6 242 résultats
1691006985Rome: Vestigi -- Jacomo Rossi 1691. Full Mottled Calf. Very Good. Spectacular collection of plates of the architecture fountains churches streets and ruins of the Eternal City. Oblong folio. 25 by 38 cm. 198 plates four folding plus title and dedication pages. Plate count is including titles and dedications which are decorated with illustration. The first work of the five "Vestigi della Antichita" has Rococo allegorical illustrations on both the title and dedication pages and in addition to its 50 plates three additional engraved folding plates by Étienne Dupérac have been bound in. "Le Fontane" has two engraved dedication pages both richly illustrated in addition to 45 view plates. Final suite of eight plates includes a plate folding both on bottom and side. Contemporary mottled calf with gilt morocco title pieces to upper and lower covers. Condition: Contemporary calf with wear but remaining attractive. Occasional dampstaining. Some scattered stains and foxing but most of the plates read as clean. Vestigi -- Jacomo Rossi unknown
LCS-1823312 estampes du XVIe siècle en premier tirage. S.l.n.d. [Antwerp, 1570-1580]. Suite de 12 gravures originales au burin (sur 13 ?) montées sur papier fort en un album in-4. La suite a été reliée sans le feuillet de titre. Vélin ivoire rigide, triple encadrement de filets dorés sur les plats, dos à nerfs orné de fleurons dorés, pièce de titre de maroquin rouge, coupes décorées, roulette dorée intérieure, tranches rouges. Reliure du XIXe siècle. Dimensions des gravures : 161 x 111 mm. Dimensions des pages : 220 x 156 mm.
1594B6281Venetiis Munich possib. Anvers: : Joann. and Raphael Sadeler c. 1594-1606. . An illustrated work in very good condition with plates clean and mostly wide margined; a few of the plates are reinforced with fine tissue paper; also occasional marginal tears repaired. Edition: First edition anthology of five works. Binding: 18th century full vellum; rebacked expertly saving the original spine; flat spine with gilt lettered and dated title on morocco label; edges marbled; renewed endpapers. Notes: Captions in Latin. The work depicts hermits saints with one of five parts devoted to female believers; this anthology is rarely offered. The members of the Sadeler family were among the most successful Flemish engravers and publishers of their time. Size: Oblong folio 335x263mm. Illustration: 103 copper-engravings; of these 102 illustrated; these include: three titles to the first three works; the paragramma with engraved border. The first work “SYLVA SACRA†being one complete series of hermetic saints with 31 illustrated plates plus a dedication; of the remaining four series of hermetic saints one is dedicated to female hermits: Work II or the “SOLITUDO SIVE VITAE FOEMINARUM†has 14 plates of 25; Work III or the “ORACULVM // ANACHORETICVM. // … MDC†has 22 plates of 26; Work IV or the “Solitudo // sive // vitae patrum // eremicolarum…†has 12 plates of 30; Work V or the “Trophaeum vitae solitariae. // … Venetiis†1598 Martin de Vos figur. has 23 plates of 26. Volume: five works in one volume References: Graesse VI: 211-212. Pages: Ll: bl. ill.102ff. Collation: all of 31 ill. plus 1 dedication; 14 ill.; 22 ill.; 12 ill.; 23 ill. Category: Book Europe Italy; Book Europe Benelux; Book Europe Germany; Book Plate Books General; Book Religious Christianity; Book Early Printed 1500; Joann. and Raphael Sadeler, hardcover
18505Passau, Konrad Frosch, 1633.
1618510Prague 1618. Engraving on hand made laid paper 8 1/2 x 5 7/8 inches 210 x 148 mm thread margins. An approximately 1-inch vertical repaired tear extends into the image area at the top center sheet edge. Adhered to archival paper at the center of the top sheet edge and at the top and bottom left corners with an associated dog-eared lower left corner. Condition issues are consistent with age. A superb impression with rich dark inking and all of the fine lines printing clearly. An impression of this work may be viewed in the permanent collection of the British Museum registration no. O2.54.<br /> <br /> Hollstein 291. In the upper left corner of the portriat is a fancy heraldic coat of arms with two feathered talons and a Burgonet helmet on the right is an ovoid tableau with the sun and moon shining above a group of soldiers bearing the enigmatic latin phrase "Non mihi verum alies" I do not know the truth of others. The inscription in Latin above and below the portrait reads: "V. Illvst. Marqvardvs Frehervs patr. Avg. Vind. IC. Sereniss. Viiviro Com. Palat. a Cons. et Dicasteri Elector. Proivdex." and "died III.Eid.Mai. Ann. CIC.IC.CXIV. ætat.XLIX.". The work is inscribed and signed in Latin in lower margin first four lines by German jurist Georg Remus followed by three lines of dedication to Paul Freher: "Dona Hominvm . / . velvt ætherivs Sol. / Georg Remus IC. facieb." and "V. Nob. et Clariss. Dn. Pavlo Frehero . / . Sac. Cæs. Maiest. / glyptes Ægidius Sadeler Pragæ Ao. MDCXVIII. unknown
16-4208Prague: Egidius Sadeler 1601-1602. Small folio. 183 x 30.5 cm. 19th Century half calf. 3 vols. bound together with numerous plates.Vol. 1: 3 leaves; 60 engraved leaves lacking nos. 52 and 53; engraved portrait of Octavio de Strada; Vol. 2: 8 184 8pp; Vol. 3: 6pp 51 leaves; 8pp. Small wormholes in first few and last few pages.Very rare. OCLC Number:181875317.TYPOTIUS Jacques. Symbola divina et humana pontificum imperatorum regum. Prague Chez Sadeler 1601; in-folio IV-59 gravures 184 pp. index de 8 pages et 41 pages en chiffre romain index alphabétique de 8 pages reliure demi-veau brun du 19 ème siècle dos lisse orné tranches jaspées. Ouvrage en trois parties avec deux très belles pages de titres imprimées. Notre exemplaire est incomplet des gravures 52 et 53 dans la première partie. Célèbre livre d'emblèmes un des plus beaux et des plus importants de son temps. Les planches ont été gravées par Sadeler. Prague: Egidius Sadeler, 1601-1602 unknown
1581324282Antwerp 1581. Dirck Barendsz aka Theodor Barendszoon. Engraving 14 x 17 1/2" with added 1/4" margins. Toning lower left otherwise in very good condition.<br/> <br/> After a drawing by Dirck Barendsz dated 1581 which is now in the Victoria and Albert Museum London. This engraving captures a dramatic juxtaposition between refinement and chaos emblematic of the late Renaissance period's moral and philosophical tensions. In the foreground finely dressed nobility are absorbed in music feasting with an air of calm and indulgence oblivious to the horrors unfolding beyond their insulated space. Meanwhile through windows or open doors in the background scenes of upheaval are visible. These might include depictions of fire storms war or other catastrophic events that suggest both moral decay and the broader instability of the world. Not recorded by Hollstein with a modified address "Theodor Bernard: Amsterod: pinx" instead of ". inuentor". Johannes I. Sadeler 1550-1600 The Sadeler family were the largest of the dynasties of Flemish engravers that were dominant in Northern European printmaking in the later 16th and 17th centuries as both artists and publishers. Dirck Barendsz aka Theodor Barendszoon 1534-1592 was a Dutch Renaissance painter from Amsterdam who traveled to Italy in his youth to learn from the Italian masters most notably Titian. Hollstein 265.<br/> <br/> unknown
1689044668Paris: Pierre Aubouyn Pierre Emery et Charles Clouzier. Printed By Laurent Rondet 1689. In French. Worn. New edition title page dated 1689. Beautifully illustrated includes 139 fables each with the written fable on the left hand page and a wood engraving on the right with the moral below. Full brown leather frontis 12 279p two page colophon errata 1 page advertisement. Rear cover and rear free endpaper detached covers work spine dried but stabilized front hinge cracked front free endpaper and frontis loosened but not detached pages lightly age-toned but clean old dampstain to lower inner margins of first 100 pages and then again toward the end of the book not affecting printed areas different bookplates on either side of front free endpaper second one is from E. Coster Wilmerding name of Richard Creed Paris 1700 inside front cover with an 1814 notation that the book belonged to Richard Creed who was slain at the Battle of Blenheim and was being presented to Miss Katherine Simcoe signed Wililam Walcot names may actually be different that is what we could make out from the handwriting. Hard Cover. Fair. 8vo - over 7¾" - 9¾" tall. Pierre Aubouyn, Pierre Emery et Charles Clouzier. Printed By Laurent Rondet Hardcover
Finissima incisione su soggetto di pari bellezza, opera congiunta di una coppia di artisti appartenenti a due illustri, cospicue dinastie di pittori e incisori quali furono i Breugel e i Sadeler. La scena, vivacissima, raffigura un porto naturale nei pressi di una imponente città, visibile sullo sfondo ed estesa verso i monti retrostanti (forse Napoli, dove Breugel soggiornò nel 1590?); diverse barche e velieri sono ormeggiati presso la riva o più al largo. In primo piano si affollano pittoreschi personaggi: mercanti, popolani, garzoni e pescatori con ceste colme di pesci. Le Blanc, III/p. 397, n. 197. Wurzbach, pp. 534-538/n. 103.
#[60524]First print of the series: Love. In the foreground a young man playing a lute under a tree with Cupid aiming an arrow at him; beyond is a park with a loggia and figures making music eating and drinking at a table in the open air; at left is a Diana fountain a female torso spurting water from her breasts atop a turtle; by the musician's feet are various musical instruments a sport racket a sword gloves and a moneybag. Inscribed on the bottom:'Dum mihi. foelix qui potuit dicere talis eram.'; number '253' added with brown ink titled above:'AMOR' Inscription Content: Lettered above with AMOR. Below left Martin de vos inventor / Raphael Sadeler scalpsit et excudit and date 1591. In the margin two columns of Latin each four lines Dum mihi eram. l Engraving on paper pasted on cardboard rimmed within paltemark; total: 216 x 251; Hollstein 1462 copy c unknown
60437Landscape with high trees in the center wooded bridged with personnages. From the set: Six mountainous Landscapes in Tyrol.Very sharp impression; Original Drawig by Savery in Paris at Louvre F. Lugt: Inv. général des Dessins des Écoles du nord Ec. Holl vol II 1913 n. 712. Engraving on paper trimmed to platemark; total: 191 x 265 mm; possibly state I/2; Hollstein 230; W. 107. unknown
65512Several episodes of the New Testament in a river landscape with Christ and St. Peter. From the set: 'Land and River landscape with stories of the Old and New Testament'.Signed on the bottom left:'HBol inue. John sadl. excu.' Etching on paper trimmed within platemark; total: 191 x 262 mm; only state; some minor staining otherwise in great conditions; Hollstein 570. unknown
60427On a river landscape are represented several episodes of the New Testament involving Christ and St. Peter. Set title: 'Land and River landscape with stories of the Old and New Testament.'Signed on the bottom left:'HBol inue. John sadl. excu.'Discipel Petrus loopt over water. Mattheüs 14. Etching on paper trimmed within platemark; total: 193 x 269 mm; only state; in great conditions; Hollstein 572. unknown
51-3775Gerard de Jode 1585. 3 engravings on contemporary laid paper. 27 x 34 cm. sheet size. Wide margins. Johann Sadeler I. After Maarten van Cleve. Betsabe & Uriah. 3 engr. pl. 2-4 from the «Story of Solomon»: David speaks to Uriah;Uriah is killed in the battle B.M. 19681018.1.120 and Nathan criticising David for Uriah's death B.M. 19681018.1.121. All were published in the «Thesaurus Sacrarum Historiarum veteris testamenti» by Gerard de Jode. Ref. New Hollstein De Jode Dynasty I 118-122.1. Gerard de Jode, 1585. unknown
60431Riverscape with a stone bridge and a wooden bridge some personnages walking over them. A village on the right and on the left river flowing towards the background.Signed on the bottom center: 'Paulus Bril inuentor' and on the lower right corner:'EGS / scalp.' Engraving on paper trimmed to platemark; total: 191 x 267 mm; only state; in great conditions; Hollstein 205 W. 401. unknown
#[60436]Landscape with large galleys and harbour on the left. Rising sun. Fishermen in the left foreground. Signed on the bottom left:'Petrus Stephani Jnuent' l Engraving on paper trimmed to platemark; total: 200 x 265 mm; state I/2; Hollstein 258 unknown
#[60438]Landscape with town in the background. High trees on the right Signed on the bottom left:'Iusto sadeler excud' and on the lower right corner:'Paulus Bril inuentor' l Engraving on paper trimmed within platemark; total: 193 x 270 mm; only state; small stains otherwise in great conditions; Hollstein 69 W. 102 Aegidius Sadeler unknown
51-4675Antwerp: circa 1583. Engraving on laid paper. 22 x 28.3cm. mounted at corners; stabilized tears in lower margin. References: Hollstein / Dutch and Flemish etchings engravings and woodcuts c.1450-1700 27; British Museum D6.140.Inscription content: Signed in lower part of impression: "Ioa: Sadl: inue: / et sculps:" and "M. de Vos figur." and "GENES. IIII". Lettered in Latin in lower margin two lines in two columns: "Musica tractabat . / . hilaresque choreas.".Plate 11: Jubal and his musical instruments. Landscape with Jubal seated at a table in front of an instrument workshop at left several other figures building instruments a procession of dancing couples in background at right buildings in background; first state before numbers; after Maarten de Vos. 1583 Antwerp: circa 1583 unknown
51-4676Antwerp: circa 1586. Engraving on laid paper. 20.3 x 26.9 cm. Lightly mounted.Plate 3: Seth and Enosh. the aged and bearded Seth up a ladder cuts a branch with an axe; the young Enosh drags a branch towards a wheelbarrow with logs; beyond is a well tended farm landscape with a river valley; by a small wooden bridge a woman collects water from the river; across the width of the river are fish traps; after Maarten de Vos. 1586.References: British Museum 19590221.11.3; Hollstein / Dutch and Flemish etchings engravings and woodcuts c.1450-1700 43."Joann: sadeler auctor at sculptor excu: Genes: capit 4" and at right "Martin de vos figuravit". In the margin two columns each two lines "Seth generavit Enos . laude". Numbered top centre "III". Antwerp: circa 1586 unknown
1579139623Antuerpiae Antwerp Belgium: Ex officina Christophori Plantini 1579. paper-covered boards. Plantin Christopher. small folio. paper-covered boards. variously paginated but hundreds of pages. Volumes 5-10 lacking volumes 1-4 of this early work on Theology. Boards of both volumes with severe damage to the fore-edges as well as the preliminary pages of both volumes. Lacking the spines. Generally poor condition on the outside however the interior is in generally very good condition. Volumes 6-8 dated 1578; vols 5 & 9 dated 1579.<BR> <br /> <BR> <br /> Volume 5-6 with title: 'Tomus V. -VI. operum D. Hieronymi a Mariano Victorio Reatoni canonico et sacræ theologiæ professore; . '; with woodcut printer's device on title pages<BR> <br /> Volume 7 with title: 'Tomus VII. commentariorum D. Hieronymi super Psalmos; . '; woodcut printer's device on title page<BR> <br /> Volume 8 with title: 'Tomus VIII. commentariorum D. Hieronymi adscriptorum . '; woodcut printer's device on title page<BR> <br /> Volume 9 with title: 'Tomus IX epistolarum D. Hieronymo falso adscriptarum . ; woodcut printer's device on title page<BR> <br /> Volume 10 Index with title: 'Index locupletissimus in omnes tomos operum D. Hieronymi quammaxima diligentia collectus. . '; title page with woodcut device; printed in 3 columns; unpaginated. With printed marginalia. Includes indexes. Ex officina Christophori Plantini unknown
60435Wooded landscape with a large rock forming an archway on the right on the left discending landscape. From set: Eight Bohemian land and riverscapes.Signed on the bottom center:'Petrus Stephani Jnuent' Engraving on paper trimmed to platemark; total: 213 x 278mm; state I/2; Hollstein 261 W. 96. unknown
Bulino misure: mm 262 x 210 I Sadeler furono una numerosa famiglia di artisti fiamminghi, principalmente incisori di riproduzione, attivi in tutta Europa tra il XVI e il XVII secolo. Lo stile dei membri della famiglia è molto simile e non sempre facilmente distinguibile ma per tre generazioni, spostandosi dall’Olanda all’Italia, fermandosi in Germania e a Praga, questi incisori, editori e commercianti di stampe hanno giocato un ruolo centrale nella diffusione delle immagini. Il soggetto rappresentato in questa stampa, tratto da un invenzione di Maarten de Vos (Anversa 1532 - 1603), fa parte della serie I quattro venti. Il protagonista è il vento del sud, Austro. La composizione si svolge su due piani separati da una coltre di nubi, che grazie al tecnicismo del bulino sono rese pesanti e minacciose. Partendo da sinistra vediamo Ops, una donna anziana con il volto corrugato, che con una pala sulla spalla e una falce e un rastrello nella mano destra si avvicina ad Austro, giovane uomo dal corpo plastico e scolpito. Egli è intento a soffiare e spruzzare acqua mentre agli angoli superiori si trovano i venti "Phoenicias" e "Libonetes" che soffiano serpenti, mosche e scorpioni. Sempre nella zona superiore, tra le nuvole e sotto la Via Lattea un gruppo di figure si avvicina a un tempio etichettato "Secreta Deorum". Nella parte inferiore il fiume Nilo scorre tra catene montuose, vegetazione e qualche abitazione e uomini di una tribù combattono contro alligatori e un drago. Firma iscritta in lastra "Joan. Sadler sculp. et excud / M. de Vos figuravit". Nel margine inferiore due colonne con testo in latino di quattro righe ciascuna. Titolo isritto in alto al centro. Impressione eccellente, ricca di toni. Ottimo stato di conservazione. Margini di 5 mm oltre la battuta del rame. Filigrana non decifrabile. Bibliografia: Hollstein, 515
65947Tiny print representing the Biblical episode of the Visitation the pregnant Mary visiting her cousin Elizabeth also pregnant with St. John.Signed on bottom right: ""R. Sadeler excud."" with two verses of Latin text below: ""Spectabam pulchro vinciri brachia nexu / Et dixi: haec inter vincula captus ero"". Possibly designed to decorate a small book like the ""Otium Spirituale"" published in Munich in 1617 by Anna Bergia with plates by Sadeler. The closest composition to this is perhaps the Visitation by Maarten de Vos engraved by Johann Sadeler: on the Virgin's back hangs a hat and her right arm unfolds outwards to hold the shoulder of Elizabeth. The elder woman's right hand reaches around the neck of Mary. In this small impression the respective husbands of the women stand on each side of the representation whereas in de Vos' they stand both on one side. Rare. Engraving on paper with small margins; plate mark: 78 x 48 mm total: 85 x 54 mm; traces of previous mountings; undocumented in Hollstein. unknown
[Sadeler - Incisione](cm.30,5 x 27 complessivi di margini) Incisione originale su rame con passepartout decorato a mano tratta dal Sadeler "Bonorum et Malorum".Completo di frontis riprodotto in fotocopia. Ampi margini.Ottima Stampa
Bulino misure: mm 207 x 267 I Sadeler furono una numerosa famiglia di artisti fiamminghi, principalmente incisori di riproduzione, attivi in tutta Europa tra il XVI e il XVII secolo. Lo stile dei membri della famiglia che collaborarono spesso fra di loro è molto simile, per tre generazioni, spostandosi dall’Olanda all’Italia, fermandosi in Germania e a Praga, questi incisori, editori e commercianti di stampe hanno giocato un ruolo centrale nella diffusione delle immagini. Rapheael I si stabilì a Monaco nel 1588, si trasferì poi a Venezia dal 1596 fino alla morte del fratello Jean nel 1600 quando tornò a Monaco pur mantenendo interessi commerciali con Venezia. In questa stampa, tratta da un'invenzione de l pittore e incisore paesaggista fiammingo Paul Brill (Anversa 1554 - Roma 1626), vediamo un paesaggio in cui la natura è protagonista. Il primo piano è dominato da maestosi alberi con grosse radici che escono dal terreno, con fronde ricche di foglie alcune illuminate dai raggi del sole, altre in ombra. La composizione è molto ben architettata, alberi e rocce rappresentano una sorta di cortina in primo piano dalla quale si aprono due varchi a mo’ di binocolo, oltre un paesaggio pianeggiante costruito con un segno leggero e argenteo che suggerisce la profondità della scena. Sulla sinistra lo sguardo dello spettatore è attirato da tre figure, una è su un cavallo o un asino, è ben vestita e si protegge dal sole con un ombrello, gli altri due, molto probabilmente contadini, la scortano su questa strada di campagna che conduce a una città fortificata visibile sulla destra. Nel margine inferiore inferiore oltre l'immagine "Raph Sadeler excudit". Impressione eccellente. Ottimo stato di conservazione. Ampi margini oltre la battuta del rame. Filigrana: "W" Bibliografia: Hollstain 223.
