RENOIRLivre Rare Book
1 368 résultats
18028,Paris, Réunion des Musées Nationaux 1985, 416 pp., 1 vol. in 4 br. couverture illustrée, nombreuses Illustrations in et hors texte en noir et en couleurs. Bon état.
Volume illustrato con alcuni dei principali protagonisti della scena artistica dell'Impressionismo. Volume in ottimo stato. Volume in lingua inglese.
500316737Flammarion Sans date.
2014138607Berlin : Parthas. 2014. 319 S. : Ill. 24,5*15 cm. OHalbleinenband.
Mm 125x185 Brossura editoriale con bandelle, pp. 254 con alcune tavole in bianco e nero fuori testo, firma di precedente proprietario e rare sottolineature a matita. Opera in buone condizioni. Spedizione in 24 ore dalla conferma dell'ordine.
In-4 (cm. 28.10), brossura illustrata, con alette, pp. 149, (3bi.), con illustrazioni in bianco e nero ed a colori nel testo. In ottimo stato (nice copy). Il volume, realizzato per accompagnare la mostra di Brescia (dicembre 1998 aprile 1999), propone una panoramica sull'impressionismo attraverso un'ottantina di capolavori provenienti dai principali musei e collezioni d'arte francesi. I saggi analizzano la pittura "en plein air", gli influssi della pittura giapponese, la teatralità urbana, l'immagine della donna e l'idea dello spazio nella pittura impressionista.
0900855134.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
100-49689Reader's Digest. Hardcover. New. In shrink wrap. Reader's Digest hardcover
19933164BB1993. New York Alfred A. Knopf 1993. 25 x 29 cm. XVII 318 pages. Original Softcover. Very good condition with minor signs of external wear. The Barnes Foundation is an American educational art and horticultural institution with locations in Merion Pennsylvania a suburb of Philadelphia; and Logan Square Philadelphia. It was founded in 1922 by Albert C. Barnes a chemist who collected art after making a fortune by co-developing an early anti-gonorrhea drug marketed as Argyrol and selling his company at the right time before antibiotics came into use. Today the foundation owns more than 2500 objects including 800 paintings estimated to be worth about $25 billion. These are primarily works by Impressionist and Modernist masters but the collection includes many other paintings by leading European and American artists as well as ancient works from other cultures. In the 1990s the foundation's declining finances led its leaders to various controversial moves including sending artworks on world tours and proposing to move the collection to Philadelphia. A 2009 documentary The Art of the Steal argued that the foundation had been taken over by other non-profit institutions. After numerous court challenges the new Barnes building opened on Benjamin Franklin Parkway on May 19 2012. The foundation's current president and executive director Thomas Thom Collins was appointed on January 7 2015. Wikipedia paperback
200324211London Time Warner Books, 2003. 210 S. Broschiert , in englischer Sprache
1969KFZZQ100677Asahi Newspaper Company 1969. Soft Cover. Fine. KFZZQ100677 Asahi Newspaper Company paperback
1939ABE-1483324282718 PAGES FORMAT 43 CM X 60 CM-P1: MANUSCRIT TROUVE DANS UNE AMBULANCE, PAR HENRI BERAUD-COMMENT SERONT-ILS NEUTRES?, PAR ANDRE TARDIEU-P2: DESSIN DE CHARLET, DALADIER CHAMBERLAIN HITLER-P3: DESSIN DE ROGER ROY, "A METTRE DANS LE MEME SAC!", STALINE ET HITLER-P5: PORTRAIT, OLIVIER JALLU, PAR GEO LONDON, CARICATURE PAR BIB-P6: 7 DESSINS DE BILS "INVITES"-P7: MARIE-ANTOINETTE, RECIT HISTORIQUE INEDIT DE RENE BENJAMIN-P8: LES ECHELLES DU LEVANT, ROMAN INEDIT D'IRENE NEMIROVSKY-P11: LA MEDITERRANEE "ESPACE VITAL" DE LA PAIX LA SOLUTION EST AERIENNE-P12: A TRAVERS LES CAPITALES D'EUROPE L'URSS VUE PAR LES POLONAIS, PAR RAYMOND RECOULY-P13: LE BRACONNIER, NOUVELLE INEDITE DE MADELEINE MISARD-P15: THEATRE, L'ILE DES ESCLAVES, ROMAIN ROLLAND, AIME CLARIOND PAR BIB-CINEMA, LA REGLE DU JEU, DE JEAN RENOIR, CARICATURE PAR ROGER ROY-PALL MALL FILMS, PAR RENE BARD (BARJAVEL)-P17: L'AVENTURE, UN CONDOTTIERE ORIENTAL, RECIT INEDIT DE JACQUES ZIMMERMANN
137200Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1888/90. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
137199Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1888/90. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
137197Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1888/90. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
137198Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 19th century 1888/90. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1999014060Source. La Sirène 1999 In-4 carré Cartonnage et jaquette illustrée de l'éditeur
328505Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1883. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
328504Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1883. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
328503Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1883. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
328502Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1883. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
190687491H. Floury | Paris 1906 | 20.50 x 27 cm | relié
1922012354Paris Henri Floury 1922 In-8 Demi-reliure ancienne Edition originale
1919013809Paris Henri Floury 1919 In-8 Broché Edition originale
190687491Paris: H. Floury 1906. Fine. H. Floury Paris 1906 20.50 x 27 cm relié First edition one of 100 copies on Japon the only deluxe issue. Navy blue half shagreen with slight color restoration spine with five raised bands abundantly framed in gilt blue watered silk flyleaves marbled endpapers and pastedowns original wrappers and spine preserved gilt top edge binding signed J. Querelle. A superb copy on japon of the first authoritative publications on the history of Impressionism and the first bibliophile edition centered around this movement. Illustrated edition with 6 original etchings by Pissarro Les Faneuses; Renoir Femme nue assise and Femme nue couchée; one of only three etchings ever made by Cézanne Portrait of Guillaumin; Armand Guillaumin Vue près de Saardam - the copy is complete with the additional etching by Renoir on bistre Seated Nude Woman' reserved for copies on japon. The work also features a frontispiece rotogravure of Fantin-Latour's Atelier aux Batignolles. In addition to the six original etchings the book features 21 full-page plates including a colour rotogravure of Monet's famous Impression sunrise and no fewer than 105 reproductions of works and portraits of artists in the text. Théodore Duret paints here the great history of the movement he championed collected and theorized from its very beginnings. As early as 1878 he had published a small study that made him the first historian of these artists if not of the group itself just four years after their first exhibition at Nadar's studio. Twenty years after the last Impressionist exhibition Duret establishes the comprehensive story of this artistic revolution: ""For the early twentieth century and the decades to follow the history of Impressionism is Duret's 'The history of the Impressionist painters'."" Laura Iamurri. Renowned for its chronological accuracy - although in many cases Duret recalls events from his own memories - this work became a reference and was widely reprinted and translated London: Grant Richards 1910; Berlin: B. Cassirer 1909. Duret dedicates a monograph to each painter he mentions with the exception of Caillebotte and places Berthe Morisot in what he refers to as ""the core group of Impressionists."" Absent from his 1878 study Paul Cézanne now considered a post-Impressionist and Armand Guillaumin make their appearance here. A true art gallery on papier japon this text of reference for generations of readers' Laura Iamurri was the first to find a legitimate place for Impressionism in French art history. Not in Carteret. Etchings by Renoir Delteil 12 14 15; Camille Pissarro Delteil 94/XII Cézanne Venturi 1159; Armand Guillaumin Armand Guillaumin 1841-1927 gravures et lithographies 1995 p. 41. H. Floury hardcover
