(HOLBEIN). FOISTER, SusanBiblio.com
373 résultats
200446421New Haven & London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press 2004. First edition. 4to. xii 308 pp. Publisher's aubergine cloth gilt lettered to the spine dust jacket. Numerous illustrations many in colour. Mild bumping to the jacket edges very good. New Haven & London: Published for the Paul Mellon Centre for Studies in British Art by Yale University Press unknown
182844152London: William Bulmer and Co. Shakespeare Printing-Office 1828. Second edition. With 84 hand-colored stipple engravings after drawings by Hans Holbein in the Royal collections with tissue guards. Printed on pink or white paper. Unpaginated. 1 vols. Folio 14 x 10 inches. Contemporary 3/4 red morocco panelled spine elaborately gilt with brown morocco lettering-piece a.e.g. original spine neatly laid down. Second edition. With 84 hand-colored stipple engravings after drawings by Hans Holbein in the Royal collections with tissue guards. Printed on pink or white paper. Unpaginated. 1 vols. Folio 14 x 10 inches. A handsome collection of portraits many printed on toned paper with letterpress commentaries on the subjects' lives. In addition to the 80 portraits called for in the printed "List of Plates" there should also be 4 plates which that list omits: the portrait of Holbein himself that of his wife and the portraits of Henry and Charles sons of Charles Brandon Duke of Suffolk. William Bulmer and Co., Shakespeare Printing-Office unknown
183014624London: William Pickering 1830 Contemporary straight-grained brown morocco over marbled boards. . Octavo. Woodcut printer's device on title and colophon. Illustrations engraved by John and Mary Byfield. Extremites a bit rubbed extremities of spine darkened. A very good copy. William Pickering, hardcover
174564270Amsterdam: Francois L'Honoré 1745. Nouvelle édition." 12mo 15.5cm. Disbound now in later cream paper wrappers titled in gilt on spine all edges stained red; xxiv34020pp; with 5 folding plates lacking the sixth numerous in-text woodcuts and an engraved portrait of Erasmus cut out and laid down on title page verso. Title page printed in two colors. Occasional minor chips to leaf edges closely trimmed and lacking one plate but otherwise pleasing: Good only. <br /> <br /> Erasmus's famous lampoon of religion tradition and superstition also known as Moriae Encomium or In Praise of Folly was published in 1511 and quickly became popular. An edition with illustrations by Hans Holbein the Younger was published in 1515-16; the illustrations in this edition are based on Holbein's work. This edition is a French translation by Nicolas Gueudeville 1652-1721 likely bearing a false imprint. 64270. Francois L'Honoré unknown
1977D15624London: Johnson Reprint Company Ltd 1977. Limited Edition. Hardcover. Very Good. Orig. full cloth portfolio. 8 pp. of text in-4to. and 8 facsimile plates in colour. Portfolio boards slightly bowed and with some light soiling in spots. Institutional bookplate fixed to inside of portfolio. Plates are bright and clean in fine condition and suitable for framing. <br/><br/> Johnson Reprint Company Ltd hardcover
181234168London: Published by John Chamberlaine the Keeper of the King's Drawings and Medals. Printed by William Bulmer and Co. Shakespeare Printing Office 1812. 2 volumes. First Edition of the century First Issue the second edition overall. A RARE EXAMPLE WITH THE PLATES BOTH IN COLOURED AND UNCOLOURED STATE THUS WITH DOUBLE THE NUMBER OF PLATES NORMALLY ENCOUNTERED. With 84 hand-coloured plates and 84 plates uncoloured all separately printed on India paper and tipped onto full-page leaves each facing the other the plates with protective leaf separating the two each image with two variations mezzotint portraits of Holbein and his wife a total of 168 illustrations on full-page plates four plates dated from the first printing in 1792 the other 164 dated 1812 as with the publishing date. The plates are printed on a variety of papers slightly different from one another--grey buff white lavender and pink. Folio 34.5 x 2 beautifully bound in full red morocco gilt extra the spines with gilt tooled raised bands separating the compartments which are elaborately gilt decorated within triple gilt filleted frames gilt stippling to the borders of the frames lettered in gilt in one compartment the covers beautifully gilt decorated in all-over designs the borders with gilt stippled lines enclosing three gilt filleted borders surrounding an elaborate gilt inner border of floral tooling bordered again by a stippled and multi-filleted gilt frame the whole surrounding elaborate and large gilt tooled decorations at the inner corners and along the rules the edges gilt ruled the turnovers gilt rolled marbled endleaves all edges gilt very elaborate and beautifully preserved binding work. unpaginated. Fine copies beautifully preserved very light wear or age evidence to the bindings which remain strong the pages and plates all in good order some very occasional light foxing to the papers as is typical the colours remain vibrant and as printed the giltwork on the bindings is in very pleasing condition a very handsome set indeed. FIRST EDITION AND AN UNUSUALLY SPECIAL COPY BOUND IN FULL RED MOROCCO GILT EXTRA WITH THE PLATES PRINTED ON INDIA PAPER IN BOTH COLOURS AND BLACK AND WHITE A COPY WITH DOUBLE THE NUMBER OF PLATES USUALLY ENCOUNTERED. Hans Holbein the Younger; c. 1497 – between 7 October and 29 November 1543 was a German-Swiss painter and printmaker who worked in a Northern Renaissance style and is considered one of the greatest portraitists of the 16th century. He also produced religious art satire and Reformation propaganda and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder an accomplished painter of the Late Gothic school.<br> Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first he painted murals and religious works and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam.<br> Holbein travelled to England in 1526 in search of work with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More where he quickly built a high reputation. He returned to Basel for four years then resumed his career in England in 1532 under the patronage of Anne Boleyn and Thomas Cromwell. By 1535 he was King's Painter to Henry VIII. In this role he produced portraits and festive decorations as well as designs for jewellery plate and other precious objects. His portraits of the royal family and nobles are a record of the court in the years when Henry was asserting his supremacy over the Church of England.<br> Holbein's art has sometimes been called realist since he drew and painted with a rare precision. His portraits were renowned in their time for their likeness and it is through his eyes that many famous figures of his day are pictured today such as Erasmus and More. He was never content with outward appearance however; he embedded layers of symbolism allusion and paradox in his art to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse his portraiture "remains unsurpassed for sureness and economy of statement penetration into character and a combined richness and purity of style."<br> For Holbein "everything began with a drawing". A gifted draughtsman he was heir to a German tradition of line drawing and precise preparatory design. Holbein's chalk and ink portraits demonstrate his mastery of outline. He always made preparatory portraits of his sitters though many drawings survive for which no painted version is known suggesting that some were drawn for their own sake.<br> Ellis Waterhouse wrote that "modern" painting in England may be said to have begun with Holbein. That later artists were aware of his work is evident in their own sometimes explicitly. Hans Eworth for example painted two full-length copies in the 1560s of Holbein's Henry VIII derived from the Whitehall pattern and included a Holbein in the background of his Mary Neville Lady Dacre. The influence of Holbein's "monumentality and attention to texture" has been detected in Eworths' work. According to art historian Erna Auerbach: "Holbein's influence on the style of English portraiture was undoubtedly immense. Thanks to his genius a portrait type was created which both served the requirements of the sitter and raised portraiture in England to a European level. It became the prototype of the English Court portrait of the Renaissance period".<br> Holbein worked for Thomas Cromwell as he masterminded Henry VIII's reformation. Cromwell commissioned Holbein to produce reformist and royalist images including anti-clerical woodcuts and the title page to Myles Coverdale's English translation of the Bible. Henry VIII had embarked on a grandiose programme of artistic patronage. His efforts to glorify his new status as Supreme Head of the Church culminated in the building of Nonsuch Palace which started in 1538. By 1536 Holbein was employed as the King's Painter on an annual salary of 30 pounds—though he was never the highest-paid artist on the royal payroll. see C. Müller et al.<br> This striving for perfection is very evident in his portrait drawings where he searches with his brush for just the right line for the sitter's profile. The critical faculty in making this choice and his perception of its potency in communicating decisively the sitter's character is a true measure of Holbein's supreme greatness as a portrait painter. Nobody has ever surpassed the revealing profile and stance in his portraits: through their telling use Holbein still conveys across the centuries the character and likeness of his sitters with unrivalled mastery. see J. Rowlands Hans Holbein the Younger 1985 Published by John Chamberlaine, the Keeper of the King's Drawings and Medals. Printed by William Bulmer and Co., Shakespeare Pri hardcover
114481London Printed by William Bulmer and Co/ Shakespeare Printing-Office 1812. 4to 338x265 mm. 71 ll. 84 engr. colour plates several printed on pink paper. One plate with stain. Contemporary red half calf spine gilt with raised bands embossed red cloth boards spine and corners a bit worn. Abbey Life in England 205 note for this second edition. Second edition complete with all 84 finely colour printed portraits after Holbein including the two full page portraits of Hans Holbein and his wife and the two finely coloured miniatures. It was first published in 1792-1800 in folio. The plates are re-engraved to this new edition in a lesser size and by several new engravers. The biographical notices were provided by Edmund Lodge 1756-1839. â€The original Holbein drawings upon which these prints are based were nearly lost and were hardly seen for centuries until their rediscovery by none other than Queen Caroline of England. Upon being liberated from a bureau of the queen's personal closet at Kensington Palace colour printed 'imitations' of the drawings were subsequently published under the auspices of John Chamberlaine 1745-1812 Keeper of the drawings of George III.†hardcover
17813811781. Fine. Folio by J. H. Lips copper engraving after Holbein on fine chain-linked paper; from Lavater Physiognomie first French edition. unknown
35893635-nnew. unknown
35893635like new. unknown
ria9783111091761_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
68008°: pi 2 A-G 8 G8 chi 2 gepag.: 4 115 1 pp. Papieren omslag met rolverdeling in handschrift: L.H. J. en R. Dijkhuis; A. en J.K. de Cock; G. Veltman M. en A. Woldringh S. Havinga G. Zijlema H. Dijk en L. Kamer. Lit.: Van Aken II p.33; CBMNL 2425 unknown
67988°: A-G 8 H 4 H4 chi gepag.: 120 2 pp. Papieren omslag laatste bladzijden van de tweede druk uit 1836 zijn voorin bijgebonden verder aantekeningen en schrappingen in de tekst. Lit.: Van Aken II p.33; CBMNL 2424; Saalmink I p.867Special edition with manuscript notes. Inscription of former owner Gustave Roelofs. Stamp on titlepage dated 1888. unknown
130580Shellbrook SK: Wild Rose and Area History Book Committee 0-88925-917-8 1990. hardcover xii 819pp. Fine no dust jacket. Book covers the areas: School Districts of Briarlea Crutwell Holbein Nisbet Rozilee and Wild Rose with approximately 90 sections of farmland located on the east side of the R.M. Of Shellbrook #493 6 sections on the west side of the R.M. Of Buckland #491 and approximately 45 sections of the Nisbet Provincial Forest. Wild Rose and Area History Book Committee Hardcover
2003BN257867Petersberg : Imhof 2003. 2003. Hans Holbeins Madonna im Städel : der Bürgermeister sein Maler und seine Familie ; Städelsches Kunstinstitut und Städtische Galerie 29. Februar bis 23. Mai 2004. Katalog: Bodo Brinkmann <br/><br/>Hans Holbeins Madonna im Städel : der Bürgermeister sein Maler und seine Familie ; Städelsches Kunstinstitut und Städtische Galerie 29. Februar bis 23. Mai 2004. Katalog: Bodo Brinkmann Brinkmann Bodo und Hans Holbein Petersberg : Imhof unknown
2003Q-1903470099Paul Holberton Pub 2003-06-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Paul Holberton Pub paperback
178072088Basle Basel: Chez Guillaume Haas 1780. Fine. Chez Guillaume Haas Basle Basel 1780-1794 31 x 40 cm 4 parties reliées en un volume First edition of these four suites of engravings uncut proofs etched and aquatint in sepia entitled ""The Triumph of Death"" 12 plates containing 4 views each as well as 2 full-page ""The Passion of Our Lord"" frontispiece and 12 plates ""Costumes of men and women of the sixteenth century"" frontispiece and 15 plates including 2 on double page and ""Portraits"" 10 plates. Modern Bradel binding in full pebbled paper smooth spine decorated with a red morocco label. Armorial bookplate of the Taets van Amerongen library remounted on the front pastedown. The first part is preceded by twelve pages of explanation of the plates the other three contain none like the other copies we have been able to consult. The engravings of great delicacy are the work of Chrétien de Méchel after drawings by the German Renaissance master Hans Holbein. Chez Guillaume Haas unknown
2024BIBHB0334003162024. Hardcover. New. About The Book: ""General Medical History of Rajputana"" by Colonel Thomas Holbein Hendley is a detailed account of the medical practices health conditions and diseases prevalent in the Rajputana region modern-day Rajasthan India during the British colonial period. Published in the late 19th century Hendley a British medical officer meticulously documented the traditional and contemporary medical practices public health challenges and the impact of British interventions. His work provides valuable insights into the medical history of the region and the intersection of indigenous and colonial health practices. About The Author: Colonel Thomas Holbein Hendley 1847-1917 was a British medical officer and author known for his work in India. He served in Rajasthan documenting its medical history and practices. Hendley also contributed to the preservation of Indian art and culture notably through his involvement in establishing the Jaipur Museum. The Title 'General Medical Historyof Rajputana written/authored/edited by Colonel Thomos Holbein Hendley' published in the year 2024. The ISBN 9789364331661 is assigned to the Hardcover version of this title. This book has total of pp. 210 Pages. The publisher of this title is Gyan Publishing House. This Book is in English. The subject of this book is History. Size of the book is 22.59 x 28.94 cms Vol: hardcover
2003BN206924Tsunami-Comics an Imprint of mg/publishing/ 2003. 2003. Tsunami Graphix 3D <br/><br/>Tsunami Graphix 3D ed.: Christina Holbein Tsunami-Comics an Imprint of mg/publishing/ unknown
1876157480Paris: Librairie des Bibliphiles 1876. Third Edition. No. 476 of 500 copies. Hardcover. Very good . xi 247 p. 22 cm. 83 b&w engravings by Holbein. Bound in half leather with marbled boards and endpapers. Top edge gilt. Light scuffing to spine and a bit of shelf wear. Ink signature on a front endpaper. French text. <br/><br/>Erasmus wrote In Praise of Folly in Latin in 1509. Having formed its outline during his travels in Italy and Germany the author revised and expanded the work during his stay with his friend Sir Thomas More in Bucklersbury England. "Folly" is considered one of the most influential works in Western literature and a catalyst for the Reformation. The work enjoyed great popular success much to Erasmus's astonishment and sometimes his dismay. Even Pope Leo X found it amusing. Librairie des Bibliphiles hardcover
1777008900Roi Neuchâtel Switzerland: chez Samuel Fauche Libraire du Roi Neuchâtel 1777. First Edition Thus. Half Leather. Very Good /No Dj. engraved plates. Lacking title page but clearly the edition of 1777 of Chez Samuel Fauche Libraire du Roi Neuchâtel with the double frontispiece featuring the portraits of Erasmus Thomas Moore and Holbein. 8vo. rebound in navy half leather over light blue cloth c. early 20th century no title page double engraved frontispieces plus 6 engraved foldout plates 73 half page plates in text and 3 engraved vignettes. Frontis 2 advertissement nouvelle edition 2 translators preface 6 author's preface 6 234 tables 14 and gilt titles and decorations on rasied spine. Small scuff to light blue cloth at front cover a few small stains rear cover. Corners gently bumped and very modestly worn. Binding tight and firm. Text and and plates slightly toned but remarkably unfoxed better than very good condition. chez Samuel Fauche Libraire du Roi Neuchâtel unknown
33988München G. Müller 1918. Kl.8° 207 S. u. zahlr. Taf. Priv.-HLdr. m. gold. Rückenpräg. Kapitale etw. berieben vord. Gelenk geplatzt sonst tadell. EA dieser Ausg.: Reprint der Ausgabe bei Georg Decker Berlin 1781. = Die Bücherei der Abtei Thelem 12. Bd. 010 München, G. Müller, 1918 unknown
18761608140010Librarie Des Bibliophiles 1876-01-01. Hardcover. Very Good. Bound in 1/2 moroccan leather over marbled boards. Marbled end pages. Limited edition no. 295 of 550. xi 247 pages : illustrations ; 20 cm. 83 illustrations. Hardcover. Printed on Holland paper. Good binding and cover. Top edge gilt. Minor shelf wear. Clean unmarked pages. Ships daily. Librarie Des Bibliophiles, hardcover
187624975Paris: Librarie Des Bibliophiles 1876. Troisieme edition. Three quarter red morocco over red marbled boards raised bands gilt titles marbled end papers. Very good plus or better copy tight clean just a bit of wear at the extremities. A handsome copy of this somewhat uncommon title. xi 247 pp. Illus. with 83 b/w gravures. Sm. 4to. 20 cm. Number 266 of 500 copies on Holland paper original wrappers sewn in. Book plate of Charles Fairfax Murray the English Pre-Raphaelite Painter 1849-1919 on front pastedown. Librarie Des Bibliophiles hardcover
167649945Basel Genethianis 1676. 8vo. Contemp. full vellum. 2 small nicks to vellum at fronthinge. Engraved title-page and printed title-page. 7033612 pp. The printed titlepage with engraved vignette. 2 full-page engravings portrait of Erasmus by Holbein and Erasmus' Memorial Stone. With 78 textengravings by Hans Holbein engraved by Casper Merian some of which are tipped in and folded some printed in the text. Lacks the 2 portraits of Holbein the Elder and Holbein the Younger. Some leaves in the middle with faint browning in lower part. 2 of the tipped-in engravings with a bit of repair. Printed on good paper. <br/><br/><em>These are the most famous illustrations of The Praise of Folly.First edition of "ThePraise of Folly" with Hans Holbein's illustrations. The work is considered one of the most notable works of the Renaissance and played an important role in the beginnings of the Protestant Reformation. Its role stem from the foundation of critique which the essay laid against the practices of the Church and its political allies.Graesse II:495. - Brunet II:1037. </em> hardcover
