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lom-SU000105In Russian. Short description: V.V. Kandinsky. The Artist's Text. 25 Reproductions from Paintings 1902-1917. Moscow, 1918. The first publication in the Russian language of the autobiographical essay by the renowned Russian artist of the 20th century and the pioneer of abstractionism, Vasily Kandinsky. This work can be characterized as a 'biography of the soul.' The development and formation of the creative principle, the most vivid impressions of childhood and youth, and a profound understanding of the essence of the Russian people are reflected in this work by the author. The edition includes 25 reproductions of Kandinsky's paintings, integral parts of the narrative. Please feel free to contact us for a detailed description of the copies available. SKUSU000105
1970025477Basel: Editions Beyeler 1970. Cloth. Very Good/Very Good Dust Jacket. Folio - over 12" - 15" tall. 83 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Shows some foxing to end paper. NOTE: Contains two supplements that have the text in English and the second one with the text in French. <br/> <br/> Editions Beyeler hardcover
1995ART149C119GAR1995 / 249 pages. Poche. Editions Gallimard / Folio.
2001R320020392GALLIMARD. 2001. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 249 pages illustrées de nombreux dessins en noir et blanc dans le texte - 1er plat illustré d'un dessin en couleurs.. . . . Classification Dewey : 750-La peinture et les peintres
BAZ5818Attention M-idition est de 2003.
1946CCC-1035189. edition galerie rene drouin 1946, tirage en 700 exemplaire, cet une edition numerote sur velin du marais, 36 pages de texte et nombreuses photos noir/blanc, photo possible
1974ART1141C119GAR1974 / 325 pages. Broché. Editions Hermann.
197480165Paris, 1974, in-8, 325pp, broché, Très bel exemplaire! 325pp
1974RO80211582Hermann. 1974. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 325 pages.. . . . Classification Dewey : 320-Science politique
PICCOLA ENCICLOPEDIA 139
3752341599.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
27806Benteli-Verlag,1959. Format 16x22 cm, broche, 144 pages. Ouvrage en langue allemande.Bon etat.
19732091202133208947Benteli Verlag 1973. Soft Cover. Fine. Number of books: 3 Benteli Verlag paperback
1463Société Internationale d'Art XX Siècle, Paris, 1966. Un volume relié (24,5x31 cm) de 170-11 pp. Reliure cartonnage d'éditeur illustrée par Kandinsky.Ouvrage en très bon état.Deux gravures sur bois de Kandinsky.
1463Société Internationale d'Art XX Siècle, Paris, 1966. Un volume relié (24,5x31 cm) de 170-11 pp. Reliure cartonnage d'éditeur illustrée par Kandinsky.Ouvrage en très bon état.Deux gravures sur bois de Kandinsky.
ria9783752395938_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A hardcover
191262248München Piper & Co 1912. Small 4to. Original illustrated full cloth stating Dritte Auflage - i.e. third issue. Binding brownspotted and with tear to lower capital. Internally a bit of occasional brownspotting. Owner's signature to title-page Fjeltofte. 8 104 pp. 8 plates 3 unnumbered leaves of tables Tabelle I-III advertisement leaf. Illustrated with original woodcuts in the text 10 in all. <br/><br/><em>The scarce first edition first printing of Kandinsky’s landmark theoretical work of art â€A seminal text in the history of modern art†Guggenheim curiously bound in the third issue binding. The first issue is easily distinguishable from the second and third that also appeared in 1912 as they are both expanded and have 124 pp. whereas the first has 104. The present copy has small remains of stitching towards the inner margins so perhaps someone had this first issue printing inserted into the third issue binding which is sturdy as opposed to the wrappers of the first issue. “In Concerning the Spiritual in Art Wassily Kandinsky one of the most famous abstract painters of all time urges the reader to free themselves from art's traditional bonds to material reality. In this radical theoretical work he calls for a spiritual revolution in painting arguing that artists much like musicians should be allowed to express their own inner lives in abstract non-material terms. Investigating form and colour spirituality and tradition Kandinsky explores art's resonance with the soul its purpose and nature and its power to inspire us to stir our emotions and to help us see beyond the limits of our world. A significant contribution to the understanding of non-objectivism in art this book serves as an important landmark in modern art history and is necessary reading for every artist and art-lover.†From the Penguin Classics edition. “In this remarkable book anticipating “the spiritual turning-point†Kandinsky reflects on his understanding of progress in this direction. This is not a process that would happen automatically. It requires a lot of work and implies a great responsibility of both artist and viewer. The task of the artist is to find “the principle of the innermost necessity†that he or she can use through expressive means to achieve the goal “vibration of the human soul.†Using captivating analogies Kandinsky dwells at length on the artistic means: the psychology of color the compositional interrelation of forms etc. However the main goal of an artist still remains to find that very innermost necessity†that is based on the spiritual foundations of the individual. In his or her turn the work of the viewer is to find within him- or herself the purity of perception which at this level does not relate to the beauty of nature. The ideal imitation of nature as the summit point of artistic mastery has remained in the past. The impressions of impressionists the emotions of expressionists the experiments of cubists - all these stages have long been passed and now the task of the viewer is to see the beauty of pure color and pure shape. Kandinsky anticipates the emergence of abstract art as the purest form of influence on the human soul and views the future optimistically foretelling the upcoming emergences of the epoch of great spirituality.†from Sadler’s English translation </em> hardcover
19123732218R. Piper & Co 1912. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item600grams ISBN: R. Piper & Co hardcover
3752395931.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19759989De Donato 1975; 1968; 1976. Very Good. 1975. Softcover. TEXTS IN ITALIAN. 210 & 152pp. plus 4 b&w plate reproductions; Cavaliere Azzurro 335pp.; b&w plates and text illustrations. All 8vo; black wrappers with pictorial white jackets showing light soil the last title with a touch of foxing to foredge . De Donato 1975; 1968; 1976 paperback
2013110321Paris Semiose Editions 2013 1 vol. relié in-8, cartonnage spirale illustré, (84) p., nombreuses photos en noir. Travail de "documentation Céline Duval" autour de l'album de photographies de Vassily Kandinsky, légué par la veuve de celui-ci, Nina, au Centre Pompidou en 1981. Très bon état.
2013110321Paris Semiose Editions 2013 1 vol. relié in-8, cartonnage spirale illustré, (84) p., nombreuses photos en noir. Travail de "documentation Céline Duval" autour de l'album de photographies de Vassily Kandinsky, légué par la veuve de celui-ci, Nina, au Centre Pompidou en 1981. Très bon état.
200329829New York: PaceWildenstein 2003. Hardcover. VG. Grey cloth. 53 pp. Profuse color plates. Contributions by Donald Judd Jean Arp and Wassily Kandinsky. In order to represent accurately and faithfully Alber's own palette 59 separate colors used in the printing of this publication rather than the typical four-color offset method. Published to accompany the exhibition held in New York: PaceWildenstein May 9 to June 14 2003. PaceWildenstein hardcover books
1951100074241Bruxelles et Amsterdam. 19 cm x 26 cm. 1951. Broché. 70 pages. Bruxelles et Amsterdam Palais des Beaux-Arts et Steddelik Museum 1951 - Broché 19 cm x 26 cm 70 pages (non paginées 187 oeuvres exposées textes sur papier fort bleu illustrations noir 4ème de couverture illustrée par l'affiche de Wilem Sandberg. Bien complet de la feuille d'errata léger accroc sur la couverture sinon très bon état Bien complet de la feuille d'errata léger accroc sur la couverture sinon très bon état
1984ABE-1637839092208COLLECTION LES GRANDES EXPOSITIONS-58 PAGES-22 CM X 28,5 CM-(EM1121)