Corot camille

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Corot Jean Baptiste CamilleABAA

Estampes et Dessins de Corot: Exposition Organisée Avec le Concours du Musée du Louvre

COROT Jean Baptiste Camille 1796 1845ABAA

Souvenir d'Italia

186336846Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on laid paper partial watermark Annonay. This is a rich impression of the third state of four of Corot's famous landscape etching "Souvenir d'Italia."<br/> <br/>Jean Baptiste Camille Corot was a founding figure in the Barbizon school and his transient atmospheric landscapes are often considered precursors of impressionism. Born in Paris Corot studied under the neoclassical masters Michallon and Bertin but he advocated a more naturalistic painting technique and pioneered the practice of painting in the open air. Corot was also an innovative printmaker who mastered etching lithography and glass printing. In 1825 he made the first of three trips to Italy where he was greatly influenced by both the art that he viewed and the landscape he traveled through. It was not until the age of fifty that Corot learned to etch and it was from his early Italian sketches that the majority of his fine etchings derive. This remarkable print is a superlative example of Corot's distinctive sketch-like engraving style. Corot's use of soft wispy outline and hazy diffused light is characteristic of his later style which seems to perfectly capture the mood of a landscape. Corot was one of the most important French printmakers of the nineteenth century and this haunting print is one of the best examples of his beautiful etched landscapes. It was included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Euax-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/>Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 50 no. 5 iii/iv; Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs.7; Delteil Le Peintre-Gravure Illustre vol. V no. 5 iii/iv; Laran Inventaire du Fonds Francais aprÃ¨s 1800 vol. 5 p. 186 no. 5. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown books

Donald Heald Rare Books · États-Unis3 750,00 $US≈ 3 172,88 €

COROT (Jean-Baptiste, d'aprs) - BRUNET DEBAINES (Alfred-Louis, grave par).Biblio.com

Eau-forte signe.

18549Dimensions : 468 x 345 mm. Jolie eau-forte avec remarque figurant une scÂne pastorale gravÂŽe d'AprÂs Jean-Baptiste Corot par Alfred-Louis Brunet Debaines signatures respectives dans la plaque. Signature Âˆ la mine de plomb de Brunet Debaine en marge infÂŽrieure. ''Natif du Havre en 1845 Brunet-Debaines fut l'ÂŽlÂve de Normand Lalanne et Pils. Il a dÂŽbutÂŽ au Salon de 1866. Mais c'est surtout en sa qualitÂŽ d'aquafortiste qu'il a pris une place distinguÂŽe parmi les modernes''. in BÂŽnÂŽzit. ''Il se consacre trÂs jeune Âˆ l'ÂŽtude de la gravure et s'y intÂŽresse rÂŽellement grÂ‰ce Âˆ la SociÂŽtÂŽ des Aquafortistes dont il devient membre en 1865. Il perfectionne alors ses connaissances auprÂs de LÂŽon Gacherel Maxime Lalanne et surtout Jules Jacquemart qui semble l'avoir particuliÂrement influencÂŽ. Nous savons qu'outre des planches relatives Âˆ sa province natale Brunet-Debaines ÂŽtait aussi graveur de reproductions ; en fait planches de reproductions ou originales marchaient de pair Âˆ celles d'aprÂs Turner il faut encore ajouter celles d'aprÂs Constable RuysdaÂ‘l ou Corot. Il acquit dans ce domaine une certaine cÂŽlÂŽbritÂŽ et fut ainsi l'un des principaux graveurs du Recueil d'estampes gravÂŽes Âˆ l'eau-forte de la galerie Durand-Ruel 1873 - 1875 oÂ il interprÂŽtait les tableaux des artistes recensÂŽs Âˆ l'ÂŽpoque par Durand-Ruel''. in Bailly-Herzberg. BÂŽnÂŽzit II Dictionnaire des peintres p. 361 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 50. Epreuve contrecollÂŽe sur papier fort et prÂŽsntÂŽe sous cadre dorÂŽ. Papier oxydÂŽ prÂŽsentant en outre - principalement en marge - des marques d'eau ainsi que quelques rousseurs. Petite dÂŽchirure sans manque affectant le sujet. Deux enfoncements Âˆ signaler par ailleurs : l'un en partie infÂŽrieure du sujet ; l'autre en marge. Eclats affectant le cadre. b42961 unknown

Babel Librairie · France150,00 €