46 résultats
17800350RfBasle, Thurneysen, 1780. mit zahlreichen Holzschnitten im Text und auf Tafeln, XVI, 392 S., marmorierter Pappband der Zeit mit Rückenvergoldung und rotem goldgeprägtem Rückentitelschildchen, dreiseitiger Rotschnitt. Zustand -2, Rückenkopf bestoßen mit kleinen Verlusten am Leder, Vorsatz beschabt, Reste eines abgeschabten Etiketts, ohne das Frontispiz gebunden.
179553462IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 22.5 x 33 cm. 9 x 13 inches. unknown
1781250521781 A Genève [Lyon], 1781, 2 volumes in-18, maroquin cerise, dos lisse orné, triple filets dorés sur les plats, tranches dorées, filet doré sur les coupes, dentelle intérieure, T. I et II 252 pages et 243 pages.
179558204IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the courts of Edward VI and Elizabeth I. Stipple engraving. Very good condition. Printed colour. Size: 17.5 x 24 cm. 7 x 9½ inches unknown
17813811781. Fine. Folio by J. H. Lips copper engraving after Holbein on fine chain-linked paper; from Lavater Physiognomie first French edition. unknown
179354841IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1793. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman who was a favourite of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Very good condition. Printed colour. Size: 26 x 35.5 cm. 10 x 14 inches unknown
1795910364CGJohn Chamberlaine, 1795. Farbig gedruckter Punktierstich, Bild 37 x 29,5 cm, Blattgröße 51 x 38,5 cm. [2 Warenabbildungen]
179555774London: Imitations Of Original Drawings By Hans Holbein In The Collection Of His Majesty For The Portraits Of Illustrious Persons Of The Court Of Henry VIII. With Biographical Tracts by John Chamberlaine. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of Lady Barkley although the portrait was mislabelled in the eighteenth century: it is in fact a portrait of Elizabeth Dauncey b. 1506 daughter of Sir Thomas More. Size: 285 x 420 mm. Stipple engraving. Printed colour. Fine condition. unknown
179554825IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Accompanied by a biographical tract giving a brief history of this nobleman in the court of Henry VIII. Engraved by BARTOLOZZI Francesco. Stipple engraving. Fine condition. Printed colour. Size: 23 x 33 cm. 9 x 13 inches unknown
17955844BB1795. Basel verl. von Heckel gedr. von W. Haas 1795. Folio. Mit 1 gest. Titel 10 Kupferfafeln Portraits von Bartholomäus Hübner 1727-1795 1 gef. Aquatintatafel von Chr. de Mechel u. 1 doppelblattgr. Kupfertafel nach Hans Holbein 1497-1543. Pappband der Zeit lichtrandig Rücken am Fuss mit Fehlstelle. Thieme/Becker 17/18 355 sowie 18 44 für Hübner. - 3. Band des 4-teiligen Werkes über das Oeuvre von Hans Holbein in späterer Auflage. Es erschien erstmals 1780/92 unter dem franz. Originaltitel "Oeuvre de Jean Holbein ou Recueil de gravures d'après les plus beaux ouvrages de ce fameux peintre / publ. par Chrétien de Mechel". Unbeschnittenes Exemplar. Die Portraits zeigen u.a. Holbeins Familie Jakob Meier Anna Scheckenpürlin Bonifazius Amerbach u. Johannes Frobenius. - Vollständigkeit der Tafeln durch uns nicht nachweisbar. - Titelseite mit Fingerfleck. Stellenweise stockfleckig. unknown
1795541DB1795. Basel verl. von Heckel gedr. von W. Haas 1795. Folio. 9 Kupferfafeln Portraits von Bartholomäus Hübner 1727-1795 und 1 doppelblattgr. Aquatintatafel nach Gemälden von Hans Holbein 1497-1543. Pappband der Zeit berieben und Rücken mit neuem laienhaftem Leinenüberzug. Thieme/Becker 17/18 355 sowie Thieme-Becker 18 44 für Hübner. - 3. Band des 4-teiligen Werkes über das Oeuvre von Hans Holbein in späterer Auflage. Es erschien erstmals 1780/92 unter dem franz. Originaltitel "Oeuvre de Jean Holbein ou Recueil de gravures d'après les plus beaux ouvrages de ce fameux peintre / publ. par Chrétien de Mechel". Die Portraits zeigen u.a. Holbeins Familie Jakob Meier Anna Scheckenpürlin Bonifazius Amerbach Johannes Frobenius u. Thomas Morus. - Vollständigkeit der Tafeln durch uns nicht nachweisbar. Es fehlt das Titelblatt. Vorderes Innengelenk gebrochen. Durchgehend nur wenig stockfleckig. unknown
1798P4402London: John Chamberlaine c.1798. Very Good. Notes: A pair of rare Stipple Engravings based on the self portrait of the famous Dutch painter Hans Holbein and of his wife during the late 18th century. <br>Hans Holbein the Younger c. 1497 – 1543 was a German and Swiss artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art satire and Reformation propaganda and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder an accomplished painter of the Late Gothic school. Image Size : 512x392 mm 20.16x15.43 Inches Platemark Size : Paper Size : 540x403 mm 21.26x15.87 Inches Coloring: Printed in Color Medium: Stipple Engraving Categories: Portraits Others; John Chamberlaine unknown
179254842IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1792. Conrad Martin Metz was an eminent engraver in the chalk manner and aquatint. He received his education in art under the celebrated Bartolozzi. Bartolozzi the main engraver of this collection developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Metz also specialized in imitations and facsimiles of old masters such as Hans Holbein. Engraved by METZ C. Stipple engraving. Good condition despite some very slight scratching at top. Printed colour. Size: 23 x 26.5 cm. 9 x 10½ inches unknown
178072088Chez Guillaume Haas | Basle 1780-1794 | 31 x 40 cm | 4 parties reliées en un volume
178072088Basle Basel: Chez Guillaume Haas 1780. Fine. Chez Guillaume Haas Basle Basel 1780-1794 31 x 40 cm 4 parties reliées en un volume First edition of these four suites of engravings uncut proofs etched and aquatint in sepia entitled ""The Triumph of Death"" 12 plates containing 4 views each as well as 2 full-page ""The Passion of Our Lord"" frontispiece and 12 plates ""Costumes of men and women of the sixteenth century"" frontispiece and 15 plates including 2 on double page and ""Portraits"" 10 plates. Modern Bradel binding in full pebbled paper smooth spine decorated with a red morocco label. Armorial bookplate of the Taets van Amerongen library remounted on the front pastedown. The first part is preceded by twelve pages of explanation of the plates the other three contain none like the other copies we have been able to consult. The engravings of great delicacy are the work of Chrétien de Méchel after drawings by the German Renaissance master Hans Holbein. Chez Guillaume Haas unknown
17805688Part One: The Dance of Death including 49 engravings on 14 plates of which the final two are folio: "Triumphus divitiarum" & "Triumphus paupertatis" Part Two: The Passion of Christ comprising 13 folio plates including engraved title. Hinges professionally reinforced; chip to head of spine peripheral foxing and thumbing. Chretian de Mechal hardcover
178077640Basle:: Chez Guillaume Haas 1780. First edition. old quarter leather and pebbled boards. Small old ink signature and gilt armorial small bookplate; text leaves foxed; some very slight occasional marginal foxing to the plates which generally are clean unworn and very attractive. Edges of binding worn; scuffs to binding; tight and sound. Folio. 61 engraved plates two double-page. Chez Guillaume Haas, hardcover
179555793London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555797London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
178055847Basel, Johann Jakob Thurneysen, 1780. 8°. Mit 83 Textholzschnitten nach Holbein. 14 Bll., 396 S., 1 weißes Bl., Etw. späterer HLwd.-Bd. m. goldgepr. Rückentitel.
178033441780 In8 Reliure en plein chagrin noir, 4 faux nerfs, titre frappé d'or, (1) titre, (1) faux titre, Chrétien de Méchel, graveur de « S.A.S Monseigneur l’electeur Palatin » a entrepris ce travail en 1780, date de la destruction du cimetière des innocents à Paris où se trouvait la grande danse des morts, peinte par les frères Limbourg. Gravant d’après les dessins originaux de Hans Holbein, il regroupa ses cuivres dans une édition in Folio en douze planches contenant chacune quatre gravures. Cette édition publiée à Bale à compte d’auteur eut un tirage très restreint. L’imprimeur Simon Rançon, eu l’idée en 1854 de remettre en vente ces gravures originales sous forme d’un In 8 composé des tirages originaux massicotés en quatre parties et montés sur onglets. Cette édition est d’une grande rareté.
178019667Bâle, Guillaume Hass, 1780. 14 feuillets volants, non rognés, jamais reliés.
172845761728 Amsterdam, François l'Honoré, 1728, 11.5x17. Reliure sobre en pleine basane d'époque. Dos à 4 nerfs. Page de titre en rouge et noir. Illustré d'un frontispice, d'un portrait et de 79 gravures dont 6 dépliantes. Privilège en flamand, avertissement, préface, texte et tables en français. Les gravures sont suberbes. Reliure simple mais solide. Envoi de photographies sur demande.
1728126307Amsterdam François L'Honoré 1728 1 vol. relié in-12, plein veau raciné, dos à nerfs orné d'une pièce de titre de cuir rouge, caissons, fleurons et guirlandes dorés, tranches rouges, 15 ff. + 340 pp. + 10 ff. (table). Jolie édition illustrée de gravures d'après Holbein, soit un frontispice allégorique, une vignette de titre, une planche de portraits, 74 amusantes figures et 6 planches dépliantes. Reliure de l'époque frottée avec petits manques de cuir aux coiffes.
1728126307Amsterdam François L'Honoré 1728 1 vol. relié in-12, plein veau raciné, dos à nerfs orné d'une pièce de titre de cuir rouge, caissons, fleurons et guirlandes dorés, tranches rouges, 15 ff. + 340 pp. + 10 ff. (table). Jolie édition illustrée de gravures d'après Holbein, soit un frontispice allégorique, une vignette de titre, une planche de portraits, 74 amusantes figures et 6 planches dépliantes. Reliure de l'époque frottée avec petits manques de cuir aux coiffes.