187 résultats
192862975Paris 1928. First edition one of 100 marked "H.C. Approx. 15 black and white line drawings throughout. 8 pp. 1 vols. Thin 4to. Brown wrappers. In original glassine fine. In olive green cloth chemise with edgewear near fine. First edition one of 100 marked "H.C." Approx. 15 black and white line drawings throughout. 8 pp. 1 vols. Thin 4to. unknown
70-2334London: Connaught Brown 1997. 5.75 x 17.5 inches. Very Good. Single sheet printed both sides folded into three panels. Light wrinkling. Color plates. Extremely Scarce. London: Connaught Brown, 1997. unknown
51-5957Honfleur: 1954. Continuous tone poster. 76x51 cm 30x20".Small nick lower left corner Honfleur: 1954 unknown
50-1139Raymond & Raymond Inc. Silkscreen print. Raymond & Raymond, Inc. unknown
1972104390Paris: Diffusion Bibliotheque Des Arts nd c1972. Hardcover. fine. Facsimile Limited Edition. 2194pp. Thick Quarto in original quarter leather backed pale green paper covered portfolio with 24 facsimile photo-lithographs illustrations and an additional suite of 24 photo-lithographic color plates of the original woodcuts by J. Beltrand after gouaches by Raoul Dufy. Printed on Bouffant paper; all sheets loose as issued in a wrapper portfolio; with the suite of the hors-texte lithos in a separate portfolio both in matching paper covered slipcase. Text in French. Slipcase joints repaired with archival tape. fine 1972 Diffusion Bibliotheque Des Arts hardcover
2373Geneva: Edito Service. Hardcover. Near Fine. Near Fine condition hardcover in slipcase. This is a facsimile copy of the 1956 work and consists of loose leaves in a hardcover folder. LIMITED EDITION numbered 4257 ans is 218 pages. Woodcuts by Jacques Beltrand. A beautiful work with many color watercolor illustrations detailing the forced vacation from June 1940 the invasion of Paris by the Germans in WW2 through autumn 1944. Edito Service hardcover
33967Geneva: Edito-Service S.A. 1st Edition. 1st Edition. Numbered 1269 limited facsimile edition 24 cm x 31 cm 9 1/2 x 12 inches published by Edito-Service S.A and printed in Italy on thick paper papier bouffant by Papeteries de Casteljoux. 219 loose bound pages with an extra section 'Suite' with all illustrations 'hors textes'. Both sections are enclosed in thick white portfolio paper which are in turn enclosed in a heavy green cardboard portfolio with leatherette buckram spine that slides into a green cardboard slipcase. Dorgelès' text in French Vacances Forcées a euphemism for the War years between 1940 and 1944 is adroitly complimented by 24 Dufy compositions lovingly recreated by Beltrand as color lithographs from woodcuts. The loose-bound pages and protective portfolio are in excellent - fine condition while the slipcase shows some wear and is slightly buckled on the bottom right side. <br /> <br /> Again the second section 'Suite .' is 'hors textes' so all of Dufy's wonderful images are available without text and ready to be framed.<br /> <br /> <br /> A superb portfolio. Edito-Service S.A. unknown
20030017646Paris France: Hazan. Bound in colour printed limp wraps featuring coloured woman against abstract background to front cover this 2003 softcover First French Edition is VG. Published to accompany an Exibition held at Maillol Gallery in Paris March to June 2003. 199pp with 4 Essays on Dufy in French language Catalogue of 123 coloured plates Biography List of Exibitions Bibliography Complete list/description of work in the Maillol Exibition. Condition all VG . Very Good. Paperback. First Edition. 2003. Hazan paperback
1920DUFYRAOU004620Au Sans Pareil Paris. 1920. First edition. Octavo. 71 pages. Five full-page drawings by Raoul Dufy. One of 325 numbered copies "sur Verg� d'arches". Original wrappers. Poems.On the first blank is the ownership of the art historian Churchill Lathrop "Paris August 1938". Most of the pages are water-stained at lower edge but miraculously the water bypassed the five plates. Spine and cover edges a little darkened and rubbed. Very good. Au Sans Pareil, Paris. unknown
19203615Paris 1920. Limited Edition. Soft cover. Very Good. #345/353. 5 dessins hors texte de Raoul Dufy. Original wrappers lightly chipped. <br/><br/> paperback
50-1138New York ca. 1950s. . Silkscreen print after the painting at the Musée d'Art Moderne Paris. 53 x 67mm. Image. Some wrinkling in margins. New York, ca. 1950s. unknown
68-2412New York NY: Perls Galleries 1953. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1953. paperback
68-2409New York NY: Perls Galleries 1951. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1951. paperback
68-2415New York NY: Perls Galleries 1956. 8vo. 16 pp. Stapled Wraps Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1956. paperback
68-2413New York NY: Perls Galleries 1954. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1954. paperback
68-2411New York NY: Perls Galleries 1952. 8vo. 16 pp. Stapled Wraps Deckled Edges Very Good with minor sun-fading. Illustrated. The Perls Gallery in New York was founded in 1937 by Klaus Gunther Perls 1912-2008 and his brother Franz R. Perls1910-1975 after having worked at their mother's Galerie Kate Perls in Paris. Following his marriage to Amelia Blumenthal of Philadelphia in 1940 Klaus and Amelia B. Perls jointly ran the gallery. They specialized in modern French painting while Franz established the Frank Perls Gallery in Beverly Hills.He originally dealt in works by Maurice Utrillo Maurice de Vlaminck and Raoul Dufy that his mother sent from Paris until the Nazi occupation. When she was forced to flee France he began dealing in now little known contemporary American artists including Darrel Austin and in Mexican and South American art such as Mario Carreno. After the war Klaus again dealt in French art from the School of Paris.Artists in the Perls' stable included Rouault Picasso Léger Derain Dufy Matisse Modigliani Pascin Soutine and Vlaminck. The Perls Galleries closed in 1997. New York, NY: Perls Galleries, 1952. paperback
199267972Univ of Pennsylvania Pr. New. 1992. Hardcover. 9065380329 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 9065380329. Text in Dutch French English and German with portions in French only. 220 pp. With 99 ills. 80 col. . 25 x 23 cm. Description: "Illuminates diverse explorations of ceramics by six major European artists through a chiefly pictorial survey of 80 painted vessels tiles plates and sculptural objects dating mainly from the 1950s and 60s." -- with a bonus offer--; 1.25 x 9.75 x 9 Inches . Univ of Pennsylvania Pr hardcover
198231153AB1982. Band II. Paris Louis Carré & Cie. 1982. 4°. LV 439 S. Mit farb. Tafeln und Textillustrationen. Orig.-Leinenband mit Schutzumschlag. unknown
03-0202ca. 1950s. Silkscreen poster. Mounted on board. 19 x 26 inches. ca. 1950s. unknown
70-2353London: Connaught Brown 1998. 6.25 x 34 inches. Very Good. Single sheet printed both sides folded into eight panels. Color plates; artist bios. Extremely Scarce. London: Connaught Brown, 1998. unknown
19513301301951. framed. near fine. Card signed by French painter Raoul Dufy. Hand-written in french. Inscription translates."To my friend Alexandre Schneider Souvenir of Raoul Dufy Paris 22 September 1951". Framed with a photograph of Dufy. Please inquire for more information.<br/> <br/> Raoul Dufy was a French painter associated with the Fauvist movement. He gained recognition for his vibrant and decorative style which became popular in various forms such as textile designs and public building decorations. Dufy is most remembered for his artwork depicting outdoor social gatherings. In addition to painting he was skilled in various other fields including drawing printmaking book illustration scenic design furniture design and planning public spaces.<br/> <br/> unknown
50301Musée des Beaux Arts de Lyon In-4 31 cm 30 feuillets illustr. avec un dépliant: 41 cm et un carton d'invitation ensemble sous chemise illustr. de l'éditeur bon etat Ats4 Raoul Dufy - Communiqué de Presse - Repère biographiques - Parcours de la rétrospective 1901-1950 - Autour de l'exposition - Listes d'oeuvres - etc. unknown
1965325720New York: Hirschl & Adler 1965. paperback. very good. Introduction by Henri Gaffie Color illustrations pictorial end-papers. Thin 8vo color pictorial wrappers lightly bumped and edgeworn. New York: Hirschl & Adler 1965. Very good.<br/> <br/> The first time so complete an exhibition was presented in New York. The catalogue was printed by Mourlot in Paris. The exhibition went on to the Honolulu Academy of Arts and the Phoenix Art Museum in 1966.<br/> <br/> Hirschl & Adler unknown
19-8380NY: The New York Graphic Society ca. 1940s. Large format color reproduction print poster 15†x 33â€. Very Good. Printed in Holland. Copyright The New York Graphic Society. NY: The New York Graphic Society, [ca. 1940s?]. unknown
19-8416NY: The New York Graphic Society ca. 1940s. Large format color reproduction print poster 15†x 33â€. Very Good. Minor foxing visible in margins. Printed in Holland. Copyright The New York Graphic Society. NY: The New York Graphic Society, [ca. 1940s?]. unknown