740 résultats
185117751Philadelphia: Lippincott Grambo & Company. Very Good. 1851. Hardcover. Ex-lib; hinges cracked; spine worn light wear to covers; contents clean; Good . Lippincott, Grambo & Company hardcover books
21411Barbor James. ROADS POUSSIN Guillaume and General Simon Bernard. LETTER FROM THE SECRETARY OF WAR.OF A NATIONAL ROAD CONTEMPLATED FROM WASHINGTON TO NEW ORLEANS. Washington: Printed by Gales & Seaton 1828. 8vo. Later black cloth with red spine label. 19 pages 10 folded tables. First edition. Rink 5718. A marvelous and scarce document with only five copies recorded on OCLC. Whil it mentions the existance of a map Rink cites in Technica Americana that no map was issued. The cover letter printed after the title leaf is by Secretar of War John Barbour and cites the plan to build a national road from Washington to New Orleans across the Cumberland Mountains as authorized by Congress according to House of Representatives bill number 44 "to regulate th laying out and making a National Road from the City of Washington in the District of Columbia to New Orleans in the State of Louisiana." The ten folding tables give detailed information on the geographical formations natu of soils distances products bridges gradations counties population and distances along the route. New front free endpaper of the later binding also lacking. Some foxing. Priced accordingly. unknown books
2009500286491Pocket 2009 762 pages poche. 2009. Poche. 762 pages.
1986RO30167704L'ESSAI EDITIONS. 1986. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 66 pages augmentées de nombreux dessins en noir et blanc dans le texte. . . . Classification Dewey : 847-Satire, humour
1981R160131644LE SQUARE - ALBIN MICHEL. JANV 1981. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 80 pages de bandes dessinées en couleurs.. . . . Classification Dewey : 0-GENERALITES
65923Le Square - Albin Michel janvier 1981, album broché, 80pp - bon état
17-2774Paris: Galerie Vendôme 1975. Large format color print poster 27†x 19â€. Very Good. Mild toning and staining along bottom over text. Minor edge wear. Staining on verso. Printed by Mourlot. Extremely Scarce. Paris: Galerie Vendôme, 1975. unknown
1402Libération 1979
17747248Roma: Bonaventura Minossi 1774. First Edition Primera edición. Hardcover Tapa dura. 500x358mm. 19¾x14". Roma Bonaventura Minossi 1774. En folio mayor 485 x 355mm. 1 retrato 22 grabados calcográficos. Huella de la plancha: 322 x 226mm. Todas las láminas numeradas en plancha. Firmadas "Nic. Poussin inv." y "F. Polanzani sculp." junto a dos líneas de inscripción latina. Encuadernación del siglo diecinueve en piel nombre de los artistas estampado en oro en la cubierta delantera. Primera edición de considerable rareza. Colección completa de los 22 grabados realizados por Polanzani en 1774 sobre dibujos de Nicolás Poussin de la serie que representa la vida de la Virgen. Recientes estudios ver Andresen p.61 rechazan la autoría de Nicolás Poussin y designan a Jacques Stella como el dibujante e inventor de la serie. En el testamento de Claudine Bouzonnet-Stella 1697 se menciona una serie de 22 dibujos sobre la vida de la Virgen que habían sido pintados por su tío Jacques Stella. Además en una carta dirigida a Giovanni Bottati fechada el 1 de octubre de 1756 Mariette escribe: "Non dico lo stesso delle stampe della Vita della Madonna intaglio del Polanzani che voi mi avete parimente mandato. Io me credeva vi vedere dei disegni del celebre Pussino ma non vi ho trovato se non una composizione alla quale egli certo non ha avuto mano e credo senza dubbio che sieno d'un pittore francese amico del Pussino che si chiamava Iacopo Stella.". Francesco o Felice Polanzani fue un grabador italiano nacido en Andale cerca de Venecia a comienzos del sigo dieciocho. Esta es su serie de grabados más famosa. También grabó trabajos de Van Dyck Carlo Cignani Marco Benefial y G. Noyan. Ejemplar falto de la portada pero completo de todas sus láminas. Colección de considerable rareza el British Museum sólo tiene 9 de las láminas. Bonaventura Minossi hardcover
50-1265Poilly ca. 18th cent. . Engraving. 12 x 17 inches. Poilly, ca. 18th cent. unknown
1779E258London, John Boydell, 1779. Großformatiger Stich nach Poussins klassischer Darstellung: vor einer weiten Felslandschaft mit einigen Gebäuden, die Nazareth darstellen sollen, lagert die Heilige Sippe. Maria sitzt in weite Gewänder gehüllt vor einem mächtigen Pfeiler, der die Szene links begrenzt. Mit ihren Händen hält sie den auf ihrem Schoß stehenden Jesusknaben, der zu dem ebenfalls nackten Johannesknaben herunterblickt. Dieser wird von seiner Mutter Elisabeth herangeführt, mit seinen geöffneten Armen deutet er die Bereitschaft an, den Messias zu empfangen. Elisabeth ist als alte Frau dargestellt, die vor Maria kniet und die Gottesmutter flehend anschaut. Hinter der Szene erscheint der liebevoll zuschauende Joseph, der sich auf einen Sockel stützt. Prachtvoll erhaltenes, vollständig sauberes Exemplar des zweiten Zustands mit dem englischen Titel und der Beischrift "In the Embroidered Bed Chamber at Houghton". ? Kontrastreicher, scharfer Abdruck auf vollständig fleckenfreiem Papier in sehr breitrandigem, majestätisch Rahmen.Le Blanc III, 221, Nummer 39. ? Vgl. Thieme-Becker XXVII, 193 (Poilly).
Roma, si vendono da Piale nel negozio di stampe in piazza di Spagna, 1811, in-plano, br. muta originale priva del dorso, frontespizio calcografico + 9 tavole all'acquaforte. L'album non è censito in ICCU. È invece presente nel COPAC inglese, la cui scheda riporta: frontespizio + 14 tavole. Gore diffuse, qualche mancanza marginale alla brossura.
1964ABE-1713742076370528 PAGES-17 CM X 21,2 CM-JAQUETTE (PELLICULE PLASTIQUE SE DESOLIDARISANT EN MARGE GAUCHE DU PREMIER PLAT)-(100E)
1999art1393mBroché, 558 pages, parfait état, illustré en couleurs.
201284286Paris Le Chant des Muses / Coll. La bande à Zorro, 2012, in-4, broché, 144p. Très bon état.
192910313A la Cité des Livres 1929 in8. 1929. broché. Édition critique des lettres du peintre français Nicolas Poussin (1594-1665) publiée avec une introduction par Pierre Du Colombier. L'ouvrage de 327 pages a été édité par La Cité des Livres à Paris en 1929
198024940Editions du Fromage, 1980. Grand format broché, couverture illustrée couleurs. Préface illustrée de et par Poussin.
1923007294München, Bruckmann, 1923. Orig.-Broschur, 185-216/III Seiten, 4°. Die Kunst für Alle. Ausgabe: April 1923 (XXXVIII. Jahrgang). Seiten papierbedingt leicht gebräunt. Sonst sauberes und sehr gut erhaltenes Exemplar. Die "Kunst für Alle" erschien ab 1885 im Münchner Bruckmann-Verlag. Sie war über Jahrzehnte eine der auflagenstärksten und einflussreichsten deutschsprachigen Kunstzeitschriften.
1964ART1233C101964 / 171 pages. Broché. Editions Hermann.
1906A56515,2 cm X 21,2 cm, 128 pp, 24 planches de reproduction N&B, reliure demi cuir, dos à 4 nerfs feuillage dorés sur les entre-nerfs, pièce de titre et titre dorés. Tranches jaspées. Signet.
2002107474Berlin, Friedenauer Presse 2002. 2002. Gr. 8°, 31 Textseiten und 5 s/w Tafeln, Orig.-Karton.
183pp.with few ills., 25cm., ill.softcover, VG, [Pace's text in english, Felibien's text in french, facsimile]
1981S61415London, A.Zwemmer 1981 183pp.with few ills., 25cm., ill.softcover, VG, [Pace's text in english, Felibien's text in french, facsimile]
1735038061Rome 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Etching Colored In Shades Of Tan. Trimmed To Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
