50 résultats
1865690601865. 29 inches x 24 inches. 29 inches x 24 inches. A Distinguished Politician and Jurist in Maryland and Pennsylvania Neagle John 1796-1865 Peale Rembrandt 1778-1860 After. Tilghman William 1756-1827. Portrait of William Tilghman. Philadelphia c. 1815. 29" x 24" image size. Oil on canvas in ornate nineteenth-century gilded wood frame small plaque reading "William Tilghman/ Chief Justice of Penna. 1806-1827/ Obiit Aril 30th 1827" to head of frame. Some minor nicks and chips to frame gilding slightly dulled otherwise fine. $6000. William Tilghman was a politician and jurist in Maryland and Pennsylvania. He was a member of the Maryland Assembly from 1788 to 1790 and of the Maryland Senate from 1791 to 1793 Chief Judge of the U.S. Circuit Court for Pennsylvania from 1801 to 1802 President Judge of Court of Common Pleas for Philadelphia District in 1805 and Chief Justice of the Pennsylvania Supreme Court 1806 to 1827. Tilghman ran unsuccessfully for Governor of Pennsylvania as a Federalist in 1811. This portrait belonged to the Philadelphia Bar Association. Founded in 1802 it is the oldest association of lawyers in the United States. Its library where this portrait was last displayed was renamed the Theodore F. Jenkins Memorial Law Library in 1967. unknown books
187881884John Murray. As New. 1878. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - lx 341 pages 12 plates. -- with a bonus offer-- . John Murray hardcover
181523646Amsterdam 1815. In this etching Rembrandt has depicted his wife Saskia surrounded by six other subjects of different ages including his mother. The etching is reminiscent of a sketchbook page in which the artist practices different facial expressions and the fall of drapery on his subjects. Saskia receives the most detailed study with very fine lines used to draw her curls and a thin headdress. Each figure looks out in a different direction. <br /> <br /> There are approximately 125-225 known impressions of this work many posthumous. Nowell-Usticke B365. This impression is pre-1815 signed by the french printseller Naudet in 1801. This impression predates the 1815 restrike.<br /> <br /> Signed on the verso by the early Parisian print seller Naudet - "Chez Naudet Md au Louvre 1801". The "Md" is an abbreviation for 'Marchand" merchant. See Maberley Joseph "The Print Collector: An Introduction to the Knowledge Necessary for Forming." 1880 p.84 and Fagan Louis "Collectors' Marks" 1883 p. 73. There are several prints held in the Fitzwilliam Museum Cambridge with Naudet inscriptions one being "Two boys blowing bubbles. Bartsch 365; Hollstein White and Boon 365. 5 x 6 1/16". Usticke's second state of 2 with the horizontal scratches between the head of Saskia and the turbaned head in profile upper left. With slight loss on three corners and a small closed tear. Signed in the plate "Rembrandt f 1636" in the bottom left the "f" somewhat faint. unknown
1873124321Blanc (Charles),: L'Oeuvre de Rembrandt Decrit et CommentÃ. Catalogue Raisonnà de toutes les estampes du maÃtre et de ses peintures, ornà de bois gravÃs, de quarante eaux-fortes de Flameng, et de trente-cinq hÃliogravures d'Amand Durand. 2 volumes. Paris: A. Levy, 1873. Magnificently bound in full blue morocco, with six raised spines, gilt [by Leighton]. 37.5x29cms. Text in French.
1873124321Blanc (Charles),: L'Oeuvre de Rembrandt Decrit et CommentÃ. Catalogue Raisonnà de toutes les estampes du maÃtre et de ses peintures, ornà de bois gravÃs, de quarante eaux-fortes de Flameng, et de trente-cinq hÃliogravures d'Amand Durand. 2 volumes. Paris: A. Levy, 1873. Magnificently bound in full blue morocco, with six raised spines, gilt [by Leighton]. 37.5x29cms. Text in French.
1859WRCAM45229New York: Colton 1859. Chromolithographic print: 20 x 30 inches. Receipt: 3 x 7 1/2 inches. Minor toning and soiling small tear at bottom edge. Very good. Large print of Rembrandt Peale's famous painting "The Court of Death" lithographed by Sarony Major & Knapp. Rembrandt Peale was the most accomplished son of the great American portrait painter Charles Willson Peale. The painting "The Court of Death" was the most ambitious of his works full 24 by 13 feet in size. Completed in 1820 it was displayed for a number of years at the Baltimore Peale Museum and then toured to other cities up through the time of the Civil War. <br> <br> By 1859 the painting had been sold to Gardiner Quincy Colton who published it in the present format and sold the prints for the low price of $1. Noted scholar Peter C. Marzio wrote: "Peale himself normally haughty and querulous provided a model of understated endorsement of the lithograph writing shortly before his death to Tristram Coffin on July 3 1860 'The drawing is correct and the Colouring considering the difficulty of the process & its cheapness gives a good general idea of the painting.'" Marzio further adds that this lithograph is among his favorites due to its importance in Peale's brilliant career not only as an artist but as a popularizer of art noting: "The painting is historically important as a very popular touring picture." <br> <br> This example is accompanied by a printed and illustrated receipt for the purchase of one print. The receipt "entitles the holder to an ownership of One Share in the original Painting valued at $25000; which will be disposed of as soon as 100000 Engravings are taken in such manner as they the associated owners shall determine." The receipt has a portrait of Peale on one end and of George Washington on the other. In a contemporary prospectus for the print the publisher touts the obvious truth that more profit could be made by selling 100000 prints at the low price of $1 than could be achieved by selling 5000 prints at $5. In addition to increasing his profit margins Colton clearly hoped to sell more prints based on the idea of buying into a share of the painting. <br> <br> A pair of items illustrating the distinct link between art and commerce. Peter C. Marzio DEMOCRATIC ART pp.51 216. GOLDSMITH 23085 ref. Last COLOR EXPLOSION pp.132-33. Colton unknown books
185733895Philadelphia: Rembrandt Peale 1857. 1st Edition. 1st Edition. Signed by Author. Peale Rembrandt. Uncommon Autograph Letter Signed November 6th 1857. 8vo. 1 page. To "<br /> H. P. Beck Esq. Dear Sir. / Learning that you are now at home Mrs. Peale in returning the pictures you were so kind to lend her / expresses her sincere thanks for the favor. And I must add that I am sure you will be pleased with the success of her copy. / Respectfully yours / Rembrandt Peale". <br /> <br /> Rembrandt Peale 1778 1860 was an American artist and museum keeper the second son of Charles Wilson Peale A prolific portrait painter he was especially acclaimed for his likenesses of presidents George Washington and Thomas Jefferson. <br /> <br /> One of his most famous works Patriae Pater 1824 is a portrait of George Washington designed to project the dignity and gravitas of Washington's character. This portrait known for its idealized and almost monumental quality became one of the most recognized images of Washington and was widely reproduced. He put the original painting on display in the U.S. Capitol in Philadelphia during the winter of 1823-24. In late February 1824. Rembrandt Peale unknown
1890P2629Paris and London: Francois Buffa et fils; Obach & Co. 1890. Very Good. Image Size : 640x830 mm 25.20x32.68 Inches Platemark Size : Paper Size : 750x890 mm 29.53x35.04 Inches Coloring: Black & White Medium: Etching Categories: Medical; Francois Buffa et fils; Obach & Co. unknown
1897311367Berlin: Photographic Society of Berlin 1897. First Edition; First Printing. Hardcover. Very Good in boards. Owner personalization on second front end page. Owner notes on pamphlet of photograph contents published in German. Shelfwear on panel and spine edges. Open tear on front panel top edge. Light foxing throughout pages. Photographic Society of Berlin hardcover
183951427Philadelphia: Henry Perkins; Boston: Perkins & Marvin 1839. First edition 12mo pp. 263 1; original brown cloth gilt-lettered spine light wear and cracks at spine ends and the text with mild foxing and dampstaining; all else very good. This copy inscribed to "D. L. Brainard from the author July 59." OCLC notes "Rembrandt Peale painted over 600 works of art throughout his lifetime. He painted many prominent individuals in American history including George Washington Thomas Jefferson and John C. Calhoun." <br/><br/> Henry Perkins; Boston: Perkins & Marvin hardcover books
188862832New York, Dodd, Mead & Company, (1888). Folio 405 x 305 mm). In publisher's original full white cloth with gilt lettering to spine and a gilt portrait of Rembrandt to front board. Upper edge gilt, outer and lower edge uncut. Binding with wear and corner bumped, with some loss of the cloth. Cloth with tears and and cloth on front hinge detached. Front hinges weak. (24) pp. + 50 numbered photogravure plates, each preceded by title leaf and followed by description.
188862832New York Dodd Mead & Company 1888. Folio 405 x 305 mm. In publisher's original full white cloth with gilt lettering to spine and a gilt portrait of Rembrandt to front board. Upper edge gilt outer and lower edge uncut. Binding with wear and corner bumped with some loss of the cloth. Cloth with tears and and cloth on front hinge detached. Front hinges weak. 24 pp. 50 numbered photogravure plates each preceded by title leaf and followed by description. <br/><br/><em>A rare first edition of Curtis’s important study of Rembrandt’s most notable etchings illustrated with fifty photogravure plates. Issued after the author’s 1883 descriptive catalogue of Velasquez and Murillo this work opens with a biographical introduction asserting that an appreciation of Rembrandt’s etched oeuvre is essential to true artistic cultivation: “No test of one's taste and higher cultivation is more sure than the love for and capacity of appreciating these marvelous works. … If we may judge from the past there is nothing whose value is more sure than the etchings of Rembrandt.†From the introduction to the present work. Each of the fifty plates is accompanied by a title leaf and followed by detailed historical and descriptive commentary. </em> hardcover
1891927CG1891. München u. a. Franz Hanstaengl 1891. Selbstportrait. Plattengrösse: 63 x 49 cm. Rahmengrösse: 91 x 76 cm. In Holzrahmen. Das Glas bildseitig etwas angestaubt. unknown
185915531859 Gide, Paris, 1859. 2 volumes demi chagrin fauve à coins, tête dorée, dos à nerfs, titre et tomaison dorés, 392+472 pages. Orné de bois gravés et de 40 eaux-fortes tirées à part et rapportées dans le texte. Quelques rousseurs, néanmoins bel exemplaire.
1890928CG1890. München u. a. Franz Hanstaengl nicht datiert um 1890. Portrait Profil von Saskia van Uylenburgh 16121642. Plattengrösse: 63 x 49 cm. Rahmengrösse: 91 x 76 cm. Rembrandt malte das Profilbild seiner Frau 1633/34. In Holzrahmen. Das Glas bildseitig etwas angestaubt. unknown
1838163047Philadelphia PA: J. Wetham 1838. Third edition Improved. Hardcover. Reading copy. Spine gone covers loose ffep loose moderate foxing throughout. Would benefit from rebinding or a clam-shell box. Gilt embossed covers in sewn binding. 95 pp. followed by 5 pp. notices reviews and 1 pp. Prospectus for Peale's next Progressive Drawing Book. Appx. 42 line drawings and caligraphy examples line engraving frontis piece and 9 lithographed full-page plates of script handwriting samples. The title-page of this rare manual has a small paper with "Third Edition - Improved" glued over-top of what must say "Second Edition." A rare example of an early edition of this popular manual which has sections on Drawing and Writing. Light to moderate dampstaining to bottom right page edges. J. Wetham hardcover books
190033837Librairie Hachette et Cie, 1893. Fort volume relié plein cuir (30 x 22 cm), plats décorés à froid avec titre doré, dos orné du titre et fleurons, toutes tranches dorées. XII-630 p.,orné de 343 reproductions directes de l'oeuvre de Rembrandt. ÉDITION ORIGINALE de cette étude sur la vie et l'oeuvre de Rembrandt (1606-1669); illustrée de 84 planches hors texte, dont 40 superbes gravures en taille douce, sous serpentes légendées et 44 belles illustrations sous serpentes légendées ainsi que de très nombreux dessins dans le texte, certains à pleine page. En fin de volume, catalogue complet des oeuvres de Rembrandt, bibliographie, index des noms propres Edition de luxe dans un rare état de fraîcheur, pas de rousseurs et reliure superbe.
1839198062Philadelphia/Boston: H. Perkins/Perkins and Marvin 1839. Hardcover. Fair Brown boards are very loose and heavily worn all over; boards are bowed at the corners; covers are very loose and starting at both ends; spine strip is heavily damaged and loose from the textblock; notes on endpages; textblock edges are moderately toned; interior has light toning and moderate foxing throughout. Brown boards with gilt lettering and debossed illustration; 263 pp. This particular copy was from the library of Peale Scholar Charles Coleman Sellers as indicated by the name ifc. H. Perkins/Perkins and Marvin hardcover
18806761880. Heliogravure on cream laid paper 6 1/2 x 5 1/2 inches 164 x 138 mm thread margins. Uniform toning on the recto and scattered light foxing and various notations in purple ink and pencil on the verso. Printed late 19th century. <br /> <br /> Bartsch 22 copy. unknown
185538658Leipzig: Weigel 1855-1856. TWO VOLUMES complete with the lists of prices realized. The auction catalogue of the outstanding collection of old master prints assembled by Hermann Weber who died in 1854 at the age of 37. VIII 122 12; VIII 69 8 pp. 1324 717 items. THE SECOND VOLUME IS DEVOTED TO WEBER'S UNSURPASSED COLLECTION OF REMBRANDT'S ETCHINGS plus prints after Rembrandt and prints by his disciples. Of the 717 prints in this volume 508 ARE ETCHINGS BY REMBRANDT. Priced throughout in a contemporary hand. 8vo. Attractively bound in contemporary decorated boards. Light wear to binding internally FINE AND BRIGHT. Rare. <br/><br/> Weigel hardcover
1898457431 gravure format 45 x 32 cm, 1898
1845W8604APhiladelphia: Edward C. Biddle 1845. Joints split hinges starting. Some penciling on preliminaries. Water damage on top half of most pages in the book. Bottom edge has former owner's name in ink. 41 plates of graphics and calligraphy. Original black leather gilt and marbled boards with loss of leather on spine and on tips. Marble paper with piece missing at top of upper cover and on edges. Of interest to students of Peale and of art. . First Edition. Quarter Leather. Poor/No Jacket. Illus. by Author. 12mo - over 6¾" - 7¾" tall. Trade. Edward C. Biddle Hardcover books
183921872Philadelphia/Boston: Henry Perkins/Perkins and Marvin 1839. hard cover brown paper-covered boards with decorative embossing to both boards and spine which has gilt lettering. small crack to exterior hinge. scattered foxing to endpapers fore-edge and sparsely throughout. top edge dulled. early owner's name place in pencil to front pastedown. no text markings. no labels. no bumps. strong binding.; 263pp. rembrandt peale's collection of quotes citations excerpts and other texts by a wide range of poets artists philosophers. his own writings are sprinkled throughout including a preface. First Edition. Hard Cover. Good Plus/No Jacket as Issued. 8vo - over 7¾" - 9¾" tall. Henry Perkins/Perkins and Marvin Hardcover
1893228903Paris: Librairie Hachette 1893. Molto buono Very Good. Ouvrage contenant 343 reproductions directes d'aprè";"s les oeuvres du Maitre. Con 343 riproduzioni in seppia. 4to. pp. 632. Molto buono Very Good. Ex libris in seconda di copertina. Pagine in ottimo stato qualche lieve fioritura alle pagine con le illustrazioni senza interessamento delle figure Ex libris on inner front cover. Some light yellowing. . Librairie Hachette, unknown
1843251136Philadelphia: Biddle 1843. hardcover. very good-. 40 plates plus text illustrations. xviii 132pp. 12mo rebound in modern red cloth; heavily foxed and with a damp stain in the upper margin of the last half of the book. Philadelphia: Biddle 1843. A very good - copy.<br/><br/> Biddle unknown books