Raoul DUFY - Fernand FLEURETBiblio.com
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192356458Paris: Nrf 1923. Fine. Nrf Paris 1923 14.50 x 19 cm broché Illustrated edition with 22 original woodcuts by Raoul Dufy of which 21 are hand-colored by Jeanne Rosoy and L. Petitbarat one of 320 numbered copies on natural raffia paper the only issue after 15 Japan and 35 Holland. A small stain at the head of the first cover two tiny corner lacks to the boards handsome interior condition. Nrf hardcover
1920144241920 P., Aux Editions Lucien Vogel, 1920, 1 vol. in-8 (258 x 200) en feuilles sous couverture imprimée en noir, de 10 pp. (sommaire, publicités, paginés LXI à LXX) - 8 pp. "Défense de la Mode", conférence prononcée par M. Paul Poiret au Salon d'Automne - (32) pp. (paginées de 229 à 260) - 8 planches hors-texte - cahier renfermant 4 pl. de croquis de Raoul Dufy. Très bel exemplaire, rare dans cet état.
awd-1109Esquisses dessinées au crayon sur une nappe de papier, signature en bas à droite, vers 1930. Taches, petites déchirures et traces anciennes de ruban adhésif, encadrement moderne en bois (40/48 cm).
194982796Toulouse: Arts et formes 1949. Fine. Arts et formes Toulouse 1949 12 x 18.50 cm en feuilles sous chemise et étui First edition printed in 450 numbered copies. Very handsome copy. Illustrated work complete with all 205 binding plates plate 79 then 79 bis. Under the direction of Marcel Garrigou with contributions by Raoul Dufy Roger Devauchelle René Kieffer Pierre-Lucien Martin André Dunoyer de Segonzac. Arts et formes unknown
15074French Fauvist painter who developed a colorful decorative style that became fashionable for designs of ceramics and textiles as well as decorative schemes for public buildings. Receipt Signed Raoul Dufy The receipt is in French and dated "Paris 11 Decembre 1921." Measures 5.5x7" with docketing holes on the right margin. 50c stamp below signature. In very good condition. unknown books
1921150741921. Dufy Raoul. Signed receipt dated December 11 1921 documents the commercial activity of a Fauvist painter whose work expanded beyond painting into textile design ceramics and large-scale decorative commissions during the interwar period. Associated with Fauvism Dufy developed a distinctive visual language characterized by bold color and rhythmic line that translated effectively into applied arts and commercial design. The document situates the artist within the economic structures of the Paris art and design market in the years following World War I when collaborations between fine artists and decorative industries became increasingly central to modern French visual culture. It supports research into artist economies the integration of avant-garde aesthetics into commercial production and the financial documentation of early twentieth-century European artists.<br /> <br /> Dufy Raoul. Receipt signed. Paris December 11 1921. Single sheet measuring approximately 5.5" x 7" written in French and signed "Raoul Dufy." A 50 centime revenue stamp appears below the signature indicating formal financial validation within the French fiscal system. The document includes docketing holes along the right margin consistent with filing or record-keeping practices. The receipt reflects routine transactional documentation tied to Dufy's professional activities during a period when his designs were widely adapted for textiles and decorative commissions.<br /> <br /> Created during a decade in which Dufy collaborated with fashion houses and manufacturers including textile production associated with Bianchini-Férier the receipt provides material evidence of the administrative and commercial dimensions of modernist artistic practice. Paris in the early 1920s functioned as a central hub for the fusion of avant-garde art and industrial design with artists like Dufy contributing to the dissemination of modern aesthetics across everyday objects and public spaces. Such financial documents though routine in form contribute to a fuller understanding of how modern artists sustained their practices within evolving markets for both fine and applied art. Minor wear and docketing holes at right margin; document clean and legible; overall in very good condition. unknown
198224000Paris, Éditions Louis Carré & Cie, 1981-1982. 2 Bände komplett. LXXIII, 395; LVII, 439 S., mit über 2050 Abb. u. 1 mehrf. gefalt. Taf. 4°, OLwd., OSU., in Orig.-Pappschubern [3 Warenabbildungen]
193632058AB1936. Paris Freres Draeger 1936. Folio 26 cm wide x 32 cm high. 44 pages with 19 aquarelles. / 19 photolithographs of watercolors 18 in colors plus 1 photolithograph of a drawing wrappers. Original illustrated Softcover with illustrated dustjacket. Very good condition with only minor signs of wear. This delightful little volume first published in French in 1936 extols the many joys and benefits of wine. Wine drinkers will take pleasure in Gaston Derys's quaint appreciation of the grape and art lovers will admire Raoul Dufy's joyful watercolors. Reflecting the exuberance and elan of an earlier day Derys takes us back to a time when the doctor's favored prescription was an amiable glass of wine. In Derys's ode to wine here translated into English we discover that the medicinal and therapeutic uses of wine are it assists in fighting typhoid infant sicknesses and diabetes; it exerts a positive effect on one's character beauty and and it lends a fortifying power to athletes and soldiers. Supported by the comments of French doctors as well as Dufy's beautifully reproduced paintings Derys's argument to raise a glass of wine becomes pleasantly irrefutable. Goodreads ______________________________________________________________________________ Raoul Dufy 3 June 1877 23 March 1953 was a French painter associated with the Fauvist movement. He gained recognition for his vibrant and decorative style which became popular in various forms such as textile designs and public building decorations. Dufy is most remembered for his artwork depicting outdoor social gatherings. In addition to painting he was skilled in various other fields including drawing printmaking book illustration scenic design furniture design and planning public spaces. Wikipedia paperback
192965420Paris, Édition des Chroniques du Jour 1929. 1929. 4°,eine nummerierte Orig.-Radierung, XXXV (I) S. Text mit 3 (davon 1 farbige) ganzseitige und zahlreiche Textabbildungen und XXXIX Tafeln, Orig.-Leinen.
191812976Paris, Georges Crès et Cie, 1918. 1 vol. in-12. Demi-box rouge à coins, filet doré sur les plats, pièce de titre de maroquin vert au dos, tête dorée, couvertures et dos conservés. [P. L. MARTIN].
193830835New York: Plaza Hotel / Perls Galleries n.d. 1938 1938. 1st Edition. 1st Edition. Signed by Author. 4 page 5" x 8 3/4" folded exhibition promotional catalogue printed in black & white on stiff semi-gloss paper stock. With the original Othon Friesz autograph manuscript used as text for the introduction of the catalogue of the Jean Dufy exhibition held at the Perls Galleries. Written in French on The Plaza Hotel New York stationery 1938 1 page about 6 by 8 inches in very good plus condition. The manuscript in Friesz's hand is not signed but credited in the catalogue in which the introduction by Friesz has been translated into English. Friesz writes: "An Exhibition of Jean Dufy's works coincides with my sojourn in New York. I am happy to see the sparkling and witty canvases of our "little" Jean so fortunately placed here. It has been said too often and erroneously that he imitates his big brother Raoul. Surely he directly stems from him. He absorbed the color technique of his elder brother as well as the expressive and spontaneous form of statement which he uses with savor to express his very personal emotions. But to see him as any servile imitation of Raoul Dufy would be a serious blunder. In the case of brothers so closely united within their family and their lives - was not Jean the best draftsman in his brother' s atelier - it would be almost strange that they should not resemble each other. Instead of deploring the resemblances one should rather see in the case of the brothers Dufy a situation paralleling that of the brothers Le Nain". Othon Friesz was one the most important painters at the start of the twentieth century; one of the founders & leading painters of Fauvism from Le Havre along with George Braque & Raoul Dufy. During his early years of painting before & in the Fauve style he often painted & exhibited with Henri Matisse Albert Marquet Henri Manguin Jean Puy Andre Derain Maurice Vlaminck and others. He remained a life long friend of Raoul Dufy both of whom were born & learned art in Le Havre. A lovely item. Original artist autograph manuscripts like Friesz are extremely scarce & seldom come on the market. This one is enhanced because it discusses one great artist's impressions of another. Some glue mounting remains on the verso of the catalogue otherwise fine. Plaza Hotel / Perls Galleries, n.d. 1938 unknown
016276Genève - Molard Administrateur Pierre Caillet - Directeur Albert Skira 0 Journal En feuilles
L13961Editions de La Sirène, 1919. In-12 br. Couverture et page de titre ornés de la Sirène dessinée par Raoul Dufy. Préface de Max Jacob. Un des exemplaires réservés à l'auteur. E.O. ex. sur beau papier bouffant avec une sorte de monogramme de Moricand. Très bel envoi autographe de Conrad Moricand à Max Jacob, préfacier du livre.
19570056831957 Paris, Pierre de Tartas, 1957. In-folio (368 X 288 mm) en feuilles, couverture illustrée, boite-écrin toile bleue imprimée de l’éditeur ; 115 pages, (1) page, (1) f., XVII pages, (1) page, (4) ff. d'achevé d'imprimer, justification du tirage et feuillets blancs. Dos de l'étui et partie des plats légèrement insolés, quelques infimes pointes de rousseurs, à peine perceptibles, en marge de quelques feuillets.
04-1127Paris 1929. Silkscreen pochoir. 67 x 52 cm. Signed and dated 29 XII 1929 in the image. Additional text: Denis Sarthon Orme. Framed and glazed. Paris, 1929. unknown
16-6161Monaco: La Revue "Hommage" Philippe Fontana 1943. 4to. 24 x 31cm. sheets loose as issued in original printed chemise. One of 1000 numbered prtfoliios. Loosely inserted prospectus for "30 Poèmes de Ronsard" First edition. First issue of the Revue "Hommage" published by Philippe Fontana during the German occupation. Folio loose as issued containing plates after drawings by Pierre Bonnard 1 Raoul Dufy 1 in double page Aristide Maillol one of the two in double page Matisse 2 Picasso one in double page Léon Zack fac-simile of a manuscript poem by Pierre Emmanuel. Justification page with the number of the copy. Philippe Fontana Publisher Monaco.OCLC Number / Unique Identifier:12180940.Premier numéro de la revue Hommage ; il présente une étude de Bonnard une symphonie de Dufy en noir à double page deux nus de Maillol dont 1 à double page deux expressions de Matisse une satire de Picasso en noir à double page et un poème de Pierre Emmanuel illustré d'une grande et belle composition par Léon Zack. Monaco: La Revue "Hommage," Philippe Fontana , 1943 unknown
5976Dufy Raoul. Dufy Raoul after. DEAUVILLE. Lithograph in colors. c. 1950s. 18 5/16 x 26 5/8 inches; 469 x 682 mm. Edition of 200 numbered in pencil. In very good condition except that the stamped signature of the artist proved fugitive in the cleaning process and is no longer visible. unknown
20982Paris Librairie Académique Perrin. Imprimerie Nationale 1965 grand in 4 (32x25) 1 volume broché en faux-feuillets sous couverture rempliée imprimée, 194 pages [1], chemise, et étui de l'éditeur illustré d'une lithographie de Dufy sur chaque plat. Ouvrage illustré de 27 lithographies, dont 8 doubles pages tirées sur les presses de Fernand Mourlot d'après des peintures, aquarelles, dessins de Raoul Dufy (18), Jacques Villon, Georges Braque, Marc Chagall, Dunoyer de Segonzac, Marcel Gromaire, Bernard Buffet, Charles Lapicque, André Marchand, Jean Lurçat. Lettre à mon peintre de Marcelle Oury et les carnets de Raoul Dufy, suivis de textes de: Jean Cocteau, Jacques Villon, René Coty, Henri Mondor, Othon Fresz, Maurice Utrillo, Darius Milhaud, Francis Poulenc, Igor Stravinsky, Guillaume Apollinaire, Max Jacob etc. Raoul Dufy, Le Havre 1877 - Forcalquier 1953, peintre français, dessinateur, graveur et illustrateur de livres. Tirage limité à 6200 exemplaires numérotés, celui-ci un des 5000 exemplaires numérotés sur vélin Arjomari, numérotés de 1001 à 6000. Très bel exemplaire, très frais ( Photographies sur demande / We can send pictures of this book on simple request )
192354861923 Paris, Gallimard - NRF, 1923. Pt. in-4 relié: 14.5 x 19.5 cm, 57-[2] p. Édition illustrée de 21 bois de Dufy, coloriés à la pain par Rosoy et Petitbarat. Tirage limité à 350 exemplaires, celui-ci l'un des 300 sur papier de raphia naturel (no. 249). Élégante reliure en plein maroquin noir. Dos lisse portant titre et auteurs en lettres de platine. Encadrement des plats à froid. Couverture d'origine conservée. Très bel exemplaire
34129Paris, La Sirène, 1920. Pt. in-4°, 64 pages non chiffrées. Reliure demi-maroquin rouge à coins, dos lisse avec titre doré à froid, tête dorée, couverture conservée.
192018920Paris VOGEL 1920 1 in-4 Paris, Librairie Centrale des Beaux-Arts, Lucien Vogel Directeur,1920, petit in-4, en feuilles, sous chemise éditeur illustrée d'une rose aux feuilles bleues.
191724657Paris Camille Bloch 1917 KIEFFER. Illustrations de Raoul Dufy. Paris, Camille Bloch, 1917, couvertures et dos conservés, maroquin rouge à bandes encadrant un papier dessiné par Guy Arnoux aux motifs patriotiques avec cocardes et casques, gardes de papier jaspé aux couleurs patriotiques (René Kieffer Relieur).
1943137781943 une revue tête de série N° 1, port-folio cartonné gris souris in-folio éditeur (plates under editor hardback), couverture rempliée, 1ère de couverture imprimée en rouge et noir, très rares et légères piqûres sur la couverture légèrement insolée (rare and light small redness marks on the lightly fading cover), justification du tirage : tirage limité à 1030 exemplaires numérotés (N°825), l'ouvrage se présente en feuillets avec les dessins imprimés comme suit : une étude de BONNARD, une symphonie de Duffy en noir en double page, deux nus de MAILLOL, deux expressions de MATISSE, une satire de Picasso en double page en noir et un poème de Pierre Emmanuel illustré par Léon ZACK, 1943 N° 1 (tête de série) Monaco: Philippe Fontana (Robaudy) Editeur,
ORD-13071Paris. Manuel Brucker. Pour les Amis du Docteur Lucien Graux. (1931). In-f°(253 x 326mm) broché, couverture rose à rabats, imprimée, 24 pages, 4 lithographies originales en couleurs dont 2 hors texte et une eau-forte en noir (portrait de l'auteur), également originale, serpentes conservées. Edition originale tirée à 150 exemplaires sur vélin d'Arches, exemplaire n°99. Dos fendu sinon très bel exemplaire. Rare.
192011553Paris, Éditions de La Sirène 1920. 1 vol. in-4. Broché, couvertures bleues imprimées et rempliées.
