2 547 résultats
19133556New York: Vreeland Advertising Press 1913. First edition first state. Half-title: International Exhibition of Modern Art. New York 1913. Title-page with vignette; printer's statement on verso. Publisher's color-illustrated wrappers. Advertisements also on inside front and back wrappers. Spine slightly creased with minor surface wear; shallow wear to extremities; faint scattered spotting to covers and some light soiling including a small stain to the lower front cover near the spine. Minor edge creases to corners. Internally clean and complete. Some rust marks at inner margins from original staples. Numerous contemporary pencil annotations throughout the List of Artists and Their Works pp. 17-67 mostly check marks underlining and descriptive marginalia e.g. "cubist" "really good" "awfull" all in a single hand and adding evidential interest. Overall a good to very good copy. First edition first state. Half-title: International Exhibition of Modern Art. New York 1913. Title-page with vignette; printer's statement on verso. Publisher's color-illustrated wrappers. Advertisements also on inside front and back wrappers. pp. 1-16 including ads half-title title imprint preface etc. 17-97 1 blank 4 ads; with a full-page floor plan printed on p. 68. 12mo 195 × 105 mm. <p><br /> First edition first state of the scarce 1913 Armory Show catalogue-an iconic document of American modernism-here with contemporary annotations offering insight into early reception.<br /> <p><p><br /> Catalogue of the International Exhibition of Modern Art-commonly known as the 1913 Armory Show-held at the Sixty-Ninth Regiment Armory in New York City. Organized by the Association of American Painters and Sculptors the show was the first major exhibition in the United States devoted to modern art. It presented some 1300 works by over 300 avant-garde European and American artists offering American audiences their first direct encounter with Post-Impressionism Fauvism and Cubism. Works by Duchamp Matisse Brâncuși and Picasso provoked widespread public and critical reaction and the exhibition is now regarded as a foundational moment in the history of American modernism. After its New York debut the show traveled to Chicago and Boston.<br /> <p><p><br /> This is the first state of the first edition with 97 numbered pages corresponding to the Getty Research Institute copy LCCN 15013453; Accession no. 91-B12639; OCLC 80870711. This version omits the "legend" for the floor plan and contains numerous inconsistencies in the artist index. Several artists are listed twice Gauguin appears three times occasionally under variant spellings or with or without abbreviated forenames and some duplications lack clear explanation. It lists 1040 works; six additional entries-by J. Alden Weir and George Bellows-appear only in the later 105-page issue. We are not aware of any prior bibliographical study describing the differences between these print states. The present version is presumed earlier based on the uncorrected index and omissions later rectified.<br /> <p>. [Vreeland Advertising Press] unknown
1913368143New York: Association of American Painters and Sculptors 1913. Matted and framed. 21 x 21 inches. Some yellowing to postcards one spot to formal invitation otherwise near fine. Matted and framed. 21 x 21 inches. Rare set of ephemera from the International Exhibition of Modern Art better known as The Armory Show of 1913 including:<br /> <br /> - Stationary from the organizers of the show: The American Painters and Sculptors New York with Arthur B. Davies Gutzon Borglum Walt Kuhn Elmer L. MacRae listed on the masthead<br /> - Invitation to the Formal Opening of the International Exhibition of Modern Art at the Lexington Avenue Armory on February 17 1913<br /> - Invitation to the Press Preview of the International Exhibition of Modern Art on February 16 1913 "Please present this card."<br /> - Two lapel buttons using the image of the uprooted pine tree traken from the Massachusetts Revolutionary War era battle flag with the text "The New Spirit" created by Walter Kuhn<br /> - Postcard advertising the exhibition with the flag with uprooted tree<br /> - Postcard Battleships 1913 by Elmer L. MacRae treasurer of the Association of American Painters and Sculptors. Association of American Painters and Sculptors unknown
1617B6037Cruger c. 1617. Engravings mounted on watermarked laid paper. Some tears to lower margins not affecting the plates. Staining on one plate. A very good attractive and rare set. Binding: Loose folio in an 18th century wrapper. Notes: c. 1617; exception: one leaf dated 1561 and signed by Antonio Salamanca in Rome. Size: Folio sheets of 405x555m Illustration: Folio set of 14 leaves of copper engravings. References confirm 14 including the tile. Illustrated allegorical title with the Medici arms flanked by female personifications of Justice at left and Faith at right; lettered with a dedication to Cosimo II of Tuscany by Jacobus Chitus with bottom right Teodoro Cruger sculp: 1617 altered in ink to 1618 Florentiae and at lower left five privileges: Cum Privil. S. Pontif S.C. Maiest. Repi. Venet. // M.D. Etrur. Reip Genuens et V.R.Neap. - p. x An.; frontis after self-portrait by Andra Del Sarto; twelve engravings depicting the story of Saint John the Baptist after paintings / frescos and later curtains by Andrea del Sarto at Florence and Franciabigio. References: Hollstein German 6 176 35; Hollstein 33; Le Blanc 1854-1890 2 72 7-20; Virtuelles Kupferstichkabinett 6382 and 6384 mention 14 plates. Pages: Ff: Title; Self-Portrait; 12 engravings. Category: Book Europe Italy; Book Religious Christianity; Book Plate Books General; Cruger unknown
Signed by E.J. Hughes upon title page. 226 pages. Index of works. Chronology. Selected bibliography. Oblong 11" x 12". "Lavishly illustrated with 100 full colour and 25 black-and-white reproductions of prints, drawings and paintings, this is the first full-scale volume to honour the artistic life and work of E.J. Hughes from the start of his long career in the 1930s to the present... His unique talent for depicting the landscape in a way that both he and viewers believe it should be, rather than the way it actually is, enables us to experience and understand place and nature in new and deeper ways." - from dust jacket. Clean, bright and unmarked with very light wear. Dust jacket now preserved in glossy new archival-grade Brodart. A marvelous gift for any devotee of E.J. Hughes and his magnificent art. Book
6 vols., 8vo., First Edition thus, with 3 engraved frontispieces (original tissue guards present) and 87 engraved plates, some very light and inoffensive spotting; contemporary full vellum BY MACMILLAN & BOWES, bevelled boards, backstrips lettered in black, all edges gilt, marbled endpapers heightened with gilt, gilt doublures, a near fine set. The binding is signed on front free endpaper verso. A MOST ELEGANT SET AND VERY SCARCE INDEED IN THIS CONDITION.
2092902138300197Shintaro Sato board N.A. Soft Cover. Fine. Size: 73x73cm Shintaro Sato board paperback
18762400491876. Alle handschriftlich in Kurrent bezeichnet und datiert "1876." Jeweils auf Original-Unterlagekarton montiert. Je ca. 26,2 x 39,5 cm (Fotoformat). 48 x 63,5 cm (Karton). [3 Warenabbildungen]
196029277(Paris), Maeght Éditeur, 1960. Fol. Mit 11 (dav. 9 farb., 4 doppelblattgr. u. eine auf dem Umschlag) Orig.-Lithographien u. 2 farb. Abbildungen. 18 nn. Bll., lose Bogen in illustr. OUmschlag.
ix, [1], 523 pages. Two-sided colour frontispiece. Black and white illustrations in text. Kurelek [1927-1977] remains one of Canada's most revered artists. Here, in the true first edition of his life story, he describes his depression and the central role religion played in his cure. 17.5" x 11.5" Two-sided colour poster laid-in features the grisly paintings I Spit on Life and The Maze (1972 version). Gift greetings inside front cover, otherwise unmarked with moderate wear. Binding intact. A sound copy of this special work which is a must for any Kurelek devotee. Book
In-4°; pp. 399, (1) una tavola ripiegata con la Genealogia della famiglia Allegri Correggio . Edizione originale. Legatura in mezza pele con tassello e titolo in oro al dorso. Piatto inferiore parzialmente lacunoso nel cartonato.Piccolo timbro a inchiostro al frontespizio. Schlosser pp. 459,499: “il primo copioso dizionario di artisti dello stato estense, dovuto nientemeno che al celebre storiografo della letteratura italiana”. modena bologna emilia artisti correggio allegri dizionario arte art pittura scultura architettura incisione engravers painters architects musicisti storiografia artistica locale italia
pp. 80. "Although paintings by members of the Group of Seven have been included in all major exhibitions of Canadian painting, there has been only one important exhibition devoted exclusively to their work since 1933, when the Group of Seven was merged into the larger Canadian Group of Painters: this was held at the National Gallery of Canada in 1936. The present exhibition, then, may be regarded as the second such survey. It differs from the first by the addition of works by Franz Johnston, who was a member of the Group for a short time, and Tom Thomson, who was never a member, but who has been included in this exhibition on grounds of style and association. This is certainly the first time that any major collection of the work of the Group of Seven has been seen in Vancouver." - Introduction. Includes article by Lawren Harris entitled "The Story of the Group of Seven" and an article by R.H. Hubbard entitled "The National Movement in Canadian Painting". Catalogue proper begins on page 19 and includes colour and black and white reproductions of thirty-one works. Unmarked with moderate wear. 23 x 15cm. Lerner & Williamson 1747 Book
(xii), 43 pages. "William Kurelek's paintings of Toronto not only portray a great city, but convey a powerful and prophetic vision of modern man as cynical and sympathetic; powerful yet frightened of a few dark thunder clouds; butcher, saviour and producer. The twenty-one paintings, twenty in colour, are accompanied by an introduction by James Bacque (who went on to write "Other Loses"), with expansive notes to each plate by the painter." - from dust jacket. Oblong 11.25" x 8.75". Moderate wear to clean and unmarked book. Binding intact. Above-average wear to dust jacket now preserved in glossy new archival-grade Brodart. A sound copy of this special Kurelek work. Bibliographic reference: Bishop p.1019. Book
First and only edition. A dictionary of 150 late-19th century painters, 125 from France and the remainder from elsewhere (including John Singer Sargent, still in his mid-20s). Although considered major artists at the time of this book's publication, virtually all of the subjects have been largely or utterly forgotten (none of the Impressionists or Post-Impressionists are included). Each entry comprises 2-3 pages of text, providing a short biography of the artist and enumerating his major works and accomplishments, as well as a full-page self-portrait. 512 pp. A LARGE-PAPER COPY ON JAPAN PAPER, and extremely rare as such. 4to. Bound in publisher's Japan-paper covered decorated boards. Minimal wear to extremities of binding, else FINE AND BRIGHT.
19 vols., oblong 4to., First Edition, with very numerous coloured and monochrome plates, and illustrations in the text; original printed wrappers, wire-stitched as issued, covers mildly dust- and age-soiled as usual else a very good, clean set. Complete set of the famous series edited by Sir Kenneth Clark. The artists featured are: Edward Bawden, Georges Braque, Edward Burra, Duncan Grant, Ivon Hitchens, Frances Hodgkins, Edward Hopper, David Jones, Paul Klee, Henry Moore, Paul Nash, Ben Nicholson, William Nicholson, Victor Pasmore, John Piper, Ben Shahn, Matthew Smith, Stanley Spencer and Graham Sutherland. COMPLETE SETS ARE SELDOM OFFERED FOR SALE
2 p.l., 1, 5, [3] p. 13 col. pl., 13 port. 29 1/2 cm. Descriptive text by various writers on versos of leaves accompanying the plates; artists' portraits by Orozco Romero, on rectos. Hardcover Ex-library, Very good condition, portfolio flaps repaired Limited edition of 400 copies "The new school of painting in Mexico by Jos´e Gorostiza," tr. by Pablo Mart´inez del Campo: p. 1-[6] Issued in portfolio.
A clean, unmarked book with a tight binding. Full beige cloth boards. Limited edition, number 463/1000. 11 1/8"w x 11 1/4"h. Unpaginated. Previous owner's name inside. A history of the organization and its founders, followed by reproductions by members. "It must be noted that by no means all of the members who ever belonged to the group are represented here. Selection was made primarily with an eye to highlighting those qualiteis which are truly unique to the Northwest art scene." Each artist included is represented with a color reproduction, a paragraph biography, and small b&w photo portrait of the artist. Signed or inscribed by the following artists on their pages: Frank R. Bigford, Lymon W. Bosserman, Roger Broer, Rudolph Bundas, Irwin Caplan, Herbert E. Carlson, Jess Dan Cauthorn, David M. Checkley, Robert Dexter Coe, Harold Craig, Sam Dimico, Jack Fellows, Byron Fish, Philip N. Flash, Ray H. Gerring, Marlowe Hartung, John R. Holmes, Ernest Horswill, Frank Kendrickson, Joseph Kilpatrick, Keith A. Kinsman, John Lee, Manfred Lindenberger, Robert T. Matthiesen, Warren McCallister, Alden Metcalf, Kenneth S. Miller, Eric W. Pardy, Henry Thos. Platz III, William F. Reese, James G. Scott, Richard F. Sewell, Gary L. Shinn, James T. Smith, Robert H. Wandesforde, Charles D. Webster, Thomas W. Wells, William Harold Werrbach, Brom Wikstrom, Robert C. Wikstrom, Glenn Wilson, Obituary clipping of James Edward Peck taped to his page.
5 vols., roy. 8vo., Fourth Edition, with 5 frontispieces in photogravure (original tissue guards present) and numerous plates, fore-edges lightly spotted; original brown boards, red buckram backs lettered in gilt, gilt tops, joints mildly rubbed else a very good, bright, clean copy. Volume I: A-C; Vol. II: D-G; Vol. III: H-M; Vol. IV: N-R; Vol. V: S-Z. First appearance of the fourth edition. It is the largest single revision (from two volumes to five) and was several times reissued over the following two decades. A nice set of this invaluable standard reference.
23169Headed From . Beldon House 96 Chelsea Park Gardens London SW3 17 Jan. 1956 and 7 Dec. 1956. Both in pencil. Letter One 17 Jan.: One page 8vo good condition. Text: "Hope you are better. All was well at the RA - as you saw T Wheeler going well. Now - Her is a lovely estuary wide & tidal from Harwich to Manningtree 800 swans ---- Vast herds of them - close in to edge often & out of the wader - You can touch them. Masses of stuff ---- come & stay at Dedham Sunday ----or Colchester ----- & have a look underlined". Letter Two 7 Dec. 1956 two pages 8vo good condition. Text: "Though you live in a remote Island it is up to you to come to election on Tuesday 11th underlined. There is a real danger of James Fitton underlined getting in as P.R.A. It is a nightmare - but true . A plot is on to put him there & we the sound sided ones are voting for Charles Wheeler underlined - who is underlined known or has an established name & is a gentleman. He promises that if elected he will put Heart & soul into the job ---- Forgive oencilunderlined. Every vote tells --- 1 vote may set this pusseyite sic pig jobber sic! in! Come & vote underlined - signature then Postscript as follows There are 800 underlined swans on the estuary of the Stour below Manningtree. Saw hundreds this afternoon." [Headed] From [...] Beldon House, 96 Chelsea Park Gardens, London, SW3, 17 Jan. 1956 and 7 Dec. 1956 unknown
160 pages. Index. Bibliography. Chronology. "Provides insights into the artist's imagination and mastery of his medium. In three essays, and the quotations that accompany the paintings, we learn about Morrisseau's approach to his work and the important historical and cultural influences that shaped his art. He tells us, in his own words, about his travels to the dream-like House of Invention, his source of inspiration for both content and colour... Contains some of the most complex and colourful paintings the artist has ever produced... The exceptional volume stands as a testament to both Morrisseau's incredible talent as a painter and his inspiring depth as a man." - from dust jacket. Clean, bright and unmarked with negligible wear. Superb copy. Book
Galerie Contemporaine. Non daté. In-4 Carré. Relié demi-cuir. Bon état. Couv. convenable. Dos à nerfs. Quelques rousseurs. Env. 150 pages. Texte sur 2 colonnes. Illustré nombreuses gravures en noir et blanc dans et hors texte, et de photographies en noir et blanc encollées sur planches cartonnées hors texte. Titre, date, caissons, fleurons, filets et roulettes dorés sur le dos. Grand In-4°. Bords des plats légèrement frottés. De Vasselot. Ballavoine. Aimé Perret. Carolus Duran. Chartousse. Chaplin. Hamon...
226 pages. Index of works. Chronology. Selected bibliography. Illustrated endpapers. Oblong 11" x 12". "Lavishly illustrated with 100 full colour and 25 black-and-white reproductions of prints, drawings and paintings, this is the first full-scale volume to honour the artistic life and work of E.J. Hughes from the start of his long career in the 1930s to the present... His unique talent for depicting the landscape in a way that both he and viewers believe it should be, rather than the way it actually is, enables us to experience and understand place and nature in new and deeper ways." - dust jacket. Clean, bright and unmarked with light wear. Dust jacket now preserved in glossy new archival-grade Brodart. A nice copy of this wonderful tribute. Book
117 unnumbered pages. Fifty-two glossy full-page colour reproductions of paintings by William Tull. Each painting accompanied by a brief description. "There are those who would vainly try to categorize William Tull as a Southwestern painter - or even as a contemporary classical impressionist. It is true that many of his paintings use the southwest as subject and background; and many do evoke the architecture and spirit of the Pueblo Indian as man in harmony with the earth. On very broad terms he belongs to the school of American Impressionists. But still, you can't categorize Tull, nor his paintings. So critics and laymen alike are left, quite simply, with this: the sheer, unadulterated joy of experiencing the vitality and robustness of life in a Tull painting." - Bill Byron. Light wear to clean and unmarked book which is bound in attractive cream-colored cloth. Slight bow to front board. Binding tight. Average wear to dust jacket which is now preserved in archival-grade Brodart. A quality copy. Laid-in is a photo-illustrated 1991 magazine article about Tull's village of desert homes, Adobes de la Tierra, at The Boulders in Carefree, Arizona. Book
189141877Philadelphia: Abil Printing & Litho Co. 1891. 1891. First Edition. 7 1/2" x 5" in red leather covers with title in gilt. 115 errata slip 2 pps. Contents. Index to advertisers. Listing of Officers and Executive Board. Programme topics include: Decorative Art by Albert Haberstroh; Paint As We Know It by A.J. Barbier; John Cook's Dryer Tests; etc. Information on the advantages of the association; the progress and future of the association; information on raw and burnt sienna raw and burnt umbers chrome yellows and greens along with charts showing extracts from various testing. Distributed among the text pages are full-page and smaller ads of various paint companies wallpaper designers brush binders gold leaf suppliers etc. Light wear to head of spine else near fine. Abil Printing & Litho Co., 1891. hardcover
This is a very good hardcover copy in the publisher's brown cloth boards with titles and front cover decoration in gilt still bright in a very good dust jacket, not price-clipped, some rubbing. Completely clean inside and out. The standard reference on Baciccio. The catalogue raisonne of his work. 139 black & white plates. Bibliography. Index. 11" high X 9" wide, 200 text pages + plates. A beautiful copy. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
This is a fine hardcover copy with a fine dust jacket. Completely clean. This monograph was prepared to accompany the exhibition at the Ordrupgaard in Copenhagen from August 15 to October 19, 1997. The exhibition then traveled to the Musee d'Orsay in Paris and finally the Guggenheim Museum in New York. Essays by Poul Vad and Robert Rosenblum. Illustrated in color and sepia. Exhibition history. Bibliography. 11" high X 9" wide, 191 pages. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.