638 résultats
1988C87122ACR Editions. As New. 1988. Hardcover. 2867700280 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Scarce. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . ACR Editions hardcover
197237307New York: Shepherd Gallery Associates. As New. 1972. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - Among the artists represented: Dore Cazin Th. Rousseau Jules Dupre Diaz Valenciennes Michel Bertin Jacque and others. -- with a bonus offer-- . Shepherd Gallery, Associates paperback
50396London: The Studio Ltd. As New. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine pages tight to spine. ND Circa1890 - - 28 page essay on Corot by Croal Thomson followed by 30 lovely color plates of works by Corot each described on the tissue overlay which precedes it. -- with a bonus offer--; 14.5" x 16.75" . The Studio, Ltd. hardcover
32689London: The Studio Ltd. As New. N.D. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block clean pages tight to spine - No date. Serial monographs each with an introductory essay by Croal and 5 lovely tipped -in color plates of Corot's works described on the tissue preceding each plate. -- with a bonus offer--; 14.5" x 16.75" . The Studio, Ltd. paperback
199670650Museum; Abrams Distribution. New. 1996. Hardcover. 0810965011 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 479 pages; 344 illustrations including 179 in color. -- with a bonus offer-- . Museum; Abrams (Distribution) hardcover
187639335Paris: A. Lévy 1876. Corot. A LARGE-PAPER COPY WITH THE ETCHINGS BEFORE LETTERS. IX 243 pp. A most unusual book illustrated with 21 ORIGINAL FULL-PAGE HORS-TEXTE ETCHINGS and 2 reproductions by members of the Barbizon School all printed on cream-colored Dutch handmade laid paper COMPLETE. COMPLETE COPIES LIKE THIS ONE ARE EXTREMELY RARE AS MANY HAVE BEEN FULLY OR PARTIALLY DISMEMBERED. Includes Corot's "Solitude" Delteil and Melot 8 also known as "Wooded Countryside" and "The Cottage" and Daubigny's "Le 'Botin' a Conflans" Henriet 109 Delteil and Melot 119. ONE OF ONLY 135 LARGE-PAPER COPIES WITH ALL OF THE PLATES BEFORE LETTERS. Furthermore this is a presentation copy inscribed and signed by Henriet. The text is a collection of funny stories about landscape artists working outdoors. 4to. Original parchment wraps. A bit of wear to wraps but still in very good condition. Internally clean but for occasional faint foxing. RARE ON LARGE PAPER WITH THE PROOFS BEFORE LETTERS. <br/><br/> A. Lévy paperback
146681ère version de cette eau-forte. Épreuve sur vergé d’Arches du tirage restreint commandé par Maurice Le Garrec en 1923. Il n’existe que de très rares épreuves du tirage d’essai. (cat. Corot le génie du trait BN 1996 n° 22). En feuille Très bon Paris Vers 1869-1870 27 x 37 cm
65211ère version de cette eau-forte. Épreuve sur vergé d’Arches du tirage restreint commandé par Maurice Le Garrec en 1923. Il n’existe que de très rares épreuves du tirage d’essai. (cat. Corot le génie du trait BN 1996 n° 22). Cadre et passe-partout. Paris Vers 1869-1870 22,7 x 15. 38,5 x 32 cm avec cadre.
1879005840France: Henri Marie Petiet 1879. First plate before the reworked second plate. Etching. Very Good . Etching on ivory colored laid paper. Measurements plate 23.8 cm x 15.8 cm est. the lower plate mark has been excised. Sheet: 39 × 28 cm. Verso of print bears the stamp “H.M.P.â€. H.M.P. was the stamp of the celebrated Paris dealer Henri Marie Petiet 1894-1980 a premier source for 19th-century French prints. A faint violet stamp “Rusu" not in Lugt is an earlier unidentified library or dealer mark. Edition: Early proof or small edition of the first plate as opposed to the reworked or second plate. Condition: Strong even inking with crisp linework. No foxing or tears visible. Provenance: Stamped on verso with “H.M.P.†Lugt 5031 the collector’s mark of Henri Marie Petiet 1894–1980 renowned Parisian art dealer and one of the key figures in the mid-20th-century market for French prints. Petiet was known for acquiring and preserving major print collections including works by Degas Bonnard Vuillard and Corot. His stamp authenticates this impression as part of his holdings and adds significant provenance value. Corot executed only a handful of etchings in his lifetime and this composition is the most famous among them. Provenance and Rarity. Delteil 1; Melot C 1; Robaut 3285. Similar impressions are held by: The Cleveland Museum of Art The Art Institute of Chicago The Bibliothèque nationale de France The Metropolitan Museum of Art which lists a slightly later impression from the second plate. Henri Marie Petiet unknown
186071188Paris: Anatole Pougnet 1860. Fine. Anatole Pougnet Paris s. d. circa 1860 6.30 x 10.50 cm une photographie Extremely rare original medallion photograph on albumen paper carte de visite format mounted on a card from Anatole Pougnets Paris studio. Manuscript annotations on the verso. No other copy of this photograph has been traced in international public collections. Anatole Pougnet unknown
500134"J. Corot" Paris ca. 1845-50 in French to "My dear Charles": "A bit late - but I now inform you of my sending two paintings which must have gone out yesterday Monday. Regards to all the family." 8vo. 1 page with integral leaf. Rare in any form. Signed by Authors. F. Soft cover. paperback books
500134"J. Corot" Paris ca. 1845-50 in French to "My dear Charles": "A bit late - but I now inform you of my sending two paintings which must have gone out yesterday Monday. Regards to all the family." 8vo. 1 page with integral leaf. Rare in any form. Signed by Authors. F. Soft cover. paperback
187634700Paris: A. Lévy 1876. Near fine. Lovely limited edition of this attractive collection of etchings from some of the leading lights of the Barbizon school of realist painters. The Barbizon school style sprang up in contrast to the popular Romantic Movement of the early to mid-19th century. Painters that favored realism flocked to the small town of Barbizon France to paint pastoral landscapes and scenes of rural people engaged in agrarian pursuits. LE PAYSAGISTE AUX CHAMPS collects pieces from and information about some of the best-known members of the Barbizon school including Charles-François Daubigny and Frédéric Henriet. A beautiful copy. 10.5'' x 6.75''. Original blue pictorial cloth binding. Gilt edges. Brown endpapers. Pictorial title page and engraved frontispiece with 22 etchings. Text in French. viii 244 pages including index and one page of errata. Binding with a bit of bumping to spine ends and corners a hint of edgewear; tiny spot of soil to spine. Plates mildly toned. Remarkably bright and clean. A. Lévy unknown
105516Paris Editions des Bibliothèques Nationales de France 1932. 44 x 33 cm 2 Bl. 22 S. Text von Paul Valery 20 Grafiken unter Passepartout u Seidenhemdchen 2 Bl.Tafelverzeichnis Kart.-Flügelmappe mit losen Bögen. Flügelmappe im Gelenk angerissen Rücken u. Deckel partiell gebräunt etwas fleckig inene sauber Nr. 457 von 601 Exemplaren.Avec des notes de Jean Laran Conservateur Adjoint au Cabinet des Estampes et une étude de PAUL VALÉRY.Meisterhafte Faksimile-Reproduktionen nach den Originalen in der Bibliothèque Nationale.Text: franz. 010 Paris, Editions des Bibliothèques Nationales de France, 1932 unknown
18661181866. Etching on cream wove paper. 5 1/2 x 4 3/8 inches 138 x 110 mm full margins. Third state of 4. Light scattered age tone and time stain. Scattered extremely light areas of minor spots of foxing at extreme sheet edge. Hard crease along lower sheet margin appx 1/2 inch from sheet bottom. Inscription in pencil at sheet edge. Light pencil inscriptions on sheet edges verso. All well outside of image area. Impression is richly inked with all of the fine lines printing clearly.<br /> <br /> Delteil 8iii. Jean-Baptiste-Camille Corot 1796-1875 is an esteemed name in a very distinguished century for French art. Though best-known as a landscape painter he was also a prolific and masterful printmaker. Renowned for bridging the Neoclassical tradition with Realism and a plein air approach Corot struggled to gain acceptance amongst the European artistic establishment. He traveled extensively in Italy and France finally settling in the Barbizon region near Fountainbleu. It was here that his landscapes all painted outdoors appear to focus on mood and expression. His luminous and atmospheric landscapes are evidence of his great admiration for the Impressionists. In addition Wooded countryside is an excellent exemplar of the use of repoussoir elements typifying the technique utilized by many romantic artists. This can be seen in the arrangement of trees in the foreground to frame a vista inviting the viewer to contemplate the background without featuring the foreground. unknown
1873275461873 Paris : Siège de la Société Iconographique, [s.d.]- In-fol. couvertures factices - 25 GRAVURES,lithographies à la plume, impressions sur chine collé, complet ; très rare, un seul exemplaire dans les bibliothèques publiques (BNF)- 469652462
186336846Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on laid paper partial watermark Annonay. This is a rich impression of the third state of four of Corot's famous landscape etching "Souvenir d'Italia."<br/> <br/> Jean Baptiste Camille Corot was a founding figure in the Barbizon school and his transient atmospheric landscapes are often considered precursors of impressionism. Born in Paris Corot studied under the neoclassical masters Michallon and Bertin but he advocated a more naturalistic painting technique and pioneered the practice of painting in the open air. Corot was also an innovative printmaker who mastered etching lithography and glass printing. In 1825 he made the first of three trips to Italy where he was greatly influenced by both the art that he viewed and the landscape he traveled through. It was not until the age of fifty that Corot learned to etch and it was from his early Italian sketches that the majority of his fine etchings derive. This remarkable print is a superlative example of Corot's distinctive sketch-like engraving style. Corot's use of soft wispy outline and hazy diffused light is characteristic of his later style which seems to perfectly capture the mood of a landscape. Corot was one of the most important French printmakers of the nineteenth century and this haunting print is one of the best examples of his beautiful etched landscapes. It was included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Euax-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/> Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 50 no. 5 iii/iv; Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs.7; Delteil Le Peintre-Gravure Illustre vol. V no. 5 iii/iv; Laran Inventaire du Fonds Francais après 1800 vol. 5 p. 186 no. 5. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown
Dieterle, Jean and André Schoeller: Corot : Premier Supplement a 'L'Oeuvre De Corot' Par A. Robaut et Moreau-Nelaton Editions Floury. Paris: Arts et Métiers Graphiques, 1948. No. 181 of 550 copies of this edition. 100 plates with illustrations in black and white, and short descriptions. Loose with original wrappers, needs re-binding. 38.5 x 28.5cms. Text in French. Text in French
1948215332Paris France: Arts et Metiers Graphiques 1948. Hardcover. Good- shelfwear and wear around edges of boards pages uniformly yellowed with some minor fraying to edges content excellent. Red boards with gilt text on spine. 113 pages 100 bw illustrations. Text in French. Corot: First supplement to The Works of Corot by A. Robaut and Moreau-Nélaton Floury Publishers. Arts et Metiers Graphiques hardcover
1948115873Dieterle, Jean and Andrà Schoeller: Corot : Premier Supplement a 'L'Oeuvre De Corot' Par A. Robaut et Moreau-Nelaton Editions Floury. Paris: Arts et MÃtiers Graphiques, 1948. No. 181 of 550 copies of this edition. 100 plates with illustrations in black and white, and short descriptions. Loose with original wrappers, needs re-binding. 38.5 x 28.5cms. Text in French.
1948115873Dieterle, Jean and Andrà Schoeller: Corot : Premier Supplement a 'L'Oeuvre De Corot' Par A. Robaut et Moreau-Nelaton Editions Floury. Paris: Arts et MÃtiers Graphiques, 1948. No. 181 of 550 copies of this edition. 100 plates with illustrations in black and white, and short descriptions. Loose with original wrappers, needs re-binding. 38.5 x 28.5cms. Text in French.
1875015992Paris Drouot. Boussaton & Baubigny 1875 in-8° Broché
51-4004Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co. circa 1883. Original etching on laid paper with a crown watermark. Signed in the plate. 18 x 26 cm. platemark. 32.5 x 45 cm. sheet size. Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co., circa 1883 unknown
293Hotel DROUOT 25 mai 1878 catalogue illustré de vente:tableaux modernes et anciens composant la collection LAURENT RICHARD- [expert] Paul Durand-Ruel. IN8 br.xxxv, 115 p, 52 eaux fortes originales, gravées hors texte,d'aprés les tableaux,par LAGUILLERMIE etc,introduction de Charles Blanc etc..dos cassé,à relier- Remise de 20% pour toutes commandes égales ou supérieures à 100 €
1862212681862 Eau-forte et pointe-sèche sur papier Chine appliqué du deuxième état sur trois à grandes marges, 1862, 7.1 x 12 cm. (format à vue), 21.5 x 28 cm. (format de la feuille), signée dans la planche en haut à droite.
