699 résultats
195862011Mermod: Laussanne 1958. First Edition thus. Paperback. very good. 4000 copies printed by Albert Kundig Geneva Switzerland November 1958. 12mo 6 3/4" tall 119 pages stiff illustrated wraps. A very good clean neat soft cover with little shelf wear interior near fine binding tight paper lightly yellowed. Glassine wrapper moderately yellowed with several edge tears. Please note: this small book will be shipped United Parcel Service UPS at higher cost than the USPS. Mermod: Laussanne paperback
19491104Paris : Éditions de la Maison de Nice, 1949. In-12, 190 x 132 : 72 pp. — Demi-maroquin rouge à larges coins, filet à froid, dos à nerfs, tête dorée, couverture illustrée et dos conservés (Semet et Plumelle).
50-0699Albi: Musée Toulouse-Lautrec 1955. Poster. 73.5 x 52 inches. Printed by Mourlot. Albi: Musée Toulouse-Lautrec, 1955. unknown
216004Contentum Ltd. Loose sheet. New. Contentum Ltd. unknown
193632058AB1936. Paris Freres Draeger 1936. Folio 26 cm wide x 32 cm high. 44 pages with 19 aquarelles. / 19 photolithographs of watercolors 18 in colors plus 1 photolithograph of a drawing wrappers. Original illustrated Softcover with illustrated dustjacket. Very good condition with only minor signs of wear. This delightful little volume first published in French in 1936 extols the many joys and benefits of wine. Wine drinkers will take pleasure in Gaston Derys's quaint appreciation of the grape and art lovers will admire Raoul Dufy's joyful watercolors. Reflecting the exuberance and elan of an earlier day Derys takes us back to a time when the doctor's favored prescription was an amiable glass of wine. In Derys's ode to wine here translated into English we discover that the medicinal and therapeutic uses of wine are it assists in fighting typhoid infant sicknesses and diabetes; it exerts a positive effect on one's character beauty and and it lends a fortifying power to athletes and soldiers. Supported by the comments of French doctors as well as Dufy's beautifully reproduced paintings Derys's argument to raise a glass of wine becomes pleasantly irrefutable. Goodreads ______________________________________________________________________________ Raoul Dufy 3 June 1877 23 March 1953 was a French painter associated with the Fauvist movement. He gained recognition for his vibrant and decorative style which became popular in various forms such as textile designs and public building decorations. Dufy is most remembered for his artwork depicting outdoor social gatherings. In addition to painting he was skilled in various other fields including drawing printmaking book illustration scenic design furniture design and planning public spaces. Wikipedia paperback
2003Q-0300101333Yale University Press 2003-11-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Yale University Press hardcover
193655826Paris Draeger pour les Eta 1936 In-4, broch, couverture illustre. Etui.Pour les ftes de fin d'anne, les vins Nicolas ditaient un catalogue illustr chaque anne par un artiste diffrent. En 1936, la ralisation fut confie Raoul Dufy qui excuta 19 aquarelles (dont 18 reproduites en couleurs et une en noir) et conut une superbe lithographie originale qui servit de couverture. C'est le seul catalogue Nicolas qui possde une gravure originale. Les exemplaires ont disparu avec le temps, et ceux conservs en bon tat sont devenus trs rares.
1936202111936 Paris, imprimerie Draeger ,1936, In quarto, broché,état convenable, Plat légèrement terni, dos très légèrement fendu,intérieur impeccable,
193699379Charenton-Le-Pont, Nicolas [Montrouge, Draeger], 1936, in-4, [44] pp, Broché, couverture illustrée en noir, L'une des publications de la maison Nicolas les plus recherchées. Elle est illustrée de 19 grandes aquarelles de Dufy, reproduites dans le texte en couleurs, et d'une lithographie originale en noir pour la couverture. La typographie est de Cassandre. Les textes font la promotion des vertus médicales du vin : ses vitamines, sa radioactivité (!), son efficacité contre les maladies infantiles, le diabète ou l'obésité, son action sur le moral... En tête d'ouvrage se trouve le fac-similé d'une lettre de Pétain, dans laquelle le maréchal démontre que le vin aurait même "largement concouru, à sa manière, à la victoire" de 1918. Bon exemplaire, exempt de rousseurs. Brochage un peu faible Oberlé, Fritsch n° 588. Couverture rigide
0365563412.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1921150741921. Dufy Raoul. Signed receipt dated December 11 1921 documents the commercial activity of a Fauvist painter whose work expanded beyond painting into textile design ceramics and large-scale decorative commissions during the interwar period. Associated with Fauvism Dufy developed a distinctive visual language characterized by bold color and rhythmic line that translated effectively into applied arts and commercial design. The document situates the artist within the economic structures of the Paris art and design market in the years following World War I when collaborations between fine artists and decorative industries became increasingly central to modern French visual culture. It supports research into artist economies the integration of avant-garde aesthetics into commercial production and the financial documentation of early twentieth-century European artists.<br /> <br /> Dufy Raoul. Receipt signed. Paris December 11 1921. Single sheet measuring approximately 5.5" x 7" written in French and signed "Raoul Dufy." A 50 centime revenue stamp appears below the signature indicating formal financial validation within the French fiscal system. The document includes docketing holes along the right margin consistent with filing or record-keeping practices. The receipt reflects routine transactional documentation tied to Dufy's professional activities during a period when his designs were widely adapted for textiles and decorative commissions.<br /> <br /> Created during a decade in which Dufy collaborated with fashion houses and manufacturers including textile production associated with Bianchini-Férier the receipt provides material evidence of the administrative and commercial dimensions of modernist artistic practice. Paris in the early 1920s functioned as a central hub for the fusion of avant-garde art and industrial design with artists like Dufy contributing to the dissemination of modern aesthetics across everyday objects and public spaces. Such financial documents though routine in form contribute to a fuller understanding of how modern artists sustained their practices within evolving markets for both fine and applied art. Minor wear and docketing holes at right margin; document clean and legible; overall in very good condition. unknown
1931014764Paris Edmond Honoré 1931 In-4 Broché
1985LFA0009fUn ouvrage de 287 pages, format 225 x 140 mm, broché, publié en 1985, Editions Le Pré aux Clercs
20151221172015 Fondation Pierre Gianadda - 2015 - In-8, broché, couverture illustrée - 287 pages - Nombreuses photographies et reproductions en couleurs in et hors-texte
17-5175Paris France: Daniel Malingue 1984. 12mo. Ca. 40 pp. Softcovers. Very Good with edgewear on cover. Color Plates. Text in French. Paris, France: Daniel Malingue, 1984. paperback
In-4° a fogli sciolti, 25 ilustrazioni litografiche f.t. colorate a "pochoir", brossura editoriale in camicia e custodia editoriale illustrata a colori. Tiratura limitata a 1000 esemplari nmerati "sur velin", il nostro è il n. 367.
1920D14045Paris: La Sirene 1920. Limited Edition. Paperback. Near Fine/Very Good. Original printed blue wraps; glassine dust jacket; 4to; with 25 lithographic illustrations in full-color pochoir on Laruma de Voiron paper. Number 801 from a limited edition of 1110 copies. Small chips at spine tips and corners otherwise book is fine. Glassine lightly chipped torn and tanned along the edges. Tasteful bookplate of Louis and Anne Marie Davidson on FFEP. A lovely copy -- plates are nice and bright suitable for display. <br/><br/> La Sirene paperback books
50917Cercle du Livre Précieux 1960, in-4 (28,5 x 23 cm) broché, en feuilles sous couverture rempliée avec chemise cartonnée illustrée en couleurs et emboîtage illustré à l'identique, non paginé, environ 60 p. (bel état) Tirage limité à 1200 exemplaires, 1 des 1000 numérotés sur vélin pur fil. Très belle édition, entièrement composée à la main, les poèmes de Mallarmé étant illustrés de compositions pleine page de Raoul Dufy, lequel inspire également le décor de l'emboîtage.
1960107591960 Paris, Cercle du livre précieux (Villetaneuse, Imprimerie française des arts graphiques), 1960; in - 4° en feuilles, couverture repliée rose imprimée en noir, sous chemise et étui cartonnés illustré en couleurs reproduisant un motif original de la collection Dufy de MM. BIanchini-Férier, titre imprimé en noir sur une étiquette de papier rose au dos de la chemise. Ouvrage non paginé illustré de 25 compositions en couleurs par Raoul Dufy.
1960LIQ-5095P. Cercle du Livre Précieux 1960. In-4° en feuilles sous chemise et étui illustré en couleurs de l'éditeur.
60848P., La Sirène, 1920, in 4° broché, couverture bleue rempliée ; dos manquant ; plats poussièreux et fragile.
ORD-6754Images de Raoul Dufy. La Sirène. 1920. In-4 bradel cartonnage bleu de l'éditeur (23x28,5cm), 24 illustrations couleurs à pleines pages de Raoul Dufy. Texte imprimé par Louis Kaldor; images tirées sur presse à bras par Aimé Jourde et coloriées par Richard. Tirage à 1110 exemplaires, celui-ci un des 1000 sur vélin Lafuma de Voiron. Tout petit défaut au dos de la couverture sinon bel exemplaire.
192011553Paris, Éditions de La Sirène 1920. 1 vol. in-4. Broché, couvertures bleues imprimées et rempliées.
34129Paris, La Sirène, 1920. Pt. in-4°, 64 pages non chiffrées. Reliure demi-maroquin rouge à coins, dos lisse avec titre doré à froid, tête dorée, couverture conservée.
192015243Paris, La Sirène, 1920. In-4 broché de [64] pages, couverture bleue rempliée.
