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2006179900Ostfildern/ Houston: Hatje Cantz/ Menil Collection 2006. Hardcover. VG/VG light wear/curling to dust jacket. Black cloth boards with gilt lettering black dust jacket color illustrated with white lettering 315 pp profusely illustrated throughout in color and bw. Exploring the reasons for Paul Klee's enthusiastic reception in the United States especially during the 1930s and 40s this publication also includes a selection of his 'American' works from this period. "Published on the occasion of the exhibition . Neue Galerie New York March 10 - May 22 2006 ; The Phillips Collection Washington D.C. June 16 - September 10 2006 ; The Menil Collection Houston October 2006 - January 14 2007"--Title page verso. Includes bibliographical references pages 289-297 and index. Hatje Cantz/ Menil Collection hardcover books
1950183555New York: Curt Valentin 1950. Pamphlet. VG light wear to wraps pages are clean and clear. Light gray stapled wraps with red lettering; 16 unnumbered pages; bw illustrations. "Eloge de Paul Klee was published in Fontaine Paris 1946 and Le Plaisir de Peindre La Diane Française Paris 1950 and has now been translated by Walter Pach." Printed in edition of 1500 copies. Curt Valentin unknown books
238962Paderborn: Willhelm Fink 2016. 341 S., 48 s/w Abb. 8° Br. *verlagsneu*.
201538783München, London, New York: Prestel 2015. 359 S. Mit zahlr. farb. u. s/w, Abb.
195434052ABStgt, Hatje 1954. 4°. 203, (1) S. OLwd mit Rückentitel und Deckelschmuck in Gold. Einband mit kleinen Gebrauchsspuren, ein Fleckchen am hint. Deckel. 1
195715AcKoln Dumont Dokumente 1957 21x15 Texte en Allemand - 429 pages - nombreuses illustrations
195715AcKoln Dumont Dokumente 1957 21x15 Texte en Allemand - 429 pages - nombreuses illustrations
200673872Germany: Saarland Museum. Fine. 2006. Softcover. Beautiful fresh softcover exhibition catalogue complete in 199 pages. ; 199 pages . Saarland Museum paperback books
1065489o.J. 286 S.; Illustr.; 25 cm; kart.
1959013256Paris Etude Maurice Rheims 1959 In-4 Cartonnage toilé illustré
199283433BBAarau:, Aare, 1992. 4°. 119 S., zahlreiche Farb- und sw-Abbildungen, Pappband 1. Aufl. (hinterer Einbanddeckel teilweise leicht bestossen; gut erhalten) (=Wir entdecken Kunst)
690Editions du Chêne. 1975. In-8° broché. Couverture illustrée à rabats. 221 pages. E.O. 90 dessins de Paul Klee.
200645846BBOstfildern:, Hatje Cantz, 2006. 4°. 159 S., 135 Abbildungen, 117 farbig, broschiert (gut erhalten)
198460938BBFreiburg i. Br.:, Herder, 1984. Gr.-8°. 48 S., zahlreiche Farb- und sw-Abbildungen, lam. Pappband (Einband wenig befleckt; gut erhalten)
197925972BBStuttgart:, Hatje, 1979. 8°. 239 S., zahlreiche zum Teil farbige Abbildungen, broschiert (Bibliotheksexemplar; Bibliotheksschilder auf Rücken, Innendeckel und Vorsatz; Buchblock leicht geknickt; Schnitt stockfleckig)
200672447BBBern, Stämpfli, 2006. 8°. 100 S., zahlreiche zum Teil farbige Abbildungen, Pappband 3., erw. und verb. Aufl. (Einband leicht berieben; gut erhalten)
200696770BBBern:, Stämpfli, 2006. 8°. 100 S., zahlreiche zum Teil farbige Abbildungen, Pappband 3., erweiterte und verbesserte Aufl. (gut erhalten)
2010970054Ostfildern: Hatje Cantz. 2010. 283 Seiten. 27x23cm. Zustand: Sehr Gut, eher ungelesen; Ppbd.
It was Emily Carr (1871?1945).[helped blaze] .a path for modern women artists. Overcoming the confines of late Victorian culture, Carr became a major force in modern art. Her boldly original landscapes are praised today for capturing an untamed British Columbia -and its indigenous peoples- just before industrialization would change it forever. In her latest novel, Susan Vreeland brings to life this fiercely independent and underappreciated figure. From illegal potlatches in tribal communities to prewar Paris, where her art was exhibited in the famed Salon d'Automne, Carr's story is as arresting as it is vibrant. Vreeland tells it with gusto and suspense, giving vivid portraits of Carr and the unconventional people to whom she was inevitably drawn: Sophie, a native basket maker; Harold, the son of missionaries, who embraces indigenous cultures; Fanny, a New Zealand artist who spends a summer with Carr painting in the French countryside; and Claude, a French fur trader who steals her heart. The result is a glorious novel that will appeal to lovers of art, native cultures, and lush historical fiction. Signed by author on title page Book
55769P., Musée Nationaux, 1969, in 8° carré, XVIII-158 pages ; couverture en couleurs.
1886263011886 in 8° broché, 41 pages et XVIII planches hors-texte en noir ; couverture illustrée.
198913953BBStuttgart, Hatje, 1989. 33 cm. 330 S., überwiegend Ill. Hardcover, mit Schutzumschl. Sehr guter Zustand, kleine Fremdsign. Veröffentlichung der Kunsthalle Tübingen.
195021644(Harmondsworth), Penguin Books, (1950). Qu.-8°. OKart. (hs. Name). 16 SS. mit 16 oft farb. Abb. auf Tafeln.
198781931Ostfildern-Ruit, Verlag Gerd Hatje, 1987. Original Leinenband mit Schutzumschlag, gr.4°, 356 Seiten.
Catalogo della Mostra di New York,Clevelland Berna. 8° brossura editoriale con copertina a colori. Legatura salda,pagine bianche,COMPLETO NUMEROSE ILL. A COLORI
