Holbein, HansBiblio.com
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027091448X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
181273585London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
185617837Paris: Edwin Tross. Very Good. 1856. First Edition Thus. Hardcover. Bright clean red cloth binding with gilt decoration & lettering. Text tight & intact: binding solid. Unpaginated. Written in Latin & French. Various scenes illustrating the universality of death no matter one's station in life are engraved in the historiated woodcut borders & letters. Hans Holbein 1497-1543 created his Alphabet of Death at a time when the Latin alphabet did not distinguish between I and J or U and V. The separation into vowels and consonants came after the Renaissance. De Montaiglon's preface notes that Holbein's alphabet has only twenty-four letters. Early owner's bookplate. Toning on endpapers only. Poetry Art; Large 8vo 9" - 10" tall . Edwin Tross hardcover
1016205848.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
8496775372.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ABAA-75TH-VBF-11<p>Lyon Melchior & Gaspar Trechsel 1538.</p><p>Small 4to of 52 leaves signed A-M4.</p><p>Full brown morocco blind-stamped central fleuron decorated ribbed spine gilt inner border gilt edges. <em>Binding signed Trautz-Bauzonnet circa 1865.</em></p><p>177 x 123 mm.</p><p>" <em>Earliest known edition of this remarkable work with its most fascinating designs of exquisite finish </em>" Murray.</p><p>Brunet III 254 ; Brun <em>Le livre français illustré de la Renaissance</em> p. 222 ; Mortimer 284 ; Murray 247 ; Massmann S. 8 ; Minns 213 ; Holbein-Kat. Basel 1960 nr. 418 ; Woltmann92-149 ; Hollstein XIVa 202 99 ; 247 ; Brunschwig 428 ; Baudrier V 175 ; Rothschild I 15.</p><p><em>'Suite of 41 compositions beautifully engraved after Holbein's drawings. The monogram HL on l. 36 on the duchess's bed is by Hans Lützelbürger plate XX'.</em> Brun.</p><p>First edition of Holbein's Dance of Death whose iconographic influence continues to the present day. " <em>Holbein's contribution to the traditional Dance of Death was a sharpening of the humor and satire and a heightening of the drama so that the customary procession of figures becomes instead under his hand a series of fully realized scenes</em> " Mortimer.</p><p>Erste Druckausgabe von Holbeins Basler Totentanz. " Die Folge besteht aus 51 Bildern von denen 41 beim Tode Lützelburgers vor Johannistag 1526 vollendet waren und in der Ausgabe von 1538 erschienen. Melchior Trechsel hatte die Stöcke direkt bei Lützelburger bestellt und am Johannistag 1526 bezogen ; nach Aussage des Vorworts von 1538 getraute man sich nicht die restlichen Stöcke schneiden zu lassen " Holbein-Kat.</p><p>First printed edition of Holbein's Basel Dance of the Dead. 'The suite consists of 51 images 41 of which were completed at Lützelburger's death before Midsummer 1526 and which were published in the 1538 edition.</p><p><strong>Very rare first issue of this remarkable and famous suite of The Dance of the Dead imagined by Holbein and 'which' according to the bibliographers 'must be ranked among the most beautiful books ever published'. </strong></p><p><strong>This very precious dance of the dead comprises 41 prints engraved by Hanz Lützelburger based on drawings by Hans Holbein.</strong></p><p>The monogram <em>H</em> signs the engraving of the Duchess.</p><p><strong>In 1536 the brilliant artist was chosen as one of Henri VIII's painters.</strong></p><p><strong>In 1538 Holbein left for Belgium and then visited Lyon. This trip coincided with the first publication in that city by Gaspar and Melchior Trechsel of</strong> '<em>Simulacres et Historiées faces de la mort'</em>.</p><p>The 41 woodcuts that adorn the volume had been printed in Basel as early as 1530 but had never been brought together in a collection. Holbein's Basel collaborator Hans Lùtzelburger executed here the engravings from his master's drawings see his monogram 'HL' on f. 36. </p><p><strong>The first series of these chilling yet humorous images gives great importance to what was to become one of the most famous illustrated books of the Renaissance. </strong></p><p>Holbein's last known work was a drawing dated 1543 the year in which the great artist was struck down by a plague epidemic.</p><p><strong>The absolutely remarkable iconography bears witness to Holbein's genius in the originality expression and realism of the scenes evoking the different classes of society as well as in the extreme finesse of the drawing.</strong></p><p><em>'The wonderful pictures of his most facinating designs of exquisite finish'</em> were the source of inspiration for many later artists.</p><p>Each of the engravings is laid out under an extract of 3 Latin lines from the Bible and is accompanied by a quatrain in French.</p><p>All classes of society are represented in this masterly production with its fascinating realism.</p><p>The work was so successful that 12 editions were published between 1538 and 1562.</p><p>The quatrains and epistle in French are attributed to Jean de Vauzelles or Gilles Corrozet.</p><p>The widest copy height: 177 mm recorded on the market for several decades.</p><p>Provenance: the copy comes from the famous library of the entrepreneur philanthropist and bibliophile <em>Charles William Dyson Perrins</em> 1864-1958; <em>Sam Josefowitz Pully </em>- then by descent to the present owners. </p><p>FR</p><p>Lyon Melchior & Gaspar Trechsel 1538.</p><p>Petit in-4 de 52 feuillets signés A-M4.</p><p>Plein maroquin brun fleuron central à froid dos à nerfs orné filets or sur les coupes roulette intérieure tranches dorées. <em>Reliure signée de Trautz-Bauzonnet vers 1865.</em></p><p>177 x 123 mm.</p><p>" <em>Earliest known edition of this remarkable work with its most fascinating designs of exquisite finish </em>" Murray.</p><p>Brunet III 254 ; Brun <em>Le livre français illustré de la Renaissance</em> p. 222 ; Mortimer 284 ; Murray 247 ; Massmann S. 8 ; Minns 213 ; Holbein-Kat. Basel 1960 nr. 418 ; Woltmann92-149 ; Hollstein XIVa 202 99 ; 247 ; Brunschwig 428 ; Baudrier V 175 ; Rothschild I 15.</p><p>"<em>Suite de 41 compositions merveilleusement gravées d'après les dessins d'Holbein. Le monogramme HL qui se voit au f. 36 sur le lit de la duchesse est celui de Hans Lützelbürger planche XX</em> ". Brun.</p><p>First edition of Holbein's Dance of Death whose iconographic influence continues to the present day. " <em>Holbein's contribution to the traditional Dance of Death was a sharpening of the humor and satire and a heightening of the drama so that the customary procession of figures becomes instead under his hand a series of fully realized scenes</em> " Mortimer.</p><p>Erste Druckausgabe von Holbeins Basler Totentanz. " Die Folge besteht aus 51 Bildern von denen 41 beim Tode Lützelburgers vor Johannistag 1526 vollendet waren und in der Ausgabe von 1538 erschienen. Melchior Trechsel hatte die Stöcke direkt bei Lützelburger bestellt und am Johannistag 1526 bezogen ; nach Aussage des Vorworts von 1538 getraute man sich nicht die restlichen Stöcke schneiden zu lassen " Holbein-Kat.</p><p>Première édition imprimée de la danse macabre bâloise de Holbein. "La suite se compose de 51 images dont 41 étaient achevées à la mort de Lützelburger avant la Saint-Jean 1526 et qui ont été publiées dans l'édition de 1538….</p><p><strong>Premier tirage de grande rareté de cette remarquable et célèbre suite de la danse des morts imaginée par holbein et " qui doit " selon les bibliographes " être rangée parmi les plus beaux livres qui aient été publiés ". </strong></p><p><strong>Cette très précieuse danse des morts comprend 41 estampes gravées par hanz lützelburger sur les dessins de hans holbein.</strong></p><p>Le monogramme <em>H</em> signe la gravure de la Duchesse.</p><p><strong>en 1536 le génial artiste est choisi comme l'un des peintres de Henri VIII.</strong></p><p><strong>en 1538 Holbein part pour la Belgique puis visite Lyon. Ce voyage coïncida avec la première publication dans cette ville par Gaspar et Melchior Trechsel des</strong> " <em>Simulacres et Historiées faces de la mort</em> ".</p><p>Les 41 bois gravés qui ornent le volume avaient été tirés à Bâle dès 1530 mais n'avaient jamais été réunis en recueil. Le collaborateur bâlois de Holbein Hans Lùtzelburger exécute ici les gravures d'après les dessins de son maître voir son monogramme "HL" au f. 36. </p><p><strong>La première réunion en série de ces images à la fois glaçantes et teintées d'humour confère toute son importance à ce qui allait devenir l'un des livres illustrés les plus célèbres de la Renaissance. </strong></p><p>Le dernier ouvrage connu d'Holbein fut un dessin daté de 1543 année où le grand artiste fut terrassé par une épidémie de peste.</p><p><strong>L'iconographie absolument remarquable témoigne du génie d'Holbein dans l'originalité l'expression et le réalisme des scènes évoquant les différentes classes de la société ainsi que dans la finesse extrême du dessin.</strong></p><p>" <em>The wonderful pictures of its most facinating designs of exquisite finish</em> " furent la source où plusieurs artistes postérieurs puiseront leur inspiration.</p><p>Chacune des gravures est mise en page sous un extrait de 3 lignes latines de la Bible et est accompagnée d'un quatrain en français.</p><p>Toutes les classes de la société sont réunies dans cette mise en scène magistrale au réalisme fascinant.</p><p>L'ouvrage connut d'ailleurs un tel succès que 12 éditions se succédèrent de 1538 à 1562.</p><p>Les quatrains et épître en français sont attribués à Jean de Vauzelles ou Gilles Corrozet.</p><p>Le plus grand exemplaire hauteur : 177 mm répertorié sur le marché depuis plusieurs décennies.</p><p>Provenance : l'exemplaire provient de la célèbre bibliothèque de l'entrepreneur philanthrope et bibliophile <em>Charles William Dyson Perrins</em> 1864-1958 ; <em>Sam Josefowitz Pully</em> – puis par descendance aux propriétaires actuels. </p> hardcover
0353706043.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2926192Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926202Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926212Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926222Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926232Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926249Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926274Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2926291Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1522. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
179555797London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 395 mm. Stipple engraving. Printed colour. Fine condition. unknown
179555793London; IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine. c.1795. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco. Size: 275 x 390 mm. Stipple engraving. Printed colour. Fine condition. unknown
8287171 x 37 cm beschnitten 70 x 32 cm Etwas stockfleckig schönes Exemplar. Lith. von Schmidt aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown
8287375 x 36 cm beschnitten 71 x 32 cm Etwas stockfleckig schönes Exemplar. Gedruckt von S. Leuthe aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown
8287269 x 33 cm am Bildrand beschnitten 67 x 32 cm Etwas stockfleckig schönes Exemplar. Lith. de A. Merian aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown
8287470 x 33 cm am Bildrand beschnitten 69 x 32 cm Kleine Randläsuren schönes Exemplar. Lith. de A. Merian aus der Folge: Auswahl der Werke Hans Holbein des jüngeren. I. Theil. Passionsgeschichte in 8 Abtheilungen. Nagler 10 314 6-13. - Oeri Hans Jakob 1782 Kyburg - Zürich 1868 Sohn des Hans Georg Pfarrers und der Cleophea von Meiss. Ledig. 1800 Lehre beim Landschaftsmaler Johann Kaspar Kuster. Ab 1802 Teilnahme an den lokalen Ausstellungen in Zürich. 1803-07 mit David Sulzer in Paris Arbeit im Atelier von Jacques-Louis David. 1809 mit Jakob Christoph Miville Reise nach Moskau dort Lehrer und Porträtist. 1812 wegen Napoleons Russlandfeldzug Flucht aus Moskau nach Lübeck Verlust zahlreicher Studien. 1819 Rückkehr nach Zürich. Lithograf für den Basler Kunstverlag Birmann & Söhne sowie die Hofkunsthandlung von Johann Velten in Karlsruhe. Später Reisen nach Dresden Frankfurt a.M. und Kassel. O. schuf Porträts grossformatige Lithografien nach Hans Holbein dem Jüngeren Raffael oder Fra Bartolomeo zeichnete und aquarellierte hist. Szenen sowie "Kostüm-Studien aller Jahrhunderte christl. Zeitrechnung". Tapan Bhattacharya HLS 010 unknown
179254842IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. John Chamberlaine London. 1792. Conrad Martin Metz was an eminent engraver in the chalk manner and aquatint. He received his education in art under the celebrated Bartolozzi. Bartolozzi the main engraver of this collection developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Metz also specialized in imitations and facsimiles of old masters such as Hans Holbein. Engraved by METZ C. Stipple engraving. Good condition despite some very slight scratching at top. Printed colour. Size: 23 x 26.5 cm. 9 x 10½ inches unknown
181273601London: John Chamberlaine 1812. Bartolozzi developed his style to imitate the subtleties of renaissance and baroque chalk drawings and became deservedly famous for his stipple engraving. The portraits in this collection show how effective this technique was in reproducing with such incredible fidelity Holbein's original designs. Engraved by BARTOLOZZI Francesco in IMITATIONS OF ORIGINAL DRAWINGS BY HANS HOLBEIN IN THE COLLECTION OF HIS MAJESTY FOR THE PORTRAITS OF ILLUSTRIOUS PERSONS OF THE COURT OF HENRY VIII. WITH BIOGRAPHICAL TRACTS. Stipple engraving. Printed colour. Size: 333 x 250 mm Fine condition. unknown
71-6511London: William Richardson circa 1795. Etching. 17 x 11.5 cm sheet. Very Good sheet trimmed to or within the plate mark light surface soiling. London: William Richardson, [circa 1795]. unknown
1641736Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 16th century 1508. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
