2 119 résultats
1822V71064London: Printed by W. Lewis for Thomas McLean 26 Haymarket 1822. Hardcover. Very Good. Hand-coloured aquatint plates 16 of 19 after H. Alken and J. Barenger by G. and T. Hunt. Volume I Nos. I-VI Jan-June 15 1822 all published Royal octavo red half roan original boards covered in blue sugar paper spine title gilt rebacked with matching red roan corners original spine laid on original free end-papers with new pastedown armorial bookplate with motto DA VIS and pencilled ownership H. Davis at head of titlepage vi 2pp list of engravings 540pp 16 of 19 hand-colored plates. LACKS 4 text leaves pp 217-24 - the missing 3 plates and 4 text leaves in colour facsimile reproduced from the 1904 reprint bound in to match. One gathering with edges browned some offsetting from plates to text otherwise clean and crisp throughout. Beautiful bright hand-coloured plates of hunting shooting tandem-driving livestock etc. Very rare in original edition Schwerdt II p.212 "the first and only edition of a rare and valuable magazine". This is the original 1822 edition not the more common reprint published in 1904. Printed by W. Lewis for Thomas McLean, 26, Haymarket hardcover
William Heinemann édition, Londres, 1918. Petit in-4 (25 x 19 cm) reliure éditeur pleine toile verte à titres et décor doré, illstré de 8 planches couleurs dont le frontispice et illustrations en noir in-texte, 132 p. Coiffes légèrement amorties, sinon bon état. Arthur Rackham (1867-1939), artiste britannique, illustrateur de nombreux livres. L'œuvre de Rackham est bien plus riche qu'on ne le pense généralement ; certes, la majeure partie de son travail concerne les livres pour enfants, cependant, il a aussi travaillé sur nombre d’ouvrages pour adultes.
1984245330New York: Madison Square Press 1984. hardcover. fine. Illustrated with over 500 full-color reproductions. Thick folio black cloth inlaid color plate on front cover. New York: Madison Square Press 1984. A fine copy.<br/><br/> Madison Square Press unknown books
1985207517New York: Madison Square Press 1985. hardcover. fine/near fine. Illustrated with 668 full-color reproductions. 440 pages. Thick folio blue cloth d.w. d.w. has small sticker ghost on top corner of front cover else clean. New York: Madison Square Press 1985. A fine copy.<br/><br/> Published for the exhibition held in the Galleries of the Society of American Illustrators in New York from January 30 through April 10 1985.<br/><br/> Madison Square Press unknown books
1952SEACHANT015558Shell Petroleum Company London. 1952. First edition. Quarto. 63 pages. Cloth-backed colour pictorial boards. Words and music. The twenty-five chanties each have a colour illustration these being by a variety of artists including G.E. Evans who designed the book J.M. Meade Stanley F. Pinker Hanna P.A. Blowfield R.O. Rose et al. The illustrators have somehow conspired to produce images in a uniform style. Printed at the Curwen Press.Pastedowns lightly spotted. Covers a bit rubbed at the edges. Very good. Shell Petroleum Company, London. hardcover
1994311007NY: VERTIGO/DC COMICS. Fine in Near Fine dust jacket. 1994. First Edition; First Printing. Hardcover. First Edition. Fine in near fine dust jacket. 1/2"-inch tear at head of rear panel of jacket. Hint of light shelf wear at spine ends & along edges on jacket. . VERTIGO/DC COMICS. hardcover
1994311006NY: VERTIGO/DC COMICS. Near Fine in Fine dust jacket. 1994. First Edition; First Printing. Hardcover. First hardcover edition. Near fine in fine dust jacket. Crease & 2 neatly repaired nicks at upper corner of title page. A graphic novel. . VERTIGO/DC COMICS. hardcover
1912ST17640-391New York: Dodge Publishing Company 1912. 265 x 195 mm. 10 1/4 x 8". Title page and 52 unnumbered leaves printed on recto only. Translated by Edward FitzGerald. <br/> EXCELLENT TEAL CRUSHED MOROCCO GILT BY THE HARCOURT BINDERY stamp-signed on verso of front free endpaper covers framed by multiple plain and dotted rules enclosing a twining grapevine central panel with palmette and floral cornerpieces raised bands spine compartments densely gilt LOVELY CITRON MOROCCO DOUBLURES EACH with large oval medallion at center CONTAINING ONE OF THE COLOR ILLUSTRATIONS BY HANSCOM & CUMMINGS enclosed by a graceful gilt frame corners with intricate gilt vines bearing clusters of onlaid burgundy morocco grapes fawn-colored moiré silk endleaves top edge gilt other edges untrimmed joints expertly repaired. In an early original blue cloth dust jacket. With 26 of 28 two having been used for the doublures memorably intriguing tipped-on color plates by Adelaide Hanscom and Blanche Cummings all with tissue guards and the text with Orientalist decorations those on the title and opening pages hand-colored and highlighted with gilt. Paas 1513. Spine evenly darkened title page with small tears at inner margin lower corner of one plate torn at tip image unaffected other trivial imperfections but still quite an attractive copy--clean fresh and bright the leaves with vast margins and the heavily-gilt binding lustrous.<br/> <br/> This is an especially appealing copy of a ground-breaking illustrated edition of the Rubaiyat in an elaborate binding with splendid doublures created by a prominent American workshop using images from two of the color plates in the work. One of the early women pioneers in the field San Francisco photographer Adelaide Hanscom 1875-1931 began working on photographs to illustrate the Rubaiyat in 1903 and called on members of the Bay Area's bohemian literary and artistic community to serve as models among them "Poet of the Sierras" Joaquin Miller the white-bearded sage in our illustrations Charles Sterling George Wharton James and Charles Keeler. Hanscom was already making a name for herself as a portrait photographer and as a member of the Pictorialism movement defined by Britannica as "an approach to photography that emphasizes beauty of subject matter tonality and composition rather than the documentation of reality." Those characteristics are on prominent display in her Rubaiyat images first published as sepia-toned photogravures in 1905. This work caused a sensation and won Hanscom international attention including a silver medal at the Liverpool Exposition in England. Perhaps more meaningful to Hanscom was the notice of the great Alfred Stieglitz who made her an Associate Member of his Photo-Secession and included two of her prints in an exhibition at the Little Galleries of the Photo-Secession later known as "219" in New York. The San Francisco earthquake of 1906 destroyed the studio of Hanscom and her partner Cumming including all the negatives of the Rubaiyat plates. The photographs copyrighted by Dodge Publishing were all that remained. The Getty Center which owns a copy of this work suggests that Hanscom and Cumming created the plates here by hand-coloring the photographs and the title of our edition implies those "Life Studies" were then photographed for this work. The memorable binding is by Boston's Harcourt Bindery founded in 1900 to provide hand bookbinding services for the publications of the burgeoning number of private presses created by the Arts & Crafts Movement in New England. The binders took two of the color plates from the work--the frontispiece and the final image from the 1905 edition--to create centerpieces for the doublures adding a gilt and onlaid grape arbor that evokes imagery from the poem. The Harcourt Bindery remains the largest bindery in the United States exclusively devoted to fine bookbinding by hand. Dodge Publishing Company unknown
18961109717<p>Chicago: Powers Fowler and Lewis 1896. Novelty. Collectible - Good/No Jacket. Wood cloth covered case that opens up to an easel display. The clapse on the case is operating. The exterior of the case has fraying on edges and scuffing. There are 2 books on the lower part of the easel when it is opened. One is 'Pen Pictures' A short description of each of the books in the Bible. The second is Bible Study. The upper portion contains 2 interior scrolls with a window for each of bible pictures. These are in color. The metal key is in the pocket but the scrolls do not work. The entire scroll appears to be intact but will not turn. The case is about 16.5 x 16.5. 5 pounds.</p> Powers, Fowler and Lewis
London, George C. Harrap & Co. Ltd, vers 1910, In/4 reliure éditeur en percaline verte illustrée, illustrations en couleur de Willy Pogany.
20041410762London: The Folio Society 2004. Reprint. Hardcover. Octavo xxxvi 798 pages. In Very Good condition in a Very Good slipcase. Slipcase in brown paper. Spine is brown with gold print on black pastedown label. Boards quarter bound with brown leather to spine and brown cloth to boards. Text block has gilt top edge and brown ribbon marker. Illustrated: “With the original illustrations by R. Seymour R.W. Buss and ‘Phiz’â€â€” title page; b&w frontispiece and plates drawings. “The text and illustrations of this edition reproduce those of the Nonesuch Dickens published in 1937 by Nonesuch Pressâ€â€” title page verso. <br /> <br /> NOTE: Shelved in Locked Annex Area Multi-volume Section. 1410762. FP New Rockville Stock. The Folio Society hardcover
183725411London: Chapman and Hall 1837. First edition second issue. Hardcover. g. Octavo. XIV 2 609 1pp. 3/4 leather over marbled paper covered boards with gold lettering on spine. Engraved frontispiece and title-page. First edition second issue of this fascinating work profusely illustrated with forty-three Illustrations by R. Seymour and Phiz. The plates are in early states with page locations and without titles or imprints but the earliest Buss and Seymour plates have been replaced by those of Phiz. The engraved title is showing the later correction "Weller". Other issue points: p.43 2nd paragraph below chapter V line 1 reads "ruined wall" in the singular; with the signature misprint on p.261 reading X2; with signature "E" present on p.25; the d of "holding" is raised above line on p.260; p.342 line 5 "S. Veller" instead of Weller; p.400 line 21 "his friends". Some rubbing along edges of binding. Contemporary previous owner's signature on fly leaf. Plates foxed. Lower corner of very first pages damp-stained. Binding in overall good interior in good to very good condition. Chapman and Hall hardcover
44690With all his introductions notes various readings and notes by J. G. Lockhart Esq. Illustrated by numerous engravings on steel and wood after J. M. W. Turner Birket Foster & John Gilbert. Edinburgh : Adam and Charles Black North Bridge 1857. Thick royal octavo 250 x 175 mm original red morocco richly gilt fine; all edges gilt; engraved frontispiece additional engraved title title leaf 1 Editor's Notice 1 blank; pp. iv 2 823; binding firm foxing to first and last few leaves and at the margins of most plates otherwise internally clean and sound. unknown
197131Cassell Petter and Galpin c. 1865. 4to 10 x 7¼ ins. Original elaborately gilt tooled bevelled-edged morocco all edges gilt marbled endpapers recently re-backed with spine neatly re-laid - bright VG. Pp. xvi 399 with b&w illus throughout previous owner's neat inscription on front prelim. Cassell Petter and Galpin, c. 1865 unknown
59503London: Cassell Petter and Galpin no date circa 1860s. Christian Allegory FINELY BOUND AND ILLUSTRATED. Quarto 27 x 20cm pp.xvi; 400 2. With over 100 full page and in-text wood engravings by Selous and Priolo including a frontispiece. Contemporary red full panelled morocco with raised bands gilt titles and blind decoration to spine. All edges gilt marbled endpapers and gilt dentelle to turn-ins. Black ink ownership to verso of fly-leaf dated 1909. A 2cm tear to lower edge of fly-leaf. Small green bookseller's label to front pastedown. Light spotting throughout; more heavily to first and final leaves. Moderate general wear to binding with some sunning to spine. Very good. A lovely illustrated edition of the seventeenth-century English spiritual classic. London: Cassell, Petter, and Galpin, no date [circa 1860s] unknown
192859105London: Cresset Press 1928. Limited edition. Hardcover. Very good. Blair Hughes-Stanton and Gertrude Hermes. viii 175; viii 163pp. Folio 37 cm Full black parchment vellum with gold spine lettering and raised bands. Top edges gilt. Light wear to covers; corners lightly worn; spines spotted; spines a bit chipped at the foot. No slipcase. Printed in an edition limited to 195 numbered copies printed by Bernard Newdigate at the Shakespeare Head Press on Batchelor's Kelmscott hand-made paper. This copy is numbered 66. The text for volume I from the 11th edition published 1688 which represents Bunyan's final revision; Vol. II taken from the 2nd edition published 1687. Beautiful wood engravings by Blair Hughes-Stanton and Gertrude Hermes. The text for Vol. I from the 11th edition published 1688 which represents Bunyan's final revision; Vol. II taken from the 2nd edition published 1687. Cresset Press hardcover
196417492New York: Harcourt Brace and World 1964. First Edition. Hardcover. Very good/very good. 8vo. Publisher's cloth in original dust jacket. Jacket mildly edgeworn with a handful of short closed tears. Touches of shelf-soil. Price-clipped. Interior bright and lcean. Very good. 128pp. <br/><br/>Collection of twenty-six tales gathered by folklorist Harold Courlander. Harcourt Brace and World hardcover books
1888469689Boston Mass: L. Prang & Co 1888. Hardcover. Very Good. First edition. Illustrated by Harriet D. Andrews and Mary K. Talcott. Quarto. 9 leaves printed on rectos only: title page and 8 color lithographic plates designed by Andrews and Talcott six of which are printed in multiple colors including gold and silver. Publisher’s brown padded silk over boards with color pictorial design on front cover floral gold-illuminated endpapers. The silk boards have a few patches of modest staining on the outer margins of the front cover and fore-edge of back cover rubbing and some fraying at the edges of the boards spine ends and corners else a very good copy with the interior plates fine and bright. A beautiful edition of Cooke’s poem with six plates of floral and botanical themes printed in vibrant color by L. Prang. L. Prang & Co hardcover
65861London: Chapman and Hall n.d. circa 1910. Classic Literature FINELY BOUND. Two volumes. Octavo 21 x 15cm pp.xvi; 370; 1 blank; pp.ii; 363; 1 blank. With introduction and notes by Andrew Lang. With the original illustrations throughout. Title pages printed in two colours. Beautifully bound by Root & Son in half deep red crushed morocco with gilt titles to spines raised bands pink buckram sides top edges gilt marbled endpapers. Contents clean faint spotting/toning to edges bindings solid. A fine pair in attractive Edwardian-era leather bindings. One of Dickens' earlier works chronicling the life and times of the beautiful and virtuous Little Nell and her Grandfather. London: Chapman and Hall, n.d. [circa 1910] unknown
191031601Edinburgh and London: Ballantyne Hanson & Co 1910. Hardcover. Very Good. Hardcover. Twenty six numbered volumes plus 2 volume set of life and works plus 2 volume set of Our Mutual Friend all in matching publisher's bindings. Bound in full olive green cloth boards with paper title labels to spines. Minor wear to edges of boards and spine ends of all volumes. Wear / chipping / browning to title labels. Minor dampstaining to corners of boards of some volumes; although interior pages seem to be free from staining. Some volumes have minor soiling and/or discoloration to covers. Each volume contains illustrations - most in black and white with a few in color. Occasional smudge marks occasional tear to a page in the margin from opening the pages and sporadic spots of foxing - but overall very clean and bright interiors. Rippling to some of the illustrations which are printed on a different paper stock. Signature of previous owner in pen to front free endpapers of most volumes. All bindings remain strong. This set will require an extra shipping fee. LIT/010318. Ballantyne, Hanson, & Co hardcover
72764Skopje: Etnoloski Muzej The Ethnological Museum 1963. Traditional Costume FINE COLOUR PLATES. Folio portfolio 49 x 34cm pp.xiv; 42. Complete with 46 colour illustrated plates showing a wide range of traditional Macedonian costumes. Text in Macedonian English and French. In the publisher's colour-illustrated chemise case. Some creasing to left edge of the title page otherwise internally crisp and clean. Chemise case shows some toning and moderate general wear including a ring-mark to upper. Very good. Skopje: Etnoloski Muzej [The Ethnological Museum], 1963 unknown
119876London R. Ackermann 1808-10. . First edition early issue with ALS loosely tipped to first blank; 3 vols large 4to 34 x 28 cm; letter from Augustus Welby Pugin to T. Bury dated 1839 restored and laid on linen wood-engraved titles engraved dedications 104 hand-coloured aquatint plates by Bluck Stadler and others after Pugin and Rowlandson watermarks 1806-1808 bookplate to pastedown; twentieth-century half crushed morocco by Zaehnsdorf gilt ruled cloth boards spine lettered in gilt in six gilt compartments all edges gilt marbled endpapers a fine set.<br /> This is a splendid work with the preferred pre-publication watermarks exhibiting a depth and richness of colouring. The Microcosm offers an incomparable panorama of Regency London both high and low from sedate drawing rooms to the brawling and boozing street life of the metropolis captured in matchless hand-coloured aquatint by the inspired pairing of Pugin and Rowlandson. Most of the plates are in their first or second state with plate 12 and 39 in the rare first state.<br /><br />With an autograph letter by Augustus Welby Pugin 1812-1852 pioneer of the Gothic Revival architecture movement to probably Thomas Talbot Bury 1809-1877 his long time friend and collaborator dated 1839. The letter describes a drawing Pugin made of Macclesfield Church St Michael and All Angels including directions to Bury for his engraving of the image and is adorned with small sketches of the altar candles and statues. It was Augustus Welby's father Augustus Charles who produced the architectural drawings of this work and was the reason Augustus Welby and Bury were so intimate having apprenticed his son and Bury together.<br /><br />'Ackermann's The Microcosm of London. is a book of major importance. The architectural drawings were by Augustus Charles Pugin a French refugee who came to London in about 1798 "driven from his country either by the horrors of the French Revolution or by private reasons connected with a duel" . His lasting fame rests on his consummate ability as an architectural draughtsman. By a stroke of genius Ackermann engaged Thomas Rowlandson to add human figures to the drawings that Pugin made for The Microcosm so that the stately accurate and dignified qualities of that artist are enlivened by the vitality and charm of Regency life as depicted by one of the most vigorous draughtsmen of all time. To turn the leaves of The Microcosm is to take a walk though London at a singularly fortunate moment observing as we never can in real life the scenes of many celebrated incidents in English literature and history: the India House of Charles Lamb the King's Bench Prison of Dickens the Foundling Hospital of Captain Coram and Hogarth the Guildhall bombed by the Luftwaffe the Newgate of Harrison Ainsworth the Carlton House of the Prince Regent and so forth.' Thomas Great Books and Book Collectors 1975 p. 155<br /> Abbey Scenery 212; Tooley 7; Prideaux pp121-4. Franklin 49-54. London, R. Ackermann, [1808-10]. hardcover
Oblong 4to., Second Impression, with numerous fine coloured reproductions throughout; blue cloth, gilt back, green endpapers, a near fine copy in price-clipped dudtwrapper, the latter lightly chafed along upper edge.n unclipped dustwrapper. SIGNED BY THE ARTIST ON HALF-TITLE. Published a year after the first edition.
1935B7298London: Associated Newspapers n.d. circa 1935. Frontispiece loose. Spine sunned. . Binding: Full orange pictorial cloth boards. Notes: John Buchan 1st Baron Tweedsmuir 1875 – 1940 was a Scottish novelist historian British Army officer and Unionist politician who served as Governor General of Canada the 15th since Canadian Confederation. As a youth Buchan began writing poetry and prose fiction and non-fiction publishing his first novel in 1895 and ultimately writing over a hundred books of which the best known is The Thirty-Nine Steps.<br><br> Size: 8vo. 200 x 145 mm Illustration: Very good example. Illustrated with colour plates. Gift inscription on front free endpaper. Pages: 314 pp. Category: Book Literature; Associated Newspapers, hardcover
0135379024.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
