272 résultats
formato 18,5X12. Legatura editoriale tutta tela con sovraccoperta pagine 201. Con 71 Tavole in B/N. Prima Edizione Einaudi. Bella copia
Jaffe, Michael: Rubens e l'Italia. Fratelli Palombi, 1984. 132 pages of text and 346 plates in black & white. Hardback. 29 x 23cms. Study on Rubens and the influence of his diplomatic travels to Italy on his work. Text in Italian. Study on Rubens and the influence of his diplomatic travels to Italy on his work. Text in Italian
Inner hinges cracked. Some minor edgewear to DJ. Scholar's bookplate to inner cover (Jenifer Neils). ; Oversized; 11.3 X 9.0 X 1.3 inches; 128 pages
Judson, J.Richard.: The Passion of Christ. London: Harvey Miller, 2000. Series: Corpus Rubenianum Ludwig Burchard. Part VI. 472pp with 224 monochrome illustrations. Cloth. 26.7x18cms. This catalogue raisonné is part of the large series 'Corpus Rubenianum'. At the beginning of the 17th century there was a great demand for scenes of Christ's Passion in the Southern Netherlands. Rubens had undertaken numerous religious paintings whilst in Italy and had gained a reputation in this field, resulting in a large body of commissions, mainly between c.1610 and 1621/2, all of which are documented in this volume. With indices of collections, subjects, other works and names and places. This catalogue raisonné is part of the large series 'Corpus Rubenianum'. At the beginning of the 17th century there was a great demand for scenes of Christ's Passion in the Southern Netherlands. Rubens had undertaken numerous religious paintings whilst in Italy and had gained a reputation in this field, resulting in a large body of commissions, mainly between c.1610 and 1621/2, all of which are documented in this volume. With indices of collections, subjects, other works and names and places. Text in English
Mm 220x280 Volume rilegato in tela privo della sovraccoperta e con titolo in oro al dorso, 261pagine con numerose illustrazioni in nero fuori testo. Volume in buone condizioni, dalla pagina 224 alla chiusura del volume sono presenti macchie d'umidità che non compromettono la qualità delle illustrazioni. Testo in inglese. Spedizione in 24 ore dalla conferma dell'ordine.
In-8° grande, pp. 168, tela editoriale con titolo in oro al piatto sup. Numerose illustarzioni in nero n.t.
40pp.waarvan 8pp.ills.
96pp., avec ills. en n/bl, 26cm., br.orig., bon état, S108258
32 + viii pp.+ 17 reproductions photographiques hors-texte, br.orig., dans la collection "Conférences et théatres" 5e année no.9, 25cm.
Locandina pubblicitaria della rivista in due tempi di Aldo Rubens "Ultima Edizione" con: Aldo Rubens, Cele Abba, Letizia Gissi, Maria Ditrix, Fausta Rotelli, Erna Langer, Deli Lori, Gino Cavalieri, Carlo de Cristofaro, Olimpio Gargano, Renato Gissi Sorelle Lorant, Aldo Penati, Gino Filippini ecc
This is a very good hardcover copy in white illustrated boards without dust jacket as issued. Completely clean inside and out. Lower right corner lightly bumped.Text in Portuguese with English translations at the end. Essays by Rubens Fernandes Junior and Pedro Correa do Lago. This is volume 2 in the publisher's series: Colecao Visoes do Brasil. Militao Augusto de Azevedo (1837- 1905) is considered one of the most important Brazilian photographers of the 19th century. Best known for his photographs of Sao Paulo in the 1860's. Hundreds of his photographs reproduced here in sepia. 12" high X 11" wide, 263 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
133pp.met 34 platen, 17cm., in de reeks "Groote meesters", gecart.band, enkele stempeltjes (waarvan 3 op bladsneden), luttele roestvlekjes, goede staat, S75641
228pp.with 165 bl/w illustrations + 4 plates in colour, 29cm., softcover, illustrated dustwrapper (small tear repaired), good condition, S85463
228pp.with 165 bl/w illustrations + 4 plates in colour, 29cm., editor's hardcover in red cloth, illustrated dustwrapper, good condition, S88619
In folio, t.tl. edit., sovracop. fig. col., pp. 156(4) stampate su carta forte con barbe, con 105 fig.. appl. e L tavv. col., anche ripieg. f.t. Bibliografia. Cofanetto edit. Prima edizione.
Mm 165x250 Volume rilegato di pp. 338, sovraccoperta editoriale illustrata con piccolo strappo, testo in lingua francese, con tavole fuori testo con illustrazioni in bianco e nero. In ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
Mm 250x290 Catalogo della mostra di Roma, Museo Fondazione Roma, 11 novembre - 15 febbraio 2009. Brossura originale, 150 pagine completamente illustrate a colori. Condizione del catalogo: nuovo - brand new. Spedizione in 24 ore dalla conferma dell'ordine.
Logan, Anne-Marie and Michiel C. Plomp: Peter Paul Rubens. The Drawings. Exhibition: New York, Metropolitan Museum, 2005. 332pp with 145 colour plates and 151 monochrome illustrations. Hardback. 27x21cms. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Text in English
Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens’s copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English
140pp., met ills., 26cm., gebroch., goede staat, S108259
356 p., très nbr. ill. coul. Inv. Th 156
241pp.(text) 203 bl/w illustrations out of text, 27cm., hardcover (editor's cloth), dustwrapper, in slipcase, text in English, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens…" volume I, very good condition, S84320
278pp.(text) + 114 plates in bl/w out of text, hardcover (editor's cloth), illustrated dustwrapper, 27cm., text in English, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens…" part XVI (16), Very good condition, S51112
Martin, John Rupert: The Ceiling Paintings for the Jesuit Church in Antwerp. Brussels: Arcade, 1968. Series: Corpus Rubenianum Ludwig Burchard. Part I. xiv, 241pp plus 126pp of monochrome plates. Cloth. 26.5x19cms. Part of the large series 'Corpus Rubenianum', this volumes analyses and attempts to reconstruct throught the spirited grisaille sketches and final oil sketches, the 39 ceiling paintings painted by Rubens in 1620-1621 for the newly-built Jesuit Church in Antwerp and destroyed by fire in 1718. Part of the large series 'Corpus Rubenianum', this volumes analyses and attempts to reconstruct throught the spirited grisaille sketches and final oil sketches, the 39 ceiling paintings painted by Rubens in 1620-1621 for the newly-built Jesuit Church in Antwerp and destroyed by fire in 1718.
In 4°, (16cc), 202 pp, (6cc), prima edizione, legatura in pergamena, frontespizio calcografico disegnato da Pieter Paul Rubens e inciso da Theodor Galle, marca editoriale (compasso tenuto da una mano: Labore et Constantia) in fine. Il Mascardi fu assiduo della corte degli Este a Modena, andò a Roma per laurearsi in legge e, grazie alle raccomandazioni del conte Camillo Molza, che Mascardi ringraziò dedicandogli il Discorso sopra un componimento poetico intorno alla cometa,[3] nel 1618 fu assunto in qualità di segretario dal cardinale Alessandro d'Este (1568-1624). A Roma cominciò a comporre un poemetto fantastico, il Tiburno, per celebrare la fondazione della città di Tivoli, la casata e la sfarzosa villa che gli Este possedevano nella cittadina laziale. Il lavoro venne interrotto per la morte di papa Paolo V, nel 1621.Per celebrare l'apertura del conclave, il Mascardi compose l'Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Ad esso seguì, dopo l'elezione del cardinale Alessandro Ludovisi - papa con il nome di Gregorio XV - l'anonima Scrittura intorno alla elezione a sommo pontefice del cardinal Ludovisio, forse scritta da Alessandro d'Este o composta dal Mascardi su sua diretta commissione e ispirazione, nella quale erano esposte critiche nei confronti di diversi cardinali, suscitando così la reazione della famiglia Ludovisi, in particolare del cardinale Ludovico, contro il cardinale d'Este. A fare le spese del conflitto tra le due potenti famiglie fu così il Mascardi, che nel giugno del 1621 si ritrovò licenziato e allontanato da Roma. Si rifugiò allora a Genova dove fu favorito dalla conoscenza di personaggi importanti delle famiglie gentilizie quali Marcantonio Doria e Giacomo Lomellini, e da poeti di successo come Ansaldo Cebà e Gabriello Chiabrera. Poté così recitare pubblicamente, il 26 settembre 1621, l'orazione Per la coronazione del serenissimo Giorgio Centurione,[8] e in dicembre divenne membro dell'«Accademia degli Addormentati». Qui pronunciò altri discorsi, tra i quali uno per la monacazione di Margherita Doria, figlia di Marcantonio e di Isabella della Tolfa, e l'orazione Intorno al furor poetico, dedicata al patrizio Tommaso Grimani, tutti raccolti nelle Orazioni, pubblicate nel 1622 dall'editore genovese Giuseppe Pavoni. Una sua commedia, Le metamorfosi d'amore, composta per il carnevale del 1623, è invece rimasta manoscritta. Nella speranza di poter rientrare a Roma e di essere ripreso al servizio degli Este, il Mascardi aveva dedicato al cardinale Alessandro i Silvarum libri IV, pubblicati nel 1622 ad Anversa da Balthasar Moretus, ma senza ottenere risposta. In 4 °, (16cc), 202 pp, (6cc), first edition, vellum binding, title designed by Pieter Paul Rubens and engraved by Theodor Galle, publishing mark (compass held by one hand: Labore et Constantia) in fine. Mascardi was a regular at the Este court in Modena, went to Rome to graduate in law and, thanks to the recommendations of Count Camillo Molza, whom Mascardi thanked for dedicating his Discourse on a poetic composition around the comet, in 1618 he was hired in as secretary to Cardinal Alessandro d'Este (1568-1624). In Rome he began to compose a fantastic poem, the Tiburno, to celebrate the foundation of the city of Tivoli, the house and the sumptuous villa that the Este owned in the Lazio town. The work was interrupted by the death of Pope Paul V in 1621. To celebrate the opening of the conclave, Mascardi composed the Oratio habita ad illustrissimos ac reverendissimos S. R. E. cardinales de subrogando pontifice. Following it, after the election of Cardinal Alessandro Ludovisi - pope with the name of Gregory XV - followed the anonymous Scripture around the election as supreme pontiff of Cardinal Ludovisio, perhaps written by Alessandro d'Este or composed by Mascardi on his direct commission and inspiration, in which criticisms of several cardinals were exposed, thus provoking the reaction of the Ludovisi family, in particular of Cardinal Ludovico, against Cardinal d'Este. To pay for the conflict between the two powerful families was so Mascardi, who in June 1621 found himself fired and removed from Rome. He then took refuge in Genoa where he was favored by the knowledge of important personalities of the noble families such as Marcantonio Doria and Giacomo Lomellini, and by successful poets such as Ansaldo Cebà and Gabriello Chiabrera. He was thus able to publicly recite the prayer On September 26, 1621, for the coronation of the most serene Giorgio Centurione, and in December he became a member of the "Accademia degli Addormentati". Here he gave other speeches, including one for the monk of Margherita Doria, daughter of Marcantonio and Isabella della Tolfa, and the prayer Around the poetic fury, dedicated to the patrician Tommaso Grimani, all collected in the Orations, published in 1622 by the Genoese publisher Giuseppe Pavoni. One of his comedies, The Metamorphoses of Love, composed for the carnival of 1623, has instead remained handwritten. In the hope of being able to return to Rome and be resumed in the service of the Este, Mascardi had dedicated IV books to Cardinal Alessandro the Silvarum, published in Antwerp by Balthasar Moretus in 1622, but without getting an answer.
