Holbein, Hans and Paul GanzBiblio.com
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190113Berlin: Julius Bard not dated. Softcover. VG- light soiling and shelfwear to covers pages are clean and clear with light age toning along edges. Missing plates XIV-5 and XV-3. Oversized tan portfolio wraps with black lettering; 9 bw and color mounted plates numbered XIV1- XIV-10 missing XIV-5 and 9 bw and color mounted plates numbered XV1-XV-10 missing XV-3. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 14th and 15th. Series Deutscher Verein für Kunstwissenschaft E. V 21"x16"x1" Julius Bard paperback
190112Berlin: Julius Bard not dated. Softcover. VG- light soiling to covers front cover loose pages are clean and clear with light age toning along edges. Missing the 10th plate. Oversized tan portfolio wraps with black lettering; lacking title page 9 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 11th with plates numbered XI1-XI9. Series Deutscher Verein für Kunstwissenschaft E. V 21"x16"x1" Julius Bard paperback
190114Berlin: Julius Bard not dated. Softcover. VG- light soiling to covers chipping along edges front cover loose pages are clean and clear with light age toning missing plate IX-9. Oversized tan portfolio wraps with black lettering; 9 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 9th with plates numbered IX-1 through IX-9 21"x16"x1" Julius Bard paperback
190111Berlin: Julius Bard not dated. Softcover. VG- light soiling to covers chipping along edges corners bent soiling to title page pages are clean and clear corners are worn and bent but not affecting the plates. Oversized tan portfolio wraps with black lettering; title page in black and orange print 3 pp text 10 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 1st with plates numbered I1 - I10. 21"x16"x1" Julius Bard paperback
190121Berlin: Julius Bard not dated. Softcover. VG light scuffing to covers pages are clean and clear with light age toning along edges. All plates present. Oversized tan portfolio wraps with black lettering; 10 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 10th with plates numbered X1-XI 10. Series Deutscher Verein für Kunstwissenschaft E. V 21"x16"x1" Julius Bard paperback
190118Berlin: Julius Bard not dated. Softcover. VG- light soiling to covers chipping along edges front cover detached light age toning but plates otherwise clear. Missing plate XIII-7 only. Oversized tan portfolio wraps with black lettering 9 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 13th with plates numbered XIII-1 through XIII 10 missing XIII 7 21"x16"x1" Julius Bard paperback
190120Berlin: Julius Bard not dated. Softcover. VG light scuffing to covers pages are clean and clear with light age toning along edges. All plates present. Oversized tan portfolio wraps with black lettering; lacking title page 10 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 11th with plates numbered XI1-XI10. Series Deutscher Verein für Kunstwissenschaft E. V 21"x16"x1" Julius Bard paperback
190131Berlin: Julius Bard not dated. Softcover. VG- light soiling to covers chipping along edges light age toning but plates otherwise clear. all plates present. Oversized tan portfolio wraps with black lettering 10 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 13th with plates numbered XIII-1 through XIII 10. 21"x16"x1" Julius Bard paperback
190119Berlin: Julius Bard not dated. Softcover. VG- light soiling to covers chipping along edges light age toning but plates otherwise clear. All plates present. Oversized tan portfolio wraps with black lettering 10 bw and color mounted plates. Text is in German. The hand drawings of Hans Holbein. Originally issued in 40 volumes this is the 12th with plates numbered XII-1 through XII-10. 21"x16"x1" Julius Bard paperback
1983828891983. HOLBEIN Hans. Susan FOISTER cat. Drawings by Holbein from the Royal Library Windsor Castle. Orig. cloth in publisher's issued clamshell. New York: Johnson Reprint Company / Harcourt Brace Jovanovich 1983. Limited edition. A beautiful copy in fine condition. A massive work the catalogue and suite of 85 plates measuring 19" x 13.5." The catalogue issued in full cloth and the suite of plates complete housed in stunning morocco-backed clamshell with a printed limitation statement mounted on the inside of the box-this being number 315 of 500 copies for sale. A beautiful copy with tasteful bookplate below the limitation. unknown
2926315Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1538. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926316Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1538. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926317Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1538. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926314Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1538. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
01-086116th Century . Woodcut. From Cosmographie Universelle by Sebastian Munster 1548-1556. 12 x 10 cm. on page 30 x 20 cm. 16th Century unknown
18842059London: Hamilton Adams 1884. Hardcover. Very Good. Very Good hardcover red leather spine and corners over marbled boards. Wear to lower edge of covers some starting separation over cover at lower spine area but not just weak. Glit edges on all sides. Pictures on request oversize item will require extra postage Hamilton, Adams hardcover
1977828931977. HOLBEIN Hans. Jane Roberts intro. The Family of Sir Thomas More: Facsimiles of the Drawings by Hans Holbein the Younger from the Royal Library Windsor Castle. Orig. cloth portfolio. New York: Johnson Reprint Company / Harcourt Brace Jovanovich 1977. First edition. Minor creasing to the portfolio flaps else a near fine copy. The 8-page catalogue and introductory note is stitched in self-wrappers and housed in cloth portfolio with 8 plates measuring 19" x 13.5." Beautiful reproductions of Holbein's drawings. unknown
179358211IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1793. Handsome engraving of the nobleman in the court of Henry VIII. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Stipple engraving. Very good condition. Printed colour. Size: 25.5 x 33 cm. 10 x 13 inches unknown
179555795London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of Francis II. Engraved by BARTOLOZZI Francesco. Size: 270 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
185816035London:: Henry G. Bohn 1858. 7.5 x 4.75 inches. Single leaf from the 1858 edition of Hans Holbeins Dance of Death by Francis Douce & Thomas Frognall Dibdin. The leaf portrays the angel Gabriel comforting Daniel - Daniel VIII:17. with text lines beneath. Excellent woodblock and leaf in excellent condition. Top corners with a little bit of bleed from previous adhesive on verso overall excellent and suitable for framing. 7.5 x 4.75 inches. The reproduction fomr the Douce & Dibdin were cut from wood by Messrs. Bonner and Byfield. The authors aimed to provide extremely accurate woodcut representations of the original Holbein designs to readers. This leaf shows the clarity of line and beautiful use of light and shade which Holbein had achieved in his original work . [Henry G. Bohn,] unknown
179654848IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1796. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of Sir John Gage a nobleman in the courts of Henry VIII Edward VI and Mary I. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 28 x 38.5 cm. 11 x 15 inches. unknown
179654824IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1796. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the court of Queen Elizabeth I. Engraved by BARTOLOZZI Francesco. Stipple engraving. Very good condition. Printed colour. Size: 21.5 x 28 cm. 8½ x 11 inches unknown
1021657077.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
102029728X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
100296Basel Kunstmuseum Basel 2006. 4° 526 S. zahlr. Abb. Kart. Tadell. «Das Kunstmuseum Basel widmet Hans Holbein d. J. im Frühjahr 2006 eine grosse Ausstellung. Im Zentrum steht das Schaffen des Künstlers aus seiner Basler Zeit. Ende September 2006 bis Januar 2007 wird Tate Britain London die in England entstandenen Werke ausstellen. Erstmals zeigen die sich ergänzenden Ausstellungen in Basel und London das Gesamtwerk von Hans Holbein d. J.Hans Holbein gehört zu den bedeutendsten Künstlern des frühen 16. Jahrhunderts. Er steht gleichrangig neben Albrecht Dürer Hans Baldung Grien und Matthias Grünewald. Von Augsburg nach Basel gekommen schuf er hier bedeutende religiöse Altarbilder und Porträts. Bald schon zog es ihn nach Frankreich dann nach London wo er versuchte als Hofmaler Fuss zu fassen; 1535 wurde er Hofmaler Heinrichs VIII.Mit rund vierzig Gemälden über einhundert Zeichnungen und zahlreichen druckgraphischen Werken wird das einzigartige Oeuvre des Künstlers aus seiner Basler Schaffenszeit vor Augen geführt. Zu den hochkarätigen Leihgaben gehören die berühmte „Darmstädter Madonna“ die „Solothurner Madonna“ und der „Oberried-Altar“. Hinzu kommen Bildnisse aus dem ersten Englandaufenthalt wie das der Anne Lovell aus der National Gallery London und des Thomas Godsalve mit seinem Sohn John aus der Gemäldegalerie Dresden. Gezeigt werden sämtliche eigenhändige Zeichnungen aus eigenem Bestand ergänzt durch Leihgaben aus Augsburg Braunschweig Leipzig Lille London München Oxford Paris und Windsor Castle. Es besteht die einzigartige Möglichkeit die sonst verstreuten Werke in Basel nebeneinander zu sehen sie unmittelbar zu vergleichen und in ihren Besonderheiten neu wahrzunehmen.» 010 Basel, Kunstmuseum Basel, 2006 unknown
