2 144 résultats
vii + 157pp., 1ste druk, 2 stempeltjes, halflinnen band, goede staat
1927S82479Antwerpen, Stedelijk Bestuur 1927 144pp.+ 25 platen buiten tekst in simili-helio druk, 33cm., wat roestplekjes, onopengesneden, goede staat, S82479
144pp.+ 25 platen buiten tekst in simili-helio druk, 33cm., wat roestplekjes, onopengesneden, goede staat, S82479
6209251811.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
26053Nl, waanders, 2010 Paperback ,Aantal pagina's 128 pag., 22,5 x 27 cm, Illustraties 100 kleur. ISBN 9789040076992.
1929111158Berlin, Kunst-Auktions-Haus Leo Grünpeter, 1929. 22 S., 1 Bl., 32 Tafeln. 4°, OKart.
1977P79775Antwerpen, Koninklijke Geneeskundige Kring van Antwerpen & Koninklijke Apothekersvereniging 1977 179pp.waarvan 36pp.illustraties, 21cm., catalogus van tentoonstelling (Antwerpen, Geneesherenhuis, 1 juli- 30 september 1977), P79775
179pp.waarvan 36pp.illustraties, 21cm., catalogus van tentoonstelling (Antwerpen, Geneesherenhuis, 1 juli- 30 september 1977), P79775
700, Antwerpen, Koninklijke Geneeskundige Kring, 1977. (db)., Originele uitgeversomslag geillustreerd z/w, 21x20,5cm, 179pp, geillustreerd z/w.
1949S64492Antwerpen, De Sikkel 1949 212pp. met zw/w ills., 26cm., gecart. uitgeversband, [bevat o.m. DHANENS E., Jan van Roome alias van Brussel, schilder, pp.41-146 & DE MAEYER Marcel, Rubens' terugkeer uit Italië naar Antwerpen, pp.147-165], goede staat, S64492
212pp. met zw/w ills., 26cm., gecart. uitgeversband, [bevat o.m. DHANENS E., Jan van Roome alias van Brussel, schilder, pp.41-146 & DE MAEYER Marcel, Rubens' terugkeer uit Italië naar Antwerpen, pp.147-165], goede staat, S64492
200685578São Paulo: Cosac Naify 2006. 21x21cm box. Textos: Rubens Fernandes Junior.et al. 3 Vols. 180;204;26p b/w and color plates cat. facs. bibls. color pict. boards wrps. all in box Set of 3 volumes comprising a selected part of the photographic legacy of photographer De Barros b. Brazil 1923 - 1998 a pioneer of abstract photography in Brazil and one of the founders of the Ruptura concrete art movement. The volume titled "Fotoformas" is a facsimile version of the book first published for the occasion of the exhibition "Geraldo de Barros Fotografo" held at the Museu da Imagem do Som São Paulo originally shown in a retrospective exhibition titled "Geraldo de Barros Peintre et Photographe" in the Musee de l'Elysee Lausanne 1993 presenting 100 photographs shoot between 1946 and 1951. The other volume title "Sobras" contains collages and photomontages created in the last period of his life. Includes a brochure with an English translation titled "Collection of Essays on Geraldo de Barros" by Pietro Maria Bardi Cosac Naify hardcover books
19944928-30Brazil: Gabinete De Arte 1994. Paperback. Very Good. Text is in Portuguese. Paperback edition. Illustated throughout with detailed descriptions commentary and brief biography features the artworks of the Brazilian painter and scupture Rubens Gerchman. 11 x 10 1/2 Size: 11 x 10 1/2 <br/> <br/> Gabinete De Arte paperback
2104RS241<p>Salamanda. Consultoria Editorial S.A. 1989.</p>_x000d_<p>De 28x28 cm. Com 208 iv págs. Brochado. Profusamente ilustrado no texto com reproduções das obras do autor e fotografias a preto e branco e a cores.</p>_x000d_<p>Obra bilingue com textos em português e inglês.</p>_x000d_<p>Exemplar com dedicatória do autor para Jominer Ribeiro na folha de rosto. Contém foxing na folha de rosto.</p> I-111-A-18 unknown
18891994München, Theodor Riedel, 1889. Gr. 8°, XII, 480 Seiten. mit 10 Orig.-Radierungen von J. B. Michiels, 40 ganzseitigen Holzschnitten, Initialen und Vignetten. Illustrierter Orig.Leinen mit Goldprägung.
1940S84334Antwerpen, Comité Rubensherdenking 1940 893 [iv] pp.+ 16 illustraties buitentekst, geïllustreerde omslag, 25cm., goede staat, S84334
893 [iv] pp.+ 16 illustraties buitentekst, geïllustreerde omslag, 25cm., goede staat, S84334
1773, Antwerpen, Rubensherdenking, 1940., Originele geillustreerde ( wapenschild) uitgeversomslag in kleur, 25x16,5cm, 893pp. good condition.
235986Wien: Böhlau 2023. 425 S., Abb. Kart. *neuwertig* Giotto (1334) is the first European artist about whom it is possible to write following the schema of ?life and work?. The situation of the sources, however, is complicated: On Giotto?s life, there are ? on the one hand ? biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto?s lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure?s double life relating it to the form of existence of the pre-modern artist.
279815Wien: Böhlau 2023. 593 S.; mit 20 Farbabb. auf Taf. u. 380 s/w-Abb. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
280738Wien: Böhlau 2023. 431 S.; mit 22 Farbabb. auf Taf. u. 149 s/w-Abb.. Kart. *nahezu neuwertig* The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.
6209280323.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6207838726.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6205935228.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1845405633.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
