272 résultats
112pp. + 32 plates out-of-text, 28cm., limited edition of 300 numbered copies on paper "medevia antique wove": this is nr.137/300, original softcover (ink annotations on pastedown of end cover), text in Dutch, few foxing, good condition, rare, S98239
Complete in 2 volumes: together 717pp. with 295 bl/w illustrations and 16 colour illustrations, 27cm., hardcovers (editor's cloth), dustwrapper, text in English, fine condition, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens…" vol.26-2, ISBN 978-1-905375-39-4, S79986
Complete in 2 volumes: together 600pp. with 378 bl/w illustrations and 21 colour illustrations, 27cm., hardcovers (publisher's cloth), dustwrapper, text in English, fine condition, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens…" vol.26-1, ISBN 978-1-905375-38-7, S79987
Wood, J: Copies and Adaptations from Renaissance and later Artists: Italian Masters. Titian and North Italian Art. 2 vols. 2010. Series: Corpus Rubenianum Ludwig Burchard.
This is a very good hardcover copy in white illustrated boards without dust jacket as issued. Completely clean inside and out. Lower right corner lightly bumped.Text in Portuguese with English translations at the end. Essays by Rubens Fernandes Junior and Pedro Correa do Lago. This is volume 2 in the publisher's series: Colecao Visoes do Brasil. Militao Augusto de Azevedo (1837- 1905) is considered one of the most important Brazilian photographers of the 19th century. Best known for his photographs of Sao Paulo in the 1860's. Hundreds of his photographs reproduced here in sepia. 12" high X 11" wide, 263 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Belkin, Kristin: Copies and Adaptations from Renaissance and Later Artists. German and Netherlandish Artists. 2 vols. Turnhout: 2009. Series: Corpus Rubenianum Ludwig Burchard. Part XXVI. Vol. 1 (in 2 vols). 475pp with 21 colour and 378 monochrome illustrations. Cloth, 26.5x18cms. In his youth and in the years following his return from Antwerp Rubens copied German illustrated books and reworked drawings of the German old masters. Netherlandish drawings were also retouched by Rubens and this studying of his artistic heritage did much to influence his later works. In his youth and in the years following his return from Antwerp Rubens copied German illustrated books and reworked drawings of the German old masters. Netherlandish drawings were also retouched by Rubens and this studying of his artistic heritage did much to influence his later works. Text in English
Devisscher, Hans: The Life of Christ before the Passion. The Youth of Christ. Part V. Turnhout: 2014. Series: Corpus Rubenianum Ludwig Burchard. Part V. 400 pages, with 95 colour and 109 black and white illustrations. Hardback. 26.5 x 18cms. The newest volume in the 'Corpus Rubenianum Ludwig Burchard', this book examines the paintings Rubens dedicated to the theme of the youth of Christ, including his many marvellous depictions of the Adoration of both the Shepherds and the Magi. Preparatory stages of the paintings, drawings and engravings are fully discussed. The newest volume in the 'Corpus Rubenianum Ludwig Burchard', this book examines the paintings Rubens dedicated to the theme of the youth of Christ, including his many marvellous depictions of the Adoration of both the Shepherds and the Magi. Preparatory stages of the paintings, drawings and engravings are fully discussed.
The auction catalogue of an excellent private collection of autgraph letters. Includes outstanding letters by La Fontaine, Beethoven, Bernini, Rubens, Sully, Descartes, Diderot, Calvin, La Rochefoucauld, Rousseau, Charles V, Robespierre, Richelieu, Machiavelli, Racine, Louis XIV, and many other prominent literary, artistic, and political figures. 90 pp., 482 items described. Printed on fine wove paper. Tall 8vo. Original wraps. Entirely uncut. Wraps worn at spine. Internally bright and fine. Early auction catalogues of autograph collections, like this one, are quite rare.
Bulckens, Koen: The Life of Christ Before the Passion: The Ministry of Christ. volume 5, part 2. Turnhout: 2017. Series: Corpus Rubenianum Ludwig Burchard. 5.2. 360 pages; 149 black & white and 46 colour illustrations. Hardback. 26.5 x 18cms. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created. The present volume of the Corpus Rubenianum catalogues Rubens's exploration and representation of the theme of the public life of Christ. The works discussed span the entirety of Rubens's career and attest to the complexity of the iconographic division in which the depictions of Jesus Christ's public life were thought and created.
Mulders, C. Van: Works in Collaboration: Jan Brueghel I & II. London / Turnhout: 2016. Series: Corpus Rubenianum Ludwig Burchard. XXVII (1). 360 pages, 81 colour and 107 black and white illustrations. Hardback. 26.5 x 18cms.
Wood, Jeremy: Copies and Adaptations from Renaissance and later Artists: Italian Masters. Artists Working in Central Italy and France. 2 vols. 2011. Series: Corpus Rubenianum Ludwig Burchard. 704pp.,. 26.5 x 18.5cms.
Bulino misure: mm 280 x 230 Incisore attivo a Venezia. Fratello di Guglielmo e padre di Suor Isabella, entrambi incisori. Thieme-Becker registra diversi ritratti incisi da Pecini o Piccini spesso editi da Scolari. In questa stampa, tratta da un invenzione di Paul Rubens, vengono rappresentati Salomè, Erodiade, Erode e la sola testa del Battista. Il Battista è uno dei profeti dell’Antico Testamento, il primo Apostolo di Gesù, eremita e predicatore battezzava i suoi discepoli nelle acque del Giordano presso la confluenza col Mar Morto. La vicenda biblica è nota: Erode turbato dal ballo sensuale di Salomè le promette di soddisfare qualsiasi suo desiderio, Salomè allora, per compiacere la madre Erodiade, chiede di avere su un vassoio la testa di Giovanni Battista già in prigione per aver precedentemente osato condannare il comportamento di Erode. La scena si svolge all'oscurità della prigione, le figure si staccano dallo sfondo caratterizzato da una colonna e una finestra con le sbarre. Attraverso un gioco di sguardi cercano di coinvolgere lo spettatore, solo quello di Salomè è incosciente. Gli abiti dei tre personaggi sono riccamente e abilmente descritti; le acconciature raffinate, i gioielli e l'armatura scintillante. Anche la testa del Battista ha lo sguardo sofferente, dall'occhio semi aperto la pupilla è rivolta allo spettatore. Oltre l'immagine nel margine inferiore bianco incisi il titolo e le firme "P.P. Rubens pinx", "Stefano Scolari forma" "I. Pecini ... Venetiis". Si intuisce che prima di Venetiis doveva esserci una scritta ormai cancellata. L'indicazione dello stampatore è più nera delle altre scritte, perciò si tratta di un esemplare in stato successivo al primo. L'esemplare conservato presso il MET, infatti, reca la scritta "J. Pecini sculp et excudit Venetiis". Dunque il presente esemplare è nel II stato, senza l'excudit di Piccini e con l'indirizzo di Scolari stampatore bresciano attivo a Venezia dal 1660. Impressione ottima. Ottimo stato di conservazione. Ampi margini oltre la battuta del rame. Bibliografia: A. Tradigo, Icone e Santi d’Oriente, Milano 2004, p. 115; A. Giachery, Stefano Mozzi Scolari “stampatore e miniatore di stampe di rame” nella Venezia del Seicento: vita, attività, eredi, Perugia 2012, pp. 93-95, 97-101
Haverkamp-Begemann, Egbert: The Achilles Series. Brussels: Arcade, 1975. Series: Corpus Rubenianum Ludwig Burchard. Part X. 158pp plus 93 monochrome plates. Cloth. 26.5x19cms. Series of tapestries commissioned by Rubens's second father-in-law, Daniel Fourment. Series of tapestries commissioned by Rubens's second father-in-law, Daniel Fourment. Text in English
Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens’s copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English
Paris, M. J. Armengaud, S.D. (FINE ‘800). Bella cartella editoriale a portafoglio con titolo dorato al piatto. All’interno sono contenuti due polittici con struttura in cartone pieghevoli con croce dorata usata come chiusura. La prima cartella contiene il trittico La discesa dalla croce con altre quattro incisioni più la cattedrale d’Anversa con al retro la spiegazione delle tavole; la seconda L’elevazione a la croce, quattro incisioni e il ritratto del Rubens con al retro una breve biografia. All’interno della cartella è applicato un foglio dell’editore. Le due cartelle possiedono gli anelli per poter essere appese. Bell’esemplare.
<p>37x27 cm, cartella editoriale, titolo in oro al piatto; 2 polittici con struttura in cartone pieghevoli fermati da croce dorata. Ogni polittico contiene 6 incisioni di Rubens, una legenda e ha 2 anelli per poter essere appeso. Alla realizzazione della cartella hanno partecipato gli artisti: L. Gérard, Lacharlerie, Catenacci, Cabasson; le incisioni sono di: Hebert. Bello e fresco esemplare di queste interessanti: "incisioni da viaggio"</p>
Poorter, Nora de: The Eucharist Series. 2 vols. Brussels: Harvey Miller, 1978. Series: Corpus Rubenianum Ludwig Burchard. Part 2. I: 408pp. II: 510pp plus 230 monochrome illustrations. Cloth. 26.5x19cms. Part of the large series 'Corpus Rubenianum', this catalogue raisonné covers all the sketches and paintings that Rubens did for the preparation of the magificent set of Brussels tapestries representing The Triumph of the Eurcharist (preserved in the Convent of the Descalzas Reales in Madrid). It also gives all available informations about each tapestries. Part of the large series 'Corpus Rubenianum', this catalogue raisonné covers all the sketches and paintings that Rubens did for the preparation of the magificent set of Brussels tapestries representing The Triumph of the Eurcharist (preserved in the Convent of the Descalzas Reales in Madrid). It also gives all available informations about each tapestries. Text in English
Meulen, Marjon van der: Copies after the Antique. 3 vols. London: Harvey Miller, 1994. Series: Corpus Rubenianum Ludwig Burchard. Part XXIII (i, ii & iii). Volume I: Introduction. Volume II: Catalogue. Volume III: Plates with 575 illustrations. Cloth. 26.5x19cms. First publication to catalogue in detail Rubens' drawings after the Antique, produced largely at the beginning of his career. First publication to catalogue in detail Rubens' drawings after the Antique, produced largely at the beginning of his career. Text in English
Lotto comprensivo di 188 stampe in nero originali, presumibilmente di diversa provenienza, tutte raffiguranti soggetti classici (prevalentemente religiosi e mitologici) ricavati da grandi autori quali Raffaello, Michelangelo, Rubens, Reni, Leonardo Da Vinci, ... Stampate in Francia, non datate ma, presumibilmente, risalenti ai primi decenni dell'800. Dimensioni: 12 x 18 cm all'incirca. Stato di conservazione: Qualche inevitabile ossidazione della carta, alcune stampe presentano piccole mancanze o tagleitti sui margini, alcune presentano i margini un po' rifilati, due o tre stampe (in totale) presentano una scritta apenna sul margine bianco ma, nell'insieme, un lotto ben conservato Si vedano le fotografie che fanno parte integrante della descrizione. Soggetti vari: una quindicina di stampe sono dedicate a San Bruno "Couronnement de Charlemagne" (Raphael) "La peste" (C. Procaccini) "Galilèe en prison" "La jurisprudence" (Raphael) "Proserpine aux enfers" Pandore Apollo "Danse des muses" Centaure "Gladiateur mourant" "Incendie de Borgo Vecchio" (Raphael) "Salomé fille d'Herodiade (Leonard de Vinci) "Paysage - scene d'effroi" "Paysage - Animaux près d'une ruine", "Vue des bords de la mer" St. Michel Bacco Promethée "Les bergers d'Arcadie" "Massacre des innocens" "Victoire d'Ostie" diverse stampe ritraggono la Santa Famiglia "La nativité" Ercole "Diane et ses nymphes" "Le bapteme" St. Marc Milon de Crotonne "Salomon et la reine Saba" Amazone "Naissance de l'amour" "Abram recevant les trois anges", St. Madaleine St. Jérome St. Barthélemy "Venus Victorieuse" "Marche de silène" "St. Antoine tourmente par le demon" "Fuite en Egypte" "Charles Ier" "Les lutteurs" "Le char de l'aurore" (Guido Reni) ....
Complete series of all published issues (5 parts edited from 1882 till 1910), bound in 1 large volume: 316 + 303 + 311 + 299 + 355pp., illustrated with some plates out-of-text of which some folding, 25cm., nice half-leather binding, gilt title on spine, original softcovers preserved and bound in), very few foxing, with contributions in Dutch and in French, very good condition, rare complete set of this important periodical dedicated to the study of/about P.P.Rubens and his oeuvre, S90497
In 4°, (16cc), 202 pp, (6cc), prima edizione, legatura in pergamena, frontespizio calcografico disegnato da Pieter Paul Rubens e inciso da Theodor Galle, marca editoriale (compasso tenuto da una mano: Labore et Constantia) in fine. Il Mascardi fu assiduo della corte degli Este a Modena, andò a Roma per laurearsi in legge e, grazie alle raccomandazioni del conte Camillo Molza, che Mascardi ringraziò dedicandogli il Discorso sopra un componimento poetico intorno alla cometa,[3] nel 1618 fu assunto in qualità di segretario dal cardinale Alessandro d'Este (1568-1624). A Roma cominciò a comporre un poemetto fantastico, il Tiburno, per celebrare la fondazione della città di Tivoli, la casata e la sfarzosa villa che gli Este possedevano nella cittadina laziale. Il lavoro venne interrotto per la morte di papa Paolo V, nel 1621.Per celebrare l'apertura del conclave, il Mascardi compose l'Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Ad esso seguì, dopo l'elezione del cardinale Alessandro Ludovisi - papa con il nome di Gregorio XV - l'anonima Scrittura intorno alla elezione a sommo pontefice del cardinal Ludovisio, forse scritta da Alessandro d'Este o composta dal Mascardi su sua diretta commissione e ispirazione, nella quale erano esposte critiche nei confronti di diversi cardinali, suscitando così la reazione della famiglia Ludovisi, in particolare del cardinale Ludovico, contro il cardinale d'Este. A fare le spese del conflitto tra le due potenti famiglie fu così il Mascardi, che nel giugno del 1621 si ritrovò licenziato e allontanato da Roma. Si rifugiò allora a Genova dove fu favorito dalla conoscenza di personaggi importanti delle famiglie gentilizie quali Marcantonio Doria e Giacomo Lomellini, e da poeti di successo come Ansaldo Cebà e Gabriello Chiabrera. Poté così recitare pubblicamente, il 26 settembre 1621, l'orazione Per la coronazione del serenissimo Giorgio Centurione,[8] e in dicembre divenne membro dell'«Accademia degli Addormentati». Qui pronunciò altri discorsi, tra i quali uno per la monacazione di Margherita Doria, figlia di Marcantonio e di Isabella della Tolfa, e l'orazione Intorno al furor poetico, dedicata al patrizio Tommaso Grimani, tutti raccolti nelle Orazioni, pubblicate nel 1622 dall'editore genovese Giuseppe Pavoni. Una sua commedia, Le metamorfosi d'amore, composta per il carnevale del 1623, è invece rimasta manoscritta. Nella speranza di poter rientrare a Roma e di essere ripreso al servizio degli Este, il Mascardi aveva dedicato al cardinale Alessandro i Silvarum libri IV, pubblicati nel 1622 ad Anversa da Balthasar Moretus, ma senza ottenere risposta. In 4 °, (16cc), 202 pp, (6cc), first edition, vellum binding, title designed by Pieter Paul Rubens and engraved by Theodor Galle, publishing mark (compass held by one hand: Labore et Constantia) in fine. Mascardi was a regular at the Este court in Modena, went to Rome to graduate in law and, thanks to the recommendations of Count Camillo Molza, whom Mascardi thanked for dedicating his Discourse on a poetic composition around the comet, in 1618 he was hired in as secretary to Cardinal Alessandro d'Este (1568-1624). In Rome he began to compose a fantastic poem, the Tiburno, to celebrate the foundation of the city of Tivoli, the house and the sumptuous villa that the Este owned in the Lazio town. The work was interrupted by the death of Pope Paul V in 1621. To celebrate the opening of the conclave, Mascardi composed the Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Following it, after the election of Cardinal Alessandro Ludovisi - pope with the name of Gregory XV - followed the anonymous Scripture around the election as supreme pontiff of Cardinal Ludovisio, perhaps written by Alessandro d'Este or composed by Mascardi on his direct commission and inspiration, in which criticisms of several cardinals were exposed, thus provoking the reaction of the Ludovisi family, in particular of Cardinal Ludovico, against Cardinal d'Este. To pay for the conflict between the two powerful families was so Mascardi, who in June 1621 found himself fired and removed from Rome. He then took refuge in Genoa where he was favored by the knowledge of important personalities of the noble families such as Marcantonio Doria and Giacomo Lomellini, and by successful poets such as Ansaldo Cebà and Gabriello Chiabrera. He was thus able to publicly recite the prayer On September 26, 1621, for the coronation of the most serene Giorgio Centurione, and in December he became a member of the "Accademia degli Addormentati". Here he gave other speeches, including one for the monk of Margherita Doria, daughter of Marcantonio and Isabella della Tolfa, and the prayer Around the poetic fury, dedicated to the patrician Tommaso Grimani, all collected in the Orations, published in 1622 by the Genoese publisher Giuseppe Pavoni. One of his comedies, The Metamorphoses of Love, composed for the carnival of 1623, has instead remained handwritten. In the hope of being able to return to Rome and be resumed in the service of the Este, Mascardi had dedicated IV books to Cardinal Alessandro the Silvarum, published in Antwerp by Balthasar Moretus in 1622, but without getting an answer.
Série complète en 6 tomes: xviii,444 + iii,480 + 488 + 461 + 466 + xvi,382 pp., avec 36 planches hors-texte dont 7 fac-similes de lettres, dans la série "Codex Diplomaticus Rubenianus : documents relatifs à la vie et aux oeuvres de Rubens" tomes 1 à 6, 32cm., brochures originales (quelques-unes avec traces d'usage), pages toujours non coupées (sauf t.6), texte et intérieur frais et en très bon état, [Première édition aussi complète des lettres de Rubens, publiées dans leur langue d'origine (italien, latin, espagnol, anglais) avec leur traduction en français et des commentaires ainsi que des lettres qui lui furent adressées ou le concernent. La correspondance couvre les années 1600 à 1649 et porte sur ses différentes activités, y compris sur le plan diplomatique, ainsi que sur ses relations avec les cours européennes], bon état, poids: 13kg., S102945