638 résultats
23118Paris, Musée du Louvre, 1962. 16 x 21, 192 pp., plusieurs illustrations en N/B, broché, bon état (dos défraîchi).
10778Paris, Editions des Musees Nationaux, 1975 Broche, couverture d' editeur illustre en couleur, 20,5x23,5cm, 199pp, illustre en couleur et n/b.
1964257734Morel 1964 in12. 1964. Cartonné.
698Dijon, impr. Darantière 1888, in-8 br. couv. neuve, extrait des Memoires de la Société Bourguignonne de Géographie et d'Histoire, pages 411 à 415.
41997Charleroi, Le Club du Livre Chrétien, 1960. 14 x 20, 306 pp., quelques dessins, reliure d'édition pleine toile + rhodoïd imprimé, bon état (rhodoïd déchiré).
192363139Paris Stock, "Les Contemporains" 1923 1 vol. broché in-16, broché, 31 pp. et 16 reproductions hors-texte. Couverture défraîchie. Edition originale.
192363139Paris Stock, "Les Contemporains" 1923 1 vol. broché in-16, broché, 31 pp. et 16 reproductions hors-texte. Couverture défraîchie. Edition originale.
6598Paris, Librairie Renouard, 1923. Coll. "Les Grands Artistes, Leur vie - Leur oeuvre". In-8 broché, 126 p. Illustré de 24 reproductions h.-t. en noir. Très bon état. Biographie critique.
140 p. : ill. con tav. applicate a colori ; 18 cm. Collezione : il gusto del nostro tempo. Prima edizione italiana. Cartonato in t/tela con sovracoperta. ****.
pp. 88 con 12 ill. in b/n e 48 tav. di cui una a col. Catalogo della mostra con dettagliate schede illustrate e un saggio di Denys Sutton.
1942501491Berlin, Krüger, (1942). M. 128 (teils farb.) Taf. 126 S. OLwd.
190625433-1Bielefeld, Velhagen & Klasing 1906. 4°. 114 S. Mit 89 Abb. Flex. Original-Leinenband mit Kopfgschn.
35849Paris, Flammarion, 1978. 21 x 28, 95 pp., très nombreuses illustrations N/B et couleurs, cartonnage éditeur + jaquette, très bon état.
in-8°, 240 pages, ill. hors texte N&B, broche, couverture illustree Bel exemplaire. [AR-1]
In-4 (cm. 28.10), brossura illustrata, con alette, pp. 149, (3bi.), con illustrazioni in bianco e nero ed a colori nel testo. In ottimo stato (nice copy). Il volume, realizzato per accompagnare la mostra di Brescia (dicembre 1998 aprile 1999), propone una panoramica sull'impressionismo attraverso un'ottantina di capolavori provenienti dai principali musei e collezioni d'arte francesi. I saggi analizzano la pittura "en plein air", gli influssi della pittura giapponese, la teatralità urbana, l'immagine della donna e l'idea dello spazio nella pittura impressionista.
194830150Scherz, Bern, 1948. Erste Auflage, 31 Seiten Text + 52 ganzseitige, teils farbige Bildtafeln; 8°, ca. 20 x 14 cm, Pappeinband mit Schutzumschlag
The original individual volumes. Each volume usually consists of: at least a 26 page text; frequently enhanced with woodcut devices and ornaments (many designed by Samuel Warner), and portraits and pl ates; and often with ads for the products of the Roycroft Shop (furniture, brass, books, bindings, etc.); as well as some commercial ads (Pears' Soap). Some printing in red and black. 8vo. 15.5 x 20. 5 cm. Uncut. Sewn into original printed wraps, as issued. Fine condition. Hubbard (1856-1915), was a prolific writer and a tireless entrepreneur who is most famous today as the founder and guiding lig h t of the Roycroft printing and craft shops. These were based on the Hammersmith arts and crafts complex of William Morris, but with many American and Hubbard-ian twists and turns. Until his death on t he S.S. Lusitania, he was one of the most dynamic and famous men in the world. On his first trip abroad his letters home were mostly travelogue, and they became the basis for his first magazine eff ort . He sold Putnam's the idea of putting out a brief 'Little Journey' biographical sketch on a monthly basis. Later, when he established his own print shop, he took over the whole project. He also p rint ed and published two national opinion magazines, the 'Fra' and the 'Philistine'. He was also responsible for the famed 'A Message to Garcia'. "The graveyards are full of people the World could not do without" -- Elbert Hubbard, 'Epigrams' (1911)BOOE
1997ART1088C115GAR30 Avril - 9 Juillet 1997. Galerie Schmit. Non paginé environ 100 pages.
199652143Èdit.de la Réunion de musées nationaux, 1996. origi.Pappband, quer 8°, 59 Seiten.
24509Paris, Tisné, 1956. 20 x 24, 151 pp., nombreuses illustrations couleurs, cartonnage + jaquette, bon état (jaquette défraîchie).
192478001924 NILSSON. 1924. In-12 Carré.broché128 pages. Portrait vignette en noir et blanc sur le premier plat. Frontispice et nombreuses planches Collection "Maîtres anciens et modernes"
I Classici della Pittura - Jean-Baptiste Camille Corot. Qualche segno del tempo, qualche traccia d'uso. Numerose tavole a colori. cm 23 x 29. Spedizioni tracciabili con raccomandata entro 24 ore dall'ordine. Soft cover. Worldwide delivery.
19527307Fernand Nathan 1952 40 pages in12. 1952. Broché couverture rempliée. 40 pages. Monographie consacrée au peintre Camille Corot (1796-1875) analysant sa carrière et son style. L'auteur Maurice Sérullaz conservateur et historien de l'art met en lumière le goût de Corot pour le rythme et l'harmonie l'apparentant aux maîtres classiques et opposant sa recherche du permanent à celle du fugace chez les Impressionnistes
pp.26 + 24 tav. a col. f.t. Bibliothèque aldine des arts. N. 19. Testo in francese.