DORGELES (Roland) - DUFY (Raoul).Livre Rare Book
697 résultats
14818Genève, Edito-Service, sans date ; in-4 (31 x 24,5 cm). 218 pp.-3 ff. En feuilles sous couverture à rabats, chemise et étui d'éditeur, dos de basane verte titre en blanc.
10498Genève, Edito-Service, sans date. Fort volume grand in-4 en feuilles (218 pages), sous couverture rempliée décorée, chemise demi-veau vert et étui, titre au dos de la chemise. Très légère insolation et début de fentes à l'étui, griffure au dos de la chemise, pour le reste en parfaite condition. Illustré de compositions en couleurs de Raoul Dufy, gravées sur bois par Jacques Beltrand.
5337Genève Edito-Service
c3756( Vialetay, 1956, Reprint Genève, Edito, c. 1974) ; in-4°, en feuilles, couverture rempliée blanche imprimée en bleu vif, sous chemise et étui cartonnés vert clair, titre doré au dos vert foncé de la chemise cartonnée ;218pp.,1p.,nch.,2ff.; piqûres à la couverture blanche et au premier et dernier feuillet (blanc) , étui un peu décoloré, sinon bon état.
15626Paris, Vialetay, 1956. In-folio, 219 pp., plein maroquin émeraude, dos lisse, tête dorée, encadrements de maroquin avec triple filet doré et noir sur les contre gardes avec fers d'angles, couverture et dos conservés, reliure signée Jamir (dos légèrement insolé).
CCC-24768. Edition Genève edito service non date. Illustration en fac-similé des 24 bois en couleurs de Raoul Dufy. Couverture rempliée, sous emboîtage bleu, en feuilles, sous chemise avec sa suite, dos en skyvertex vert avec titre et nom de l'artiste dorés. Tirage numeroté pour cette réimpression. Réimpression de la trop rare édition illustrée originale chez Vialetay en 1956. Avec une suite des 24 superbes bois de Raoul Dufy qui illustre le texte. Photos possibles
3083Genève, Edito-service S.A., sans date, 23,5 x 30,4. Couverture rempliée illustrée et imprimée, sous emboitage en demi-basane verte. Avec étuit. Dos plat, avec auteurs et titre en lettres dorées. En feuille. Ouvrage sur papier bouffant des papeteries de Casteljoux. Fac-similé numéroté 252. OUVRAGE COMPLET avec suite des reproductions des illustrations de Raoul Dufy.
1972104390Paris: Diffusion Bibliotheque Des Arts nd c1972. Hardcover. fine. Facsimile Limited Edition. 2194pp. Thick Quarto in original quarter leather backed pale green paper covered portfolio with 24 facsimile photo-lithographs illustrations and an additional suite of 24 photo-lithographic color plates of the original woodcuts by J. Beltrand after gouaches by Raoul Dufy. Printed on Bouffant paper; all sheets loose as issued in a wrapper portfolio; with the suite of the hors-texte lithos in a separate portfolio both in matching paper covered slipcase. Text in French. Slipcase joints repaired with archival tape. fine 1972 Diffusion Bibliotheque Des Arts hardcover
2373Geneva: Edito Service. Hardcover. Near Fine. Near Fine condition hardcover in slipcase. This is a facsimile copy of the 1956 work and consists of loose leaves in a hardcover folder. LIMITED EDITION numbered 4257 ans is 218 pages. Woodcuts by Jacques Beltrand. A beautiful work with many color watercolor illustrations detailing the forced vacation from June 1940 the invasion of Paris by the Germans in WW2 through autumn 1944. Edito Service hardcover
33967Geneva: Edito-Service S.A. 1st Edition. 1st Edition. Numbered 1269 limited facsimile edition 24 cm x 31 cm 9 1/2 x 12 inches published by Edito-Service S.A and printed in Italy on thick paper papier bouffant by Papeteries de Casteljoux. 219 loose bound pages with an extra section 'Suite' with all illustrations 'hors textes'. Both sections are enclosed in thick white portfolio paper which are in turn enclosed in a heavy green cardboard portfolio with leatherette buckram spine that slides into a green cardboard slipcase. Dorgelès' text in French Vacances Forcées a euphemism for the War years between 1940 and 1944 is adroitly complimented by 24 Dufy compositions lovingly recreated by Beltrand as color lithographs from woodcuts. The loose-bound pages and protective portfolio are in excellent - fine condition while the slipcase shows some wear and is slightly buckled on the bottom right side. <br /> <br /> Again the second section 'Suite .' is 'hors textes' so all of Dufy's wonderful images are available without text and ready to be framed.<br /> <br /> <br /> A superb portfolio. Edito-Service S.A. unknown
2017500090603Harlequin 2017 423 pages 12x3x18cm. 2017. Copertina flessibile. 423 pages.
20030017646Paris France: Hazan. Bound in colour printed limp wraps featuring coloured woman against abstract background to front cover this 2003 softcover First French Edition is VG. Published to accompany an Exibition held at Maillol Gallery in Paris March to June 2003. 199pp with 4 Essays on Dufy in French language Catalogue of 123 coloured plates Biography List of Exibitions Bibliography Complete list/description of work in the Maillol Exibition. Condition all VG . Very Good. Paperback. First Edition. 2003. Hazan paperback
21199Edition Revue Cenpa n° 4 de 1953. In-4 broché sous magnifique couverture spécialement réalisée par Léger. Revue éditée par la Société centrale des Usines à Papiers & Papeteries J.B. Weibel réunies. Texte inédit de 3 pages avec superbe dessin inédit pleine page de Jean Cocteau.67 pp. Luxueuse revue publiée sous la direction de R.Nathan et J.Carlu, par les établissements CENPA (emballages papier) et dont les quelques numéros parurent entre 1952 et 1954. Couverture originale en couleurs de F.Léger. Pouvoirs de l'imprimerie, Esprit de la lettre, l'aventure de l'alfa, loisirs photographiques, par Jean Cocteau, Jean Loisey, Marcel Zahar. Hors-texte de J.Cocteau, Dufy, Toulouse-Lautrec et nombreuses reproductions d'emballages. Illustrations de Raoul Dufy, Picasso, Fernand Léger. Textes inédits de Roger Nathan, Jean Riverain, Jean Loisey, André Lejard, François Gerhardt, Marcel Zahar, Félix Daumas, Albert Hyne, Jean Carlu,etc. Photo de Brassaï.
3312P., Au Sans Pareil, 1920, 1 vol. petit in-8 br. de 70 pp. Couverture légèrement insolée, quelques pâles rousseurs sinon bel et rare exemplaire.
1920137451920 P., Au Sans Pareil, 1920, 1 vol. petit in-8° (193 x 145), broché sous couverture crème imprimée en noir et bleu, de 68 pp. - (1) f. bl. - (1) f. (justificatif de tirage).Dos légèrement insolé, très bel exemplaire par ailleurs.
15596Paris, au Sans Pareil, 1920. In-8 broché, 68 pp. ( papier bruni, quelques feuillets détachés ainsi que les plats de la couverture).
1920DUFYRAOU004620Au Sans Pareil Paris. 1920. First edition. Octavo. 71 pages. Five full-page drawings by Raoul Dufy. One of 325 numbered copies "sur Verg� d'arches". Original wrappers. Poems.On the first blank is the ownership of the art historian Churchill Lathrop "Paris August 1938". Most of the pages are water-stained at lower edge but miraculously the water bypassed the five plates. Spine and cover edges a little darkened and rubbed. Very good. Au Sans Pareil, Paris. unknown
19203615Paris 1920. Limited Edition. Soft cover. Very Good. #345/353. 5 dessins hors texte de Raoul Dufy. Original wrappers lightly chipped. <br/><br/> paperback
50-1138New York ca. 1950s. . Silkscreen print after the painting at the Musée d'Art Moderne Paris. 53 x 67mm. Image. Some wrinkling in margins. New York, ca. 1950s. unknown
68-2412New York NY: Perls Galleries 1953. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1953. paperback
68-2409New York NY: Perls Galleries 1951. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1951. paperback
68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback
68-2411New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
1926009984Huntington NY: Pidgeon Hill Press 1926. First Edition. Printed Covers. VG. Slightly rolled spine small loss to upper right corner front cover internals near fine. Errata slip tipped-in at apstedown. Pidgeon Hill Press unknown books
