 S., 1 Bl. mit zahlr. teils ganzseit. Textabb. 3 Tafeln in Heliogravure. 4°. OPp. (lädiert).
187715449Martinus Nijhoff, La Haye, 1877. VI, 626 Seiten. 4°, Original Halbleder (berieben)
189597389Bielefeld und Leipzig: Velhagen & Klasing Verlag, 1895. 25,5 cm ; Leinen
1900202706BBBielefeld, Velhagen & Klasing, 1900. 6. A. 4°. Mit 159 Abb. u. Ill. 4 Bll., 156 S. Flex. OLwd. - Künstler- Mongr., Bd. 3. - Gutes Expl. 6
1893228903Paris: Librairie Hachette 1893. Molto buono Very Good. Ouvrage contenant 343 reproductions directes d'aprè";"s les oeuvres du Maitre. Con 343 riproduzioni in seppia. 4to. pp. 632. Molto buono Very Good. Ex libris in seconda di copertina. Pagine in ottimo stato qualche lieve fioritura alle pagine con le illustrazioni senza interessamento delle figure Ex libris on inner front cover. Some light yellowing. . Librairie Hachette, unknown
1897311367Berlin: Photographic Society of Berlin 1897. First Edition; First Printing. Hardcover. Very Good in boards. Owner personalization on second front end page. Owner notes on pamphlet of photograph contents published in German. Shelfwear on panel and spine edges. Open tear on front panel top edge. Light foxing throughout pages. Photographic Society of Berlin hardcover
188862832New York Dodd Mead & Company 1888. Folio 405 x 305 mm. In publisher's original full white cloth with gilt lettering to spine and a gilt portrait of Rembrandt to front board. Upper edge gilt outer and lower edge uncut. Binding with wear and corner bumped with some loss of the cloth. Cloth with tears and and cloth on front hinge detached. Front hinges weak. 24 pp. 50 numbered photogravure plates each preceded by title leaf and followed by description. <br/><br/><em>A rare first edition of Curtis’s important study of Rembrandt’s most notable etchings illustrated with fifty photogravure plates. Issued after the author’s 1883 descriptive catalogue of Velasquez and Murillo this work opens with a biographical introduction asserting that an appreciation of Rembrandt’s etched oeuvre is essential to true artistic cultivation: “No test of one's taste and higher cultivation is more sure than the love for and capacity of appreciating these marvelous works. … If we may judge from the past there is nothing whose value is more sure than the etchings of Rembrandt.†From the introduction to the present work. Each of the fifty plates is accompanied by a title leaf and followed by detailed historical and descriptive commentary. </em> hardcover
184975916London:: David Bogue 1849. old quarter calf; gilt spine; marbled boards. . Old ink name on pastedown; large dampstain to the lower inner corner of the frontispiece portrait and its tissue overleaf just touching the image; this stain much smaller except for one at the end of the book strangely affects some other leaves but is not at all evident on others. The leather is quite scuffed but the binding is tight and sound. . Folio. Illustrated by Examples from the Etchings of Rembrandt. David Bogue, hardcover
18941385236London: William Heinemann 1894. Hardcover. Quarto Two volumes xxiv 320 pages ; xi 294 pages. In Fair condition. Spines are brown with gold print. Boards in brown/green cloth blind stamped design gold print. Tattering to spine caps and corners toning to boards blemishes shelf wear. Text block has deckle edges. Light tanning to endpapers intermittent spine breaks frontispieces loose from binding second volume has cracked hinges. Illustrated: b&w sepia some color “With sixty-seven full-page plates and two hundred and fifty text illustrationsâ€â€” title page; plates accompanied by tissue guard sheets with descriptive letterpress.<br /> <br /> Oversized books. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers please inquire for rates. <br /> <br /> <p>NOTE: Shelved in Locked Annex Area Netdesk Column QD ND-QD. 1385236. FP New Rockville Stock. William Heinemann hardcover
18707967Épreuve rognée , sans marges. IFF 32. Béraldi 270. Paris 1870 17,3 x 13,7 cm au trait carré.
18863236De la série “Les artistes célèbres”. Broché Paris Librairie de l’Art 1886 1 volume in-4°
188613196De la série “Les artistes célèbres”. Tirage à 100 exemplaires sur Japon. Celui-ci porte le numéro 2. Broché Très bon Paris Librairie de l’art 1886 1 volume in-4°
1893S84605Paris, Hachette 1893 630pp.illustré de 259 gravures dans le texte + 84 gravures hors-texte, 30cm., reliure plein cuir noir avec titre doré, toutes tranches dorées, peu de rousseurs, bon état, pois du livre: 4,2kg., S84605
190033837Librairie Hachette et Cie, 1893. Fort volume relié plein cuir (30 x 22 cm), plats décorés à froid avec titre doré, dos orné du titre et fleurons, toutes tranches dorées. XII-630 p.,orné de 343 reproductions directes de l'oeuvre de Rembrandt. ÉDITION ORIGINALE de cette étude sur la vie et l'oeuvre de Rembrandt (1606-1669); illustrée de 84 planches hors texte, dont 40 superbes gravures en taille douce, sous serpentes légendées et 44 belles illustrations sous serpentes légendées ainsi que de très nombreux dessins dans le texte, certains à pleine page. En fin de volume, catalogue complet des oeuvres de Rembrandt, bibliographie, index des noms propres Edition de luxe dans un rare état de fraîcheur, pas de rousseurs et reliure superbe.
1899S81957Paris, Paul Ollendorff 1899 68pp.richement ill. + qqs.planches hors-texte, 31cm., tirage numéroté et limité à 500 exemplaires: ceci est no. 327 (sur grand papier Velin), couv.cart.marbrée, br.orig.conservée, dans la série "Bibliothèque de l'art ancien et moderne", très bon état, S81957
188862832New York, Dodd, Mead & Company, (1888). Folio 405 x 305 mm). In publisher's original full white cloth with gilt lettering to spine and a gilt portrait of Rembrandt to front board. Upper edge gilt, outer and lower edge uncut. Binding with wear and corner bumped, with some loss of the cloth. Cloth with tears and and cloth on front hinge detached. Front hinges weak. (24) pp. + 50 numbered photogravure plates, each preceded by title leaf and followed by description.
1865690601865. 29 inches x 24 inches. 29 inches x 24 inches. A Distinguished Politician and Jurist in Maryland and Pennsylvania Neagle John 1796-1865 Peale Rembrandt 1778-1860 After. Tilghman William 1756-1827. Portrait of William Tilghman. Philadelphia c. 1815. 29" x 24" image size. Oil on canvas in ornate nineteenth-century gilded wood frame small plaque reading "William Tilghman/ Chief Justice of Penna. 1806-1827/ Obiit Aril 30th 1827" to head of frame. Some minor nicks and chips to frame gilding slightly dulled otherwise fine. $6000. William Tilghman was a politician and jurist in Maryland and Pennsylvania. He was a member of the Maryland Assembly from 1788 to 1790 and of the Maryland Senate from 1791 to 1793 Chief Judge of the U.S. Circuit Court for Pennsylvania from 1801 to 1802 President Judge of Court of Common Pleas for Philadelphia District in 1805 and Chief Justice of the Pennsylvania Supreme Court 1806 to 1827. Tilghman ran unsuccessfully for Governor of Pennsylvania as a Federalist in 1811. This portrait belonged to the Philadelphia Bar Association. Founded in 1802 it is the oldest association of lawyers in the United States. Its library where this portrait was last displayed was renamed the Theodore F. Jenkins Memorial Law Library in 1967. unknown books
183951427Philadelphia: Henry Perkins; Boston: Perkins & Marvin 1839. First edition 12mo pp. 263 1; original brown cloth gilt-lettered spine light wear and cracks at spine ends and the text with mild foxing and dampstaining; all else very good. This copy inscribed to "D. L. Brainard from the author July 59." OCLC notes "Rembrandt Peale painted over 600 works of art throughout his lifetime. He painted many prominent individuals in American history including George Washington Thomas Jefferson and John C. Calhoun." <br/><br/> Henry Perkins; Boston: Perkins & Marvin hardcover books
1839198062Philadelphia/Boston: H. Perkins/Perkins and Marvin 1839. Hardcover. Fair Brown boards are very loose and heavily worn all over; boards are bowed at the corners; covers are very loose and starting at both ends; spine strip is heavily damaged and loose from the textblock; notes on endpages; textblock edges are moderately toned; interior has light toning and moderate foxing throughout. Brown boards with gilt lettering and debossed illustration; 263 pp. This particular copy was from the library of Peale Scholar Charles Coleman Sellers as indicated by the name ifc. H. Perkins/Perkins and Marvin hardcover
