Kandinsky WassiliBiblio.com
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19600154Delpire 1960. Book. Fine. Hardcover. 4to - over 9¾" - 12" tall. In-4 relié Excellent Etat. Delpire Hardcover
1985SONG0917658221Brand: Berkeley Poets Workshop and Press 1985-01-19. 1st. paperback. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Berkeley Poets Workshop and Press paperback
11912Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1913. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
11915Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1913. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
11914Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1913. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
11913Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1913. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
146131Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1909. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
146132Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1909. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
146130Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1909. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
146133Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Artic. Created in the 20th century 1909. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
23014Luzern Kunstkreis 1976. 4° 136 S. zahlr. teilw. farb. Abb. u. 4 Orig.-Graph. OLwd. goldgepr. m. OU. OU min. randrissig; obere Deckelecken gestaucht; Exlibris; handschriftl. Nr. auf Vors. Schmutztitelbl. u. Titelbl.; sonst gutes Exemplar. Mit vier eigens für diesen Band ausgewählten Holzschnitten davon einer mehrfarbig. 010 Luzern, Kunstkreis, 1976 unknown
197433850Paris: XXe siecle 1974. First edition hardcover in beige cloth and gold gilt lettering 12 3/4 x 10" 32 x 25 cm with dust jacket 136pp. <br /> A special number of the XXe siecle Art series published under the direction of G. di San Lazzaro and printed in Italy. This tribute contains twenty-two colour reproductions and one hundred and thirty-eight in black and white. <br /> Most noteworthy are the four original lithographs on Arches vellum by Kandinsky one of which is in colour. This book contains a complete overview of Kandinsky's oeuvre accompanied by numerous essays in French from colleagues and friends including Max Deutsch Joan Miro Pierre Boulez and many others. <br /> This copy is still crisp and in fine condition the dust jacket alone showing some very light wear and scratches. A wonderful hommage in image and print to the master with the notable addition of four original lithographs! XXe siecle unknown
1974N5047Paris: XXe Siecle 1974. Original Cloth w. Dust Jacket. Very Good/Very Good. Big 4to. Numero special hors abbonnement. 136pp. Richly illustrated. Elegant ex libris on verso of front cover. WITH 4 WOODCUTS BY KANDINSKY. A VERY GOOD COPY WITH THE ORIGINAL DUST JACKET <br/> <br/> XXe Siecle hardcover
46432Leon Amiel Publisher. Very Good. First Edition. Hardcover. Very good condition binding is intact and there are no markings to the inside or outside. From the special issue of the XXieme Siecle Review. First American edition. Hardcover cloth with dust jacket. Text in English. Edited by G. Di San Lazzaro. Four woodcuts and 20 india ink drawings reproduced in colors 160 illustrations 22 in color. ; 4to 11" - 13" tall . Leon Amiel Publisher hardcover
197620-A17266Leon Amiel Publisher New York 1976. Hardcover. Very Good/very good. Carefully wrapped on a protective acetate cover to prevent further damage. Leon Amiel Publisher, New York hardcover
1955186123Bern Switzerland: Kunsthalle Bern 1955. First edition. Softcover. Exhibition catalog for a show that ran March 19 through May 1 1955. Text in German by Arnold Rudlinger. Includes numerous black and white illustrations and a checklist. A clean near fine copy in wrappers. An attractive and uncommon catalog. Kunsthalle Bern unknown
BN86736München Berlin London New York: Prestel. Gesammelte Schriften 1889 - 1916 Farbensprache Kompositionslehre und andere unveröffentlichte Texte <br/><br/> München, Berlin, London, New York: Prestel unknown
72463Köln Verlag M. DuMont Schauberg 1960 Auflage: 1. Halbleinen gebunden; farbig illustrierter Einband / Anz. Seiten: 23 / 305 x 33 cm / mit 1 Porträt als Frontispiz sowie 16 farbigen und 16 schwarzweissen Reproduktionen von Werken des Künstlers / Zustand: sehr gut geringe bis leichte Gebrauchsspuren; Einband geringfügig berieben und etwas gebräunt Besitzerstempel auf Vorsatz Die farbigen Reproduktionen sind sämtlich lose in eingebundenen Passepartouts; zusätzlich sind dem Buch in der Lasche am Hinterdeckel 2 weitere Passepartouts beigelegt. Köln, Verlag M. DuMont Schauberg, 1960, Auflage: 1. unknown
196035526Cologne: DuMont 1960. hardcover. 16 matted color plates; several additional text illustrations. Square 4to cloth-backed color pictorial glossy boards Koln: DuMont 1960.<br/> <br/> Two extra mats inside back cover.<br/> <br/> DuMont unknown
1992BN258622Frankfurt am Main : Insel-Verl. 1992. 1992. Gabriele Münter und Wassily Kandinsky : Biographie eines Paares. <br/><br/>Gabriele Münter und Wassily Kandinsky : Biographie eines Paares. Kandinsky / Münter Gabriele - Kleine Gisela Gabriele Münter und Wassily Kandinsky Frankfurt am Main : Insel-Verl. unknown
2004Q-0892072989Guggenheim Museum Publications 2004-02-02. Paperback. New. In shrink wrap. Looks like an interesting title! Guggenheim Museum Publications paperback
1939SPENDERS007080Atelier 17 Paris & New York. March 1939. First edition. Octavo. Spender's poem ''Fall of a City'' and Louis Aragon's translation ''Chute d'une Cit�'' together with nine engravings loose within wrappers. The engravings were printed by Atelier 17 and Henri Hecht and include one with aquatint and roulette one with soft ground etching one drypoint and one etching. All are on Montval handmade paper with deckle-edges. Held within the original plain board chemise but lacking the slipcase which had a Hayter titling-piece pasted onto the front. Stanley Hayter founded Atelier 17 in Paris in 1927 and it continues to this day in Rue Didot albeit with the name changed to Atelier Contrepoint. This production was his contribution to the raising of funds to help children orphaned by the Spanish Civil War.101 numbered copies were printed for sale and 12 for the contributors. This copy is unnumbered and hors commerce marked ''h.c'' on the limitation page. Each copy including this one was signed by Spender and Aragon at their respective contribution and by each artist in the lower margin of the etched sheet.Fine in custom burgundy morocco box with ''FRATERNITY'' in gilt on the lid. Very scarce with all nine loose etchings as most sets have been broken up for piecemeal sale. Atelier 17, Paris & New York. March, unknown
1917ZB1237475Stockholm: A.B. Nord 1917. Price HAS BEEN REDUCED by 10% until Monday June 29 SALE item folio 12 pp. 2 tipped in color plates by G. Adrian-Nilsson and Per Krogh with his name misspelled; original illustrated paper wrappers very good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. Stockholm: A.B. Nord unknown
1973590590New York: The Pace Gallery 1973. Softcover. Very Good. Exhibition. Slim oblong quarto. Illustrated in color and black and white. Stapled wrappers. Wrappers evenly tanned with modest rubbing and wear including tiny nicks at the spine ends very good or better. The interior is fine. The Pace Gallery unknown
1937140947814Berlin: Verlag fur Kultur- und Wirtschaftswerbung 1937. Near Fine. 32 pp. Bound in publisher's side-stapled pictorial wraps. Illustrated with black and white art reproduction photos. Text in German. With laid-in "Der Ewige Jude" The Wandering Jew exhibition postcard postmarked Bremen 1939. Near Fine with light edge wear and age toning; postcard evenly toned contemporary German stamps on the verso with 1939 postmark. <p>In the aftermath of the confiscation of nearly 20000 art works from German museums Adolph Hitler's Ministry of Propaganda organized an exhibition of modern art in order to decry its racially impure deleterious character and supposed backing by Jewish interests in the Weimar era. The exposition was hosted at the Institute of Archaeology in the Hofgarten on July 19 1937 in Munich and later traveled throughout Germany. Organized by the Ministry of Propaganda leader Joseph Goebbels the show was designed to reinforce in the German public mind that subversive decadent or avant-garde art work would not be tolerated in the Third Reich. Attended by over two million visitors the show displayed over 650 confiscated paintings sculptures and prints by 112 artists primarily German including Georg Grosz Ernst Ludwig Kirchner Paul Klee Georg Kolbe Otto Dix Wassily Kandinsky Marc Chagall and many other now-acclaimed modern artists. Targeted artists were the subject of merciless ridicule and denounced with most works displayed unframed and obscured by painted slogans. Attended most famously by Museum of Non-Objective Painting predecessor to the Solomon R. Guggenheim Museum director Hilla R who supported affected artists like Vasily Kandinsky Rudolf Bauer and others by exhibiting their work in the United States. Many works were destroyed lost or re-homed overseas after the fall of the Third Reich. <br /> <br /> <p>Laid-in is an antisemitic postcard for the third part of a series of Schandausstellungen or condemnation exhibitions "Der Ewige Jude" The Wandering Jew. The show opened on November 8 1937 to January 31 1938 in Berlin under Joseph Goebbels' direction. The exhibition traveled for the next year and a half attracting over 700000 visitors and concluding in March 1939 in Magdeburg. Verlag fur Kultur- und Wirtschaftswerbung unknown
