(Camille COROT)Biblio.com
359 résultats
186071188Paris: Anatole Pougnet 1860. Fine. Anatole Pougnet Paris s. d. circa 1860 6.30 x 10.50 cm une photographie Extremely rare original medallion photograph on albumen paper carte de visite format mounted on a card from Anatole Pougnets Paris studio. Manuscript annotations on the verso. No other copy of this photograph has been traced in international public collections. Anatole Pougnet unknown
500134"J. Corot" Paris ca. 1845-50 in French to "My dear Charles": "A bit late - but I now inform you of my sending two paintings which must have gone out yesterday Monday. Regards to all the family." 8vo. 1 page with integral leaf. Rare in any form. Signed by Authors. F. Soft cover. paperback
187634700Paris: A. Lévy 1876. Near fine. Lovely limited edition of this attractive collection of etchings from some of the leading lights of the Barbizon school of realist painters. The Barbizon school style sprang up in contrast to the popular Romantic Movement of the early to mid-19th century. Painters that favored realism flocked to the small town of Barbizon France to paint pastoral landscapes and scenes of rural people engaged in agrarian pursuits. LE PAYSAGISTE AUX CHAMPS collects pieces from and information about some of the best-known members of the Barbizon school including Charles-François Daubigny and Frédéric Henriet. A beautiful copy. 10.5'' x 6.75''. Original blue pictorial cloth binding. Gilt edges. Brown endpapers. Pictorial title page and engraved frontispiece with 22 etchings. Text in French. viii 244 pages including index and one page of errata. Binding with a bit of bumping to spine ends and corners a hint of edgewear; tiny spot of soil to spine. Plates mildly toned. Remarkably bright and clean. A. Lévy unknown
105516Paris Editions des Bibliothèques Nationales de France 1932. 44 x 33 cm 2 Bl. 22 S. Text von Paul Valery 20 Grafiken unter Passepartout u Seidenhemdchen 2 Bl.Tafelverzeichnis Kart.-Flügelmappe mit losen Bögen. Flügelmappe im Gelenk angerissen Rücken u. Deckel partiell gebräunt etwas fleckig inene sauber Nr. 457 von 601 Exemplaren.Avec des notes de Jean Laran Conservateur Adjoint au Cabinet des Estampes et une étude de PAUL VALÉRY.Meisterhafte Faksimile-Reproduktionen nach den Originalen in der Bibliothèque Nationale.Text: franz. 010 Paris, Editions des Bibliothèques Nationales de France, 1932 unknown
18661181866. Etching on cream wove paper. 5 1/2 x 4 3/8 inches 138 x 110 mm full margins. Third state of 4. Light scattered age tone and time stain. Scattered extremely light areas of minor spots of foxing at extreme sheet edge. Hard crease along lower sheet margin appx 1/2 inch from sheet bottom. Inscription in pencil at sheet edge. Light pencil inscriptions on sheet edges verso. All well outside of image area. Impression is richly inked with all of the fine lines printing clearly.<br /> <br /> Delteil 8iii. Jean-Baptiste-Camille Corot 1796-1875 is an esteemed name in a very distinguished century for French art. Though best-known as a landscape painter he was also a prolific and masterful printmaker. Renowned for bridging the Neoclassical tradition with Realism and a plein air approach Corot struggled to gain acceptance amongst the European artistic establishment. He traveled extensively in Italy and France finally settling in the Barbizon region near Fountainbleu. It was here that his landscapes all painted outdoors appear to focus on mood and expression. His luminous and atmospheric landscapes are evidence of his great admiration for the Impressionists. In addition Wooded countryside is an excellent exemplar of the use of repoussoir elements typifying the technique utilized by many romantic artists. This can be seen in the arrangement of trees in the foreground to frame a vista inviting the viewer to contemplate the background without featuring the foreground. unknown
186336846Paris: Published by A. Cadart and F. Chevalier Editeurs rue Richelieu 66 1863. Etching. Printed on laid paper partial watermark Annonay. This is a rich impression of the third state of four of Corot's famous landscape etching "Souvenir d'Italia."<br/> <br/> Jean Baptiste Camille Corot was a founding figure in the Barbizon school and his transient atmospheric landscapes are often considered precursors of impressionism. Born in Paris Corot studied under the neoclassical masters Michallon and Bertin but he advocated a more naturalistic painting technique and pioneered the practice of painting in the open air. Corot was also an innovative printmaker who mastered etching lithography and glass printing. In 1825 he made the first of three trips to Italy where he was greatly influenced by both the art that he viewed and the landscape he traveled through. It was not until the age of fifty that Corot learned to etch and it was from his early Italian sketches that the majority of his fine etchings derive. This remarkable print is a superlative example of Corot's distinctive sketch-like engraving style. Corot's use of soft wispy outline and hazy diffused light is characteristic of his later style which seems to perfectly capture the mood of a landscape. Corot was one of the most important French printmakers of the nineteenth century and this haunting print is one of the best examples of his beautiful etched landscapes. It was included in one of the first collections of the Society de Aqua-Fortistes publications by Cadart. Between 1862 and 1866 the Societe des Aqua-Fortistes produced a five-volume collection of artists' etchings entitled "Euax-Fortes Modernes." Printed on laid paper made especially for the series this outstanding collection is one of the seminal publications to spring out of the etching revival in France. The Societe des Aqua-Fortistes was the French equivalent of the Etching Club in England and similarly it aimed to produce a collection of high quality etchings by the leading artists of the period. Like the Etching Club the Societe des Aqua-Fortistes sought to raise the prestige of the medium from a reproductive technique to a fine art. Although the etching revival began somewhat earlier in England the French movement exerted a far greater influence on the medium and included a wider range of prominent artists. The Barbizon painters were among the earliest French artists to participate in the etching revival and their superb prints helped raise the medium to new heights of genius. This unique publication which included works by Manet Corot and Delacroix is an outstanding example of fine art printing at its best.<br/> <br/> Beraldi Les Gravures du XIXe Siecle Guide de l'Amateur d'Estampes Modernes vol. V p. 50 no. 5 iii/iv; Benezit Dictionnaire des Peintres Sculpteurs Dessinateurs et Graveurs.7; Delteil Le Peintre-Gravure Illustre vol. V no. 5 iii/iv; Laran Inventaire du Fonds Francais après 1800 vol. 5 p. 186 no. 5. Published by A. Cadart and F. Chevalier, Editeurs, rue Richelieu 66 unknown
1948215332Paris France: Arts et Metiers Graphiques 1948. Hardcover. Good- shelfwear and wear around edges of boards pages uniformly yellowed with some minor fraying to edges content excellent. Red boards with gilt text on spine. 113 pages 100 bw illustrations. Text in French. Corot: First supplement to The Works of Corot by A. Robaut and Moreau-Nélaton Floury Publishers. Arts et Metiers Graphiques hardcover
51-4004Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co. circa 1883. Original etching on laid paper with a crown watermark. Signed in the plate. 18 x 26 cm. platemark. 32.5 x 45 cm. sheet size. Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co., circa 1883 unknown
16-4610Paris: 1912. Als manuscript. 26 x 21cm. 7pp; together with the printed article.Etienne Corot "Chevalerie caucasienne" 7 ff. paru dans Paris Journal 1912Expertise by Cabinet Pierre Poulain5 rue de Saintonge 75003 PARIS Paris: 1912 unknown
1996BN100478München : Klinkhardt & Biermann 1996. 1996. Corot Courbet und die Maler von Barbizon : "Les amis de la nature" ; 4. Februar - 21. April 1996 Haus der Kunst München ; Ausstellung der Bayerischen Staatsgemäldesammlungen München und Haus der Kunst München. hrsg. von Christoph Heilmann John Sillevis Michael Clarke . Autoren der Katalogtexte: Claudia Denk . Übers.: Gerlinde Gumpinger . <br/><br/>Corot Courbet und die Maler von Barbizon : "Les amis de la nature" ; 4. Februar - 21. April 1996 Haus der Kunst München ; Ausstellung der Bayerischen Staatsgemäldesammlungen München und Haus der Kunst München. hrsg. von Christoph Heilmann John Sillevis Michael Clarke . Autoren der Katalogtexte: Claudia Denk . Übers.: Gerlinde Gumpinger . München : Klinkhardt & Biermann unknown
50-052320th cent. Color etching. 21 x 25 inches. One of 350 signed and numbered impressions. Tear just inside image. 20th cent. unknown
5325413Short description: In Russian. Corot Jean-Baptiste Camille. Koro in the museums of the USSR. Moscow; Leningrad: Pushkin State Museum of Fine Arts 1938 Leningrad: Yves Fedorov Typography. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKU5325413 unknown
18549Dimensions : 468 x 345 mm. Jolie eau-forte avec remarque figurant une scÂne pastorale gravÂŽe d'AprÂs Jean-Baptiste Corot par Alfred-Louis Brunet Debaines signatures respectives dans la plaque. Signature ˆ la mine de plomb de Brunet Debaine en marge infÂŽrieure. ''Natif du Havre en 1845 Brunet-Debaines fut l'ÂŽlÂve de Normand Lalanne et Pils. Il a dÂŽbutÂŽ au Salon de 1866. Mais c'est surtout en sa qualitÂŽ d'aquafortiste qu'il a pris une place distinguÂŽe parmi les modernes''. in BÂŽnÂŽzit. ''Il se consacre trÂs jeune ˆ l'ÂŽtude de la gravure et s'y intÂŽresse rÂŽellement gr‰ce ˆ la SociÂŽtÂŽ des Aquafortistes dont il devient membre en 1865. Il perfectionne alors ses connaissances auprÂs de LÂŽon Gacherel Maxime Lalanne et surtout Jules Jacquemart qui semble l'avoir particuliÂrement influencÂŽ. Nous savons qu'outre des planches relatives ˆ sa province natale Brunet-Debaines ÂŽtait aussi graveur de reproductions ; en fait planches de reproductions ou originales marchaient de pair ˆ celles d'aprÂs Turner il faut encore ajouter celles d'aprÂs Constable Ruysda‘l ou Corot. Il acquit dans ce domaine une certaine cÂŽlÂŽbritÂŽ et fut ainsi l'un des principaux graveurs du Recueil d'estampes gravÂŽes ˆ l'eau-forte de la galerie Durand-Ruel 1873 - 1875 o il interprÂŽtait les tableaux des artistes recensÂŽs ˆ l'ÂŽpoque par Durand-Ruel''. in Bailly-Herzberg. BÂŽnÂŽzit II Dictionnaire des peintres p. 361 - Bailly-Herzberg Dictionnaire de l'estampe en France p. 50. Epreuve contrecollÂŽe sur papier fort et prÂŽsntÂŽe sous cadre dorÂŽ. Papier oxydÂŽ prÂŽsentant en outre - principalement en marge - des marques d'eau ainsi que quelques rousseurs. Petite dÂŽchirure sans manque affectant le sujet. Deux enfoncements ˆ signaler par ailleurs : l'un en partie infÂŽrieure du sujet ; l'autre en marge. Eclats affectant le cadre. b42961 unknown
191335580Paris: Editions du "Studio" 1913. 6 vols. Original wrappers. Together 30 pages text and 30 nice color plates under descriptive tissue guards; 37x42 cm. Text in French / Français. - small bookseller ticket on cover 1 corner very slightly bumped In very good/ fine condition see picture. Editions du "Studio" unknown
dola763Karlsruhe: Staatliche Kunsthalle & Berlin: Kehrer Verlag 2012. First Edition. Published in conjunction with an exhibition. 4to. pp. 487 1. profusely illus. many colour. wrs. Fine copy Karlsruhe: Staatliche Kunsthalle & Berlin: Kehrer Verlag, [2012] unknown
17-3111Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co. ca 1883. Original etching on laid paper with a crown watermark. Signed in the plate. 23 x 15 cm. platemark. 32.5 x 45 cm. sheet size. Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co., [ca 1883]. unknown
17-3098Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co. ca 1867. Original etching on laid paper with a crown watermark. Signed in the plate. 17 x 22.5 cm. platemark. 32.5 x 45 cm. sheet size. Paris: Georges Petit and Ludovic Baschet & New York: Knoedler & Co., [ca 1867]. unknown
1929stela1320London: Halton & Truscott Smith Ltd. & New York: Minton Balch & Company 1929. 1929. 4to. pp. xvi 94. 71 plates including 8 tipped-in colour illus. quarter vellum t.e.g. some spotting to spine & back cover. First Edition. 1st Edition. Hardcover. Very Good. London: Halton & Truscott Smith Ltd. & New York: Minton, Balch & Company, 1929. Hardcover
171743The Studio c. 1914. Oblong Folio 14 x 16½ ins. Contemporary half calf on blue cloth sides red sprinkled edges light wear at corners - otherwise VG. Pp. 29 illus with 30 coloured plates with captioned tissue-guards previous owner's gift inscription on front endpaper. The Studio, c. 1914 unknown
20192-1651815801Independently published 2019. Paperback. New. 346 pages. 8.50x8.50x0.82 inches. Independently published paperback
1989stela1154Tokyo: 1989. 1989. Square 4to. pp. 170 2. Japanese & English text. profusely illus. in colour & b/w. bio. biblio. wrs. minor wear to edges. Published in conjunction with an exhibition. Soft cover. Very Good. Tokyo: [1989]. Paperback
20192-1651808376Independently published 2019. Paperback. New. 227 pages. 11.00x8.50x0.54 inches. Independently published paperback
20192-1651811083Independently published 2019. Paperback. New. 226 pages. 11.00x8.50x0.54 inches. Independently published paperback
1969305211969. S.l. Robert Morel Editeur / Coll. ''Le Bien-'' 1965. Un vol. au format in-12 carrÂŽ 153 x 143 mm de 240 pp. Reliure d'ÂŽdition de pleine percaline ÂŽcrue titre frappÂŽ ˆ l'oser brun au dos ainsi qu'au premier plat. Edition originale. Un des 200 exemplaires du tirage hors-commerce HC. ''Essayons de retrouver un bon usage des mots qui les rajeunisse les dÂŽcape ne les dÂŽcharge pas de leur potentiel de vie les empÂche de rester neutres vides amorphes simple monnaie d'ÂŽchange sonore''. Inventaire Robert Morel n¡371. TrÂs belle condition. Exemplaire non coupÂŽ. b42961 unknown
66550Collection : Le Bien - Robert Morel Editeur Le Jas du Revest-Saint-Martin Haute-Provence 1965 edition originale In-12-carre 241pp. maquette d'Odette Ducarre reliure pleine toile de l'editeur titre estampe au dos et sur le premier plat bon etat Ats2 unknown
