242 résultats
303476Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
303473Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century n.d. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
303474Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 15th century n.d. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
0260747912.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
201097311Giunti Editore. New. 2010. Hardcover. 8809749987 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian. 384 pp. ; 211 illus. 127 in color. -- with a bonus offer-- . Giunti Editore hardcover
1780038306Rome Circa 1775-1780 1780. 1st Edition 1st Printing. No Binding. Near Fine. Large Original Etching 12 1/8" X 5 1/8' Ample Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari 1741-Circa 1790 Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art Which Combined Etching Engraving And Aquatinting Usually In Sepia Tones. Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools Entitled Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo Raphael Caravaggio Parmigiano And Guercino Were Created By Mulinari. In Total Stefano Mulinari Published Over Two Hundred Original Etchings Including Thirteen Based Upon The Drawings Of Guercino. <br/> <br/> unknown
1780038077Rome Circa 1775-1780 1780. 1st Edition 1st Printing. No Binding. Very Good. Large Original Etching 1.2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Stefano Mulinari 1741- Studied Printmaking Techniques Under A. Scacciati. He Then Worked As An Assistant To This Master Engraving A Series Of Plates Based Upon Old Master Drawings In The Florentine Collection. This Series Consisted Of One Hundred Plates. Upon The Death Of Scacciati Mulinari Completed The Remaining Sixty Engravings By Himself And Secured A Strong Reputation For His Art Which Combined Etching Engraving And Aquatinting Usually In Sepia Tones.Mulinari Devoted Himself To Engraving Drawings From The Italian Renaissance. In 1775 He Published A Set Of Fifty Engravings Dealing With The Art Of The Earliest Masters. This Was Followed In 1780 By A Series Depicting The Paintings And Drawings Of The Great Italian Schools Entitled Saggio Delle Cinque Scuole Di Pittura Italiana. Outstanding Etchings After The Designs Of Leonardo Raphael Caravaggio Parmigiano And Guercino Were Created By Mulinari. In Total Stefano Mulinari Published Over Two Hundred Original Etchings Including Thirteen Based Upon The Drawings Of Guercino. <br/> <br/> unknown
1735038294Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.12 1/8" X 9" Trimmed To Margins All Around. Small Loss At Lower Left Corner Outside Of Text. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
1735038388Rome Circa 1735 1735. 1st Edition 1st Printing. No Binding. Very Good. Original Engraving.12" X 8 16/16" With 1/2" Margins All Around. One Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Arthur Pond C.1705-1758 Was An English Painter And Engraver. He Was Educated In London And Stayed For A Time In Rome Studying Art In Company With The Sculptor Roubiliac. He Became A Successful Portrait-Painter. He Was Elected A Fellow Of The Royal Society In 1752 And Died In Great Queen Street Lincoln's Inn Fields 9 September 1758. His Numerous Original Portraits Include Alexander Pope William Duke Of Cumberland And Peg Woffington. Pond Was Also A Prolific Etcher And Used Various Mixed Processes Of Engraving By Means Of Which He Imitated Or Reproduced The Works Of Masters Such As Rembrandt Raphael Salvator Rosa Parmigianino Caravaggio And The Poussins. In 1734-5 He Published A Series Of His Plates Under The Title Imitations Of The Italian Masters. He Also Collaborated With George Knapton In The Publication Of The Heads Of Illustrious Persons After Jacobus Houbraken And George Vertue With Their Lives By Thomas Birch London 1743-52; And Engraved Sixty-Eight Plates For A Collection Of Ninety-Five Reproductions From Drawings By Famous Masters In Which Knapton Was Again His Colleague. Another Of His Productions Was A Series Of Twenty-Five Caricatures After Pier Leone Ghezzi Republished In 1823 And 1832 As Eccentric Characters. <br/> <br/> unknown
198218686H. N. Abrams. As New. 1982. Hardcover. 0810907577 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - . Gift inscription in ink on fep. -- with a bonus offer-- . H. N. Abrams hardcover
71-4063Firenze: La Societa Editrice circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. sheet. Drystamp of the publisher. Very Good. Light foxing in the margin areas. “Storia della pittura dal suo risorgimento in Italia dimostrata coi monumenti della Reale Galleria di Firenze.†OCLC no. 83041262. Firenze: La Societa Editrice, circa 1841-1846. unknown
2004232653Bergamo Sant'Omobono Terme: Edizioni Centro Studi Valle Imagna foto-impressioni 2004. Rilegato sovracoperta hard cover dust jacket. Ottimo Fine. Introduzione di Edo Prando. Fotografie in bianco e nero e a colori e un testo di Pepi Merisio. Indice delle fotografie e note biografiche dell'Autore. Edizione in italiano e inglese. Cm 29x29. pp. 260. Ottimo Fine. Prima edizione First Edition. <em>Questa opera "biografica" di Pepi Merisio è"; stata ideata dal Centro Studi Valle Imagna nell'ambito dell'allestimento di un archivio delle immagini sull'evoluzione del mondo rurale. Essa si compone di due volumi Per le antiche strade pubblicato nel 2003 dedicato all'italia contadine e il presente che verte sul lavoro e la vita in provincia e nelle città del Paese.<br /><br />E' un grande archivio della memoria ciò che questo libro offre. La fotografia di Merisio è" una fotografia colta dedicata all'Italia contadina. Merisio ha realizzato da solo con il suo lavoro di fotografo un grande affresco storico che parte dal 1953 fino al 1992. <br /></em> Edizioni Centro Studi Valle Imagna, foto-impressioni hardcover
201922656New York City NY: Random House 2019. First Edition. First Printing. Hardcover. As New/As New Dust Jacket. New York City NY: Random House 2019. Hardcover. As New/As New. First Edition/First Printing. 135 pages. Rare Hisham Matar collectible set. Pristine copies of "A Month In Siena" and the Granta Magazine Winter 2019 Issue both signed by Hisham Matar. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only. Presents Hisham Matar's "A Month In Siena". The sequel-of-sorts to "The Return: Fathers Sons And The Land In Between" 2016. "Always finding comfort and clarity in great art Matar immersed himself in eight significant works from the Sienese School of painting which flourished from the 13th to the 15th centuries. Artists he had admired throughout his life including Duccio and Ambrogio Lorenzetti evoke earlier engagements he'd had with works by Caravaggio and Poussin and the personal experiences that surrounded those moments. The month would be an extraordinary period in the writer's life: An exploration of how art can console and disturb in equal measure as well as an intimate encounter with a city and its inhabitants. A gorgeous meditation on how centuries-old art can illuminate our own inner landscape - current relationships long-lasting love grief intimacy and solitude - and shed further light on the present world around us" Publisher's blurb. "As exquisitely structured as 'The Return' driven by desire yearning loss illuminated by the kindness of strangers" Peter Carey. An absolute "must-have" title for Hisham Matar collectors. This copy is very prominently neatly and beautifully signed placed and dated shortly after publication in black ink-pen on the title page by the author: "Hisham Matar NYC 10th Nov 2019". It is signed directly on the page itself not on a tipped-in page. It comes with a pristine copy of the Granta Magazine Winter 2019 Issue also very prominently neatly and beautifully signed in black ink-pen on his brilliant Contribution "The Guests" Page 107 by the author. This title is a contemporary classic. As far as we know this is the only such signed placed and publication-year dated copy with signed Granta Magazine of the First Hardcover Edition/First Printing available online and is in especially fine condition: Clean crisp and bright. A rare signed set thus. 16 color plates. Winner of the Pulitzer Prize in 2017 for "The Return: Fathers Sons And The Land In Between". One of the most brilliant writers of our time. A fine collectible set. . ISBN 059312913X. Random House hardcover
339948Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1538. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
339949Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1538. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
339947Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1538. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
339950Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century 1538. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1993BN151522Dresden ; Basel : Verlag der Kunst 1993. 1993. Caravaggio. Roberto Longhi. Nach einer Übers. aus dem Ital. von Brigitte Schönert <br/><br/>Caravaggio. Roberto Longhi. Nach einer Übers. aus dem Ital. von Brigitte Schönert Longhi Roberto und Michelangelo Merisi da Caravaggio Dresden ; Basel : Verlag der Kunst unknown
1968102911Edition Leipzig. As New. 1968. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in English. 167 pages including 100 beautiful color plates. -- with a bonus offer-- . Edition Leipzig hardcover
200069300SE/ASRL. New. 2000. Hardcover. 8881188066 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 608 pp. With 386 ills. 335 col. . 29 x 25 cm. ISBN 8881188066. In Italian. -- with a bonus offer-- . SE/ASRL hardcover
02-0539Paris: Imprimerie Royale ca. 1730s. Woodcut after Polidoro da Caravaggio qui est dans le Cabinet de M.' Crozat. Etched plate by the Comte de Caylus. Three blocks: in three shades of brown. Full sheet. Numbered 71 at lower right. Recited d'eltampes. vol. I. Nagler 20. Das Messopfer. Le Blanc 19. Le Sacrifice de la Messe. Paris: Imprimerie Royale, ca. 1730s. unknown
02-0540Paris: Imprimerie Royale ca. 1730s. Woodcut after Polidoro da Caravaggio. Etched plate by the Comte de Caylus. Blocks printed in shades of brown. Brown etching yellow-brown tone blocks. Full sheet. qui est dans le Cabinet de M.' Crozat. Numbered 71 at lower right. Recited d'eltampes. vol. I. Nagler 20. Das Messopfer. Le Blanc 19. Le Sacrifice de la Messe. Paris: Imprimerie Royale, ca. 1730s. unknown
60749Two standing sibyls one holding a roll of paper the other a book.Latin text at bottom naming Polidoro as designer and Goltzius as engraver: 'Duae Sybillae Romae extra portam S. Angeli a Polidoro. ab Hgoltzio ibidem effigiatae et Calcographa arte culptae'.On the verso collector's mark of J. E. Wetterauer L.3183 and another unidentifiable mark.NL Twee vrouwen ten voeten uit de een met een boekrol in de handen de ander met een boek of tablet in de handen. Onder de voorstelling twee regels tekst in Latijn. Engraving on paper with small margins; plate mark: 242 x 163 mm total: 253 x 172 mm; state II/3; tiny foxing on the mantel of the sibyl on the right otherwise in outstanding conditions in passepartout; New Hollstein 323 Bartsch 248 Strauss 297. unknown
200672507Hatje Cantz; Et Al. New. 2006. Hardcover. 3775718060 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 272 pp. With 167 ills. 103 col. . 29 x 24 cm. -- with a bonus offer-- . Hatje Cantz; Et Al hardcover
2012998885Continents. New. 2012. Hardcover. 8874395825 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Italian. 160 pp. ; 229 color illustrations. -- with a bonus offer-- . 5Continents hardcover