Durer, AlbrechtBiblio.com
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63-8339Berlin: Reichsdruckerei ca. 1908 - 1913. Facsimile of Woodcut. 10" x 13" mounted to mat board. Very Good with minor staining to mat board. [Berlin: Reichsdruckerei, ca. 1908 - 1913]. unknown
63-8340Berlin: Reichsdruckerei ca. 1908 - 1913. Facsimile of Woodcut. 12" x 16" mounted to mat board. Near Fine. [Berlin: Reichsdruckerei, ca. 1908 - 1913]. unknown
63-8341Berlin: Reichsdruckerei ca. 1908 - 1913. Facsimile of Woodcut. 12" x 16" mounted to mat board. Near Fine. [Berlin: Reichsdruckerei, ca. 1908 - 1913]. unknown
63-8337Berlin: Reichsdruckerei ca. 1908 - 1913. Facsimile of Woodcut. 12" x 16" mounted to mat board. Very Good with minor staining to mat board. [Berlin: Reichsdruckerei, ca. 1908 - 1913]. unknown
63-8338Berlin: Reichsdruckerei ca. 1908 - 1913. Facsimile of Woodcut. 9.5" x 13" mounted to mat board. Near Fine. [Berlin: Reichsdruckerei, ca. 1908 - 1913]. unknown
63-8336Berlin: Reichsdruckerei ca. 1908 - 1913. Facsimile of Woodcut. 9.5" x 9.5" mounted to mat board. Near Fine. [Berlin: Reichsdruckerei, ca. 1908 - 1913]. unknown
63-8335Berlin: Reichsdruckerei ca. 1908 - 1913. Facsimile of Woodcut. 12" x 16" mounted to mat board. Near Fine. [Berlin: Reichsdruckerei, ca. 1908 - 1913]. unknown
2012379759Nuremberg: Thames & Hudson 2012. First Edition. Hardcover. Fine gilt-blocked cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Literally as new. Physical description: 603 pages : illustrations chiefly color maps facsimiles plans portraits ; 28 cm. Notes: ""Published on the occasion of the exhibition . organized by the Germanisches Nationalmuseum Nuremberg May 24-September 2 2012""--Colophon. Published to accompany the exhibition held 24 May - 2 Sept. 2012 at the Germanisches Nationalmuseum Nuremberg. Includes bibliographical references pages 553-582 and indexes. Contents: A different early Dürer : three proposals / Thomas Eser -- An ideal neighborhood : the physical environment of the early Dürer as a space of experience / Sebastian Gulden -- Albrecht Dürer and Strasbourg / Michael Roth -- The young Dürer and Italy : contact with Italy and the mobility of art and artists around 1500 / Beate Böckem -- Dürer Celtis and the birth of landscape painting from the spirit of the ""Germania illustrata"" / Jörg Robert -- The ""other apelles"" and the ""painter with the bushy beard"" : Dürer as a subject in German literature around 1500 / Anja Grebe -- Tradition as challenge : Dürer's earliest studies for figures / Stephanie Buck -- Dürer's early private and commissioned portraits between tradition and innovation / Dagmar Hirschfelder -- Nature as art's supreme guide : Dürer's nature and landscape studies / Daniel Hess -- Dürer and stained glass / Hartmut Scholz -- Why woodcut : Dürer in search of his medium and role / Peter Schmidt -- The young Dürer and 15th-century engraving / Lothar Schmitt -- Dürer as painter : the early work up to 1505 / Daniel Hess Oliver Mack -- Sternkraut : ""The word that unlocks"" Dürer's self-portrait of 1493 / Shira Brisman -- Peripeteia : Konrad Celtis the Nuremberg school of poets and Dürer's ""Ercules"" / Thomas Schauerte -- Architecture in the work of the young Dürer / G. Ulrich Grossmann -- Dürer's Madonnas / Peggy Grosse -- ""Ein freie Hant"" : autonomy drawing and the young Dürer / Stephanie Porras -- Catalogue. Section 1 The self and its new media ; Section 2 Copying and making new ; Section 3 ""Powerful art"" : Dürer as a dramatist ; Section 4 What is art -- Appendix. Material for a Dürer matrix from 1471 to 1505. Subjects; Dürer Albrecht 1471-1528 ; Exhibitions. Dürer Albrecht 1471-1528 Criticism and interpretation. Dürer Albrecht 1471-1528 ; Expositions .Artistes Allemagne ; Biographies ; Expositions. Art and Design. Nuremberg: Thames & Hudson hardcover
stela2097Wiedbaden: Otto Harrassowitz 1971. 8vo. pp. xliv 707 24 plates. German text. b/w plates. cloth. dw. minor wear to extremities. cardboard slipcase worn Wiedbaden: Otto Harrassowitz, 1971 hardcover
8246Wien, Grosse Illustrierte Phaidon-Ausgabe, 1936. 2. Auflage. In-4 cartonné, 592 p. Frontispice : portrait en couleurs contrecollé : Bildnis des Hieronymus Holzschurer. Nombreuses reproductions des oeuvres de Dürer en noir et en couleurs. Ouvrage en allemand. Très bon état (rousseurs discrètes sur 1er plat et dos).
17575Copie XIXème. 278 x 385 mm. Rousseurs.
19716042288Wiesbaden, Harrassowitz 1971. gr.-8°. XLIV, 707 pp. und 24 Tafeln. Signaturschildchen auf Rücken, Stempel verso Titel. Sonst ordentlich.
196617155Berlin, Deutscher Verein für Kunstwissenschaft, 1966. 4°. Mit 80 Tafeln. 510,(2) S. Orig.-Leinen.
1936720BBBerlin, Dt. Verein f. Kunstwissenschaft, 1936-. 4 Bde. 4° OLwd. mit gold. Schrift a. d. Rück. u. Deck. Rück. leicht verblichen u. berieben, Bd. 2 m. Einr. d. ober. Kapit. sowie Rück.-Gel. geplatzt, innen sauber erhalten.
1969191566Berlin: Deutscher Verein für Kunstwissenschaft 1969. Hardcover. VG light rubbing along corners of block and edges of boards. Pages are clean and clear. Tan cloth boards with silver lettering on front cover and spine. 481 96 pp. Text in German Teaching of human proportion: Drafts for measuring the Exempeda and for the theory of movement; fair copies; the Aesthetic Digression The Instruction of Measurement Fixtures Miscellaneous. Deutscher Verein für Kunstwissenschaft hardcover
194724923Wien 1947. Dürers Holzschnittfolge in Faksimile. Text aus der Deutschen Bibel 1483. Drucktypen aus Schedel'scher Weltchronik 1493. Mit dem zusätzlichen Titelblatt von 1511 N.r 139/350 Expl.Mappe etwas läd. Mirabell 2°. Hln. Mappe Kunst unknown
B00065279Eichstätt Krüll 1868. 37 auf Trägerkarton aufmontierte Holzstiche Titel- und Widmungsblatt 30 x 22 cm Titelblatt: der leidende Heiland auf einem Stein sitzend. Adam nud Eva. Die Austreibung aus dem Paradies. Die Verkündigung. Die Geburt Christi. Christus nimmt Abschied von seiner Mutter Einzug in Jerusalem. Austreibung der Käufer aus dem Tempel. Das Abendmahl. Die Fusswaschung. Der Heiland am Oelberge. Die Gefangennehmung. Christus vor Hannas geführt. Der Hohepriester zerreisst seine Kleider. Die Verspottung Christi. Christus vor Pilatus. Christus wird vor Herodes-geführt. Die Geisselung. Die Dornenkrönung. Ecce homo. • Pilatus wascht die Hände. Die Kreuztragung. Das Schweisstuch. Christus wird an das Kreuz geheftet. Christus am Kreuz. Die Höllenfahrt. Die Abnahme vom Kreuze. Christi Leichnam am Fusse des Kreuzes. Die Grablegung. Die Auferstehung Christi. Christus erscheint seiner Mutter. Christus als Gärtner. Christus zu Emaus. Der ungläubige ThoMas. Die Himmelfahrt Christi. Das Pfingstfest Das letzte Gericht. gut erhaltenes Exemplar ordentlichHolzstiche altersgemäß gebräunt Privateinband Verlag: Eichstätt Krüll 1868 Bindung: gebundene Ausgabe Privateinband Eichstätt, Krüll 1868 unknown
19652080202105302327Thames and Hudson 1965. Soft Cover. Fine. Volume: 1 Thames and Hudson paperback
155702Greenwich: New York Graphic Society 0-8212-0402-5 1971. 4to 186pp. Fine in near fine dust jacket. Map endpapers mounted color portraits black & white and color illustrations list of illustrations. Art of Albrecht Durer. Introduction by J.-A. Goris & G. Marlier. Art. New York Graphic Society Hardcover
1988Q-0821216244Little Brown and Company 1988-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Little, Brown and Company hardcover
193664252New York NY: Arden Press Privately Printed 1936. 4to. 41 1 214 pp. Woodcut-engraved vignette of Durer’s House at Nuremberg on title with 346 of woodcut engraved vignettes illustrations coats of arms and more. Tan burlap publisher’s binding brown lettered Durer’s initials front cover brown lettering on spine age toning and slight darkening to fore-edges still a VG bright copy from the library of David Kohl 1946-2025 former art teacher at the Hong Kong International School musician artist and historian. First edition in English of this lavishly illustrated iconography of the famed 15th- & 16th-century woodcut artist faithfully reproducing hundreds of Durer’s woodcut engravings arranged according to the lists keyed to Bartsch & Passavant. These encompass the Nuremberg Apprenticeship years 1486-1490; Years of Travel 1490-1494; First Italian Journey and Nuremberg 1495-1500; Life of the Virgin and other minor Works 1500-1505; Classical Period of the Woodcut 1509-1512; Durer’s work in the service of Emperor Maximilian 1512-1518 the final works 1520-1528. Arden Press], Privately Printed, unknown
1868111111113748J.W. Bouton 1868. Hardcover. Good. J.W. Bouton; New York 1868. Hardcover. Reproduction by Photographic Process and Printing by the New York Lithographing Engraving and Printing Co. A Good to Very Good three quarter leather binding cloth decorative buckram is torn piece from rear board buckram laid in some sunning to spine rubbing along joints red paint stain bottom spine TEG with blemishes rubbing along board edges age toning to pages no tissue between plates though damaged board buckram the interior is in Very Good condition marbled endpapers and pastedowns some scattered foxing to front and back matters without Dust wrapper. A nice overall clean and unmarked copy. 4toquarto or approx. 11.5 x 13.5 inches. 28pp. XXXVII b&w plates. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scans are available for any item please inquire. J.W. Bouton hardcover
189974not identified: not identified undated. Leather bound. VG light scuffing and wear to boards pages lightly smudged but otherwise clean. Black leather binding with gilt bordering; brown silk end papers with ornamental gilt bordering inside rear cover is a silk cloth pocket; bw mounted frontispiece; red and black lettering on title page with red border 4 pages of text. An elaborate prospectus trying to sell a stain glass window consisting of two wings and a lunette. "The window was painted about the year 1510 for the Chapel of the Tucher family in the Grasergasse at Nuremberg." - page 3. (not identified) hardcover
1910190371Wien/ Leipzig: F. Tempsky/ G. Freytag 1910. Hardcover. As-Is Reading copy only missing spine and rear cover last few pages missing ending with plate 69 pages lightly age toned. Front cover green paper and tan cloth boards; LXXXI plates A-C 69 leaves of plates. Text is in German. Colored plates 17a 42a 49a 51.a and 59a follow their black-and-white counterparts. Contains illustrations of wrestling as well as of fencing. Includes bibliographical references. F. Tempsky/ G. Freytag hardcover
1908006210Berlin : verlegt bei Julius Bard; Emil Rudolf Weiss Druck von Imberg & Lefson in Berlin 1908 1908. Hardcover. Good/No Jacket. 364 p. 12 p. of plates 2 pp. advertisements : portrait. illustrated. ; 17 cm. ; text in German ; done up in the style of a parchment bound book of the Renaissance with pages untrimmed and monogram with manuscript-like letters on the spine ; sepia plates tipped in ; LC: ND588.D9; Dewey: 760.092 ; OCLC: 2320135 ; "Einabend Titelblatt und Initial entworfen von Emil Rudolf Weiss Druck von Imberg & Lefson in Berlin fünfzig Exemplare wurden auf van Gelder-Bütten abgezogen und in Ganzpergamentband gebunden" ; Ernst Heidrich was a noted specialist in the history of the art of the Renaisaance having taught the subject for a time at the University of Basel and the University of Straßburg; called up during World War I he was killed at Ypres in Flanders field at the beginning of the war ; Heinrich Wölfflin was the son of the philologist Eduard Wölfflin who was also esconced at the University of Basel as a noted art historian. In seven years time from this publication he was to produce his most important art history work Kunstgeschichtliche Grundbegriffe which incorporated his "Formalismus" approach to art history ; with the bookplate of Irma Harris ; Contents: Familienchronik -- Bruchstück aus Dürers Gedenkbuch -- Aufzeichnung uber ein Traumgesicht -- Tagebuch der Reise in die Niederlande -- Briefe Zeitafel s. S. 357 -- An Kurfürst Albrecht von Brandenburg -- An Johannes Amerbach in Basel -- An Michel Behaim -- An Frey in Zürich -- An Jacob Heller in Frankfurt -- An Niklas Kratzer -- An Christoph Kress -- An Bürgermeister und Rat der Stadt Nürnberg -- An Wilibald Pirkheimer -- An Georg Spalatin -- An Wolf Stromer -- Unterschriften der Bilder der vier Apostel von 1526 -- Reime -- Aus den theoretischen Schriften -- Aus der Unterweisung der Messung -- Widmung an Pirkheimer -- Aus dem dritten Buch -- Aus dem vierten Buch -- Aus der Befestigungslehre -- Widmung an König Ferdinand -- Aus dem Buch -- Aus der Proportionslehre -- Widmung an Pirkheimer -- Aus den handschritlichen Entwürfen zur Widmung -- Nach der Dresdener Handschrift -- Nach den Londoner Handscriften -- Aus dem dritten Buch -- Der ästhetische Exkurs am Ende des dritten Buches -- Aus den handschriftlichen Entwurfen zu dem ästhetischen Exkurs -- Nach den Nürnburger Handschriften -- Nach den Londoner Handschriften -- Schluss des Buches -- Aus den Londoner Handschriften zu dem allgemeinen Werk uber Malerei -- Zwei Inhaltsangaben -- Entwurf zu einer Vorrede und Inhaltsangabe -- Aus den Entwürfen zur Einleitung -- Van der Malerei -- Van Schonheit -- Entwurfe zu verscheidenen Abschnitten -- Von der Gliedmoss des Menschen -- Von Farben -- Anhang -- Vorbemerkung -- Erläuterungen zum Text -- Zeittafel fur die Briefe -- Zun Geleit. Von Heinrich Wölfflin -- Inhaltzübersicht. ; back gutter just starting ; else G <br/> <br/> Berlin : verlegt bei Julius Bard; [Emil Rudolf Weiss Druck von Imberg & Lefson in Berlin], 1908 hardcover
