2 119 résultats
19404Dreamland éditeur, 1996. In-4 carré (26 x 21 cm) broché, couverture illustrée, illustrations en noir et en couleurs, 183 p.
Dreamland éditeur, 1996. In-4 carré (26 x 21 cm) broché, couverture illustrée, illustrations en noir et en couleurs, 183 p. Bon état hormis une petite pliure en couverture dos. Cet ouvrage détaille les exploits de Popeye ; épidodes diffusés au cinéma puis à la télévision ; filmographie complète de plus de 200 titres.
ORD-5524Carte postale polonaise. N°80. Nakladem Arnolda w Tarnowie Nasladownictwo zabronione. Vers 1900 Carte postale (90 x 137mm), reproduction d'une peinture de Gottlieb.
1889GITk297Paris Librairie Rouquette 1889. In-8 2 feuillets non chiffrés VI-VII 2-38pp. Demi maroquin brun foncé à coins, dos à nerfs orné de cadres de filets à froid et fleurettes dorées, tête dorée, non rogné, plats de la couverture vieux rose illustrée conservés, reliure de l'époque. Charmante illustration de Paul Avril, gravée à l'eau forte: portrait de l'Auteur en frontispice, 2 têtes de chapitre, 2 culs de lampe, 8 dans le texte. Tiré à 505 exemplaires dont les planches ont été effacées après le tirage, celui-ci 1 des 85 sur papier de Hollande numéroté et paraphé à la main par l'éditeur, portant le numéro 151 avec deux états des gravures (avant la lettre et dans le texte). Edition appréciée des Amateurs, parue sans le nom de l'Auteur; la finesse et l'élégance des illustrations de Paul Avril se marie fort bien avec le texte. Carteret V page 201. Vicaire III, colonne 180. BEL EXEMPLAIRE dans une reliure sobre bien conservée et décorative, formant un écrin discret pour ce conte célèbre racontant les premiers émois amoureux d'un jeune homme.
Editions de la Mappemonde, Bruxelles, 1934. In/8 (14 x 20 cm) broché, couverture illustrée en couleurs et rempliée, illustrations en couleurs de A. Calbet gravées sur cuivre par Maccard, 58 pages, 2 f. Un des 775 exemplaire sur papier de Rives
Editions de la Mappemonde, Bruxelles, 1934. In/8 (14 x 20 cm) broché, couverture illustrée en couleurs et rempliée, un portrait en frontispice de Vivant-Denon dessiné et gravé par lui-même, illustrations en couleurs de A. Calbet gravées sur cuivre par Maccard, 58 pages, 2 f. Un des 775 exemplaire sur papier de Rives
10019Illustrations dans le texte de POULBOT gravées sur bois. P. Terres latines, Sans date (vers 1950). In-4, 204 pages. Broché.Couvertures ternies.
1882415057London : Ward Lock and Tyler 1882. Second Edition. Hardcover. Finely bound in the original elaborately gilt-blocked decorated cloth over bevelled boards. All edges gilt. Spine bands and panel edges slightly dulled and rubbed as with age. Remains particularly well-preserved overall; internally tight bright and clean Physical description; 287 pages : illustrations 23 cm. Notes; Date is suggested. Subjects; English poetry. English wit and humor. London : Ward, Lock and Tyler hardcover
18131233158vo in 4s. London: R. Ackermann 1813. 8vo in 4s 4 xv 1 blank 215 1 blank pp. Twenty-one hand-colored aquatint plates including frontispiece. Full crushed red morocco by Riviere covers gilt-ruled backstrip with five raised bands paneled in gilt gilt dentelles green coated endpapers all edges gilt. Joints lightly worn some offsetting from the plates a very good copy. § First edition. "The originals of the plates introduced in this volume were sketches made as souvenirs of the place during a visit to Scarborough 1812. They were not intended for publication but being found to interest many persons of taste several of whom expressed a desire to possess engravings of them and some gentlemen having offered to add metrical illustrations to each the present form of publication has been adopted. The several authors were not personally acquainted with each other" Advertisement. A delightfully silly satire on fashionable life at the seaside in Regency England perhaps better known to us today through the novels of Jane Austen. In later years Scarborough became a favorite place of Anne Brontë who was prescribed the spa waters and sea air for her tuberculosis and who died there in 1849. The versified descriptions of the spa the castle the ball room and sea-bathing among other things were here published anonymously; in the second edition the authors were identified as W. Coombe J. B. Papworth and F. Wrangham. "Plate 8 'The Warm Bath' is said to contain the portrait of Mrs. Robinson George IV's mistress" Tooley. Abbey Scenery 297. Tooley 422. R. Ackermann hardcover books
1927GITg579Paris Piazza 1927. In-8 XVI 172pp 2 feuillets non chiffrés. Basane acajou, dos lisse avec le titre argenté au centre, double encadrement et grand fleuron central de basane noire sur les plats,plats et dos de la couverture conservés, étui doublé de feutrine et bordé de basane, reliure de l'époque. Orné en frontispice d'un beau portrait de l'auteur par Ouvré, gravé sur cuivre, ornements de Pierre Courtois. Exemplaire numéroté sur vélin chiffon. Bel exemplaire frais, bien complet dans une reliure en bon état et décorative.
1927GITk086Paris Piazza Le Livre Français 1927. In-8 broché 2 feuillets non chiffrés (faux-titre, titre) XVI 1 feuillet non chiffré 172pp 2 feuillets non chiffrés (table, achevé d'imprimer) sous étui recouvert de papier noir et doré, pièce de titre rouge sur le dos. Orné de décorations gravées d'après les dessins de Pierre Courtois et 1 beau portrait d'Alfred de Vigny en frontispice gravé sur cuivre par A Ouvré. 1 des 250 exemplaires sur papier Japon, numéroté à la main en chiffres romains. Bel exemplaire frais, complet, non coupé.
1938GIT013f9A Paris aux Editions de Cluy 1938. In-8 broché couverture rempliée 248pp. Orné de 18 élégantes illustrations hors texte de Charles Martin dont 5 en couleurs (frontispice compris). Bel exp.
1908GITa111Paris Charpentier 1908. In-32 324pp. Pleine basane bordeaux, dos à nerfs janséniste, chaînette dorée sur bordure intérieure, tranches dorées, rel époque. Orné d'un portrait de l'auteur en frontispice (réduction de l'eau forte de Leopold Flameng, d'après le tableau de Landelle) et 1 eau forte hors texte de Lalauze d'après Bida. Papier légèrement et uniformément jauni. Bel exemplaire bien relié de la collection "Petite Bibliothèque Charpentier". Vicaire I, col 619.
1881GITa113Paris Charpentier 1881. In-32 324pp. Demi chagrin rouge, dos à 4 nerfs rehaussés d'un filet perlé, compartiments finement dorés dans les entrenerfs, tête dorée, rel époque. Orné d'un portrait de l'auteur en frontispice (réduction de l'eau forte de Leopold Flameng d'après le tableau de Landelle) et 1 eau forte hors texte de Lalauze d'après Bida. Petite usure du papier des plats, intérieur sans aucune rousseur.
1926GITk088Paris Piazza Le Livre Français 1926. In-8 broché 3 feuillets non chiffrés (faux-titre, titre, portrait) XIX 1 feuillet non chiffré 300pp 1 feuillet non chiffré (numéro d'ordre dans la collection, achevé d'imprimer) sous étui recouvert de beau papier noir et doré, pièce de titre rouge sur le dos. Décoration gravée d'après les dessins de Pierre Courtois, beau portrait hors texte de Baudelaire. 1 des 250 exemplaires sur papier Japon numérotés à la main en chiffres romains SANS LE FRONTISPICE EN COULEURS ANNONCE POUR LES EXEMPLAIRES SUR JAPON. Bel exemplaire très frais, complet du texte et du portrait MAIS sans le frontispice en couleurs.
1882GITa130Paris Quantin 1882. In-32 broché 111pp. Texte dans un joli encadrement de guirlandes vertes, orné de 12 fines illustrations en deux tons de P. Avril. Dos bruni avec petit manque en tête, intérieur en parfait état.
1795ST20880London: W. Bulmer and Co. Shakspeare Printing Office 1795. 305 x 238 mm. 12 x 9 5/8". xx 76 pp. <br/> HANDSOME CONTEMPORARY SCARLET STRAIGHT-GRAIN MOROCCO ELABORATELY GILT covers framed by gilt fillets and decorative rolls smooth spine panels diapered into compartments containing annular dots gilt lettering turn-ins with gilt bead roll marbled endpapers all edges gilt. Housed in a velveteen-lined brown cloth chemise in an excellent matching morocco-backed slipcase. Engraved title page vignette five plates and seven vignettes in the text by Thomas and John Bewick. A Large Paper Copy. Front pastedown with bookseller's ticket of E. Lloyd. Hugo 87; Ray "England" 50. See also Glaister p. 75. Four small black ink spots to boards a hint of wear to corners title and dedication leaf a bit foxed occasional mild foxing elsewhere but an excellent copy--the text clean and fresh with capacious margins and the beautiful contemporary binding lustrous and virtually unworn.<br/> <br/> This extremely attractive poetic production is called by Hugo "a magnificent result of the efforts of the wood-engraver type-founder papermaker and printer" and it is offered here in a richly decorative contemporary binding. The text is composed of two poems by Oliver Goldsmith "The Traveller" and "The Deserted Village" and one poem by Thomas Parnell "The Hermit" accompanied by biographical sketches of each writer that of Parnell written by Goldsmith. The charming illustrations are the work of the Bewick brothers. More than any contemporaneous artist or printer Thomas Bewick 1753-1828 was responsible for a renewed interest in wood engraving his virtuosity and prolific output in the medium raising its reputation in book production. And here his artworks are accompanied by those of his brother John 1760-95. The large scenes which gracefully depict the figures from the poems are accompanied by the small head- and tailpiece vignettes for which Thomas Bewick is best remembered the gently sentimental scenes of rural vistas and picturesque ruins perfectly offsetting the text. Our volume was beautifully printed on heavy Whatman paper by Bewick's friend the celebrated William Bulmer who in Glaister's words was "one of the best printers of the time striving to raise the standard of English typography. To this end he perfected his own ink used good paper and specially cut types." Ray praises the printing as well as the illustrations writing that "thanks to Bulmer this is by far the handsomest of contemporary volumes containing Bewick's work." Our copy in pleasing contemporary morocco is a particularly appealing example. W. Bulmer and Co. Shakspeare Printing Office unknown
1931GIT0141aParis Georges Briffaut "Le Livre du Bibliophile" 1931. In-8 broché couverture rempliée 282pp. Orné de 53 jolies illustrations en couleurs dont le frontispice par J-P Carré. Tiré à 915exp numérotés, celui-ci 1 des 900 sur vélin de Rives. Bel exp non coupé.
Hachette, les albums roses, 1965. In-8 (19 x 16 cm) cartonnage illusré en couleurs, 20 p. illustrées en couleurs. Bon état.
149584None Stated: None stated nd. Hardcover. Ex-library copy with usual marks. Plates mostly clean but a few have minor-to-mild foxing. Two plates have perforation stamps on lower margins not affecting plate images. Front end pages ffep detached and laid in contain 2 library plates 2 personal book plates and one additional plate. Some wear to spine mostly at head/tail and to leather corners but nothing terribly offensive. Ex-lib. sticker on back cover. Dark green 3/4 leather with complementary medium green cloth. Gilt edging lettering and 3 bands not raised. AEG. No text. 20 pp each with an individual bw etching / engraving. With bookplates by prominent people. The title page is hand-lettered and there is no printed publication information. This is a unique and important item of Cruikshankiana. Ex-library copy with minimally offensive marks given the importance of each one. This volume contains ONLY the 20 engravings used as illustrations for Eccentric Tales. The original sketches were by Alfred Henry Forrester under the pseudonym of Alfred Crowquill. The actual book illustrations then were done by George Cruikshank. This particular book contains Forrester's personal book plate. Another book plate is of Albert M. Cohn who wrote a catalogue raisonne of Cruikshank's works in 1924 a small label on the fep makes reference to this catalogue #471. And a third book plate is of William Hartman Woodin Secretary of the Treasury under Franklin D. Roosevelt in 1933. The final bookplate present is that of the Brooklyn Public Library. Plates No. 8 and 15 have remarques. The Cruikshank illustrations in Eccentric Tales were apparently hand-tinted but these images are in b/w with no tinting and appear to be etching proofs for the final illustrations. Both Crowquill's and Cruikshank's names appear under each etching. Delightful and humorous illustrations done in great detail. Unique and rare. None stated hardcover books
149584None Stated: None stated nd. Hardcover. Ex-library copy with usual marks. Plates mostly clean but a few have minor-to-mild foxing. Two plates have perforation stamps on lower margins not affecting plate images. Front end pages ffep detached and laid in contain 2 library plates 2 personal book plates and one additional plate. Some wear to spine mostly at head/tail and to leather corners but nothing terribly offensive. Ex-lib. sticker on back cover. Dark green 3/4 leather with complementary medium green cloth. Gilt edging lettering and 3 bands not raised. AEG. No text. 20 pp each with an individual bw etching / engraving. With bookplates by prominent people. The title page is hand-lettered and there is no printed publication information. This is a unique and important item of Cruikshankiana. Ex-library copy with minimally offensive marks given the importance of each one. This volume contains ONLY the 20 engravings used as illustrations for Eccentric Tales. The original sketches were by Alfred Henry Forrester under the pseudonym of Alfred Crowquill. The actual book illustrations then were done by George Cruikshank. This particular book contains Forrester's personal book plate. Another book plate is of Albert M. Cohn who wrote a catalogue raisonne of Cruikshank's works in 1924 a small label on the fep makes reference to this catalogue #471. And a third book plate is of William Hartman Woodin Secretary of the Treasury under Franklin D. Roosevelt in 1933. The final bookplate present is that of the Brooklyn Public Library. Plates No. 8 and 15 have remarques. The Cruikshank illustrations in Eccentric Tales were apparently hand-tinted but these images are in b/w with no tinting and appear to be etching proofs for the final illustrations. Both Crowquill's and Cruikshank's names appear under each etching. Delightful and humorous illustrations done in great detail. Unique and rare. None stated hardcover
GIT01570Paris Plon sd v 1890. In-4 36 feuillets + 4ff n ch publicités. Cartonnage éditeur percaline olive, dos nu, titre et personnage polychrome sur le 1er plat. Abondamment illustré de jolis dessins de Mars en noir et en couleurs. Charnières fragiles, manque le feuillet 28. Cartonnage frais.
Hachette et cie, Paris, s.d. (1907). In-8 (20 x 15 cm) reliure éditeur en toile verte, joli décor gaufré doré reprenant une illustration de Rackham, 24 planches couleurs de Rackham. Un ex-libris en page de garde. Ouvrage frais hormis de très petites usures en coiffes et sur un coin inférieur. Arthur Rackham (1867-1939), artiste britannique, illustrateur de nombreux livres. L'œuvre de Rackham est bien plus riche qu'on ne le pense généralement ; certes, la majeure partie de son travail concerne les livres pour enfants, cependant, il a aussi travaillé sur nombre d’ouvrages pour adultes.
1991455712San Diego: Harcourt Children's Books 1991. 1st. Hardcover. Very Good/Very Good. Diane Leo Dillon. Hardcover. SIGNED BY AUTHOR Nancy Willard AND ILLUSTRATORS THE DILLONS on title page. Very clean and tight copy. Funny picture book about how the housekeeper of Bosch deals with his crazy personality & art. A witty tale by Willard with amusing color illustrations by the award-winning husband and wife team. Record # 455712 Harcourt Children's Books hardcover
19321338441New York: Garden City Publishing Co 1932. Hardcover. Octavo; G; Hardcover; Spine blue with green print; Boards in blue cloth with green print illustrated pastedown on front tattering to spine caps and corners mild shelfwear stains on rear; Text block has green tinted top edge name in pencil on front pastedown tanning to endpapers tear to bottom edge of p. 3 else clean and tight; ix 323 pages frontispiece illustrated color plates. 1338441. FP New Rockville Stock. Garden City Publishing Co hardcover books