1 016 résultats
198219368Boston: G. K. Hall and Co. 1982. cloth hard covers in dust jackets. two volumes complete. vol. 1 has not for sale stamp to bottom edge. minor signs of use and age. no names writing or text markings. no bumps tears chips. strong bindings. djs whole.; 924pp. over 2 vols. some b/w illustrations. part of the documents of 20th century art. First Edition /First Printing. Hard Cover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall. Multi-Volume Set. G. K. Hall and Co. Hardcover
1999Q-0500092893Thames & Hudson 1999-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Thames & Hudson paperback
198426321Ithaca: Cornell University Press 1984. Near fine in black boards in a photo-illustrated jacket faded along the spine else very good. First Edition. Thick quarto. Profusely illustrated with 611 black-and-white photos and 72 color plates of Kandinsky's works. With preface by editor Jean K. Benjamin. Ithaca: Cornell University Press unknown books
1970405744Cologne: M. DuMont Schauberg 1970. One small indentation at top of jacket spine panel otherwise a very fine copy. Text in German. Thick 4to 11.75 x 10.25 inches. 504 pages errata slip laid-in Plates some in color and some folding. Original blue cloth gilt; pictorial dust jacket; publisher's board slipcase; publisher's protective outer slipcase. FIRST EDITION LIMITED ISSUE number 975 of 1500 copies. The definitive reference exhaustively detailing Kandinsky's prints. A very well preserved copy including the original slipcase and the publisher's plain board protective slipcase. <br/><br/> M. DuMont Schauberg hardcover books
1958175455New York: Harry N. Abrams 1958. First edition. Hardcover. 428 pages. Text by Grohmann. Includes 920 illustrations with 41 in color. A clean and tight near fine copy in a close to near fine dust jacket with a tear to the top of the rear corner and some other minor wear. Still one of the better books on this important Russian artist. Harry N. Abrams unknown books
1964170858Bern: Benteli 1964. paperback. fine. Beitrag zur Analyse der Malerischen Elemente. Mit einer Einfuhrung von Max Bill. Illustrated in b/w with 103 in-text figures and 25 plates. 211pp. Thin 8vo original printed wrappers and glassine overwrap. Bern-Bumpliz: Benteli-Verlag 1964. 5th printing. A fine copy with the small ownership signature of art historian Meyer Schapiro.<br/><br/> Benteli unknown books
1999180374London England: Royal Academy of Arts 1999. Softcover. VG. Tan wraps color illustrated front red and black spine lettering bw portrait on rear; 224 pp profusely illustrated in color and bw. Published on the occasion of an exhibition held at the Royal Academy of Arts 14 April - 4 July 1999. Includes bibliographical references page 218 and index. Royal Academy of Arts unknown books
A clean, unmarked book with a tight binding. 224 pages. 9 5/8"w x 10 7/8"h. Many color illustrations. "In this striking catalogue of the first major showing of Kandinsky's work for some years, over 130 works on paper are reproduced in full colour and shown in the context of Kandinsky's oeuvre as a whole." Introductory essay by Frank Whitford.
1982195238Massachusetts: G. K. Hall & Company 1982. First Edition; First Printing. Hardcover. Near Fine in a Very Good dust jacket. G. K. Hall & Company hardcover
267 p. : illustrato a colori e in b/n ; 30 cm. Catalogo della mostra tenuta a Firenze, Palazzo Strozzi 24 aprile - 11 giugno 1993. Brossura illustrata con alette. Ottime le pagine, a parte aloni di scritta rosa ai margine di due pagine (segno a biro all’ultimo risguardo). **** Peso kg 1,600.
192446222Tokyo.: Idea-Shoin. 1924 Tai Sho 13. Original publisher's scarlet cloth with gilt vignettes after Kandinsky to front and rear boards original card slipcase with illustration after Kandinsky to front cover and printed text in Japanese to spine and rear cover. 4to. 258 x 198 mm. Printed title in Japanese and Western characters on glossy paper monochrome photographic portrait of Kandinsky with reproduction of his signature as frontispiece Kandinsky's translated text in Japanese with occasional insertions in Western characters illustrated with 9 monochrome text vignettes 3 'Tabelle' of colour theory and 57 plates on a variety of paper stocks 9 in colour and 48 in monochrome several with multiple images on the same sheet including the 'Abbildungen' at rear final leaf with imprint verso; the illustration incorporates that for 'Uber das Geistige in der Kunst' as well as many from 'Klänge'. A very scarce edition of Kandinsky's Uber das Geistige in der Kunst published in Japan in 1924.Although Reinhard Piper feared that Kandinsky's treatise on abstraction would not sell well the book required three editions in the first year it was published. This Japanese edition published nearly 15 years after the original incorporates the text and woodcuts of the earlier editions as well as Kandinsky's later introductions to the first and second editions as well as illustration from 'Klänge'. The majority of the plates depict work by Kandinsky but works by Dürer Raphael Cézanne and others are also included.The Japanese translation is by Obara Kuniyoshi 1887 - 1977 the publisher translator and educational theorist and president of Tamagawa University which he founded. His Idea-Shoin publishing house later the Tamagawa University Press was established in 1923 and aimed to produce teaching material educational work for children Obara published the first encyclopedia for Japanese children as well as the complete works of the Swiss educator Johann Heinrich Pestalozzi. Obara's translation of the present work is not only an indication of the importance of Kandinsky's text and theories but also casts light on the emergence of Japan's own avant-garde and its international influences.'The book which he Kandinsky claimed had been gestating for nearly a decade elucidated his artistic theories and his valuing of expression and spirituality over naturalistic representation. It also introduced his new pictorial categories derived from the field of music - impressions improvisations and compositions - which further de-emphasized the importance of recognizable subject matter. On the cover and in ten woodcuts Kandinsky illustrated his ideas by reducing complex scenes of spiritual battle and redemption to simplified designs of lines and shapes. For Kandinsky abstraction was a weapon for transforming what he perceived to be a corrupt materialist society.' see MOMA catalogue.'One of the most important manifestos of modern art. Written in 1910 and first published in 1912 Kandinsky's book is anti-materialistic and anti-naturalistic calling for painting that goes beyond a recording of the visible world. The non-objective woodcuts are historically important as early graphic demonstrations of the artist's thesis.' The Artist and the Book.Obara's translation is scarce and we can trace only the copies at the Metropolitan Museum and the Phillips collection outside Japan for which OCLC list copies at the National Diet Library and Waseda University Library.see Roethel 82 - 92; see The Artist and the Book 137 for the first edition of 1912. Idea-Shoin. hardcover
New York Portland House 1988, In-4 carré cartonnage de l'éditeur sous jaquette illustrée. 138 pages. 135 reproductions couleur d'oeuvres de KANDINSKY avec notes et explications en regard. Ex dono en page de garde. Bon état.
530690Nantes, Musée des Beaux-Arts, 1988. In-8, broché, 79 p., illustrations en couleurs et en noir.
OP-1244Berggruen & Cie Paris. paperback. fine. Berggruen & Cie , Paris unknown
19592092902138101950Berggruen & Cie 1959. Soft Cover. Fine. Size: 22cmx11.5cm Number of books: 1 Berggruen & Cie paperback
201543393München, London, New York : Prestel, 2015. 358 Seiten ; Ill. Halbleinen
201538783München, London, New York: Prestel 2015. 359 S. Mit zahlr. farb. u. s/w, Abb.
1959144352Paris: Berggruen & Cie 1959. First edition. Small softcover. Text in French by Klee Kandinsky Kenneth Linday and Pierre Valboudt. Includes several color and black and white illustrations. A very good copy in wrappers with some minor wear tiny tear to the top of the front panel and a former owner signature to the title page and verso of the front cover. Still a pleasing copy of this nicely printed catalog. Berggruen & Cie unknown books
1971174984New York: Harcourt Brace Jovanovich Inc 1971. First U.S. edition first printing. Hardcover. 122 pages. An examination of the works of Paul Klee and Wassily Kandinsky. Includes numerous color illustrations. An about very good copy with a blacked out inscription on the front free endpaper and some foxing to the edges of the pages in near fine in a near fine acetate jacket. Harcourt Brace Jovanovich, Inc unknown books
1979338582Staatsgalerie Stuttgart 1979. 99 S. mit einigen Abbildungen. 4°. Original-kartoniert, Einband teils etwas verfärbt / fleckig, sonst gut.
1979122502Stuttgart: Staatsgalerie, Graphische Sammlung, 1979. 99 S. ; 29 x 21 cm ; kart. ;
64861Musée des Beaux-Arts Nantes 1988 In-8 23 cm 79pp. 25 illustr. hors-texte photos Nb-0137 unknown
72089Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1907–12 published 1913. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
72086Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1907–12 published 1913. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
72088Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1907–12 published 1913. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
