699 résultats
192356458Nrf | Paris 1923 | 14.50 x 19 cm | broché
192385349Nrf | Paris 1923 | 14.50 x 19 cm | broché
192047393Editions de la Sirène | Paris 1920 | 11.50 x 14.50 cm | broché
191917717Le nouveau spectateur | Paris 25 Mai 1919 | 12.50 x 16.50 cm | agrafé
191887198Editions de la Sirène | Paris 1918 | 19 x 23.50 cm | broché
194410637Gallimard | Paris 1944 | 12 x 19 cm | broché
193886746Vence: S. n. 1938. Fine. S. n. Vence 29 Janvier 1938 20.50 x 26.50 cm une page recto verso une enveloppe Autograph letter dated and signed by Raoul Dufy 34 lines in blue ink from his property at Villa Beethoven in Vence. Creases inherent to postal delivery. Envelope included. Date and sender indications in Laboureur's hand in red and blue pencils on the envelope. The painter will not be able to attend the P.G.I. meeting independent painters and engravers and will miss his friend Jean-Emile Laboureur: ""J'ai quitté Paris pour un moment. J'aurais bien aimé aussi vous revoir."" I have left Paris for a moment. I would have very much liked to see you again as well. Moreover he envisions his future only in painting: ""Pour moi personnellement je crois bien que ma carrière de graveur est terminée : tombé dans la litho et la peinture d'histoire comme vous savez je me demande si jamais je pourrai refaire un beau bois au canif car comme graveur je ne sais ou plutôt n'ai su faire que ça et malgré le désir que j'en ai je me demande si jamais j'en aurai le loisir."" For me personally I do believe that my career as an engraver is finished: fallen into litho and history painting as you know I wonder if I will ever be able to make a beautiful penknife woodcut again because as an engraver I don't know or rather have only known how to do that and despite the desire I have for it I wonder if I will ever have the leisure for it. even though he will keep his place within this association bringing together engravers and painters: ""Donc malgré que je n'assiste jamais ou presque aux réunions je crois même que ma cotisation ne soit pas en règle je suis quand même PGI de tout coeur et quand je rentrerai à Paris j'aurai bien du plaisir à vous revoir tous."" So although I never or almost never attend the meetings I even believe that my dues are not up to date I am nevertheless PGI with all my heart and when I return to Paris I will have great pleasure in seeing you all again. S. n. unknown
193886746S. n. | Vence 29 Janvier 1938 | 20.50 x 26.50 cm | une page recto verso + une enveloppe
1985DYTWW10489DEAGOSTINI 1985. Soft Cover. Fine. Number of books£º1 DEAGOSTINI paperback
1953149651953. Dufy Raoul. Letter concerning a photograph of one of his paintings written by the French artist whose work became associated with Fauvism and modern decorative painting in the early twentieth century. Raoul Dufy developed an internationally recognized style characterized by vivid color rhythmic line and scenes of leisure music and coastal life while also producing designs for textiles ceramics book illustration and large decorative murals. The letter records Dufy's response to receiving a photograph of a painting that had previously been outside his possession providing a brief but revealing document of the ways modern artists used photography to record and preserve images of their own work.<br /> <br /> Dufy Raoul. Typed Letter Signed. One page written in French and signed in ink "Raoul Dufy." In the letter Dufy expresses gratitude to the recipient for sending a photographic image of one of his paintings writing: "Cher Monsieur Je vous suis très reconnaissant de l'amabilité que vous avez eue de me faire remettre par un de vos collaborateurs la photographie d'un de mes tableaux qui était entre vos mains. Celle-ci manquait à ma collection et je vous remercie encore de me l'avoir fait tenir. Veuillez croire Cher Monsieur à mes meilleurs sentiments." In this statement Dufy notes that the photograph "manquait à ma collection" indicating that the image filled a gap in his own documentation of his artistic production.<br /> <br /> During the early twentieth century photography became an important tool for artists seeking to document works that had entered private collections or exhibitions beyond their immediate control. For painters such as Dufy whose work circulated widely through galleries collectors and decorative commissions photographic reproductions functioned as records of artistic output and as a means of preserving visual documentation of completed works. The letter therefore illustrates a practical aspect of artistic practice in the modern art world where painters increasingly relied on photographic images to maintain a record of paintings no longer physically accessible to them. Light wear to paper edges; otherwise well preserved. Overall very good condition. unknown
195619445ABBerlin 1956. 16 S. und 14 Tafeln. Illustr. Orig.-Kartoniert.
1958mon0000089632Mermod 1958-01-01. Paperback. Good. in x in x in. PAPERBACK - Minor cover wear - clean unmarked text - tight binding. Mermod paperback
198796135New York: Harry N. Abrams 1987. First Edition; First Printing. Hardcover. Near Fine in a Near Fine dust jackets. ; 8vo 8" - 9" tall. Harry N. Abrams hardcover
1972041524022Skira 1972. hardcover. Very Good/Very Good. the original dust jacket is included; there is wear on the corners and edges of dust jacket; the inner pages are free of markings notes or highlighting; Skira hardcover
1954111824003Skira 1954-01-01. hardcover. Good. 9x7x1. Book is in very good condition with a good dust jacket. Dust jacket has some tears but still presentable. Spine is strong and inside pages are clean. Skira hardcover
1954mon0000032479Skira 1/1/1954 12:00:00 AM. hardcover. Very Good. 1.1102 in x 9.1299 in x 6.5709 in. Unread. No markings in book. Binding is fine. 229pp. DJ with shelf wear to edges. Tipped in plates. Small droplet mark on top page edges. Skira hardcover
192385349Paris: Nrf 1923. Fine. Nrf Paris 1923 14.50 x 19 cm broché Edition illustrated with 22 original woodcuts by Raoul Dufy 21 of which hand-colored by Jeanne Rosoy and L. Petitbarat one of 320 numbered copies on natural raffia the only issue after 15 Japan and 35 Holland. Scattered foxing. Nrf unknown
192356458Paris: Nrf 1923. Fine. Nrf Paris 1923 14.50 x 19 cm broché Illustrated edition with 22 original woodcuts by Raoul Dufy of which 21 are hand-colored by Jeanne Rosoy and L. Petitbarat one of 320 numbered copies on natural raffia paper the only issue after 15 Japan and 35 Holland. A small stain at the head of the first cover two tiny corner lacks to the boards handsome interior condition. Nrf hardcover
1986042710Harry N Abrams Inc 1986. Soft cover. Fine. Well-kept clean and very bright collection of printed paper to use as gift wrappings or other creative projects. With 16 distinctive and bold Raoul Dufy prints. Benefits the Friends of the Albany CA Library. <br/> <br/> Harry N Abrams Inc paperback
0810929538.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
192047393Paris: Editions de la Sirène 1920. Fine. Editions de la Sirène Paris 1920 11.50 x 14.50 cm broché First edition of the adaptation by Fernand Fleuret. With a frontispiece by Raoul Dufy reproduced on the upper cover. A good copy. Editions de la Sirène unknown
436346Hardcover. Very Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. La legerete by Raoul Dufy hardcover
19-8414Zurich: Stehli Freres S.A. ca. 1940s. Large format color reproduction print poster 15†x 23â€. Very Good. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1940s?]. unknown
19-8586Zurich: Stehli Freres S.A. ca. 1940s. Large format color reproduction print poster 15†x 23â€. Very Good. Mild rubbing across front. Printed in Switzerland. Copyright Stehli Freres S.A. Zurich: Stehli Freres S.A., [ca. 1940s?]. unknown
191887198Paris: Editions de la Sirène 1918. Fine. "" C'est le crach du Panama qui fit de moi un poète !"" It was the Panama crash that made me a poet! Editions de la Sirène Paris 1918 19 x 23.50 cm broché First edition one of 500 numbered copies on Arches laid paper. Work illustrated with 25 American railroad route maps. Spine skillfully restored discreet crease marks to corners. Superb livre-objet like the Prose du Transsibérien which was composed in the same period the poem is presented folded. The second cover in bright red executed by Raoul Dufy resembles the railway timetables that one slipped into one's pocket: ""Le nom de Cendrars orne une bouée de sauvetage associant l'auctorité d'avant-garde au travail de sauvetage dans une décennie marquée par les catastrophes maritimes du Titanic au Lusitania"" The name of Cendrars adorns a life preserver associating avant-garde authority with rescue work in a decade marked by maritime disasters from the Titanic to the Lusitania Sophie Esch. Rare early autograph inscription signed and dated December 1918 on this text by Blaise Cendrars to Georges Le Cardonnel literary critic who co-wrote with Charles Vellay La Littérature contemporaine a survey conducted among French critics writers and poets. The year following the inscription he would sign a review of J'ai tué in la Minerve française. Editions de la Sirène unknown