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449739Studio Vista. Paperback. Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Stock Image Used may show difference to actual copyGood condition commensurate with age with some tanning to edges and some signs of shelf damage. Content remains clean and binding sturdy. Illustrations all remain vibrant and thus a good condition copy Studio Vista paperback
Folio, First Edition, with a frontispiece, title-vignette and very numerous illustrations and reproductions throughout; brown cloth, gilt back, brown endpapers, a near fine copy in publisher's laminated pictorial board slip-case. Scarce.
198073444New York, Harry N. Abrams, (1980). 278 S.Mit 165 s/w u. 94 farbigen Illustr. Quer-4to (27,5 x 30 cm). Farbig illustr. OLn m. transparentem, bedruckten Kunststoff-Umschlag.
190893748London:: Archibald Constable & Co. Good. 1908. Hardcover. B000R9D11E . With about 130 illustrations color frontispiece and title page - all other illustrations are black and white. First edition thus. Shelf worn starting to separate at the front hinge else good in paper covered boards with color illustrations on front board and spine. No dust jacket. ; 435 pages . Archibald Constable & Co., hardcover books
190893748London:: Archibald Constable & Co. Good. 1908. Hardcover. B000R9D11E . With about 130 illustrations color frontispiece and title page - all other illustrations are black and white. First edition thus. Shelf worn starting to separate at the front hinge else good in paper covered boards with color illustrations on front board and spine. No dust jacket. ; 435 pages . Archibald Constable & Co., hardcover
372p., illus. Hardcover Very good condition chipped d.j. fair
1924GITh860Paris A. Plicque et Cie 1924. In-4 4 feuillets non chiffrés dont faux-titre, titre, justificatif de tirage 209pp 2 feuillets non chiffrés (table, achevé d'imprimer). Demi chagrin vert foncé à coins, dos à 4 nerfs rehaussés d'un filet doré, triple cadre de filet doré dans les entrenerfs, pièces (auteur, titre) acajou, tête dorée, non rogné, plats et dos de la couverture conservés (le 1er illustré en couleurs et doré), reliure de l'époque. Orné de 21 belles illustrations en noir de Raphaël Freida, gravées à la presse à bras par Leblanc et Trautmann (3 têtes de chapitre, 4 culs de lampe, 5 dans le texte, 9 hors texte dont le frontispice). Tiré à 701 exemplaires, celui-ci 1 des 700 numérotés sur vélin de Rives. Très bel exemplaire sans aucune rousseur, dans une reliure élégante en parfait état.
188228652Washington: text: Government Printing Office atlas: Julius Bien & Co. of New York for the Government Printing Office 1882. 2 volumes quarto text and folio atlas. Text: 2xiv264pp. plus forty-two plates plans and maps including two chromolithographed views by Sinclair after Holmes seventeen wood-engraved views eight after Thomas Moran nine after Holmes four "Heliotype" plates ten double-page. Atlas: 2title leaf1p. letterpress text otherwise lithographed throughout with twelve double-page map-sheets after Dutton eleven printed in colors ten double-page sheets of views after Holmes 9 and Moran 1 five chromolithographed and five printed in tints all printed by Julius Bien & Co. Short horizontal tear to outer margin of one leaf pp.101-02 slightly longer tears to outer margins of pp.165-66 and pp.245-46 just touching a few words. Repaired tear to front blank of atlas volume a few instances of minor marginal thumb-soiling. Publisher's cloth gilt atlas rebacked with original cloth laid down. Spine ends of text volume chipped with a few small nicks to the cloth along the joints spine lightly sunned corners rubbed<br/> <br/>"One of the grandest publications of the scientific expeditions in the American West. depicting the Grand Canyon in a series of magnificent panoramas" Reese & Miles. `Depicting America.' The work includes illustrations by arguably the two greatest American topographical artists to record this era of westward expansion: William Holmes and Thomas Moran.<br/> <br/>The atlas includes eight beautifully executed maps of the region on twelve sheets as well as the ten sheets of views. The views include a number of images that are designed to form larger continuous panoramas. The greatest of these is Holmes' view from Point Sublime in the Kaibab; the three chromolithographed sheets numbered XVI-XVII if joined would form a single panoramic view with an image area measuring approximately 17 x 90 inches. It is interesting to note that the first of these sheets includes what may be a self-portrait and portrait respectively of Holmes and Dutton: two figures are visible at the edge of the canyon one is seated and clearly sketching Holmes whilst the second figure bends down to examine his companion's work Dutton. W.H. Holmes whom William Goetzmann calls "the greatest artist-topographer and man of many talents that the West ever produced.his artistic technique was like no other's. He could sketch panoramas of twisted mountain ranges sloping monoclines escarpments plateaus canyons fault blocks and grassy meadows that accurately depicted hundreds of miles of terrain. They were better than maps and better than photographs because he could get details of stratigraphy that light and shadow obscured from the camera.his illustrations for Dutton's Tertiary History of the Grand Canon District are masterpieces of realism and draftsmanship as well as feats of imaginative observation." The team assembled to carry out this geological survey of the Grand Canyon included some outstanding talents: C.E.Dutton the scientist; Jack Hilliers the photographer and of course Holmes and Moran as artist-topographers. The intention of the survey was strictly scientific but as Dutton writes in his preface "I have in many places departed from the severe ascetic style which has become conventional in scientific monographs." This is also true of Moran and Holmes: both were clearly inspired by their subjects. The overall result is of a quality that would not be possible today. As Wallace Stegner wrote in his introduction to the 1977 reprint "Later specialization has eliminated from scientific publications most of the elements that make The Tertiary History so charming. No report written as this one is written would now be published by any government bureau. No illustrators like Moran and Holmes would be permitted to illustrate it. A great book. The Tertiary History has kept its value precisely because it does not specialize."<br/> <br/>Francis P. Farquhar The Books of the Colorado River & the Grand Canyon Los Angeles: 1953 73; Goetzmann Exploration and Empire pp. 512-513; W.B. Reese & G.A. Miles Creating America New Haven: 1992 40. [text:] Government Printing Office, [atlas: Julius Bien & Co. of New York (for the Government Printing Office)] unknown books
1882WRCAM36493BWashington: text: Government Printing Office; atlas: Julius Bien & Co. of New York for the Government Printing Office 1882. Quarto text volume with folio atlas. Text: 1p. advertisement series title title as above. Forty-two plates maps and charts including two chromolithographed views by Sinclair after Holmes seventeen wood- engraved views eight after Thomas Moran nine after Holmes four "Heliotype" plates ten double-page. Atlas: Mounted on guards throughout. 1p. letterpress text otherwise lithographed throughout. Title-leaf twelve double-page map-sheets after Dutton eleven printed in colors ten double-page sheets of views after Holmes 9 and Moran 1 five chromolithographed and five printed in tints all printed by Julius Bien & Co. Text: Original cloth neatly rebacked to style. Minor shelf wear. Atlas: Original cloth titled in gilt on front board. A bit of shelf wear corners bumped. Ink stamp on titlepage. Text and atlas both very clean internally. A very good set. "One of the grandest publications of the scientific expeditions in the American West.depicting the Grand Canyon in a series of magnificent panoramas" - CREATING AMERICA. The work includes illustrations by arguably the two greatest American topographical artists to record this era of westward expansion: William Holmes and Thomas Moran. The handsomely illustrated text volume was intended to accompany Dutton's impressive atlas of maps and panoramas of the Grand Canyon. Many of the plates in the text volume are from drawings by W.H. Holmes. <br> <br> The atlas includes eight beautifully executed maps of the region on twelve sheets as well as the ten sheets of views. The views include a number of images that are designed to form larger continuous panoramas. The greatest of these is Holmes' view from Point Sublime in the Kaibab: the three chromolithographed sheets numbered XVI- XVII if joined would form a single panoramic view with an image area measuring approximately 17 x 90 inches. It is interesting to note that the first of these sheets includes what may be a self-portrait and portrait respectively of Holmes and Dutton: two figures are visible at the edge of the canyon one is seated and clearly sketching Holmes while the second figure bends down to examine his companion's work Dutton. William Goetzmann calls W.H. Holmes "the greatest artist-topographer and man of many talents that the West ever produced.his artistic technique was like no other's. He could sketch panoramas of twisted mountain ranges sloping monoclines escarpments plateaus canyons fault blocks and grassy meadows that accurately depicted hundreds of miles of terrain. They were better than maps and better than photographs because he could get details of stratigraphy that light and shadow obscured from the camera.his illustrations for Dutton's TERTIARY HISTORY OF THE GRAND CANON DISTRICT are masterpieces of realism and draftsmanship as well as feats of imaginative observation." <br> <br> The team assembled to carry out this geological survey of the Grand Canyon included some outstanding talents: C.E. Dutton the scientist; Jack Hilliers the photographer; and Holmes and Moran as artist- topographers. The intention of the survey was strictly scientific but as Dutton wrote in his preface "I have in many places departed from the severe ascetic style which has become conventional in scientific monographs." This is also true of Moran and Holmes: both were clearly inspired by their subjects. The overall result is of a quality that would not be possible today. As Wallace Stegner wrote in his introduction to the 1977 reprint: <br> <br> "Later specialization has eliminated from scientific publications most of the elements that make THE TERTIARY HISTORY so charming. No report written as this one is written would now be published by any government bureau. No illustrators like Moran and Holmes would be permitted to illustrate it.A great book.THE TERTIARY HISTORY has kept its value precisely because it does not specialize." FARQUHAR BOOKS OF THE COLORADO RIVER & THE GRAND CANYON 73. Goetzmann EXPLORATION AND EMPIRE pp.512-13. REESE & MILES CREATING AMERICA 40. REESE BEST OF THE WEST 197. [text:] Government Printing Office; [atlas:] Julius Bien & Co. of New York (for the Government Printing Office) hardcover books
9891Editions Littéraires de France, Paris, 1945. In/4 en feuilles, couverture rempliée sous chemise et étui cartonné de l’éditeur, 61 illustrations coloriées au pochoir de Guy Arnoux, 154 pages. Un des 50 ex. avec une suite de hors-texte en couleur.
Editions Littéraires de France, Paris, 1945. In/4 en feuilles, couverture rempliée sous chemise et étui cartonné de l’éditeur, 61 illustrations coloriées au pochoir de Guy Arnoux, 154 p. Un des 50 ex. avec une suite de hors-texte en couleur. Monod 2313. Guy Arnoux : 1886 - 1951, artiste, illustrateur et graphiste français. Il a illustré près de quatre-vingts livres dont plusieurs grands formats d'une remarquable qualité d'impression chez Devambez. À l'issue de la Guerre de 1914-18, il participe à de charmants petits livres pour les enfants. Entre 1912 et 1925 il collabore à la célèbre revue de mode La gazette du bon ton. Il s'est intéressé aux domaines les plus variés de l'art décoratif : décors pour les paquebots (dont le Lafayette en 1930), publicités, jeux, affiches, menus, programmes, costumes, éventails, foulards, et même des chaussures. Il laisse derrière lui un caractère d'imprimerie, intitulé Guy-Arnoux capitale, qu'il a réalisé en 1914 à la demande de Georges Peignot pour la Fonderie G. Peignot & Fils. Issu d'une famille de militaires, l'armée et le patriotisme constituent ses thèmes favoris. En 1921, il est nommé peintre officiel de la marine. Son trait est reconnaissable entre tous : un cerne noir et de larges aplats, très souvent réalisés au pochoir. Il est le représentant d'un nouvel art populaire, à la fois moderne et traditionnel. C'est sans doute le dernier grand imagier français.
1929GITc787Alger Direction et Rédaction 1929-1933. 21 numéros en 1 volume grand et fort in-8, le nombre de pages du magazine variant de 42 à 20pp selon le numéro. Demi basane brune à coins, dos à 4 nerfs, couvertures illustrée (identiques) conservées, reliure de l'époque. Abondamment illustré dans le texte et à pleine page d'après des photographies, quelques dessins dans le texte et 17 planches hors texte sur papier chamois dessinées par Roger Debat, Joël Trézard, Drack-Oub, Roger Irriera, René Janon, Sirius Herzig, Bérold Costa, Van Mens, Bendiel et Sarraillon, nombreuses publicités. *janvier 1930: 1 page recollée en marge. *juin 1930: manque les pages 9 à 20 et 27-28. *août 1930: 1 page froissée et scotchée au bas, 1 page scotchée en bordure, pages 11 à 14 adhérentes par endroits. *avril 1931: bordure du 2e hors texte effrangée et pliée sans altérer le dessin. Pliure verticale plus ou moins marquée au centre des fascicules.
53282Paris, 59/43 cm. Rousseurs en pied. Bon état.
1929GIT01574Paris Henri Cyral 1929. In-8 broché couverture illustrée en couleurs rempiée III 315pp. Jolie illustration aux couleurs voves de Pierre Lissac: 21 têtes de chapitres, 27 in texte, 14 hors texte frontispice compris. Exp numéroté sur papier de Rives. Petite tache au bas du dos.
197851286NY:: David McKay Company. Near Fine in Near Fine dust jacket. 1978. Hardcover. 0679209751 . First printing. Near fine in a near fine small corner crease on front flap dust jacket. . David McKay Company, hardcover books
12486Bel ensemble de 36 volumes en très bon état : 17 numéros de TARZAN- GEANT. Trimestriel GEANT. 66 pages de dessins en noir et en couleurs. SAGE éditions 17 volumes. N°14 (3ème trimestre 1972)-15 16 17 18 19 20 21 22 23 24 25 (3ème trimestre 1975) N°28 (2ème trimestre 1976) 29 30 31 (1er trimestre 1977)- N°49 de format plus petit,. 66 pages de dessins en noir et en couleurs. (1er trimestre 1982. Ensemble en très bon état. On joint 8 numéros de SUPER TARZAN Bimestriel couverture illustrée en couleurs. 66 pages de dessins en noir et en couleurs. SAGE éditions. N°2 (4ème trimestre 1973) -3-4-5-7-8 (1er trimestre 1974) N°30 changement de format. 50 pages (2ème trimestre 1981) Très bon état. On joint : TARZAN le seigneur de la jungle.10 volumes. Mensuel. In 12 broché 64 pages illustrations en noir et en couleurs, couverture illustrée en couleurs, SAGE éditions. N° 48 (1972) 49)-50 (du 1. 05 1972 ) : en un album cartonné souple (n°14). Nouvelle série : n°18 Quatrième trimestre 1973-19 21 22 changement de format grand in 8 broché, souple, couverture illustrée en couleurs, 50 pages. n°31( 1 11 1974) -32 -33 (11 1 1975.) SUPER TARZAN n°1 : La fontaine des géants Sage éditions, 1.7.1973. 66 pages, couverture illustrée en couleurs. Un poster de 1973. 48,5x32,5cm. L’ensemble
31778Editions Ernest Flammarion, collection Guillaume,sans date vers 1930, In/8, reliure demi-basane, dos à nerfs, doré sur tête, 294 pages, illustrations en noir par G. Dutriac, J. Girardet, Montégut de Myrbach, Picard, Rossi. couverture en couleurs.
Editions Ernest Flammarion, collection Guillaume,sans date vers 1930, In/8, reliure demi-basane, dos à nerfs, doré sur tête, 294 pages, illustrations en noir par G. Dutriac, J. Girardet, Montégut de Myrbach, Picard, Rossi. couverture en couleurs.
200751045Moscow: Coalco Vasily Anisimov 2007. First edition. Hardcover. near fine. 1/100. Folio. 209pp. 1. Housed in a custom dark blue leather clamshell box with blind-stamped decorative tooling to the covers a circular pictorial inlay on the front gilt lettering and raised bands on the spine. Interior of the box in blue suede with lifting ribbon. Elaborate dark blue and gold silk-cover binding with gilt lettering and pictorial circular inlays on the front cover. Spine in dark blue leather with raised bands and gilt designs. All edges in gilt. Gold ribbon marker. Lustrous silver endpapers. Text in English.<br /> <br /> This beautifully printed book is a compilation of Russian folk-tales and proverbs privately printed by Russian billionaire and businessman Vasily Anisimov b.1951 as a gift for friends in a limited run of 100 copies. This copy is un-numbered on the colophon. Compiled edited and translated into English by Fr. or Archpriest Christopher Hill and Olga Piskunova. Illustrated throughout with pasted-on color reproductions after original paintings by Nina Alyoshina and Marina Gracheva frontispiece is tipped in. Box binding and interior all clean vibrant and near fine condition. Scarce. Coalco [Vasily Anisimov] hardcover
1932004833Akron Oh: Saalfield 1932. Staplebound. Very Good . 8 1/2" x 11" full color illustrations on each page by Virginia Albert full color cover by Frances Brundage. Printed on 'linen-like' paper with blue text. "Peter Rabbit and Sammy Squirrel" and "Peter Rabbit and His Pa" are included. Saalfield number 856. Saalfield unknown
919Illustré de 8 lithographies hors texte et de 14 bois par R. DROUART. P. Jonquières, 1922. In-8 carré, 220 pages. Broché.
1908GITk302Paris Librairie des Amateurs A Ferroud F Ferroud Sucesseur 1908. In-8 4 feuillets non chiffrés 6-87pp. Demi maroquin tabac à coins signés, dos à 4 nerfs, cadres de filets dorés dans les entrenerfs avec motifs à froid et mosaïqués havane au centre, tête dorée, non rogné, plats et dos de la couverture conservés, reliure de l'époque (Aussourd). Orné de 28 illustrations composées et gravées à l'eau forte par Charles Chessa: frontispice, vignette sur le titre, 25 en-têtes (une pour chaque poème), 1 cul de lampe. Tiré à 250 exemplaires, celui-ci 1 des 120 sur papier vélin d'Arches numérotés et paraphés à la main par l'éditeur. Pliure verticale sur le 2e plat de la couverture, bordure des pages brunie; transfert des eaux-fortes sur les pages en regard; quelques rousseurs. Carteret IV page 357. Edition appréciée des Amateurs. Reliure signée par René Aussourd, fraîche et décorative; ce relieur était réputé pour son habileté (Fléty page 14).
1946GIT009bbAux Dépens d'un Amateur 1946. Grand in-4 en feuilles sous chemise rempliée, étui et emboîtage 164pp. Orné d'eaux-fortes originales en couleurs de Maurice Leroy. Tiré à 325exp sur vélin de Rives, seul grand papier, 1 des 163 numérotés avec les illustrations de Maurice Leroy en un seul état.
2000james97Knopf New York 2000 Knopf New York 2000. First edition. First printing with full number line. Hardbound. A new copy in a new jacket. A pristine unread copy. Price $14.95 intact on front flap. SIGNED BY BRADBURY on title page as pictured. Smoke-free no defects. Comes with archival-quality mylar dust jacket protector. Ferry-Art. Signed by Authors. 1st Edition. Hardcover. As New/As New. Knopf, New York hardcover
1986GITc242Génolhac La Valésoune 1986. In-8 broché couverture illustrée 195pp. Abondamment illustré à pleine page d'après des photographies de l'auteur. Edition originale, tirée à 300 exemplaires numérotés sur papier couché ivoire. Envoi accompagné d'un poème manuscrit. Bel exemplaire.
