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1962128618Zürich: Manesse Verlag, 1962. 143 S. ; 28,5 x 23 cm quer ; Pp. ;
1962122855Zürich: Manesse Verlag, 1962. 143 S. ; 28,5 x 23 cm ; Pp. ;
Un volume di XXXI-359 pagine, brossura editoriale illustrata. Dimensioni: 21x23,5 cm. Minime tracce d'uso, uno strappetto al dorso e una piccola mancanza nell'angolo inferiore destro del piatto anteriore. Qualche sottolineatura a matita nel testo, per il resto ottime condizioni. Numerose illustrazioni in b/n nel testo. Catalogo della mostra, Parigi, Petit Palais, 27 ottobre 1967 - 29 gennaio 1968 in occasione del Centenario della morte di Jean-Dominique Ingres. Avant-propos di Michel Laclotte. Testo in lingua francese.
63-8031Paris: Ministere d'Etat Affaires Culturelles 1967. 8vo. Soft Covers. 359 pp. Very Good some pages well worn to gutters covers rubbed. Plates Some Color. En Francais. Signed by previous owner inside cover.Provenance: Peter Selz Collection.Heavy book may cost extra for shipping. Paris: Ministere d'Etat Affaires Culturelles, 1967. paperback
ill., ril. lino Una monografia che ripercorre l'intera carriera artistica di JeanAuguste-Dominique Ingres (1780-1867), uno dei massimi rappresentanti del neoclassicismo francese. Una introduzione a Ingres e alla sua pittura; fornisce commenti dettagliati sulle sue opere fondamentali e analizza il suo sviluppo artistico nel contesto della turbolenta società francese dal periodo napoleonico fino alla sua morte Esamina gli inizi della sua carriera e il suo apprendistato sotto Jacques-Louis David, i suoi studi a Roma e Firenze e il suo straordinario successo come ritrattista e pittore di soggetti storici.
In-8 p., mz. tela, pp. XX con 64 tavole in bianco e nero fuori testo.
pp. 276 con 112 tav in b/n. Raro vol.
P.Presses universitaires de France, 1956. In-8 broché 387 pp. Nombreuses illustrations en noir et blanc en hors texte.
195525376[S. l.] : [Holbein-Verl.], [ca. 1955]. [61] S.; überw. Ill.; 25 cm Pp.
1986120316Köln: DuMont Verlag, 1986. 303 S. ; 31,5 x 25 cm ; kart. ;
198623537BBKöln, DuMont, 1986. 32 cm. 303 Seiten, illustr. OLwd., mit Schutzumschl. Su leicht berieben und bestossen, Seiten mit wenig Bräunung, ansonsten sauber und ordentlich.
1986153915Köln : DuMont, 1986. 303 S., Ill. kart., broschiert.
19861152969Köln : DuMont, 1986. 303 S. : überwiegend Ill. (z.T. farb.) ; 32 cm, kart.
DADAX3770118502DuMont 0000-00-00. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. DuMont hardcover
4663In a remarkable letter painter and teacher Jean Ingres illustrates how window light shines on the human figure. ".although the daylight comes from the right side of the painting the daylight coming from the left side should not be dismissed. If this is the case all the charm of the brush work will be lost." To clarify the artist sketches a figure as seen from the back with one foot resting on a step. Signed "Ingres. Written in French on one 8vo sheet undated. <br /> <br /> The letter is significant because it reveals the working artist considering the effect of light on a human subject. He draws two lines of light as they might contact the figure. Ingres would occasionally use pen and ink to sketch first ideas but in this instance it would seem that he used the pen to write the letter and illustrated his meaning with the drawing. The text suggests he may have been giving advice to another artist or student rather than sketching a preliminary drawing for his own work. <br /> <br /> Condition: Docketing in upper left corner in red in another hand sunning around margins likely from prior framing slight chipping on right margin and slight soiling at center fold. The illustrated letter measures 5.25 x 8 inches and floats on a dark gray mat overlaid with a white mat framed in black satin finished wood matted and framed in museum quality materials framed in 5/8/inch black satin wood. Frame measures 12.5 x 15.75. unknown
Mm 220x295 Brossura editoriale di pp. 584 con 400 illustrazioni e 14 fotoincisioni (heliogravure). Dorso in tela. Testo in lingua francese. Weighing over 1 Kg. international orders may need extra shipping. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
Die wichtige Monographie über Ingres in einem schönen Exemplar in rotem Leder.
Genève, Pierre cailler, Collection" Les grands Artistes racontés par eux-mêmes et leurs amis", 1947. 2 vol. in-8 brochés, 270-199 pp. non coupées pour la plupart. Illustrations en noir. Bon état.
194779536GenÂve : Pierre Cailler 1947 1948. 195x135mm. 199Êpages brochÂŽ. Tome 1 bon ÂŽtat. Tome 2 trÂs bel exemplaire non coupÂŽ. Exemplaire de chapelle numÂŽrotÂŽ n.¡ CH 11 / 120. 647 Pierre Cailler unknown
1829893861829. Fine. ""these two paintings morally bound by their subject can only be exhibited together"" 15 mai 1829 18.5 x 24 cm Deux pages sur une feuillet Autograph letter signed by Jean-Auguste-Dominique Ingres to Charles Paillet with autograph address and title ""Honorary Expert Commissioner of the Royal Museums"" with postal stamps. Usual fold marks. A marginal tear repaired without affecting the text. Ingres provides descriptions and exhibition instructions for his two paintings Aretino and the Ambassador of Charles V and Aretino in the Studio of Tintoretto. Ingres had painted these two works in 1815 and presented them at the 1824 Salon in Parisselecting episodes from the romantic and scandalous life of Aretino: By choosing this subject Ingres affirms the independence of the artist in the face of power. He also reflects the widespread success in the early 19th century of representations of episodes from the lives of past painters and writers illustrated in an anecdotal mode. Musée des Beaux-Arts de Lyon. This letter refers to the reappearance of the paintings in 1829 at an Exhibition in support of the fund for the eradication of begging held at the Lebrun Gallery founded by the late husband of Elizabeth Vigée-Lebrun. The descriptions given by Ingres in this letter would be published in the exhibition catalogue Explication des ouvrages de peinture et sculpture . Coniam 1829 pp. 2021. Ingres sends them here to the respected art dealer Charles Pailletwhile noting his status as an expert to the Louvre on the reverse of the letter. The works are now held in private collections Aretino and the Ambassador of Charles V was recently sold by the Stair Sainty Gallery. Ingres later revisited the subject and painted another version in 1848 now housed at the Musée des Beaux-Arts de Lyon. Fascinating letter revealing that Ingres himself authored the descriptions of his works for the 1829 exhibition. Sir I have the honour of sending you the notices for my two paintings on Pietro Aretino. These two paintings morally connected by their subject must be exhibited togetheralthough a single painting may separate them. I respectfully ask you sir to display them in the aisle opposite that of the Philip V painting. I will bring them myself when I come on the 24th to collect those that are to be withdrawn from the exhibition. I remain sir yours sincerely Ingres Subject of the first painting on Pietro Aretino known as the scourge of princes. Charles V on his return from Africa sent him a gold chain worth 100 ducats to silence him: There said the satirist is a very small gift for such great folly. Subject of the second painting Rivalry turned to jealousy had caused a rift between Tintoretto and Titian. Aretino a close friend of the latter took his side and unleashed his wrath against Tintoretto. One day Tintoretto met him near his home and invited him in under the pretext of painting his portrait. Hardly had the scourge of princes sat down when the painter approached him pistol in hand. Ah Jacopo cried the frightened poet what are you doing Taking your measurements replied Tintoretto gravely. And after measuring him he added in the same tone: You are two and a half of my pistols high and let him go. unknown
048627621X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196754474Paris France: Reunion Des Musees Nationaux. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - appears unread - Description: xxxii 360 p. Illus. 24 cm. Bibliography: Bibliography: p. 346-352. -- with a bonus offer-- . Reunion Des Musees Nationaux paperback
Radius, Emilio: Ingres Opera Completa. Milan: Rizzoli, 1968. Series: Classici dell'Arte. 128pp with 64 colour plates and c.200 monochrome illustrations in the text. Cloth, 31.5x24.5cms. Text in Italian. Text in Italian
Mm 240x315 Classici dell'Arte Rizzoli. Volume cartonato di pp. 128 con con 64 tavole a colori e numerose illustrazioni in bianco e nero. Apparati critici e filologici a cura di Ettore Camesasca. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
