7 résultats
1600900868AG[Um 1600]. Kupferstich, 15,5 x 19,5 cm Bildgröße.
15804858NP SADELER 1580 Première édition. Pierre et Jean guérissent un paralysé à l'entrée du Temple. Languidus exiliit, Petri virtute : sed illum / Admonuit, quod sit gloria danda Deo. Gravure sur cuivre de Johann Sadeler d'une série de 12 représentations de la vie de Pierre et Paul d'après des dessins de Marten de Vos. Inscrit dans la planche M(arten) de Vos invent(or). surface gravée : 19 x 13 cm. La planche est de 21 cm x 15,5 cm. La gravure est une bonne impression, propre, avec un léger assombrissement de la feuille. Deux coins de la feuille ont été rognés (sans affecter la plaque). Tenu sous un passepartout de 40cm x 30cm. Celui-ci est en bon état, mais avec une petite marque sur la première planche. Un bel exemplaire. Johan Sadeler (1550-1600) était un graveur et illustrateur flamand, premier d'une célèbre famille de graveurs. Il a souvent collaboré avec Marten de Vos.
15804858NP: SADELER 1580. First Edition. Peter and John heal a paralysed man at the Temple entrance. Languidus exiliit Petri virtute: sed illum / Admonuit quod sit gloria danda Deo. Copperplate engraving by Johann Sadeler from a series of 12 depictions from the life of Peter and Paul after drawings by Marten de Vos. Inscribed in the plate Marten de Vos inventor. engraved area: 19 x 13 cm. Seet is 21cm x 15.5cm. Engraving is a good clean impression with a little darkening to the sheet. Two corners of the sheet have been cropped not affecting plate. Held under a passepartout which is 40cm x 30cm. This is in good condition but with a little marking to the front board. A nice copy. Johan Sadeler 1550-1600 was an Flemish engraver and illustrator first of a famous family of engravers. He often collaborated with Marten de Vos. . Première édition. Pierre et Jean guérissent un paralysé à l'entrée du Temple. Languidus exiliit Petri virtute : sed illum / Admonuit quod sit gloria danda Deo. Gravure sur cuivre de Johann Sadeler d'une série de 12 représentations de la vie de Pierre et Paul d'après des dessins de Marten de Vos. Inscrit dans la planche Marten de Vos inventor. surface gravée : 19 x 13 cm. La planche est de 21 cm x 155 cm. La gravure est une bonne impression propre avec un léger assombrissement de la feuille. Deux coins de la feuille ont été rognés sans affecter la plaque. Tenu sous un passepartout de 40cm x 30cm. Celui-ci est en bon état mais avec une petite marque sur la première planche. Un bel exemplaire. Johan Sadeler 1550-1600 était un graveur et illustrateur flamand premier d'une célèbre famille de graveurs. Il a souvent collaboré avec Marten de Vos. SADELER unknown
15926604D’après Renaldi Mytens 1592 18,5 x 12,5
1579139623Antuerpiae Antwerp Belgium: Ex officina Christophori Plantini 1579. paper-covered boards. Plantin Christopher. small folio. paper-covered boards. variously paginated but hundreds of pages. Volumes 5-10 lacking volumes 1-4 of this early work on Theology. Boards of both volumes with severe damage to the fore-edges as well as the preliminary pages of both volumes. Lacking the spines. Generally poor condition on the outside however the interior is in generally very good condition. Volumes 6-8 dated 1578; vols 5 & 9 dated 1579.<BR> <br /> <BR> <br /> Volume 5-6 with title: 'Tomus V. -VI. operum D. Hieronymi a Mariano Victorio Reatoni canonico et sacræ theologiæ professore; . '; with woodcut printer's device on title pages<BR> <br /> Volume 7 with title: 'Tomus VII. commentariorum D. Hieronymi super Psalmos; . '; woodcut printer's device on title page<BR> <br /> Volume 8 with title: 'Tomus VIII. commentariorum D. Hieronymi adscriptorum . '; woodcut printer's device on title page<BR> <br /> Volume 9 with title: 'Tomus IX epistolarum D. Hieronymo falso adscriptarum . ; woodcut printer's device on title page<BR> <br /> Volume 10 Index with title: 'Index locupletissimus in omnes tomos operum D. Hieronymi quammaxima diligentia collectus. . '; title page with woodcut device; printed in 3 columns; unpaginated. With printed marginalia. Includes indexes. Ex officina Christophori Plantini unknown
1581324282Antwerp 1581. Dirck Barendsz aka Theodor Barendszoon. Engraving 14 x 17 1/2" with added 1/4" margins. Toning lower left otherwise in very good condition.<br/> <br/> After a drawing by Dirck Barendsz dated 1581 which is now in the Victoria and Albert Museum London. This engraving captures a dramatic juxtaposition between refinement and chaos emblematic of the late Renaissance period's moral and philosophical tensions. In the foreground finely dressed nobility are absorbed in music feasting with an air of calm and indulgence oblivious to the horrors unfolding beyond their insulated space. Meanwhile through windows or open doors in the background scenes of upheaval are visible. These might include depictions of fire storms war or other catastrophic events that suggest both moral decay and the broader instability of the world. Not recorded by Hollstein with a modified address "Theodor Bernard: Amsterod: pinx" instead of ". inuentor". Johannes I. Sadeler 1550-1600 The Sadeler family were the largest of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries as both artists and publishers. Dirck Barendsz aka Theodor Barendszoon 1534-1592 was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters most notably Titian. Hollstein 265.<br/> <br/> unknown
1594B6281Venetiis Munich possib. Anvers: : Joann. and Raphael Sadeler c. 1594-1606. . An illustrated work in very good condition with plates clean and mostly wide margined; a few of the plates are reinforced with fine tissue paper; also occasional marginal tears repaired. Edition: First edition anthology of five works. Binding: 18th century full vellum; rebacked expertly saving the original spine; flat spine with gilt lettered and dated title on morocco label; edges marbled; renewed endpapers. Notes: Captions in Latin. The work depicts hermits saints with one of five parts devoted to female believers; this anthology is rarely offered. The members of the Sadeler family were among the most successful Flemish engravers and publishers of their time. Size: Oblong folio 335x263mm. Illustration: 103 copper-engravings; of these 102 illustrated; these include: three titles to the first three works; the paragramma with engraved border. The first work “SYLVA SACRA†being one complete series of hermetic saints with 31 illustrated plates plus a dedication; of the remaining four series of hermetic saints one is dedicated to female hermits: Work II or the “SOLITUDO SIVE VITAE FOEMINARUM†has 14 plates of 25; Work III or the “ORACULVM // ANACHORETICVM. // … MDC†has 22 plates of 26; Work IV or the “Solitudo // sive // vitae patrum // eremicolarum…†has 12 plates of 30; Work V or the “Trophaeum vitae solitariae. // … Venetiis†1598 Martin de Vos figur. has 23 plates of 26. Volume: five works in one volume References: Graesse VI: 211-212. Pages: Ll: bl. ill.102ff. Collation: all of 31 ill. plus 1 dedication; 14 ill.; 22 ill.; 12 ill.; 23 ill. Category: Book Europe Italy; Book Europe Benelux; Book Europe Germany; Book Plate Books General; Book Religious Christianity; Book Early Printed 1500; Joann. and Raphael Sadeler, hardcover