272 résultats
278pp.(text) + 114 plates in bl/w out of text, hardcover (editor's cloth), illustrated dustwrapper, 27cm., text in English, in the series "Corpus Rubenianum Ludwig Burchard. An illustrated catalogue raisonné of the work of Peter Paul Rubens…" part XVI (16), Very good condition, S51112
356 p., très nbr. ill. coul. Inv. Th 156
140pp., met ills., 26cm., gebroch., goede staat, S108259
Logan, Anne-Marie, and Kristin Lohse Belkin: The Drawings of Peter Paul Rubens, A Critical Catalogue. Volume One (1590 - 1608). 2 volumes. 2021. 536 pages, fully illustrated in colour. Hardback. 28 x 22cms. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens's copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. First of three projected volumes divided chronologically, as opposed to the thematic arrangement of the Corpus Rubenianum Ludwig Burchard. Volume I consists of drawings from the artist's childhood in Antwerp, circa 1590, through to the end of his sojourn in Italy, in October 1608. For the first time, Rubens’s copies and their models are fully integrated into the rest of his graphic oeuvre, thus showing copies and original compositions created at the same time side by side. The volume contains 204 entries, including several sheets with drawings on recto and verso. Each entry consists of a detailed physical description of the drawing, provenance, exhibition history, full bibliography and a critical, interpretive discussion. Prefaced by an essay on the history of Rubens scholarship from 1892 to 2019. Text in English
Logan, Anne-Marie and Michiel C. Plomp: Peter Paul Rubens. The Drawings. Exhibition: New York, Metropolitan Museum, 2005. 332pp with 145 colour plates and 151 monochrome illustrations. Hardback. 27x21cms. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Over 100 of the finest and most representative of Rubens's drawings from private and public collections around the world are shown. Essays provide overview of Rubens's career as a draughtsman and of the dispersal of his drawings after his death. With discussion of the various functions of his drawings as preparatory studies for paintings, sculpture, architecture prints, and book illustrations. Includes his early anatomical studies and copies after antique sculpture, and drawings by other artists that Rubens retouched, restored or reworked. Text in English
Mm 250x290 Catalogo della mostra di Roma, Museo Fondazione Roma, 11 novembre - 15 febbraio 2009. Brossura originale, 150 pagine completamente illustrate a colori. Condizione del catalogo: nuovo - brand new. Spedizione in 24 ore dalla conferma dell'ordine.
Mm 165x250 Volume rilegato di pp. 338, sovraccoperta editoriale illustrata con piccolo strappo, testo in lingua francese, con tavole fuori testo con illustrazioni in bianco e nero. In ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
In folio, t.tl. edit., sovracop. fig. col., pp. 156(4) stampate su carta forte con barbe, con 105 fig.. appl. e L tavv. col., anche ripieg. f.t. Bibliografia. Cofanetto edit. Prima edizione.
228pp.with 165 bl/w illustrations + 4 plates in colour, 29cm., softcover, illustrated dustwrapper (small tear repaired), good condition, S85463
228pp.with 165 bl/w illustrations + 4 plates in colour, 29cm., editor's hardcover in red cloth, illustrated dustwrapper, good condition, S88619
133pp.met 34 platen, 17cm., in de reeks "Groote meesters", gecart.band, enkele stempeltjes (waarvan 3 op bladsneden), luttele roestvlekjes, goede staat, S75641
This is a very good hardcover copy in white illustrated boards without dust jacket as issued. Completely clean inside and out. Lower right corner lightly bumped.Text in Portuguese with English translations at the end. Essays by Rubens Fernandes Junior and Pedro Correa do Lago. This is volume 2 in the publisher's series: Colecao Visoes do Brasil. Militao Augusto de Azevedo (1837- 1905) is considered one of the most important Brazilian photographers of the 19th century. Best known for his photographs of Sao Paulo in the 1860's. Hundreds of his photographs reproduced here in sepia. 12" high X 11" wide, 263 pages. Large heavy book foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Locandina pubblicitaria della rivista in due tempi di Aldo Rubens "Ultima Edizione" con: Aldo Rubens, Cele Abba, Letizia Gissi, Maria Ditrix, Fausta Rotelli, Erna Langer, Deli Lori, Gino Cavalieri, Carlo de Cristofaro, Olimpio Gargano, Renato Gissi Sorelle Lorant, Aldo Penati, Gino Filippini ecc
32 + viii pp.+ 17 reproductions photographiques hors-texte, br.orig., dans la collection "Conférences et théatres" 5e année no.9, 25cm.
96pp., avec ills. en n/bl, 26cm., br.orig., bon état, S108258
40pp.waarvan 8pp.ills.
In-8° grande, pp. 168, tela editoriale con titolo in oro al piatto sup. Numerose illustarzioni in nero n.t.
Mm 220x280 Volume rilegato in tela privo della sovraccoperta e con titolo in oro al dorso, 261pagine con numerose illustrazioni in nero fuori testo. Volume in buone condizioni, dalla pagina 224 alla chiusura del volume sono presenti macchie d'umidità che non compromettono la qualità delle illustrazioni. Testo in inglese. Spedizione in 24 ore dalla conferma dell'ordine.
Judson, J.Richard.: The Passion of Christ. London: Harvey Miller, 2000. Series: Corpus Rubenianum Ludwig Burchard. Part VI. 472pp with 224 monochrome illustrations. Cloth. 26.7x18cms. This catalogue raisonné is part of the large series 'Corpus Rubenianum'. At the beginning of the 17th century there was a great demand for scenes of Christ's Passion in the Southern Netherlands. Rubens had undertaken numerous religious paintings whilst in Italy and had gained a reputation in this field, resulting in a large body of commissions, mainly between c.1610 and 1621/2, all of which are documented in this volume. With indices of collections, subjects, other works and names and places. This catalogue raisonné is part of the large series 'Corpus Rubenianum'. At the beginning of the 17th century there was a great demand for scenes of Christ's Passion in the Southern Netherlands. Rubens had undertaken numerous religious paintings whilst in Italy and had gained a reputation in this field, resulting in a large body of commissions, mainly between c.1610 and 1621/2, all of which are documented in this volume. With indices of collections, subjects, other works and names and places. Text in English
Inner hinges cracked. Some minor edgewear to DJ. Scholar's bookplate to inner cover (Jenifer Neils). ; Oversized; 11.3 X 9.0 X 1.3 inches; 128 pages
Jaffe, Michael: Rubens e l'Italia. Fratelli Palombi, 1984. 132 pages of text and 346 plates in black & white. Hardback. 29 x 23cms. Study on Rubens and the influence of his diplomatic travels to Italy on his work. Text in Italian. Study on Rubens and the influence of his diplomatic travels to Italy on his work. Text in Italian
formato 18,5X12. Legatura editoriale tutta tela con sovraccoperta pagine 201. Con 71 Tavole in B/N. Prima Edizione Einaudi. Bella copia
Che Rubens abbia unito l’arte del Nord con quella del Sud è il concetto più profondamente radicato nell’ideale di Burckhardt: l’iniziale entusiasmo per le correnti nordiche, la successiva adorazione per quelle italiane e il meditato apprezzamento di quelle olandesi, tutto converge nella figura del pittore fiammingo, in un rapporto di continuità con i predecessori italiani che durerà per tutta la vita. Per Burckhardt, Rubens non è un semplice “oggetto di studio”: egli fa parte del suo mondo interiore, è il prototipo dell’uomo creatore che attua un processo di assimilazione dal passato e dal presente Autori: Jacob Burckhardt. Curatori: Peter Girardi.
Large format exhibition catalog in excellent condition with Very light scuffing to covers only, otherwise as new. Binding is solid and square, covers have sharp corners, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 77 pages with a great many large and full page full color prints thoughout.
viii + 550 [i] pp.+ 5 fac-simile héliographiques, 24cm., br.orig. (dos renforcé, petit coin de papier détaché du plat supérieur) protégée par une couv. de papier cristal, peu de rousseurs, texte et intérieur en bon état, S87540
