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17-0863Dresden DE: Rudolf Kaemmerer Verlag 1920; London; Weidenfeld & Nicolson 1990. . 4to. 56 pp. Hardcover. Some wear on spine. Very Good. 10 black & white plates. Text in German. Signature by owner dated 1952. 8vo. 364 pp. Hardcover with dust jacket. Very Good. Mostly text with some black & white inserts.From the Collection of the Art Historian Peter Selz 1919-2019. Dresden, DE: Rudolf Kaemmerer Verlag, 1920; London; Weidenfeld & Nicolson, 1990. hardcover
197242981Basel Switzerland: Galerie Beyeler Basel 1972. Book. Very Good. Paperback. 84 pages Folio. Out of Print. Scarce. German text. Profusely illustrated with large color prints many tipped-in plates. Includes clear acetate dust-jacket with green title along spine: some chipping along edges of DJ. Minor shelfwear: light rubbing along cover edges very light tanning along page edges. Tightly bound with very clean and crisp pages. No marks. Volume is in Very Good condition. Galerie Beyeler Basel Paperback
2003031809Barcelona: Fundacio Caixa Catalunya 2003. 1st Edition 1st Printing. Soft cover. Fine. Color And B/W Plates And Illustrations Throughout. 158 Pp. The Uncommon English Language Edition As New. <br/> <br/> Fundacio Caixa Catalunya paperback
86499Cornell University Press. As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - TWO 2 VOLUME SET. Volume 1 published 1982; Volume 2 published 1984. -- with a bonus offer . Cornell University Press hardcover
86500Cornell University Press. As New. N.D. Hardcover. 0801414784 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to / two volume set which includes ISBN: 0801414784. TWO 2 VOLUME SET. Volume 1 published 1982; Volume 2 published 1984. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer . Cornell University Press hardcover
199568507Skira Editore. New. 1995. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Italian German and French. 310 pp. With 139 ills. 85 col. . 28 x 25 cm. -- with a bonus offer-- . Skira Editore paperback
196959580New York: Knoedler & Co. As New. 1969. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 60 pp. With 58 ills. 7 col. . 22 x 18 cm. -- with a bonus offer-- . Knoedler & Co. paperback
1964170858Bern: Benteli 1964. paperback. fine. Beitrag zur Analyse der Malerischen Elemente. Mit einer Einfuhrung von Max Bill. Illustrated in b/w with 103 in-text figures and 25 plates. 211pp. Thin 8vo original printed wrappers and glassine overwrap. Bern-Bumpliz: Benteli-Verlag 1964. 5th printing. A fine copy with the small ownership signature of art historian Meyer Schapiro.<br/> <br/> Benteli unknown
5115Bern Benteli 1952 u. 1955. 8° 142 u. 209 S. Abb. Brosch. m. OU u. Transparent-OU Umschlag min. gebräunt sonst tadellos. Enthält: Bd. 1: Über das Geistige in der Kunst 4. Aufl.; Bd. 2: Punkt und Linie zu Fläche. Beitrag zur Analyse der malerischen Elemente 3. Aufl.; beide Bände mit einer Einführung von Max Bill. 010 Bern, Benteli, 1952 u. 1955 unknown
2252025670.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
8475094090.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
193447944Paris.: Editions Surréalistes. 1934. Full black crushed morocco by Georges Leroux with his signature gilt boards with abstract geometric rules in gilt and green and outlined parallelograms several with inlaid café crème calf smooth spine with gilt titles café crème calf doublures bright green brushed suede free endpapers original publisher's printed wrappers in black and red and backstrip with titles in black preserved a.e.g. black morocco-edged green paper-covered board slipcase with additional signature at foot. 8vo. 192 x 146 mm. Leaf with half-title recto and 'Du Même Auteur' verso leaf with Kandinsky's dry point engraving as frontispiece verso printed title in red and black with copyright verso Char's verse two leaves with 'Table' and final leaf with justification and achevé d'imprimer recto. PROVENANCE: Discreet bookplate of bibliophile François Ragazzoni with his name and initials 'F R' in blue to front free endpaper verso. The édition de tête of the first edition of René Char's collection with Wassily Kandinsky's original frontispiece etching and bound by Georges Leroux. From the édition de tête limited to 20 numbered copies on papier de Hollande van Gelder with Kandinsky's original dry point engraving as frontispiece; only copies from the édition de tête were issued with the original engraving.Also included inserted loose is the scarce subscription announcement printed on yellow paper 172 x 272 mm with a quotation from the Comte de Lautréamont ' . Pour le moment et pour plus tard vous n'avez pas besoin d'en savoir davantage' and with manuscript notes verso in pencil in an unidentified hand these mention 'Picasso - Parade' 'Cocteau' 'No sur les Ballets Russes' etc.Kandinsky's untitled etching issued in only 20 impressions was followed by only two further etchings those for 'La Main Passe' 1934 and 'Fraternity' 1939 before Kandinsky's death in 1944. Pablo Picasso was a profound admirer of Char and of the work which collected all of Char's poems published after 1927 and submitted an etching for the second edition - printed in a very similar format to this edition - published again by José Corti's Editions Surréalistes in 1945. A third illustrated edition was also published illustrated by Joan Miró in 1976. This first edition and in this issue of 20 copies with Kandinsky's etching is the rarest of the editions; Picasso's etching for the édition de tête was issued in 25 copies while the version with Miró's etchings was an edition of 215 copies 50 with an additional suite.'Le Marteaus sans Maître' includes 'Abondance Viendra' 'Poèmes Militants' it appeared here for the first time 'Arsenal' corrected and with four new poems 'Artine' and 'L'Action de la Justice est Eteinte'. In the present copy the poems 'Sosie' and 'Détachement' feature corrections by Char in green ink. He has amended the last line of 'Sosie' to read: 'Je ne vais pas au bout de ta pauvreté' for 'tes misères' a change reflected in the subsequent editions. The first line of 'Détachement' 'La fleur du pissenlit a perdu son identité' is crossed through and Char has drawn an arrow to it from a note beneath: 'Ce vers ricanait qu'il meurs / comme tant ce fin ricane. / R. C.' 'Détachement' was renamed 'Dentelée' for subsequent editions but was altered considerably by Char and the first line crossed through here was removed entirely.'Des trois éditions illustrées du 'Marteau sans Maître' celle-ci la première est la plus rare . Dans une lettre à Char du 28.11.1933 Kandinsky accepte la demande de fournir une gravure pour son livre bien qu'il ne connaisse pas l'auteur. Avec 'La Main Passe' de Tzara c'est le seul ouvrage poétique illustré par Kandinsky sic . '. De Parallèlement à Chanson Complète.'Auflage: 20 eigenhandig signierte Exemplare auf Van-Gelder-Butten . Veroffentlicht in der Luxusausgabe von Rene Char 'Le Marteau sans Maître' Paris Editions Surréalsites 1934.' Roethel.Roethel 199; see 'De Parallèlement à Chanson Complète' pp. 357 - 364; see lot 100 'Bibliothèque François Ragazzoni Seconde Partie: Editions Originales' Paris 13 / 14 May 2003. Editions Surréalistes. hardcover
alb58d49a9ff4a8120fTheoretical foundations of artistic and pedagogical activity of M MSUE 2006. 242 p. You are welcome to reach out to us for a detailed description of the copies currently available. Delivery of this book may take longer than usual including extended processing and pre-shipping time no expedited shipping is available. Please advise us if you have a set date or a deadline to receive your order.SKUalb58d49a9ff4a8120f unknown
199035317Not Specified:: Channing Way Press 1990. Paperback. NEAR FINE. Pale blue pamphlet unpaginated 28 pages staplebound 5.5"x8.5". Pen and ink drawings by Lee Adair of nude and partly dressed couples. A couple of small faint smudges on back cover otherwise like new. We provide professional service and individual attention to your order daily shipments and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. Channing Way Press, paperback
1980111690Immaculate Conception Janitorial Services. Good. 1980. Stapled Soft Cover. S52 . Immaculate Conception Janitorial Services paperback
1946208695New York: Solomon R. Guggenheim Foundation / The Gallery Press 1946. Hardcover. VG. Some toning around edges of he textblock and very light soiling to boards. Pen notation inside front cover. Small Quarto. Hardcover. Bound in black cloth with gilt titles and illustration pasted center front. 152 2 p. incl. front. port. facsim. illus. plates part col. port. diagrs. 24 x 19 cm. First complete English translation with four full colour page reproductions woodcuts and half tones.<br /> <br /> General: Introduction -- The movement -- The spiritual turning-point -- The pyramid -- Painting: The effect of colour -- The language of form and colour -- Theory -- Art and artists -- Conclusion: Survey of forty years of Kandinsky's Artistic Evolution -- Public Comments -- List of full page illustrations. Solomon R. Guggenheim Foundation / The Gallery Press hardcover
39225Paris Galerie Maeght 1957. 1 Doppelbl. Später als 1922 ausgeführte Gouache als Entwurf für ein Wandbild in der Ausstellung der Juryfreien Kunstschau Berlin unknown
18-8765London England: The Arts Council of Great Britain 1958. . Exhibition catalogue. 12mo. 24 pp. Stiff stapled green wraps with purple lettering. Very good. Black and white plates. Includes texts by James Philip James Johnson Sweeney and an essay by Wassily Kandinsky. Includes catalogue of 45 exhibited works. Catalogue created to accompany the exhibition “Paintings by Kandinsky from the Solomon R. Guggenheim Museum New York†held at the Tate Gallery in London England from January 15 through February 16 1958. First edition. Scarce. From the Collection of the Art Historian Peter Selz. London, England: The Arts Council of Great Britain, 1958. paperback
196231834Paris: Maeght 1962. Other. 443 by 380mm 17½ by 15 inches. Farblithographie nach dem Ölgemälde von Wassily Kandinsky 1866 - 1944 erschienen als lithographische Kunstbeilage inDerriere le MiroirÂ’ 1962 zu einer Ausstellung in Paris.Peinture à la forme blanche Malen mit weißen FormenÂ’ erschien als lithographische Kunstbeilage inDerriere le MiroirÂ’ 1962 zu einer Ausstellung in Paris. Original Farblithographie erschienen in DERRIÈRE LE MIROIR N°133-134 gedruckt und verlegt im Oktober/November 1962 für die AusstellungDer Blaue ReiterÂ’ in der Galerie Maeght. Die berühmte Künstler-Edition Derrière le miroir die von 1946 bis 1982 in insgesamt 250 Ausgaben erschien stellt heute ein wichtiges Zeitdokument zur bildenden Kunst der Nachkriegszeit dar. Maeght unknown
1947030860Bloomfield Hills Michigan: Cranbrook Press 1947. Book. Very Good. Hardcover. First published in 1926 under the title of Punkt Und Linie Zu Flache. Translated by Howard Dearstyne and Hilla R. Light shelf wear. A brief gift inscription is written on the front free endpaper. Otherwise fine. Cranbrook Press Hardcover
1947056445NY: SOLOMON R. GUGGENHEIM FOUNDATION. FIRST U.S. EDITION CLEAN COPY. . Very Good. Hardcover. 1947. SOLOMON R. GUGGENHEIM FOUNDATION hardcover
1947208847New York: Solomon R. Guggenheim Foundation 1947. Hardcover. VG. Light wear around edges. Tiny scuff near the head of spine. Small Quarto. Hardcover. Bound in black cloth with gilt titles and illustration pasted center front. 196 pages : illustrations some color charts ; 24 cm. "In Point and Line to Plane one of the most influential books in 20th-century art Kandinsky presents a detailed exposition of the inner dynamics of non-objective painting. Relying on his own unique terminology he develops the idea of point as the "proto-element" of painting the role of point in nature music and other art and the combination of point and line that results in a unique visual language. He then turns to an absorbing discussion of line -- the influence of force on line lyric and dramatic qualities and the translation of various phenomena into forms of linear expression. With profound artistic insight Kandinsky points out the organic relationship of the elements of painting touching on the role of texture the element of time and the relationship of all these elements to the basic material plane called upon to receive the content of a work of art"--From description. Solomon R. Guggenheim Foundation hardcover
1947014236Bloomfield Hills Michigan: Cranbrook Press 1947. 1st English ed. . Hardcover. Fine/No Jacket. Black cloth with gilt lettering to front and spine square coloured illustration to front. pristine 199 4 Index. 102 figs mostly diagrams but a few photos 2 ex-pagination plates 3 other full page Appendix has 25 full p3ge diagrams facing captions a colour plate by the author only faults is a half millimeter extension below bottom edge of a plate page apparently slightly inaccurately re-fixed otherwise book rates As New. Only date given is of 1947 Guggenheim Foundation copyright but given condition I am suspicious of this as actual issue date of this copy. Translated from the 1928 German second edition unchanged from the 1923 first. <br/> <br/> Cranbrook Press hardcover
1979Q-0486238083Dover Publications 1979-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Dover Publications paperback
1013852737.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
