426 résultats
199313366BBMünster, Lit (= Kunstgeschichte, Bd. 12), 1993. 8°, 247 S. plus 30 Abbildungen auf Tafeln, darunter 3 farbige, farbig illustr. original Pappband (Hardcover), Erstausgabe der helle Einband ein wenig nachgedunkelt, sonst aber ein sehr gutes, sauberes Exemplar.
1983122442Smithsonian Institution Press, Washington, D.C., 1983. 240 S. ; 30,5 x 23 cm ; kart. ;
1947122451Avalon Press & Central Institute of Art and Design, London, 1947. 40 S., 45 Taf. ; 25,5 x 19 cm ; Pp. ;
198889308Amsterdam and London: Suzanne Biederberg Gallery / The October Gallery 1988. First Edition. Slim octavo 20.5cm; original printed card wrappers; 24pp with color illustrations reproducing 16 paintings by Burroughs. Inscribed by the author to legendary English bookseller Bernard Stone owner of The Turret Bookshop: "For Bernard Stone / James W. Grauerholz." Light wear to extremities a few tiny spots to left edge of front cover; Near Fine. Catalog for a two gallery show of Burroughs paintings with a lengthy essay by Grauerholz "On Burroughs' Art". Stone's Turret Bookshop was a hub for literary life in London drawing many counterculture and Beat generation figures including Burroughs. 89308. Suzanne Biederberg Gallery / The October Gallery unknown
19963117669Santa Monica: Smart Art Press. Fine with no dust jacket. 1996. First Edition; First Printing. Softcover. First edition. Exhibitiion catalogue for the show presented at the Beramot Station in Santa Monica in conjuntion with Track16 Gallery and the Robert Berman Gallery. Fine in pictorial wrappers with 3 punch holes simulating buckshot on front cover. Unpaginated 7" X 9" Texts by Timothy Leary and Benjamin Weissman catalogue design by Marika van Adelsberg. Color & b&w images throughout. ; 8vo 8" - 9" tall; 50 pages . Smart Art Press paperback
1978SKU2020021419American Wildlife Art Galleries 1978. First Edition. Hardcover. Like New/Very Good. Signed by Author. In Near Fine condition in price clipped dustjacket with some light edgewear. Signed on title page signature only by Walter Bush Les Kouba and Jim Robinson. Copies signed by all three contributors are quite scarce. "Never before has so much information on how to hunt ducks and geese been contained in one book. All phases of the sport are covered in detail by two men who have had more than a century of experience between them from the market hunting days to the present.This is a post graduate course in wildfowl hunting leading to a masters degree.Guns gun fit decoys duck and goose calling duck identification and pages of useful information.". Bush shot trap with and hunted each year with Jimmy Robinson at the Duck Camp on the Delta Marsh and other fine waterfowling destinations for over 50 years. He was a National Trustee of Ducks Unlimited for many years and a long time member of the Outdoor Writers Association. Jimmy Robinson was one of the world’s most famous hunting writers and sportsmen editor for Sports Afield magazine and the hunting partner of some of the biggest names in entertainment politics and business. He was also a close friend of Ernest and Mary Hemingway and hunted with Hemingway's son Pat. Robinson was one of the original members of Ducks Unlimited a waterfowl conservation organization. Jimmy joined the Amateur Trapshooting Association as a statistician in 1922 an association that he maintained for the next fifty years. In 1926 he began writing for Sports Afield magazine with his first article about his good friend Annie Oakley. Renowned as a hunter fisherman and conservationist his writing career spanned 45 years. He wrote fourteen books on shooting and hunting. Each year since 1935 his duck survey of Western Canada was awaited eagerly by hundreds of newspapers all over North America. His contributions in building Ducks Unlimited were so great that they named him an honorary trustee in 1970 along with Bing Crosby and Andrew Mellon. Several times he tried to retire but could not — his editors would not accept his resignation and no one could replace him. Sometimes called the “Sportsman of the Century” Jimmy is the only man inducted into five Halls of Fame: Fishing Minnesota Skeet Trapshooting and Waterfowl. Jimmy founded his first lodge at Delta Marsh in 1935 in a farmhouse near Portage Creek. Its more luxurious successor dubbed the “Sports Afield Lodge” in honor of Jimmy’s long-time employer was built in 1958 on the east side of the marsh south of St. Ambroise. The “Sports Afield Duck Club” had numerous well-heeled members from a broad cross section of the American business community. Les Kouba 1917-1998 was Internationally known as one of the world’s foremost master painters of wildlife. He is recognized as the founder of the wildlife art revival in the 1970s and as such inspired many other wildlife artists. His deep understanding of wildlife stems from growing up on a Minnesota farm which afforded him ample opportunity to observe and study wildlife in their natural habitat. Kouba said “Because I actually hunted and fished I developed an early understanding of all of the background skills necessary for my future career as a wildlife artist.” Kouba gained fame as the painter of over 20 Conservation Stamps including two Federal Duck Stamps 1958 and 1967 as winner of the 1982 Wildlife Heritage Foundation Artist of The Year and for his Canadian Ducks Unlimited 50 Year Commemorative Stamp. “Ducks Unlimited is the world’s largest and most effective private waterfowl and wetlands conservation organization. In no small way we are able to say that because of Les Kouba and his art. He raised many millions of dollars for DU and played an integral role in our growth. His 1976 DU print Bluebills in Lifting Fog established a new record for fundraising. Because his images of waterfowl and habitat are so authentic they instantly capture the atmosphere of what Ducks Unlimited is all about.” American Wildlife Art Galleries hardcover
1975006635London 1962: Barrie & Jenkins 1975. Revised Fifth Edition . Red Cloth. Fine/Near Fine Dustjacket. 10 x 13" oblong. 85 Pp. Revised Fifth Edition. Red Cloth. Fine In Near Fine Dust Jacket With Publisher's L12.50 Price Label On Front Flap. A Bright Clean Copy. <br/> <br/> Barrie & Jenkins hardcover
1989122519The Tate Gallery Publications, London, 1989. 300 S. ; 27 x 23,5 cm ; Leinen
19912090502113713786Not Available 1991. Soft Cover. Fine. The book is in fine condition. Not Available paperback
199516039Galerie Michael Schultz, Berlin, 1995. ca 100 nn Seiten, ca. 31,5x21,5cm, OLeinen mit bedrucktem Vorderdeckel. Auf dem Titelblatt mit kleinen Zeichnungen, einer Widmung, datiert und von Leiberg signiert. Mit 87 farbigen Abbildungen von Leiberg-Arbeiten. Mit Biographie, Bibliografie, Ausstellungsverzeichnis (Auswahl). Gutes Exemplar. Unikat. With a little drawing, signed and dedicated. Fine copy. [2 Warenabbildungen]
19894939299Espasa-Calpe 1989. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:8423938565 Espasa-Calpe hardcover
19631075<p>SIGNED by author on the front free end paper. Hardcover. Red cloth with gilt on black spine label. Octavo. xv 223pp. Small historical society ink stamps to lower margins of two pages otherwise very good. Intact dust jacket shows some shelf wear and evidence of a sticker removed from lower spine Now protected in an archival quality mylar sleeve.</p><p>Campa was the first folklorist to challenge the notorious Hispanophile narrative an Anglo initiated discourse whose broad acceptance was an ideological thread of the strategy to advance New Mexico statehood prior to 1912. The tales collected here told in a effortless and informative style and reflect the author's deep knowledge of the area and its people.</p> University of Oklahoma Press hardcover
1989122526Norton Simon Museum, Pasadena, California, 1989. 207 S. ; 31 x 23,5 cm ; Leinen.
1989118579Norton Simon Museum, Pasadena, California, 1989. 207 S. ; 30,5 cm ; kart. ;
1993122765Trustees of the National Galleries of Scotland, Edinburgh, 1993. 104 S. ; 24,5 x 22 cm ; kart. ;
1969116262W. W. Norton & Company Publishers, New York, 1969. XI, 1124, 400 S. ; 24 cm ; Leinen.
19771202200469xbvkFirenze, Edizioni Scelte Lungarno Guicciardini, (1977). 24 pages, with the poem 'Carra' by Buzzi, 7 pages of text by Carra, 9 pictorial plates and a catalogue of 73 paintings. - Publisher's yellow softcover with embossed title; 8vo.(ca. 18 x 12 cm).
1962KOS02201027Kobayashi Kose 1962. Soft Cover. Fine. KOS02201027 Kobayashi Kose paperback
1977119320A Push Press / Harmony Book - Harmony Books, New York, 1977. 72 S. ; 32 x 23,5 cm , kart. ;
197198927The National Palace Museum, Taipei, Taiwan, Republic of China, 1971. 28 cm ; Leinen
197199189The National Palace Museum, Taipei, Taiwan, Republic of China, 1971. 28 cm ; Leinen
1959N4933Shanghai: Shanghai People's Fine Arts 1959. Limited Edition . Orig. Cloth. Good. Large Folio. Elephante folio. 545 x 395cm. Cover decorated with Chinese letters. With 100 full page mostly coloured hand-tipped plates. TEXT IN CHINESE ONLY.Some plates with small handwritten private translations of plates into English mostly on verso near Chinese description A VERY BEAUTIFUL PRODUCTION. Limited edition of 1000 Ex. - Edges with some wear spine at ends rubbed and with some loss. Some light foxing on binding. INSIDE CLEAN AND FRESH. A very heavy item with additional shipping fees <br/> <br/> Shanghai People's Fine Arts hardcover
1981048250Australia: Lansdowne Editions 1981. "From the artist's travels throughout most of the world's continents the birds portrayed in this volume range from cosmopolitan sparrow to the rare New Zealand Takahe." Blue cloth on boards silver title and just a few faint small spots/marks. Head of title page inscribed. Nice clean contents. Colour & b/w drawings. Binding is As New. 260p Box slipcase: VG: blue cloth on boards. Case with dj cover: clean moderately shelf-sunned. Large & heavy folio: 420 x 290 mm / 4kgs. First Edition. Hb. VG/None. Lansdowne Editions Hardcover
1983122799The Metropolitan Museum of Art, New York, 1983. 48 S. ; 28 x 21,5 cm ; broschiert.
1965118624City of Birmingham Museum and Art Gallery, Birmingham, um 1965. 50 S. ; 23,5 cm ; broschiert.