HOLBEIN, HansBiblio.com
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179554825IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the court of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 23 x 33 cm. 9 x 13 inches unknown
71-4037Firenze: La Societa Editrice circa 1841-1846. Stipple and line engraving. 49.5 x 34.4 cm. sheet. Drystamp of the publisher. Very Good. Light foxing in the margin areas.“Storia della pittura dal suo risorgimento in Italia dimostrata coi monumenti della Reale Galleria di Firenze.†OCLC no. 83041262. Firenze: La Societa Editrice, circa 1841-1846. unknown
181273604London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273615London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Good condition. unknown
181273606London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
181273587London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
1169571247.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1856193907Paris: Edwin Tross 1856. Paperback. Good Boards are shelf/edgeworn foxed and smudged; spine strip is loosening and chipped at the edges; signature is present on ffep; inner hinge is cracked at front and rear covers which are loose but still holding; textblock is cracked; textblock edges are darkened; pages are lightly smudged with occasional smudges. Brown boards with gilt lettering and illustration; 36 unnumbered pages; richly illustrated. This gorgeous book is richly illustrated with wood engravings throughout. Edwin Tross paperback
1019418192.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SKU0580090Penguin Classics 2017-01-03. paperback. Good. 5x0x7. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Penguin Classics paperback
SKU0627597Penguin Classics 2017-01-03. paperback. New. 5x0x7. New Textbook Ships with Tracking Penguin Classics paperback
189212597London: George Bell & Sons. Fair with no dust jacket. 1892. Limited Edition. Hardcover. ii 18 ii pp 49 leaves. Limited edition of 500 copies of which this is one in Imperial 16mo. Signature of Harriet Monroe in pencil on the first free end paper. In original publisher's brown cloth with gilt title to front cover spine covering perished but binding holding. Red and black title page 49 copies of woodcuts and a facsimile of the original 1538 French title page. Forty-one of the woodcuts were according to Dobson cut 11 years before 1538 while the remaining 8 were added after that edition. Accompanying each woodcut is a verse in Latin with the antique French below it. Harriet Monroe 1860 1936 was an American editor scholar literary critic poet and patron of the arts and the founding publisher and long-time editor of Poetry magazine which she established in 1912. As a supporter of the poets Wallace Stevens Ezra Pound H. D. T. S. Eliot William Carlos Williams Carl Sandburg Max Michelson and others Monroe played an important role in the development of modern poetry. Interior is in good condition. The tissue protector for the title page is heavily browned and cracking away at the gutter the binding is a bit shaken but otherwise the book is clean and unmarked save for Monroe's signature and a small bibliographic note on the verso of that page. A scarce title nice with an early Monroe provenance. ; 16mo 6" - 7" tall . George Bell & Sons hardcover
104392London J. Coxhead 1816. 8° 1 Titelbl. Kupferstich-Portrait W. Hollar 70 S. Life of Holbein; The dance of death; Descriptions of the cuts.; Dance of macaber 1 Kupferstich-Portrait of Hans Hollbein 31 Kupfertaf. alle Kupfern handkoloriert. Privat-Lwd. m. Rückentitel Exlibris a Vors. Blätter durchgängig etwas stock- u fingerfleckig Die Bildunterschriften in den Kupfern in Latein die erläuternden Texte engl./frz. - David Deuchar 1743 - 1808 kopierte recht unbeschwert die 30 Totentanzstiche von Wenzel Hollar 1607-1677 den jener nach Holbein neu gestochen hatte. - Massmann 57. 010 London, J. Coxhead, 1816 unknown
180428422<p><strong>1804 Dance of Death 1st edition Hans Holbein & Wenceslas Hollar Occult ART </strong></p><p>Wenceslaus Hollar first published his 30 copperplate adaptions of Hans Holbein's dark allegory of '<em>Dance of Death</em>' in 1651. The 1804 edition incorporates the 30 plates plus engravings of Holbein and Hollar and published at the waning of the gothic moment is most notable for its bold illustrated plates – the most famous of which is Hollar's "<em>The Dance of Death Procession</em>" originally engraved for a 1658 history of St. Paul's Cathedral. </p><p>Item number: #28422</p><p>Price: $950</p><p>HOLBEIN Hans</p><p><strong><em>The dance of death; from the original designs of Hans Holbein. Illustrated with thirty-three plates engraved by W. Hollar. With descriptions in English and French.</em></strong></p><p>London: printed by Whittingham for John Harding 1804. First edition.</p><p><u>Details</u>: </p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages </p><p><!-- if !supportLists-->o <!--endif-->70 2</p><p><!-- if !supportLists-->o <!--endif-->32 engravings</p><p><!-- if !supportLists-->· <!--endif-->Language: English</p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight & secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~8in X 5.25in 20cm x 13cm</p><p><!-- if !supportLists-->· <!--endif-->Very rare and desirable with auction records and price comparisons as high as $2500</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p><u>Photos available upon request. </u></p> Whittingham, for John Harding hardcover
19745071DB1974. 2 Bände in Halblederbox. Boston The Godine Press 1974. 8°. Text mit lose beigelegten Tafeln. unknown
1971Q-0486228045Dover Publications 1971-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
27926Hardback. Scott-Thaw New York. 1903. Limited edition numbered 111 of 750. Black and White illustrations. Small edition. 16mo around 16cm tall. Vellum-like spine. Very Good. hardcover
1163410381.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1892009137London: George Bell and Sons 1892. Book. Very Good. Hardcover. Limited Edition. Imperial 16mo. One of 500 copies there were also 100 copies printed on Japanese vellum. Finely bound by Bayntun of Bath in half calf over brown buckram marbled end papers top edge gilt. Very Good lacking the labels calf rubbed at edges. With facsimile reproduction of title-page of original edition. Appended are 8 supplementary cuts added to later editions. Accompanying each cut is a related passage of Scripture in Latin with a quatrain giving its equivalent rendering in French probably by Gilles Corrozet. Copies of 41 woodcuts supposed to have been executed from Holbein's designs by Hans Lu¨tzelburger and originally published Lyons 1538. 2 preliminary leaves 18 pages 3 leaves : xlix plates illustrations facsimile. OCLC Number: 2813639. Uncommon in current commerce. George Bell and Sons Hardcover
1947BOOKS072972ILondon: Phaidon Press Ltd 1947. HC. good tan cloth hardcover NO DUSTJACKET. B&W illustrations. Contains reproductions of all the wood-cuts and enlargements of eight of them together with a very informative introduction and notes. NOTE - NO DUSTJACKET. 127pp. Phaidon Press Ltd unknown
3734027578.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1017741689.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1354666607.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0548102708.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1014617707.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
