61 résultats
18907155631 octobre 1890 | 11.10 x 17.40 cm | une feuille
1896716601896. Fine. 17 mars 1896 11.40 x 17.70 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret regarding his latest painting ""The Last Supper"" now held in the Musée des Beaux-Arts in Arras. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. "". je pensais à vous en achevant mon tableau. A chaque tentative nouvelle vous êtes venu m'encourager et cette fois j'ai osé entreprendre et dans de grandes dimensions un des plus nobles et des plus touchants sujets : la Cène. C'est vous dire qu'il me serait très agréable avant l'envoi au Champ de Mars de vous le montrer en mon atelier ."" "". I was thinking of you while finishing my painting. With each new attempt you came to encourage me and this time I dared to undertake and in large dimensions one of the noblest and most touching subjects: the Last Supper. This is to say that it would be very pleasant for me before sending it to the Champ de Mars to show it to you in my studio ."" unknown
18967166017 mars 1896 | 11.40 x 17.70 cm | une feuille
1890716621890. Fine. 30 novembre 1890 11.40 x 17.80 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret regarding one of his most famous paintings depicting future soldiers of the Great War entitled ""Les Conscrits"" now held in the collections of the Assemblée nationale in Paris. 2 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. Known for his Breton subjects in realistic style Dagnan-Bouveret painted during 1890 young conscripts drawn by lot to perform their military service. The youngest is depicted draped in the tricolor flag which he brandishes. ""If the painter Dagnan-Bouveret created realistic portraits of these conscripts it is almost certain that these men experienced fire during the First World War"" cf. expositions.bnf "". J'ose à peine vous inviter à venir voir mon nouveau tableau ""les Conscrits"" et pourtant vous avez toujours pris tant d'intérêt à mes efforts que je me ferais des reproches de ne pas vous avoir prévenu. ."" "". I hardly dare invite you to come see my new painting 'the Conscripts' and yet you have always taken such interest in my efforts that I would reproach myself for not having warned you. ."" unknown
18907166230 novembre 1890 | 11.40 x 17.80 cm | une feuille
1901715351901. Fine. 28 octobre 1901 11.30 x 18 cm une feuille rempliée Autograph letter from the painter Pascal Dagnan-Bouveret requesting his correspondent's assistance for a young man from Vesoul. One folded sheet. unknown
19017153528 octobre 1901 | 11.30 x 18 cm | une feuille rempliée
1901716591901. Fine. 23 octobre 1901 9.80 x 15.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret requesting his correspondent's assistance in finding a position for a young clerk. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
19017165923 octobre 1901 | 9.80 x 15.50 cm | une feuille
1890715551890. Fine. 25 mars 1890 11.10 x 17.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter seeks his friend's help for painter André Legrand who was also fond of Breton scenes in his paintings and reproduced through his works the Parisian nightlife of the Belle Époque. One sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
18907155525 mars 1890 | 11.10 x 17.50 cm | une feuille