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1980234196Princeton: University Press 1980. XV, 698 + 71 s/w Taf; XV, 24 farb. und 504 s/w Abb. auf Taf., Reg., Lit.- und Werkverz. 4° HLn.mS. *neuwertig*.
04-14131770. Hand-colored engraving by Sim. Watts. 63 x 51 cm. Mounted on board. 1770. unknown
4050Paris mai/juin 1912 - f. lair-dubreuil et henri baudoin commissaire priseurs - fort In 4 (36X28cm) demi chagrin bordeaux à coins - 173 pages - très nombreuses illustrations hors texte - bon état sauf un coin en cuir qui manque
7221London, Jewish Museum, 1954. In 4_, 160 pp., demi-reliure et coins vélin, plats toilés.
<p>37x27 cm, cartella editoriale, titolo in oro al piatto; 2 polittici con struttura in cartone pieghevoli fermati da croce dorata. Ogni polittico contiene 6 incisioni di Rubens, una legenda e ha 2 anelli per poter essere appeso. Alla realizzazione della cartella hanno partecipato gli artisti: L. Gérard, Lacharlerie, Catenacci, Cabasson; le incisioni sono di: Hebert. Bello e fresco esemplare di queste interessanti: "incisioni da viaggio"</p>
PR121217Portrait of Justus Lipsius 1547-1606 bust directed to the right within an elaborate frame; on the right the serpent winding round the cornucopia symbolises Prudence while the scroll on the other side symbolises Doctrine and is lettered with the titles of Lipsius's major works; above is Mercury's winged hat. Frontispiece to Lipsius's edition of Seneca's works ""L. Annæi Senecæ Opera"" Antwerp: 1615 1st edition. This impression was included in the third edition from 1632.After a drawing by Rubens at the British Museum inv. 18910511.31. The preparatory drawing depicts the Flemish scholar Justus Lipsius and was for inclusion in the volume of Senecas works that was published in 1615 by the Plantin Press in Antwerp. Rubens depiction of Lipisus was produced by working from a painting by Abraham Janssens which explains for the rather static character. The portrait was drawn first and then Rubens drew in the foliate frame which is rich with emblematic meaning and incorporates a wreath cornucopia a winged hat of Mercury the sun and two lamps. Subsequent touches were added to the face of Lipsius in pen and ink. The design was subsequently engraved by Cornelis Galle I.Entry from J. Rowlands 'Rubens: Drawings and Sketches' exhibition catalogue London British Museum 1977:The sitter Justus Lipsius was a famous Flemish scholar and leading exponent of a modern stoic philosophy. He attempted to embrace and reconcile the ever increasing divisions in thought and religion in his day. In his search for a solution his restless moves from one sect to another of Christianity are not without considerable significance. Through his brother Philip who was a pupil of Lipsius Rubens adopted much of the Stoic outlook which in any case harmonised well with his temperament. He was for moderation in all things nothing to excess.This design is for the engraving in reverse by Cornelis Galle included in Lipsius's edition of Seneca's works published by the Plantin press in 1615 see 18910414.1001. Lipsius's edition of the works of the Roman rhetorician dramatist and philosopher was long to remain the standard one. The influence of Seneca's philosophical thought in the post-classical world reached its peak in Lipsius's own writings. As with all his other portraits of Lipsius Rubens based it on that now lost of the philosopher by Abraham Janssens.Lettered on the plinth with Lipsius's motto: MORIBVS ANTIQVIS. Lettered in Latin below in a cartouche with an allusion to Timanthes in two lines: LIPSIADÆ velum est Timantis imago. videri / Sol quoque sub picea non nisi nube potest. / Henr. d'Oultremannus. Lettered with production detail in lower right corner: Corn. Galle sculp.NL Antieke prent. Portret van de auteur en Belgische geleerde Justus Lipsius in een ovale omlijsting met vruchten slangen en fakkels. Aan weerszijden staan twee olielampjes op een sokkel met het opschrift: Moribus antiquis. Onder de voorstelling een cartouche met een Latijns vers van Oultreman. Justus Lipsius eigenlijk Jodocus Lips was een Zuid-Nederlandse humanist filoloog en historiograaf. Lipsius studeerde aan de katholieke Universiteit Leuven en doceerde in het lutherse Jena en in het calvinistische Leiden. Auteursportret voor: L. Annaeus Seneca ed. J. Lipsius. Opera quae extant omnia. Antwerpen ex officina Plantiniana meerdere edities; voor het eerst uitgegeven in 1615 voor het laatst gebruikt in de editie 1652.Het hoofdgebouw van de faculteit Geesteswetenschappen tot dec. 2008 faculteit Letteren van de Universiteit Leiden is vernoemd naar Lipsius net als de studievereniging van de master Encyclopedie en Filosofie van het Recht te Leiden en het gebouw waarin de Raad van de Europese Unie is ondergebracht. Dit "" Justus Lipsiusgebouw"" ligt in het hart van de Europese wijk rond het Brusselse Schumanplein. Engraving on paper text in letterpress on verso pasted down on another sheet of laid paper cut on plate; total: 295 x 193 mm; some rubbing and discolouration traces of folding on the top right corner in the middle and on the bottom corners; otherwise in good condition. Hollstein 177; Schneevoogt 183.255; Muller 3248; van Someren M.3248; Corpus Rubenianum XXI 30. unknown
1630ALDR0719Antwerpen, Plantin/Moretus 1630. 15 Bl., 285 S. 9 Bl. Mit 5 Zierinitialen, 5 Schlußstücken und Druckermarke in Holzschnitt. Mit gestochener Titelvignette. Titelbl. mit hs. Vermerk einer Jesuitenbibliothek (dat. 1661), verso gestemp., stellenweise leicht fleckig, Pgt. d. Zt. mit engl. Kante, Schnitt umlaufend dunkelrot gefärbt. Das gest.Porträt fehlt. Erste Ausgabe in lat. Sprache. Die Druckermarke, das bekannte Geschäftszeichen der Plantin/Moretus-Drucke schuf P.P. Rubens für Balthasar Moretus: eine aus Wolken herausreichende Hand mit geöffnetem Zirkel, um den sich ein Spruchband mit den Worten "Labore et constantia" schlingt. - Schottenloher S. 251; Butsch, Taf.43.
2013x-9401741603Springer Verlag 2013. Paperback. New. 592 pages. 11.02x8.35x1.18 inches. Springer Verlag paperback
7721484like new. unknown
2019x-3030048632Palgrave Macmillan 2019. Hardcover. New. 237 pages. 8.50x6.25x1.00 inches. Palgrave Macmillan hardcover
Paris, M. J. Armengaud, S.D. (FINE ‘800). Bella cartella editoriale a portafoglio con titolo dorato al piatto. All’interno sono contenuti due polittici con struttura in cartone pieghevoli con croce dorata usata come chiusura. La prima cartella contiene il trittico La discesa dalla croce con altre quattro incisioni più la cattedrale d’Anversa con al retro la spiegazione delle tavole; la seconda L’elevazione a la croce, quattro incisioni e il ritratto del Rubens con al retro una breve biografia. All’interno della cartella è applicato un foglio dell’editore. Le due cartelle possiedono gli anelli per poter essere appese. Bell’esemplare.
21682758-nnew. unknown
Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens’s copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English
2023x-1398609773Kogan Page Ltd 2023. Hardcover. New. 336 pages. 9.50x7.00x1.25 inches. Kogan Page Ltd hardcover
1914003659Chappell and Co. Ltd. RUBENS Paul A.; HASSELL John. Your King and Country Want You. A Woman's Recruiting Song. London Chappell & Co. Ltd. 50 New Bond Street c1914. Folio sheet music 6 pp. including illustrated title 360 × 260 mm. Lithographed pictorial cover by John Hassall music and lyrics printed. Original publisher's issue unbound as printed. Light overall toning and creasing from use and folding short edge wear a few small marginal nicks; generally a clean complete example. Contemporary ownership inscription at upper margin "N. Lambden" publisher's and music-seller's stamps to title. Very good. A First World War recruiting song dedicated "by special permission to Her Majesty the Queen" and issued in aid of Queen Mary's Work for Women Fund with a note that profits from sales were devoted to that cause. Words and music are by Paul A. Rubens 1875-1917 one of the most successful British songwriters of the Edwardian and early wartime period whose patriotic and theatrical songs were widely performed in music halls and drawing rooms. The cover design is by John Hassall 1868-1948 one of the leading British poster artists of the period here adapting the visual language of the famous "Kitchener Wants You" poster to a female figure arms outstretched appealling to men to sign up. The lyrics support the recruitment drive with patriotic obligation "Oh we don't want to lose you but we think you ought to go / For your King and Country both need you so!". A scarce survivor of wartime propaganda with the early striking Hassall cover design. . Very Good. Soft cover. 1st Edition. 1st Printing. 1914. Chappell and Co. Ltd paperback
ria9780415925501_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; With this new edition Science and Technical Writing confirms its position as the definitive style resource for thousands of established and aspiring technical writers. Editor Philip Rubens has fully revised and updated his popular 1992 hardcover
1990014553Paris Réunion des Musées Nationaux 1990 In-4 Broché, couverture illustrée à larges rabats Dédicacé par l'auteur
195816676Amsterdam - Rio de Janeiro: Colibris Editiora Ltda 1958. cloth dust jackets. Brazil. 8vo. cloth dust jackets. xxiv 427; iv 448 2 pages. Two volumes. First edition one of a numbered edition; this set out of series. A near fine set in near fine jackets. Colibris Editiora Ltda unknown
19961116293Weimar : VDG, 1996. 411 S. Mit zahlr. Abb. Originalbroschur.
PR121221-5Portrait of Philip the Good 1396-1467 bust in an oval wearing crowned helmet and armour and chain with the Order of the Golden Fleece head turned to right decorated frame arms below. He lived in the Middle Ages.From the set: Graven en gravinnen van Holland Zeeland en West-Friesland. Counts and Countesses of Holland Zeeland and West-Frisia; 30/38.Lettered below portrait in six lines: PHILIPPUS IMUS INTREPIDI BURGUNDIÆ DUCIS . FLANDORUM A.o MCCCCLXVII. With two columns of text each four lines either side of arms. Numbered upper centre XXX.Lettered below left in spandrel: Ian van Eyck pinx.<p class=""item-data"">NL Antieke prent ets en gravure door Visscher II. Filips de Goede hertog van Bourgondië met een harnas een helm en een kroon. Hij leefde in de Middeleeuwen. Om zijn hals een keten met het ordeteken van de orde van het gulden vlies. Helm langs de randen versierd met graveerwerk en bloemen en bovenop voorzien van rol of platte tulband met kroon in harnas rondom hals keten met Orde van het Gulden Vlies. Gekroond gevierendeeld wapenschild met klimmende leeuwen lelies. In de zwikken bladvormen. Proefdruk van de dertigste prent uit de serie 'Graven en gravinnen van Holland Zeeland en West-Friesland' bestaande uit 38 prenten. Filips de Goede ook genaamd Filips III van Bourgondië was hertog van Bourgondië van 1419 tot aan zijn dood. Als landsheer van het graafschap Vlaanderen het hertogdom Brabant het graafschap Namen en het hertogdom Limburg heeft hij een belangrijke rol gespeeld in de geschiedenis van de Nederlanden.</p> Engraving and etching on laid paper with broad margin; total: 465 x 348 mm; state II/3; except some light staining in outstanding condition. Hollstein 107. unknown
195410871London: The Jewish Museum 1954. First Edition. Hardcover. Very Good. Limited to 500 copies. Review copy with the publisher's prospectus laid-in and stamped "Property of the New York Times Book Review" on the endpapers. Very Good. Half-vellum binding with some stains penciled with the publication date on the top-right corner of the front board. Firmly bound with a gilt top edge forward lean clean internally. Advertised as "the only Book on the subject" this work presents ceremonial prints costume plates engraved portraits and satires representing five centures of Jewish social history. The Jewish Museum hardcover
1963mon0000112094Michael Joseph 1963-01-01. Paperback. Good. in x in x in. Ex-library book usual markings. Hardback/Hardcover. Clean text sound binding. Michael Joseph paperback
68-2831Paris: Jacques Philippe Le Bas 1772. Etching & Engraving. 22.6 x 26.2 cm. Good with tears & tape repairs minor stains to verso. Paris: Jacques Philippe Le Bas, 1772. unknown
0851393500New. hardcover. New. Satisfaction Guaranteed or your money back. hardcover
