490 résultats
10869Paris, G. Petit, 1911.In-4 ,broché, Ouvrage illustré de 400 reproductions, dont 11 en héliogravure.
1998PEINTUR740108150422Paris, Editions de la Réunion des musées nationaux, "Solo", 1998, 14 x 21,5, 72 pages cousues sous couverture rempliée illustrée. Illustrations en couleurs.
193011228Paris/New York/Londres : Braun 1930. 290x230mm. 44 planches hors texte reliure toile sous jaquette illustre dÕune reproduction colle. Bel exemplaire. 790 Braun unknown
11228Paris/New York/Londres, Braun 1930, 290x230mm, 44pages, 44 planches hors texte, reliure toile sous jaquette illustrée d’une reproduction collée. Bel exemplaire.
191155342Paris 1911. Folio. Elegant skinnryggbind med opphøyde ryggbånd marmorerte dekler. Bundet med foromslaget. 584 s. Meget rikt illustrert i svart/hvitt.Folio. Elegantly bound in half calf raised bands marbled covers. Bound with the front wrapper. 584 pp. Illustrated throughout in black and white. Fransk. <br/><br/><em>Meget pent eks.Very nice copy. </em> hardcover
1980323745Bern: Benteli Verlag 1980. Volume I 585 3 pp; Volume II 587 3 pp; Volume III 547 3 pp; Vol IV 470 pp; Volume V 547 2 pp. Illustrated with black ands white plates. 5 vols. 4to. Blue rexine. Fine in fine dust jackets. Volume I 585 3 pp; Volume II 587 3 pp; Volume III 547 3 pp; Vol IV 470 pp; Volume V 547 2 pp. Illustrated with black ands white plates. 5 vols. 4to. Benteli Verlag unknown
741024 pp. 8vo 212 x 135 mm. orig. green printed wrappers stitched as issued. Autun: Dejussieu & L. Villedey 1856.<br/> <br/> Scarce critical essay on Ingres’s painting Le Martyre de saint Symphorien which has been housed in the Cathédrale Saint-Lazare d’Autun since 1834. The painting was originally ordered by Roch-Etienne de Vichy the bishop of Autun in 1824. Ingres finally completed it in 1834 and selected it for that year’s Salon where it was received negatively leading to Ingres never again participating in the event. The anonymous author of this critique provides the historical context for the picture and meticulously describes it. Over the years despite Ingres considering this one of his greatest achievements critics have always been derisive.<br/> <br/> Near fine copy of a rare work; some minor foxing. unknown
29649-Metropolitan Museum of Art 1999-. Exhibition catalogue. First paperback edition 1999. 596 pages. Illustrated mainly in colour duotone and black and white.Paperback. Very lightly sunned at the rear cover. Very good indeed. Book is over 3kilos. We are specialists in Artists Monographs Catalogues and Illustrated items. All items are as described and dispatched within 24 hours in a secure package. We are professional booksellers with over 38 years experience you may order with confidence. Other titles by this artist maybe in stock please ask for our list or link. Portraits of Ingres. Images of an Epoch French artist 0870998919 -Metropolitan Museum of Art (1999)- paperback
1829893861829. Fine. ""these two paintings morally bound by their subject can only be exhibited together"" 15 mai 1829 18.5 x 24 cm Deux pages sur une feuillet Autograph letter signed by Jean-Auguste-Dominique Ingres to Charles Paillet with autograph address and title ""Honorary Expert Commissioner of the Royal Museums"" with postal stamps. Usual fold marks. A marginal tear repaired without affecting the text. Ingres provides descriptions and exhibition instructions for his two paintings Aretino and the Ambassador of Charles V and Aretino in the Studio of Tintoretto. Ingres had painted these two works in 1815 and presented them at the 1824 Salon in Parisselecting episodes from the romantic and scandalous life of Aretino: By choosing this subject Ingres affirms the independence of the artist in the face of power. He also reflects the widespread success in the early 19th century of representations of episodes from the lives of past painters and writers illustrated in an anecdotal mode. Musée des Beaux-Arts de Lyon. This letter refers to the reappearance of the paintings in 1829 at an Exhibition in support of the fund for the eradication of begging held at the Lebrun Gallery founded by the late husband of Elizabeth Vigée-Lebrun. The descriptions given by Ingres in this letter would be published in the exhibition catalogue Explication des ouvrages de peinture et sculpture . Coniam 1829 pp. 2021. Ingres sends them here to the respected art dealer Charles Pailletwhile noting his status as an expert to the Louvre on the reverse of the letter. The works are now held in private collections Aretino and the Ambassador of Charles V was recently sold by the Stair Sainty Gallery. Ingres later revisited the subject and painted another version in 1848 now housed at the Musée des Beaux-Arts de Lyon. Fascinating letter revealing that Ingres himself authored the descriptions of his works for the 1829 exhibition. Sir I have the honour of sending you the notices for my two paintings on Pietro Aretino. These two paintings morally connected by their subject must be exhibited togetheralthough a single painting may separate them. I respectfully ask you sir to display them in the aisle opposite that of the Philip V painting. I will bring them myself when I come on the 24th to collect those that are to be withdrawn from the exhibition. I remain sir yours sincerely Ingres Subject of the first painting on Pietro Aretino known as the scourge of princes. Charles V on his return from Africa sent him a gold chain worth 100 ducats to silence him: There said the satirist is a very small gift for such great folly. Subject of the second painting Rivalry turned to jealousy had caused a rift between Tintoretto and Titian. Aretino a close friend of the latter took his side and unleashed his wrath against Tintoretto. One day Tintoretto met him near his home and invited him in under the pretext of painting his portrait. Hardly had the scourge of princes sat down when the painter approached him pistol in hand. Ah Jacopo cried the frightened poet what are you doing Taking your measurements replied Tintoretto gravely. And after measuring him he added in the same tone: You are two and a half of my pistols high and let him go. unknown
dola300Montauban: 1970. Exhibition Catalogue. oblong 8vo. unpaginated. French text. illus. 6 colour. pictorial wrs. small library stamp Montauban: 1970 unknown
1207A. René, éditeur - Lécrivain & Toubon, acquéreurs. Sans date [vers 1840]. In-12, reliure cartonnage bradel (reliure moderne). 176 pages. E.O. Vagues rousseurs ; bon état. Rare.
202205266Geneve, Skira, 1967 ; in-12, 128 pp., cartonnage de l'éditeur. Bon état.
2009LFA-126741844Revue pour la protection du patrimoine historique et esthétique d'Arles (Bouches-du-Rhône) : 40 pages, format 150 x 210 mm, illustrée, brochée, bon état
1970LFA00d86Une revue de 75 pages, format 270 x 210 mm, brochée, illustrée
L16644Jacques Damase éditeur, 1991. In-8 cartonnage éditeur illustré. Coll. " Parade ". Texte d'E. Schlumberger, photos de J. Hoepffner. E.O.
2006LFA-126740120N° 127 (Février 2006) 104 pages, format 215 x 285 mm, illustré, broché couverture couleurs, bon état
20001135BB2000. First Edition. Cologne Konemann 2000. 27.5cm x 33cm. 140 pages with 132 illustrations. Original Hardcover with original dustjacket in protective collector's mylar. Very good condition with only minor signs of wear. Inlcudes for Example: A Neoclassicists Journey into Modernism/ Origins and Development/ Early Participation in the Salon/ Apprentice Years in Rome/ The French in Rome/ In the Service of Art/ Between Portrait and History/ The Turkish Bath as a Bequest/ hardcover
18671801Paris: Imp. Pillet 1867. First edition. In publisher’s half cloth with printed title on front panel. Endpaper and first leaves discolored due to the acidic paper. Notes in ink on front panel by a contemporary neat hand. Prices added by the same hand in ink to each item. In fine condition. First edition. In publisher’s half cloth with printed title on front panel. 3 IV–V 4 10–23 1 p. <p><br /> Scarce catalogue of on of the earliest posthumous sale of Ingres’s works.<br /> <p><p><br /> The sale was held on April 27 1867 and included sixteen works belonging to Ingres’s widow as well as the Odalisque with a Slave owned by Charles Marcotte d’Argenteuil's heirs. All prices indicated in ink by a contemporary hand. <br /> <p>. [Imp. Pillet] unknown
1370428Vézenaz - Genève: Pierre Cailler, 1947 2 volumes in-8, 272, 23 ill.; 201 p., 23 ill., bibliographie. Broché. (Collection "Les grands artistes peintres racontés par eux-même et leurs amis").
34858Genève, P. Cailler (coll. "Les Grands Artistes racontés par eux-mêmes et par leurs amis"), 1947-48. 2 volumes in-8°, 270-199p. Brochés, couvertures illustrées rempliées.
16696Paris, Editions du Dimanche (coll. "Les demi-dieux"), 1949. In-4°, non paginé. Broché.
30486Paris, Editions du Dimanche (coll. "Les demi-dieux"), 1949. In-4°, non paginé. Reliure demi-chagrin havane, dos lisse, titre doré à froid, couverture conservée.
9692P., Albin Michel, 1950, 1 vol. petit in-4 (237 x 188) broché sous couverture illustrée, de 300 pp. Quelques rousseurs en début et fin d'ouvrage.
31442P., Albin Michel, 1950, grand in 8° carré broché, 297 pages ; 112 illustrations hors-texte ; notes bibliographiques et index ; couvertue illustrée (fanée, petits manques au dos).
26640Paris, G. Crès & Cie (coll. "Bibliothèque dionysienne"), 1924. In-8°, IV-252p. Broché.
