Rogers, Brandon M A (Editor)/ Figueroa Candia, Mauricio A (Editor)/ Klee, Carol A (Preface)Biblio.com
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2021x-162273601XVernon Press 2021. Hardcover. New. 592 pages. Spanish language. 6.00x1.25x9.00 inches. Vernon Press hardcover
2021x-1648892981Vernon Press 2021. Paperback. New. 592 pages. Multilingual language. 9.00x6.00x1.20 inches. Vernon Press paperback
RO50040403EDITION BREITENKOPF. non daté. In-4. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. Partitions de Liszt pour piano solo de 151 pages. Première page tamponnée. Légères déchirures sur les bords de la première et dernière page.. . . . Classification Dewey : 780.26-Partitions
26001Salamanca, Caja de Ahorros, 1988 Cubierta de cart n ilustrada, 210 x 300mm., 127pp., ilustrada en color y b/n. ISBN 9788487132001.
2010BN70095Hatje Cantz Verlag 2010. 2010. Lust und Laster: Die sieben Todsünden von Dürer bis Nauman Die sieben Todsünden von Dürer bis Nauman <br/><br/> Hatje Cantz Verlag unknown
200954061ABHamm, Gustav-Lübcke-Museum. Würzburg, Museum im Kulturspeicher. 2009. 4°. 204 S. Mit vielen meist farbigen Abbildungen. Originalbroschur.
200921229[Bramsche], Rasch, 2009. 4°, 204 Seiten. mit zahlreichen, meist farbigen Abbildungen und mehreren s/w. Photos von Lyonel Feininger. Englische Orig.Broschur.
1982014934Paris Berggruen & Cie 1982 In-12 oblong Broché, couverture ilustrée Edition originale
17-5172Paris France: Daniel Malingue 1985. 12mo. Ca. 40 pp. Softcovers. Very Good with minor shelfwear on cover. Color Plates. Date stamp on cover. Text in French. Paris, France: Daniel Malingue, 1985. paperback
2013AW789London: Tate Publishing 2013. 1st paperback edition . paperback. Fine. 4to. 256pp. Colour illus. card covers Tate Modern London. 16 October 2013 - 9 March 2014. A fine copy with no inscriptions fading or marks <br/> <br/> Tate Publishing paperback
2013101917London England: Tate Publishing. Fine. 2013. First Edition. Soft Cover. 4to - over 9¾" - 12" Tall Quarto 9781849760355 Paperback Paperback. Making Visible. The EY Exhibition. Paul Klee. On the Occasion of The EY Exhibition - Paul Klee: Making Visible Tate Modern London. 16 October 2013 - 9 March 2014. Paul Klee 1879-1940 is one of the most famous of the generation of twentieth-century painters who shaped the way in which we see the world. Using vibrant colour and intuitive line Klee combined witty narratives in his work alongside breathtaking abstraction. He taught at the Bauhas for a decade and was hailed as a 'liberator' by the surrealists in Paris. This book surveys his career to show how his extraordinary versatility reached and entranced his public. He was able to reconcile within his work the modernist contradiction between the abstract and the fantastic the machine aesthetic of the Bauhas and the free imagaination. The most famous of his teaching texts Pedagogical Sketchbook revealed the wit and rigour with which he guided his students and which inspired further generations of artists. After unrivalled success in the 1920s Klee was among those singled out for repression in Nazi Germany. He returned to his family in Switzerland in 1933 and though in decling health was defiantly productive until his oremature death in 1940. Drawing on recent scholarship with essays by a selection of international authorities this lavishly illustrated book accompanies the first major Klee exhibition in Britain for a decade and throws new light on the life and career of one of the greatest artists of the twentith century. Illustrated throughout. 256 pp. We carry a wide selection of titles in The Arts Theology History Politics Social and Physical Sciences. Academic and Scholarly books and Modern First Editions and all types of Educational Reference Literature. . Tate Publishing paperback
200730631München ; Zürich : Piper 2007. 367 S. :16 S. farb. Abb. ; 21 cm, mit Schutzumschlag Pp., gebundene Ausgabe, Hardcover/Pappeinband, Exemplar in gutem Erhaltungszustand
1848RO20161618JACQUES LECOFFRE ET CIE. 1848. In-8. Broché. Etat passable, Couv. défraîchie, Dos abîmé, Intérieur frais. 2 TOMES: XL + 464 + VIIJ + 532 pages - ouvrage desolidarisé au niveau du dos de chaque tome - 1er plat desolidarisé du reste de l'ouvrage sur le tome 1.. . . . Classification Dewey : 270-Histoire et géographie de l'Eglise
0282495576.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0484172476.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0656024240.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1848625P45Paris: Jacques Lecoffre et Cie Libraries 1848. Leather. Very Good. 8.5" by 5.5". None. Two volumes of Henri Klee's look at the history of Christian dogmas translated here into French from the original German by P. H. Mabire. Complete in two volumes. These volumes are in French. This work is an interesting look at the history of Christian principles and the dogmas of faith. Christianity has a set of core beliefs that are shared by virtually all Christians. The author taught dogmatic and moral theology at the University of Bonn and so this work is instructional and educational. Originally written in German by Henri Klee. Klee was a German theologian and Biblical interpreter. He also published works on Catholic dogmas as well as 'Die Beicht' 'Commentar Uber den Romerbrief' and 'Enclcylopadie des Theologie'. Translated here into French by the Abbe PH Mabire. Bookplate to the front pastedowns belonging to a John Ponsonby. Rebacked with the original half calf with marbled paper boards laid on. Externally smart. Very light marking to the spines. Evidence of where the joints and extremities had been worn before being rebacked. Bookplates to the front pastedowns. Internally firmly bound. Pages are bright with scattered spots. Very Good Jacques Lecoffre et Cie Libraries hardcover
1148996079.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1246968460.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1274917093.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282962115.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1535293802.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1934180735Düsseldorf: 1934. The dangerous dance of artists under Nazi rule Original maquette for the first volume of Klee's Handzeichnungen accompanied by a first edition of the book number 33 of 525 copies. Most of the edition was later confiscated by the Nazis. The maquette is signed by the art critic Will Grohmann author of the introduction and both maquette and book were owned by two expressionist dancers associated with the 1936 Berlin Olympics. Grohmann planned a three-volume catalogue raisonné of Klee's work despite mounting criticism from the Nazi Party. In 1933 Klee was dismissed from his teaching post in Düsseldorf and fled to Switzerland. The first volume appeared in October 1934; by spring 1935 the remaining copies were seized by Nazi officials and Grohmann was forced to suspend publication of the projected second and third volumes. In 1937 Klee's work was included in the Nazi exhibition of so-called "degenerate art". The first edition bears the ownership inscription of the dancer and choreographer Mary Wigman together with a presentation inscription in Grohmann's hand: "Mary Wigman Im Alter treu ist Freundschaft "loyal friendship in old age" 13 Nov. 1934". Wigman was a pioneering figure of expressionist dance and a cultural icon of Weimar Germany. She later collaborated with the Nazi regime accepting a commission for the 1936 Olympics; although privately sympathetic to Jewish students she complied with orders to dismiss Jewish dancers from her company. The maquette was presented to the dancer Mathilde Thiele b. 1907 who typed Grohmann's introduction. Thiele studied under Gret Palucca later taught Dore Hoyer and in the 1960s joined the staff of Wigman's school. When Palucca was summoned to dance for Hitler at the 1936 Olympics Thiele accompanied her as rehearsal director. Thiele later recalled the dinner with Hitler noting the mortal danger had Palucca's Jewish background been known. "After dinner Palucca and I were so relieved we drank a whole bottle of wine in our room. We considered that Herr Goering might help Palucca escape if needed. We had word that he helped artists even Jews through an underground operation despite his close relationship to Hitler" Fraleigh. Maquette: Quarto. Original hand-bound black card covers 28.1 x 24.2 cm. With 69 cyanotypes of different sizes mounted on card after original drawings by Klee. Book: Quarto. Original yellow boards spine and front cover lettered in black illustration after Klee on front cover in black. With 72 full-page illustrations after original drawings printed on heavy card with perforation to the inner margin. Housed in a black cloth flat-back box by the Chelsea Bindery. Maquette: covers and most pages disbound with small loss to corners and edges lacking pages 16 26 and 27. Book: small loss to joints of spine otherwise clean and bright a very good copy. Grohmann 2226 & others. Sondra Fraleigh "Mathilde Thiele A Life in Dance and War" 2021. hardcover
1470466937.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
43703096-nnew. unknown
