637 résultats
1976KFZZQ100778DEAGOSTINI 1976. Soft Cover. Fine. KFZZQ100778 DEAGOSTINI paperback
Michaus, G. R.: Da Caravaggio a Bernini. Capolavori del Seicento italiano nelle Collezioni reali di Spagna. Exhibition: Rome, Scuderie del Quirinale, 2017. 326 pages; illustrated. Paperback. Text in Italian. Text in Italian
In-4, tela editoriale, sovracoperta (alcuni strappi), pp. 500, con numerose illustrazioni in bianco e nero e a colori nel testo e fuori testo. In buono stato (good copy).
65429Berlin Reimer 1996. Gr.8° 247 S. 128 Textabb. u. 14 farb. Taf. Kart. m. Ou Tadellos. Erstausgabe. 010 Berlin, Reimer, 1996 unknown
4716Paris, Stock, (15 mars) 1967. In-8 (218 x 150 mm), broché, 416 pages, couverture illustrée à rabats.
pp. 421, cm 29x26, rilegatura editoriale in t.t. con sopracoperta, illustrazioni a colori.
200113220New York New York U.S.A.: Abbeville Pr 2001. Large hardback in fine condition with fine dust jacket. 1st edition stated. 1st Edition. Hardcover. Fine/Fine. New York, New York, U.S.A.: Abbeville Pr Hardcover
20072604020031Abbeville Press 2007-01-15. hardcover. New. 11x1x12. Hardcover and dust jacket. Good binding and cover. Clean unmarked pages. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Abbeville Press hardcover
8423999157.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ING9788857204581WHITE CUBE. New. Special order direct from the distributor WHITE CUBE unknown
in 4°, pp. 307, p/tela edit. verde con sovracop. ill. Collana: Minuti Menarini - I piu' eccellenti, monografie di artisti diretta da Umberto Baldini, con 20 tavv. a colori, 111 tavv. b/n e ricca bibliografia. Come nuovo. 007/32
W6387CLWBROCHE ETAT CORRECT . PLIS COUVERTURE . DOS ET 4EME PLAT JAUNIES. ANNOTATION AU STYLO BLEU DERNIERE PAGE .BROCHAGE FRAGILE AU MILIEU . Caravaggio e il suo tempo.
Mm 240x350 Opera in due volumi, legatura in tela, sovraccoperta figurata. Volume I°, Testo, di X-482 pagine. Volume II°, Tavole, di XXIV pagine e 257 tavole in bianco e nero non comprese nel testo. Opera in ottime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
2001146041Somogy 2001 In-4 Somogy 2001 In-4 broché, couverture à rabats. 263 pages. Très bon état
Somogy 2001 In-4 broché, couverture à rabats. 263 pages. Très bon état
ill., ril. Studiosi e specialisti di fama internazionale si sono dedicati alla ricerca documentaria sul Caravaggio, analizzando, sotto aspetti diversificati, la complessa personalità del pittore. Attraverso l'analisi scientifica dei documenti storici inediti, venuti alla luce di recente, vi è stato un ribaltamento quasi totale della lettura tradizionale del Caravaggio che da pittore maledetto diventa pittore benedetto... Il volume comprende una bibliografia, completa di tutto ciò che riguarda il Caravaggio apparso su: stampa, video, CD, letteratura, cataloghi di mostre, aste, monografie, pubblicazioni scientifiche ecc.
1735038294Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.12 1/8" X 9" Trimmed To Margins All Around. Small Loss At Lower Left Corner Outside Of Text. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
1735038388Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.12" X 8 16/16" With 1/2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
1780038306Rome Circa 1775-1780 1780. 1st Edition 1st Printing. No Binding. Near Fine. Large Original Etching 12 1/8" X 5 1/8' Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari 1741-Circa 1790 Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art Which Combined Etching Engraving And Aquatinting Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools Entitled Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo Raphael Caravaggio Parmigiano And Guercino Were Created By Mulinari. In Total Stefano Mulinari Published Over Two Hundred Original Etchings Including Thirteen Based Upon The Drawings Of Guercino. <br/> <br/> unknown
1780038077Rome Circa 1775-1780 1780. 1st Edition 1st Printing. No Binding. Very Good. Large Original Etching 1.2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari 1741- Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art Which Combined Etching Engraving And Aquatinting Usually In Sepia Tones.Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools Entitled Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo Raphael Caravaggio Parmigiano And Guercino Were Created By Mulinari. In Total Stefano Mulinari Published Over Two Hundred Original Etchings Including Thirteen Based Upon The Drawings Of Guercino. <br/> <br/> unknown
LIGUORI 1997 FONDO DI MAGAZZINO: LIEVI SEGNI DEL TEMPO, VOLUME INTONSO, MAI SFOGLIATO Dopo le numerose mostre e le tante pubblicazioni su aspetti singoli e particolari della pittura napoletana, era ormai avvertita l’esigenza di un quadro d’insieme, di una Storia della pittura napoletana capace di restituire una visione globale e unitaria della "scuola". L’autore analizza con rigore filologico i singoli momenti, fornendo ampie notizie e informazioni su contesti storici e personalità, fra le quali non emergono solo i maestri più importanti ma anche i cosiddetti "minori", di cui il volume testimonia il contributo decisivo. Una Storia della pittura napoletana, ricca di documentazione inedita, da leggere tutta d’un fiato, o da consultare - con l’ausilio degli indici, delle note e del repertorio bibliografico - come base insostituibile per ulteriori approfondimenti. Rosario Pinto Si occupa di storia dell’arte e di critica d’arte. Impegnato attivamente nella tutela dei beni culturali, ha curato numerosi convegni, tra i quali si segnala 1992 – Arte senza frontiere tenutosi a Villa Pignatelli a Napoli. Tra le sue pubblicazioni, i volumi Tappe dell’arte napoletana, Napoli 1994, Arte napoletana nei secoli, Napoli 1995, Storia della pittura napoletana, Napoli 1997, La pittura nel Salernitano attraverso i secoli, Napoli 1997, nonché diversi saggi di pittura napoletana e meridionale (sulla pittura aurunca, su G. da Gaeta, G. da Nola, G. Marullo, D.A. Vaccaro, A. Mozzillo, sulla pittura femminile a Napoli dal ’500 al ’700, su S. Anguisola e A. Gentileschi, sull’iconografia di S.G. Giuseppe della Croce, dei Calvari e dei Trionfi della morte). Ha presentato, inoltre, mostre ed eventi di arte contemporanea, curandone i relativi cataloghi.
In-4° pp. 157 con 100 tav. a col. n.t. legatura edit. con sovrac. in plastica trasparente e in custodia ill.
1487696Silvana Editoriale. New. Brand New. Silvana Editoriale unknown
102583Paris Martine, éditeur sans date 1 volume In folio broché. Couverture illustrée. Extrait d'un cahier de musique du XVIè siècle.
