44 résultats
17813811781. Fine. Folio by J. H. Lips copper engraving after Holbein on fine chain-linked paper; from Lavater Physiognomie first French edition. unknown
173110184A Amsterdam, chez François l'Honoré, 1731. In-12 de [20]-234-[18] pages, plein veau moucheté, dos (ou ce qu'il en reste) à 5 nerfs, filets et fleurons dorés, tranches rouges. Bords et coins frottés, 4 caissons du dos manquant, celui de queue à 2 doigts de partir. Rares rousseurs.
179358211IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1793. Handsome engraving of the nobleman in the court of Henry VIII. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Stipple engraving. Very good condition. Printed colour. Size: 25.5 x 33 cm. 10 x 13 inches unknown
179254842IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1792. Conrad Martin Metz was an eminent engraver in the chalk manner and aquatint. He received his education in art under the celebrated Bartolozzi. Bartolozzi the main engraver of this collection developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Metz also specialized in imitations and facsimiles of old masters such as Hans Holbein. Engraved by METZ C. Stipple engraving. Good condition despite some very slight scratching at top. Printed colour. Size: 23 x 26.5 cm. 9 x 10½ inches unknown
179558204IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the courts of Edward VI and Elizabeth I. Stipple engraving. Very good condition. Printed colour. Size: 17.5 x 24 cm. 7 x 9½ inches unknown
172897391728 Amsterdam, L'Honoeé, 1728; in-8°, plein veau marbré brun de l'époque, dos à nerfs, caissons de double filet dorés,ornés de fleurons dorés, titre doré sur étiquette brune, tranches rouges; (12)ff., 234pp.,(7)ff. Exemplaire comportant 1 frontispice rassemblant les 3 portraits en médaillons d'Erasme, Thomas More et Holbein, 75 figures dans le texte, 1 figure dépliante ( sur 6).
178019667Bâle, Guillaume Hass, 1780. 14 feuillets volants, non rognés, jamais reliés.
179558205IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman who featured in the courts of Henry VIII and Elizabeth I. Stipple engraving. Fine condition. Printed colour. Size: 30 x 41 cm. 10½ x 14 inches unknown
174564270Amsterdam: Francois L'Honoré 1745. Nouvelle édition." 12mo 15.5cm. Disbound now in later cream paper wrappers titled in gilt on spine all edges stained red; xxiv34020pp; with 5 folding plates lacking the sixth numerous in-text woodcuts and an engraved portrait of Erasmus cut out and laid down on title page verso. Title page printed in two colors. Occasional minor chips to leaf edges closely trimmed and lacking one plate but otherwise pleasing: Good only. <br /> <br /> Erasmus's famous lampoon of religion tradition and superstition also known as Moriae Encomium or In Praise of Folly was published in 1511 and quickly became popular. An edition with illustrations by Hans Holbein the Younger was published in 1515-16; the illustrations in this edition are based on Holbein's work. This edition is a French translation by Nicolas Gueudeville 1652-1721 likely bearing a false imprint. 64270. Francois L'Honoré unknown
17800350RfBasle, Thurneysen, 1780. mit zahlreichen Holzschnitten im Text und auf Tafeln, XVI, 392 S., marmorierter Pappband der Zeit mit Rückenvergoldung und rotem goldgeprägtem Rückentitelschildchen, dreiseitiger Rotschnitt. Zustand -2, Rückenkopf bestoßen mit kleinen Verlusten am Leder, Vorsatz beschabt, Reste eines abgeschabten Etiketts, ohne das Frontispiz gebunden.
1781250521781 A Genève [Lyon], 1781, 2 volumes in-18, maroquin cerise, dos lisse orné, triple filets dorés sur les plats, tranches dorées, filet doré sur les coupes, dentelle intérieure, T. I et II 252 pages et 243 pages.
179555796London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of the gentleman. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555794London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of the count of Laval. Engraved by BARTOLOZZI Francesco. Size: 280 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
179569847London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555797London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555793London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555795London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of Francis II. Engraved by BARTOLOZZI Francesco. Size: 270 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
179654824IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1796. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the court of Queen Elizabeth I. Engraved by BARTOLOZZI Francesco. Stipple engraving. Very good condition. Printed colour. Size: 21.5 x 28 cm. 8½ x 11 inches unknown
1777008900Roi Neuchâtel Switzerland: chez Samuel Fauche Libraire du Roi Neuchâtel 1777. First Edition Thus. Half Leather. Very Good /No Dj. engraved plates. Lacking title page but clearly the edition of 1777 of Chez Samuel Fauche Libraire du Roi Neuchâtel with the double frontispiece featuring the portraits of Erasmus Thomas Moore and Holbein. 8vo. rebound in navy half leather over light blue cloth c. early 20th century no title page double engraved frontispieces plus 6 engraved foldout plates 73 half page plates in text and 3 engraved vignettes. Frontis 2 advertissement nouvelle edition 2 translators preface 6 author's preface 6 234 tables 14 and gilt titles and decorations on rasied spine. Small scuff to light blue cloth at front cover a few small stains rear cover. Corners gently bumped and very modestly worn. Binding tight and firm. Text and and plates slightly toned but remarkably unfoxed better than very good condition. chez Samuel Fauche Libraire du Roi Neuchâtel unknown
1777008900Roi Neuchâtel Switzerland: chez Samuel Fauche Libraire du Roi Neuchâtel 1777. First Edition Thus. Half Leather. Very Good /No Dj. engraved plates. Lacking title page but clearly the edition of 1777 of Chez Samuel Fauche Libraire du Roi Neuchâtel with the double frontispiece featuring the portraits of Erasmus Thomas Moore and Holbein. 8vo. rebound in navy half leather over light blue cloth c. early 20th century no title page double engraved frontispieces plus 6 engraved foldout plates 73 half page plates in text and 3 engraved vignettes. Frontis 2 advertissement nouvelle edition 2 translators preface 6 author's preface 6 234 tables 14 and gilt titles and decorations on rasied spine. Small scuff to light blue cloth at front cover a few small stains rear cover. Corners gently bumped and very modestly worn. Binding tight and firm. Text and and plates slightly toned but remarkably unfoxed better than very good condition. chez Samuel Fauche Libraire du Roi Neuchâtel unknown books
179554825IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the court of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 23 x 33 cm. 9 x 13 inches unknown
179354841IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1793. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman who was a favourite of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Very good condition. Printed colour. Size: 26 x 35.5 cm. 10 x 14 inches unknown
179553462IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 22.5 x 33 cm. 9 x 13 inches. unknown
17955844BB1795. Basel verl. von Heckel gedr. von W. Haas 1795. Folio. Mit 1 gest. Titel 10 Kupferfafeln Portraits von Bartholomäus Hübner 1727-1795 1 gef. Aquatintatafel von Chr. de Mechel u. 1 doppelblattgr. Kupfertafel nach Hans Holbein 1497-1543. Pappband der Zeit lichtrandig Rücken am Fuss mit Fehlstelle. Thieme/Becker 17/18 355 sowie 18 44 für Hübner. - 3. Band des 4-teiligen Werkes über das Oeuvre von Hans Holbein in späterer Auflage. Es erschien erstmals 1780/92 unter dem franz. Originaltitel "Oeuvre de Jean Holbein ou Recueil de gravures d'après les plus beaux ouvrages de ce fameux peintre / publ. par Chrétien de Mechel". Unbeschnittenes Exemplar. Die Portraits zeigen u.a. Holbeins Familie Jakob Meier Anna Scheckenpürlin Bonifazius Amerbach u. Johannes Frobenius. - Vollständigkeit der Tafeln durch uns nicht nachweisbar. - Titelseite mit Fingerfleck. Stellenweise stockfleckig. unknown
1795541DB1795. Basel verl. von Heckel gedr. von W. Haas 1795. Folio. 9 Kupferfafeln Portraits von Bartholomäus Hübner 1727-1795 und 1 doppelblattgr. Aquatintatafel nach Gemälden von Hans Holbein 1497-1543. Pappband der Zeit berieben und Rücken mit neuem laienhaftem Leinenüberzug. Thieme/Becker 17/18 355 sowie Thieme-Becker 18 44 für Hübner. - 3. Band des 4-teiligen Werkes über das Oeuvre von Hans Holbein in späterer Auflage. Es erschien erstmals 1780/92 unter dem franz. Originaltitel "Oeuvre de Jean Holbein ou Recueil de gravures d'après les plus beaux ouvrages de ce fameux peintre / publ. par Chrétien de Mechel". Die Portraits zeigen u.a. Holbeins Familie Jakob Meier Anna Scheckenpürlin Bonifazius Amerbach Johannes Frobenius u. Thomas Morus. - Vollständigkeit der Tafeln durch uns nicht nachweisbar. Es fehlt das Titelblatt. Vorderes Innengelenk gebrochen. Durchgehend nur wenig stockfleckig. unknown
